Ultimate 80

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Another One Bites the Dust
engineer:
Mack (German rock producer/engineer Reinhold Mack)
co-producer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
bass, bass guitar, guitar, keyboard, piano [piano (reversed)] and synthesizer [synthesizer (reversed)]:
John Deacon (from 1980-02 until 1980-05)
drums (drum set) and electronic instruments [electronic percussion]:
Roger Taylor (Queen drummer) (from 1980-02 until 1980-05)
electric guitar:
John Deacon (from 1980-02 until 1980-05) and Brian May (Queen guitarist) (from 1980-02 until 1980-05)
background vocals and lead vocals:
Freddie Mercury (from 1980-02 until 1980-05)
performer:
Queen (UK rock group)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1980, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1980, in 2011) and Raincloud Productions Ltd. (in 1980, in 2014)
recorded at:
Musicland Studios (Munich) in München, Bayern, Germany (from 1979-06 until 1980-05)
recording of:
Another One Bites the Dust (from 1980-02 until 1980-05)
lyricist and composer:
John Deacon
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Beechwood Music Corp. (in 1980), Queen Music Ltd. (in 1980) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
We Will Rock You (German version of the Queen musical)
part of:
We Will Rock You (Queen musical)
Queen4.23:36
2What’s Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 134) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Tina Turner4.153:47
3You Can Leave Your Hat On
cover recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer-songwriter and score composer)
publisher:
WB Music Corp. (1929–2019)
Joe Cocker4:04
4Don’t You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
MCA Music Ltd.
Simple Minds4.354:17
5Sexcrime
additional engineer:
Steven Stanley (Producer)
engineer:
Eric Thorngren
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
mixer:
Dave Stewart (UK guitarist/singer for Eurythmics) and Eric Thorngren
performer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
recording of:
Sexcrime (Nineteen Eighty-Four)
writer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Universal Music Careers
Eurythmics2.53:57
6A View to a Kill
recording of:
A View to a Kill
orchestrator:
John Barry (English score composer)
writer:
John Barry (English score composer), Simon Le Bon (Singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
composer:
John Barry (English score composer) and Duran Duran (English rock band)
publisher:
EMI Songs and Gloucester Place Music Ltd.
part of:
A View to a Kill (from the James Bond film)
Duran Duran3:35
7Enola Gay
engineer:
Laurence Diana and Max Norman
producer:
Mike Howlett and Orchestral Manoeuvres in the Dark
bass and synthesizer:
Andy McCluskey
drums (drum set) and percussion:
Malcolm Holmes (drummer)
keyboard and synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) and Andy McCluskey
recorded at:
Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
recording of:
Enola Gay
lyricist and composer:
Andy McCluskey
publisher:
Dinsong Music
Orchestral Manoeuvres in the Dark3.553:31
8Don’t You Want Me
assistant programming and assistant engineer:
David M. Allen (UK producer/engineer/remixer (mainly new-wave/synth-pop/goth))
programming:
Martin Rushent
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
The Human League43:56
9Such a Shame
recording of:
Such a Shame
lyricist and composer:
Mark Hollis
publisher:
Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk4:10
10Kids in America
engineer:
Stephen Stewart (engineer, guitarist of The Enid) and Steve Stewart
producer:
Ricky Wilde
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981)
drums (drum set):
Chris North (UK drummer of The Enid) (from 1980 until 1981)
guitar:
Francis Lickerish (from 1980 until 1981), James Stevenson (from 1980 until 1981), Steve Stewart (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
Ricky Wilde (from 1980 until 1981)
lead vocals:
Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2006)
recorded at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
RAK Studios in London (Greater London), England, United Kingdom
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
Finchley Music Corp.
lyrics quoted on:
The Art of Losing
Kim Wilde4.353:24
11Do You Really Want to Hurt Me
engineer and producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
membranophone and percussion:
Jon Moss
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!) (in 1982)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
Culture Club3.94:22
12Avalon
recording of:
Avalon
lyricist and composer:
Bryan Ferry
publisher:
E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music3:55
13Eyes Without a Face
producer:
Keith Forsey (drummer, producer and songwriter)
bass:
Sal Cuevas (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
drums (drum set):
Thommy Price (in 1983)
guitar:
Billy Idol (English rock singer-songwriter) (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
keyboard:
Judi Dozier (in 1983) and Steve Stevens (US guitarist and songwriter) (in 1983)
background vocals:
Perri Lister (in 1983)
lead vocals:
Billy Idol (English rock singer-songwriter) (in 1983)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1984)
edit of:
Eyes Without a Face by Billy Idol
recording of:
Eyes Without a Face (in 1983)
lyricist and composer:
Billy Idol (English rock singer-songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Idol3.354:08
14Call MeBlondie3:11
15Too ShyKajagoogoo3:28
16Running Up That Hill
recording of:
Running Up That Hill
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008-today), EMI Music Publishing Ltd. (PRS-affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works)
Kate Bush4:03
17Dancing With Tears in My EyesUltravox3:32
18Hey Little Girl
recording of:
Hey Little Girl
lyricist and composer:
Iva Davies
Icehouse3:33
19Love Is a Battlefield
recording of:
Love Is a Battlefield
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
BMG Music Pbl. Ltd., Island Music Ltd., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing Ltd.
Pat Benatar3:59
20True
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
music quoted on:
It’s True
Spandau Ballet45:20
CD 2
CD 3
CD 4

Credits

Release

ASIN:FR: B0000A0PJ8 [info]