The Strange Case Of… (Deluxe Edition Reissue)

~ Release by Halestorm (see all versions of this release, 7 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Love Bites (So Do I)
recording engineer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
keyboard:
Howard Benson and Lenny Skolnik
piano and lead vocals:
Lzzy Hale
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger and Josh Smith (bassist for Halestorm)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
Love Bites (So Do I) (Halestorm Song) (in 2011)
writer:
Dave Bassett (songwriter & producer), B. Connors (co-writer on two songs on Halestorm's "The Strange Case Of...") and Lzzy Hale
Halestorm3.93:11
2Mz. Hyde
recording engineer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
keyboard:
Howard Benson and Lenny Skolnik
piano and lead vocals:
Lzzy Hale
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger and Josh Smith (bassist for Halestorm)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
Mz. Hyde (Halestorm Song) (in 2011)
writer:
Lzzy Hale and Scott Stevens (songwriter, producer, singer and instrumentalist, formerly of The Exies)
Halestorm33:22
3I Miss the Misery
recording engineer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
keyboard:
Howard Benson and Lenny Skolnik
piano and lead vocals:
Lzzy Hale
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger and Josh Smith (bassist for Halestorm)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
I Miss the Misery (Halestorm song) (in 2011)
writer:
Christine Connolly (Former wife of Tyler Connolly), Lzzy Hale and Scott Stevens (songwriter, producer, singer and instrumentalist, formerly of The Exies)
Halestorm53:04
4Freak Like Me
recording engineer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
keyboard:
Howard Benson and Lenny Skolnik
piano and lead vocals:
Lzzy Hale
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger and Josh Smith (bassist for Halestorm)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
Freak Like Me (Halestorm) (in 2011)
writer:
Johnny Lee Andrews, Rob Graves (songwriter, producer) and Lzzy Hale
Halestorm33:38
5Beautiful With You
recording engineer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
additional electric guitar:
Phil X (Bon Jovi guitarist Phil Xenidis)
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
keyboard:
Howard Benson and Lenny Skolnik
piano and lead vocals:
Lzzy Hale
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger and Josh Smith (bassist for Halestorm)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
Beautiful With You (Halestorm song) (in 2011)
writer:
Dana Calitri, Lzzy Hale, Nina Ossoff and Maria Sommer
Halestorm33:16
6In Your Room
recording engineer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
keyboard:
Howard Benson and Lenny Skolnik
piano and lead vocals:
Lzzy Hale
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger and Josh Smith (bassist for Halestorm)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
In Your Room (Halestorm song) (in 2011)
writer:
Lzzy Hale and Zac Maloy
publisher:
Voice of the Storm Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Halestorm32:47
7Break In
recording engineer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
keyboard:
Howard Benson and Lenny Skolnik
piano:
Jamie Muhoberac
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger and Josh Smith (bassist for Halestorm)
lead vocals:
Lzzy Hale
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
Break In (Halestorm song) (in 2011)
writer:
Rob Graves (songwriter, producer), Lzzy Hale, Mark Holman (Trigger Happy) and Aimée Proal
Halestorm34:45
8Rock Show
recording engineer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
keyboard:
Howard Benson and Lenny Skolnik
piano and lead vocals:
Lzzy Hale
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger and Josh Smith (bassist for Halestorm)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
Rock Show (Halestorm song) (in 2011)
writer:
Julian Emery (British musician, producer and songwriter), Lzzy Hale and Jim Irvin
Halestorm3.93:19
9Daughters of Darkness
recording engineer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
keyboard:
Howard Benson and Lenny Skolnik
piano and lead vocals:
Lzzy Hale
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger and Josh Smith (bassist for Halestorm)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
Daughters of Darkness (Halestorm song) (in 2011)
writer:
Blair Daly and Lzzy Hale
Halestorm43:55
10You Call Me a Bitch Like It's a Bad Thing
recording engineer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
keyboard:
Howard Benson and Lenny Skolnik
piano and lead vocals:
Lzzy Hale
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger and Josh Smith (bassist for Halestorm)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
You Call Me a Bitch Like It's a Bad Thing (Halestorm song) (in 2011)
writer:
Martin Briley, Dana Calitri, Lzzy Hale and Nina Ossoff
Halestorm33:12
11American Boys
recording engineer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
keyboard:
Howard Benson and Lenny Skolnik
piano and lead vocals:
Lzzy Hale
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger and Josh Smith (bassist for Halestorm)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
American Boys (Halestorm song) (in 2011)
writer:
Lzzy Hale and Robert Huff (writer)
Halestorm33:28
12Here's to Us
recording engineer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
additional electric guitar:
Phil X (Bon Jovi guitarist Phil Xenidis)
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
keyboard:
Howard Benson and Lenny Skolnik
piano and lead vocals:
Lzzy Hale
additional background vocals:
Wolfie Van Halen
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger, Josh Smith (bassist for Halestorm) and Wolfgang Van Halen
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
Here’s to Us (Halestorm song) (in 2011)
writer:
Danielle Brisebois, B. Connors (co-writer on two songs on Halestorm's "The Strange Case Of..."), Toby Gad (German songwriter, producer, pianist) and Lzzy Hale
Halestorm22:59
13Don't Know How to Stop
recording engineer and mixer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
editor:
Paul DeCarli
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
keyboard:
Howard Benson and Lenny Skolnik
piano and lead vocals:
Lzzy Hale
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger and Josh Smith (bassist for Halestorm)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The System
recording of:
Don't Know How to Stop (Halestorm song) (in 2011)
writer:
Julian Emery (British musician, producer and songwriter), Lzzy Hale, Jim Irvin and Jason Keith Perry (UK rock producer/songwriter, formerly of “A”)
Halestorm3:55
14Private Parts
recording engineer and mixer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
editor:
Paul DeCarli
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
keyboard:
Howard Benson and Lenny Skolnik
piano:
Jamie Muhoberac
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger and Josh Smith (bassist for Halestorm)
lead vocals:
Lzzy Hale
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The System
recording of:
Private Parts (Halestorm song) (in 2011)
writer:
Lzzy Hale and James Michael (Sixx:A.M. vocalist)
Halestorm feat. James Michael of Sixx:A.M.3:59
15Hate It When You See Me Cry
recording engineer and mixer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
editor:
Paul DeCarli
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
keyboard:
Howard Benson and Lenny Skolnik
piano and lead vocals:
Lzzy Hale
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger and Josh Smith (bassist for Halestorm)
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The System
recording of:
Hate It When You See Me Cry (Halestorm song) (in 2011)
writer:
Lzzy Hale
Halestorm3:12
16Here's to Us (Guest version)
recording engineer:
Mike Plotnikoff
miscellaneous support:
Jon Nicholson (drum technician) and Marc Vangool (guitar tech)
programming:
Howard Benson and Lenny Skolnik
additional engineer:
Paul DeCarli and Hatsukazu "Hatch" Inagaki
assistant engineer:
Jimmy Fahey
producer:
Howard Benson
mixer:
Chris Lord‐Alge
editor:
Paul DeCarli
drums (drum set) [drums] and percussion:
Arejay Hale (Halestorm drummer)
electric bass guitar:
Josh Smith (bassist for Halestorm)
electric guitar:
Lzzy Hale and Joe Hottinger
guest electric guitar:
Slash (Guns N’ Roses guitarist)
keyboard:
Howard Benson and Lenny Skolnik
background vocals:
Arejay Hale (Halestorm drummer), Joe Hottinger and Josh Smith (bassist for Halestorm)
guest other vocals:
Maria Brink, Tyler Connolly, David Draiman, Myles Kennedy, James Michael (Sixx:A.M. vocalist) and Brent Smith
lead vocals:
Lzzy Hale
recorded at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States, Sparky Dark Studio in Calabasas, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
Here’s to Us (Halestorm song)
writer:
Danielle Brisebois, B. Connors (co-writer on two songs on Halestorm's "The Strange Case Of..."), Toby Gad (German songwriter, producer, pianist) and Lzzy Hale
Halestorm53:15