Ultimate Divas

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Packaging is a Gatefold Digipak.

Annotation last modified on 2017-06-23 05:37 UTC.

Tracklist

CD 1
CD 2
CD 3
CD 4
#TitleArtistRatingLength
1Groupie (Superstar)
producer:
Delaney Bramlett
bass:
Carl Radle
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
guitar:
Delaney Bramlett, Eric Clapton and Dave Mason (co-founder of Traffic)
organ:
Bobby Whitlock
percussion:
Tex Johnson (percussionist)
saxophone:
Bobby Keys (American saxophonist)
trumpet:
Jim Price (horn session musician)
vocals:
Bonnie Bramlett, Delaney Bramlett and Rita Coolidge
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1972)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (from 1969-09-27 until 1969-10-10)
recording of:
Superstar (from 1969-09-27 until 1969-10-10)
writer:
Bonnie Bramlett and Leon Russell
publisher:
Delbon Publishing Co., Embassy Music Corporation, Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., ソニー・ミュージックパブリッシング A事業部 and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Delaney & Bonnie and Friends42:51
2Cry Me a River
lead vocals:
Etta James (from 2000-11-30 until 2001-02-27)
arranger:
Cedar Walton
cover recording of:
Cry Me a River (from 2000-11-30 until 2001-02-27)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
Etta James5:03
3Take Five
performer:
Carmen McRae
recording of:
Take Five (song version)
lyricist:
Dave Brubeck and Iola Brubeck
composer:
Paul Desmond
version of:
Take Five (original instrumental version)
Carmen McRae with The Dave Brubeck Quartet2:17
4I’m a Fool to Want You
bass:
Milt Hinton (on 1958-02-20)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1958-02-20)
cello:
Maurice Brown (jazz cellist) (on 1958-02-20) and David Soyer (on 1958-02-20)
drums (drum set):
Osie Johnson (on 1958-02-20)
flute:
Danny Bank (reeds) (on 1958-02-20), Phil Bodner (Woodwind player) (on 1958-02-20), Thomas Parshley (on 1958-02-20) and Romeo Penque (on 1958-02-20)
guitar:
Barry Galbraith (on 1958-02-20)
harp:
Janet Putman (on 1958-02-20)
piano:
Mal Waldron (American jazz pianist) (on 1958-02-20)
solo trombone:
Urbie Green (on 1958-02-20)
trombone:
Jack Green (on 1958-02-20) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1958-02-20)
trumpet:
Billy Butterfield (on 1958-02-20), Mel Davis (US jazz trumpeter) (on 1958-02-20) and Bernie Glow (on 1958-02-20)
viola:
Sidney Brecher (on 1958-02-20) and Richard Dickler (on 1958-02-20)
violin:
Emmanual Green (on 1958-02-20), Harry Hoffman (violinist) (on 1958-02-20), Harry Katzman (on 1958-02-20), Leo Kruczek (on 1958-02-20), Milton Lomask (on 1958-02-20), Harry Melnikoff (on 1958-02-20), George Ockner (on 1958-02-20) and Sam Rand (violinist) (on 1958-02-20)
background vocals:
Elise Bretton (on 1958-02-20) and Miriam Workman (on 1958-02-20)
lead vocals:
Billie Holiday (on 1958-02-20)
orchestra:
Ray Ellis and His Orchestra (on 1958-02-20)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1958-02-20)
cover recording of:
I’m a Fool to Want You (on 1958-02-20)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billie Holiday43:25
5The Nearness of You
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
vocals:
Sarah Vaughan
cover recording of:
The Nearness of You
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing, LLC (1995–2020)
Sarah Vaughan3:21
6I Want to Be Evil
recording of:
I Want to Be Evil (on 1953-03-12)
writer:
Lester Judson and Raymond Taylor (member of the Deuces of Rhythm)
Eartha Kitt33:31
7Let’s Fall in Love
engineer:
Harold Chapman
drums (drum set):
Osie Johnson (on 1956-04-25)
piano:
Hank Jones (piano) (on 1956-04-25)
saxophone:
Danny Bank (reeds) (on 1956-04-25), Al Cohn (on 1956-04-25), Seldon Powell (on 1956-04-25) and Sam Markowitz (saxophonist and clarinetist) (on 1956-04-25)
trombone:
Jimmy Cleveland (on 1956-04-25) and Urbie Green (on 1956-04-25)
trumpet:
Conte Candoli (on 1956-04-25), Joe Ferrante (on 1956-04-25), Bernie Glow (on 1956-04-25) and Nick Travis (on 1956-04-25)
vocals:
Betty Carter (on 1956-04-25)
conductor:
Gigi Gryce (on 1956-04-25)
arranger:
Gigi Gryce
recorded at:
Columbia Studios in New York, New York, United States (on 1956-04-25)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1956-04-25)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
Betty Carter2:00
8(Today I Met) The Boy I’m Gonna Marry
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Darlene Love
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Phil Spector Records, Inc. (not for release label use!) (in 2009)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1963-04 until 1963-05)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 12)
recording of:
(Today I Met) The Boy I’m Gonna Marry
writer:
Ellie Greenwich, Tony Powers and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc. and Unichappell Music, Inc.
Darlene Love2:48
9Wedding Bell Blues
producer:
Milt Okun
bass guitar:
Lou Mauro
drums (drum set):
Bill LaVorgna
guitar:
Jay Berliner
harmonica:
Buddy Lucas (Tenor saxophonist / vocalist / harmonica player)
piano:
Stan Free
lead vocals:
Laura Nyro
arranger:
Herb Bernstein
recorded at:
Associated Recording Studios in London (Greater London), England, United Kingdom (in 1966), Bell Sound Studios in New York, New York, United States (in 1966) and MGM Studios (NYC) in New York, New York, United States (in 1966)
recording of:
Wedding Bell Blues
lyricist and composer:
Laura Nyro
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Tuna Fish Music, ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and フジパシフィックミュージック SBK事業部
Laura Nyro2:55
10Love SongLesley Duncan3:40
11Angel
recording of:
Angel
writer:
James Q. Wright (US producer, musician, singer and songwriter aka Big Jim) and Chaka Khan
Chaka Khan24:26
12You’ll Never Know
recording engineer and mixer:
Bill Schnee
producer:
Robbie Buchanan and Barry Manilow
piano:
Randy Waldman
vocals:
Bette Midler
conductor:
Jorge Calandrelli
arranger:
Jorge Calandrelli and Barry Manilow
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
cover recording of:
You’ll Never Know
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (ended), EMI Blackwood Music Inc. (1989-07-24–present) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ワーナー・チャペル音楽出版, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present)
part of:
Academy Award for Best Original Song (number: 16)
Bette Midler31:46
13In the Wee Small Hours of the Morning
producer:
Frank Filipetti and Marty Paich
lead vocals:
Carly Simon
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1990)
cover recording of:
In the Wee Small Hours of the Morning
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
Carly Simon43:18
14Shot Through the Heart
Jennifer Warnes4:17
15Bette Davis Eyes
Jackie DeShannon2:47
16Angel
recording of:
Angel (Sarah McLachlan song)
lyricist and composer:
Sarah McLachlan
publisher:
Tyde Music
Sarah McLachlan4:01
17Damn I Wish I Was Your Lover
mixer:
David Leonard (US producer and engineer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
recording of:
Damn I Wish I Was Your Lover
lyricist and composer:
Sophie B. Hawkins
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Broken Plate Music Inc. (in 1992) and The Night Rainbow Music (publisher) (in 1992)
Sophie B. Hawkins4.755:24
18Whatever Will Be, Will Be (Que sera, sera)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (US lyricist)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
Academy Award for Best Original Song (number: 29)
Doris Day2:05

Credits

Release Group

part of:Ultimate (Sony Music series) (order: 7)