Our Love Is Here to Stay: Ella & Louis Sing Gershwin

~ Release by Ella Fitzgerald & Louis Armstrong (see all versions of this release, 1 available)

Annotation

Notes

The (Verve) material presented here is anything but new.
The sleeve is somewhat not attractive :).
This is yet another compilation.

So, what's left?
It's Ella . It's Satch. It's Verve. It's damn good.
Still a compilation, though.

Annotation last modified on 2007-11-23 21:37 UTC.

Tracklist

CD 1
#TitleRatingLength
1I Got Plenty O' Nuttin'
recorded in:
Los Angeles, California, United States (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1957-08-18)
trombone:
Buddy Childers (on 1957-08-18)
trumpet:
Frank Beach (trombone, trumpet) (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (on 1957-08-18) and Ella Fitzgerald (on 1957-08-18)
conductor:
Russell Garcia (on 1957-08-18)
recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements) (on 1957-08-18)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
3:55
2He Loves and She Loves
recorded in:
Hollywood, Los Angeles, California, United States (from 1959-01-05 until 1959-07-17)
producer:
Norman Granz
alto saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (from 1959-01-05 until 1959-07-17)
bass:
Joe Mondragon (from 1959-01-05 until 1959-07-17)
bass trombone:
George Roberts (american bass trombone) (from 1959-01-05 until 1959-07-17)
cello:
Armand Kaproff (from 1959-01-05 until 1959-07-17), Kurt Reher (from 1959-01-05 until 1959-07-17) and Eleanor Slatkin (from 1959-01-05 until 1959-07-17)
drums (drum set):
Alvin Stoller (from 1959-01-05 until 1959-07-17)
French horn:
Vincent DeRosa (from 1959-01-05 until 1959-07-17)
guitar:
Herb Ellis (jazz guitarist) (from 1959-01-05 until 1959-07-17)
percussion:
Frank Flynn (from 1959-01-05 until 1959-07-17)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1959-01-05 until 1959-07-17)
trombone:
Milt Bernhart (from 1959-01-05 until 1959-07-17), Richard Noel (trombonist) (from 1959-01-05 until 1959-07-17) and Tommy Pederson (from 1959-01-05 until 1959-07-17)
trumpet:
Cappy Lewis (from 1959-01-05 until 1959-07-17), Dale McMickle (from 1959-01-05 until 1959-07-17), Shorty Sherock (from 1959-01-05 until 1959-07-17) and Vito Mangano (from 1959-01-05 until 1959-07-17)
viola:
Alvin Dinkin (from 1959-01-05 until 1959-07-17), Stanley Harris (US big band viola player) (from 1959-01-05 until 1959-07-17) and Barbara Simons (from 1959-01-05 until 1959-07-17)
violin:
Victor Bay (from 1959-01-05 until 1959-07-17), Alex Beller (from 1959-01-05 until 1959-07-17), James Getzoff (from 1959-01-05 until 1959-07-17), Ben Gill (from 1959-01-05 until 1959-07-17), Jacques Gasselin (from 1959-01-05 until 1959-07-17), Murray Kellner (from 1959-01-05 until 1959-07-17), Nat Ross (from 1959-01-05 until 1959-07-17), Eudice Shapiro (Violinist) (from 1959-01-05 until 1959-07-17), Felix Slatkin (from 1959-01-05 until 1959-07-17) and Marshall Sosson (from 1959-01-05 until 1959-07-17)
woodwind:
Buddy Collette (from 1959-01-05 until 1959-07-17), Harry Klee (from 1959-01-05 until 1959-07-17), Joe Koch (from 1959-01-05 until 1959-07-17) and Champ Webb (from 1959-01-05 until 1959-07-17)
vocals:
Ella Fitzgerald (from 1959-01-05 until 1959-07-17)
conductor:
Nelson Riddle (from 1959-01-05 until 1959-07-17)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1959-01-05 until 1959-07-17)
recording of:
He Loves and She Loves (from 1959-01-05 until 1959-07-17)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway Musical)
2:49
3A Woman Is a Sometime Thing
double bass:
Joe Mondragon (from 1957-08-18 until 1957-10-14)
drums (drum set):
Alvin Stoller (from 1957-08-18 until 1957-10-14)
French horn:
Vincent DeRosa (from 1957-08-18 until 1957-10-14)
guitar:
Tony Rizzi (from 1957-08-18 until 1957-10-14)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-08-18 until 1957-10-14)
trombone:
Buddy Childers (from 1957-08-18 until 1957-10-14)
trumpet:
Frank Beach (trombone, trumpet) (from 1957-08-18 until 1957-10-14)
violin:
Victor Arno (from 1957-08-18 until 1957-10-14)
vocals:
Louis Armstrong (from 1957-08-18 until 1957-10-14)
conductor:
Russell Garcia (from 1957-08-18 until 1957-10-14)
recording of:
Porgy and Bess: Act I, Scene I. “Lissen to yo’ daddy warn you … A woman is a sometime thing” (from 1957-08-18 until 1957-10-14)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene I
4:49
4They Can't Take That Away From Me
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
4.54:41
5Let's Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (on 1957-08-23)
double bass:
Ray Brown (jazz bassist) (on 1957-08-23)
drums (drum set):
Louie Bellson (on 1957-08-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-23)
trumpet:
Louis Armstrong (on 1957-08-23)
vocals:
Louis Armstrong (on 1957-08-23) and Ella Fitzgerald (on 1957-08-23)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-08-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
44:14
6Strike Up the Band
recorded in:
Hollywood, Los Angeles, California, United States (from 1959-01-05 until 1959-07-17)
producer:
Norman Granz
alto saxophone:
Ronnie Lang (from 1959-01-05 until 1959-07-17)
baritone saxophone:
Chuck Gentry (from 1959-01-05 until 1959-07-17)
bass:
Joe Comfort (from 1959-01-05 until 1959-07-17)
bass trombone:
George Roberts (american bass trombone) (from 1959-01-05 until 1959-07-17)
cello:
Armand Kaproff (from 1959-01-05 until 1959-07-17), Edgar Lustgarten (from 1959-01-05 until 1959-07-17) and Kurt Reher (from 1959-01-05 until 1959-07-17)
drums (drum set):
Alvin Stoller (from 1959-01-05 until 1959-07-17)
guitar:
Herb Ellis (jazz guitarist) (from 1959-01-05 until 1959-07-17)
percussion:
Frank Flynn (from 1959-01-05 until 1959-07-17)
piano:
Lou Levy (from 1959-01-05 until 1959-07-17)
trombone:
James Priddy (from 1959-01-05 until 1959-07-17), Richard Noel (trombonist) (from 1959-01-05 until 1959-07-17) and Tommy Pederson (from 1959-01-05 until 1959-07-17)
trumpet:
Pete Candoli (from 1959-01-05 until 1959-07-17), Cappy Lewis (from 1959-01-05 until 1959-07-17), Dale McMickle (from 1959-01-05 until 1959-07-17) and Shorty Sherock (from 1959-01-05 until 1959-07-17)
tuba:
Red Callender (from 1959-01-05 until 1959-07-17)
viola:
Alvin Dinkin (from 1959-01-05 until 1959-07-17), Lou Kievman (violist) (from 1959-01-05 until 1959-07-17), Ralph Lane (viola) (from 1959-01-05 until 1959-07-17) and Barbara Simons (from 1959-01-05 until 1959-07-17)
violin:
Victor Bay (from 1959-01-05 until 1959-07-17), Alex Beller (from 1959-01-05 until 1959-07-17), Ben Gill (from 1959-01-05 until 1959-07-17), Jacques Gasselin (from 1959-01-05 until 1959-07-17), Joseph Livoti (violinist) (from 1959-01-05 until 1959-07-17), Dan Lube (from 1959-01-05 until 1959-07-17), Misha Russell (from 1959-01-05 until 1959-07-17), Paul Shure (from 1959-01-05 until 1959-07-17), Marshall Sosson (from 1959-01-05 until 1959-07-17) and Gerald Vinci (from 1959-01-05 until 1959-07-17)
woodwind:
Buddy Collette (from 1959-01-05 until 1959-07-17), Harry Klee (from 1959-01-05 until 1959-07-17) and Champ Webb (from 1959-01-05 until 1959-07-17)
vocals:
Ella Fitzgerald (from 1959-01-05 until 1959-07-17)
conductor:
Nelson Riddle (from 1959-01-05 until 1959-07-17)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1959-01-05 until 1959-07-17)
recording of:
Strike Up the Band (1927 Gershwin song) (in 1959)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
part of:
My One and Only (1983 Broadway Musical)
part of:
Strike up the Band (1927 Gershwin musical)
2:37
7Things Are Looking Up
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1959)
conductor:
Nelson Riddle (in 1959)
performer:
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
cover recording of:
Things Are Looking Up (A Damsel in Distress) (in 1959)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
3:06
8They All Laughed
recorded in:
Los Angeles, California, United States (on 1957-08-23)
double bass:
Ray Brown (jazz bassist) (on 1957-08-23)
drums (drum set):
Louie Bellson (on 1957-08-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-23)
trumpet:
Louis Armstrong (on 1957-08-23)
vocals:
Louis Armstrong (on 1957-08-23) and Ella Fitzgerald (on 1957-08-23)
recording of:
They All Laughed (from “Shall We Dance”) (on 1957-08-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
3:49
9A Foggy Day
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
recording of:
A Foggy Day (in London Town) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
44:34
10How Long Has This Been Going On?
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1957-10-14)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway Musical)
part of:
Rosalie
6:01
11Summertime
recorded in:
Los Angeles, California, United States (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (in 1957, on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1957, on 1957-08-18)
trombone:
Buddy Childers (on 1957-08-18)
trumpet:
Frank Beach (trombone, trumpet) (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (in 1957, on 1957-08-18) and Ella Fitzgerald (in 1957, on 1957-08-18)
orchestra:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (on 1957-08-18)
performer:
Louis Armstrong and Ella Fitzgerald
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1957-08-18)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
lyrics quoted on:
Doin’ Time
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
0.65:02
12Love Is Here to Stay
recorded in:
Los Angeles, California, United States (on 1957-08-23)
double bass:
Ray Brown (jazz bassist) (on 1957-08-23)
drums (drum set):
Louie Bellson (on 1957-08-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-23)
trumpet:
Louis Armstrong (on 1957-08-23)
vocals:
Louis Armstrong (on 1957-08-23) and Ella Fitzgerald (on 1957-08-23)
recording of:
Love Is Here to Stay (on 1957-08-23)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
34:00
13There's a Boat Dat's Leavin' Soon for New York
double bass:
Joe Mondragon (from 1957-08-18 until 1957-10-14)
drums (drum set):
Alvin Stoller (from 1957-08-18 until 1957-10-14)
French horn:
Vincent DeRosa (from 1957-08-18 until 1957-10-14)
guitar:
Tony Rizzi (from 1957-08-18 until 1957-10-14)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1957-08-18 until 1957-10-14)
trombone:
Buddy Childers (from 1957-08-18 until 1957-10-14)
trumpet:
Frank Beach (trombone, trumpet) (from 1957-08-18 until 1957-10-14)
violin:
Victor Arno (from 1957-08-18 until 1957-10-14)
vocals:
Louis Armstrong (from 1957-08-18 until 1957-10-14)
conductor:
Russell Garcia (from 1957-08-18 until 1957-10-14)
recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York” (from 1957-08-18 until 1957-10-14)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene II
4:56
14'S Wonderful
recorded in:
Hollywood, Los Angeles, California, United States (on 1959-07-16)
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Ronnie Lang (on 1959-07-16)
baritone saxophone:
Chuck Gentry (on 1959-07-16)
bass:
Joe Comfort (on 1959-07-16)
bass trombone:
George Roberts (american bass trombone) (on 1959-07-16)
cello:
Armand Kaproff (on 1959-07-16), Edgar Lustgarten (on 1959-07-16) and Kurt Reher (on 1959-07-16)
drums (drum set):
Alvin Stoller (on 1959-07-16)
guitar:
Herb Ellis (jazz guitarist) (on 1959-07-16)
percussion:
Frank Flynn (on 1959-07-16)
piano:
Lou Levy (on 1959-07-16)
trombone:
James Priddy (on 1959-07-16), Richard Noel (trombonist) (on 1959-07-16) and Tommy Pederson (on 1959-07-16)
trumpet:
Pete Candoli (on 1959-07-16), Cappy Lewis (on 1959-07-16), Dale McMickle (on 1959-07-16) and Shorty Sherock (on 1959-07-16)
tuba:
Red Callender (on 1959-07-16)
viola:
Alvin Dinkin (on 1959-07-16), Lou Kievman (violist) (on 1959-07-16), Ralph Lane (viola) (on 1959-07-16) and Barbara Simons (on 1959-07-16)
violin:
Victor Bay (on 1959-07-16), Alex Beller (on 1959-07-16), Ben Gill (on 1959-07-16), Jacques Gasselin (on 1959-07-16), Joseph Livoti (violinist) (on 1959-07-16), Dan Lube (on 1959-07-16), Misha Russell (on 1959-07-16), Paul Shure (on 1959-07-16), Marshall Sosson (on 1959-07-16) and Gerald Vinci (on 1959-07-16)
woodwind:
Buddy Collette (on 1959-07-16), Harry Klee (on 1959-07-16) and Champ Webb (on 1959-07-16)
lead vocals:
Ella Fitzgerald (on 1959-07-16)
vocals:
Ella Fitzgerald (on 1959-07-16)
conductor:
Nelson Riddle (on 1959-07-16)
performer:
Nelson Riddle and His Orchestra (on 1959-07-16)
arranger:
Nelson Riddle
recording of:
’S Wonderful (on 1959-07-16)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway Musical)
3:31
15I Was Doing All Right
recorded in:
Chicago, Illinois, United States (on 1957-10-14)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1957-10-14)
drums (drum set):
Louie Bellson (on 1957-10-14)
guitar:
Herb Ellis (jazz guitarist) (on 1957-10-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-10-14)
trumpet:
Louis Armstrong (on 1957-10-14)
vocals:
Louis Armstrong (on 1957-10-14)
recording of:
I Was Doing All Right (on 1957-10-14)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
3:24
16Oh, Lady, Be Good
recording of:
Oh, Lady Be Good! (on 1957-10-09)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
4:00

Credits

Release

ASIN:US: B0000047GL [info]