Plácido Domingo: The Opera Collection

~ Release by Plácido Domingo (see all versions of this release, 1 available)

Tracklist

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▼CD 1: Carmen: Acts 1 & 2 (beg.)
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1Carmen: Prélude
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-09) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Prélude (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen (italian lyrics)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet3:31
2Carmen: Act I. No. 1 Introduction “Sur la place chacun passe” (Les Soldats, Moralès)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 2 « Sur la place, chacun passe » (Les Soldats, Moralès) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:10
3Carmen: Act I. “Regardez donc cette petite” (Moralès, Les Soldats, Micaëla)
editor:
Joachim Niss
baritone vocals:
Stuart Harling (English baritone) (in 1977-09)
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. Dialogue « Regardez donc cette petite » (Moralès, les Soldats, Micaëla) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:09
4Carmen: Act I. No. 2 Marche et Chœur des gamins “Avec la garde montante” (Les gamins)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:34
5Carmen: Act I. “Repos!” (Zuniga, Moralès, Don José)
editor:
Joachim Niss
baritone vocals:
Stuart Harling (English baritone) (in 1977-09)
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet0:45
6Carmen: Act I. “Allons! allons!” (Zuniga, Les gamins)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet1:38
7Carmen: Act I. “Dites-moi, brigadier?” (Zuniga, Don José)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. Dialogue « Dites-moi, brigadier ? » (Zuniga, Don José) (in 1977-09)
composer:
Georges Bizet (composer)
part of:
Carmen : Acte I
Georges Bizet1:07
8Carmen: Act I. No. 3 Chœur et Scène “La cloche a sonné” (Les Jeunes Gens, Les Soldats, Les Cigarières)
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-09) and George Watson’s College Boys’ Chorus (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-09) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 4 Chœur des cigarières « La cloche a sonné » (Les Jeunes Gens, les Soldats, les Cigarières) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet5:12
9Carmen: Act I. “Mais nous ne voyons pas la Carmencita” (Les Soldats, Les Jeunes Gens)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 4 Chœur et scène « Mais nous ne voyons pas la Carmencita ! » (Les Soldats, les Jeunes Gens) (in 1977-09)
composer:
Georges Bizet (composer)
part of:
Carmen : Acte I
Georges Bizet0:45
10Carmen: Act I. “Quand je vous aimerai?” (Carmen) – No. 4 Havanaise “L’amour est un oiseau rebelle” (Carmen, Chœur)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
is based on:
El arreglito
music quoted on:
Nxde
part of:
Carmen : Acte I
Georges Bizet4:50
11Carmen: Act I. No. 5 Scène “Carmen, sur tes pas nous nous pressons tous” (Les Jeunes Gens, Le Cigarières, Don José)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 6 Scène « Carmen ! Sur tes pas, nous nous pressons tous ! » (Les Jeunes Gens, les Cigarières, Don José, Carmen) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:24
12Carmen: Act I. “Monsieur le brigadier?” (Micaëla, Don José) – No. 6 Duo “Parle-moi de ma mère” (Don José, Micaëla)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:42
13Carmen: Act I. “Votre mère avec moi sortait de la chapelle” (Micaëla, Don José)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet2:19
14Carmen: Act I. “Ma mère, je la vois…” (Don José, Micaëla)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet2:25
15Carmen: Act I. “Que son fils l’aime et la vénère” (Don José, Micaëla) – “Eh bien, eh bien!” (Zuniga)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet4:04
16Carmen: Act I. No. 7 Chœur “Au secours!” (Les Cigarières, Zuniga, Les Soldats)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 8 « Que se passe‐t‐il donc là‐bas ? » … « Au secours » (Les Cigarières, les Soldats, Zuniga) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:19
17Carmen: Act I. “Voyons, brigadier…” (Zuniga, Don José) – No. 8 Chanson et Mélodrame “Tra la la la…" (Carmen, Zuniga, Les Cigarières, Un Soldat, Don José)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 8 Chœur « Voyons brigadier » (Zuniga, les Cigarières, un Soldat, Don José) (in 1977-09)
composer:
Georges Bizet (composer)
part of:
Carmen : Acte I
recording of:
Carmen : Acte I. No. 9 Chanson et mélodrame « Tralalalala, coupe-moi, brûle-moi » … « Fais-nous grâce de tes chansons » (Carmen, Don José, Zuniga, chœur de femmes) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:14
18Carmen: Act I. No. 9 Chanson (Séguedille) et Duo “Près des remparts de Séville” (Carmen, Don José)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals [Don José]:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-09) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:30
19Carmen: Act I. No. 10 Finale “Le lieutenant!… Prenez garde!” (Don José, Zuniga, Carmen)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet2:17
20Carmen: Entr’acte
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. Entr’acte (intermission between Acts I & II) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte I
part of:
Carmen: Act I (english lyrics)
part of:
Carmen: Akt I (German translation, Julius Hopp)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet1:48
21Carmen: Act II. No. 11 Chanson “Les tringles des sistres tintaient” (Carmen, Mercédès, Frasquita)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo soprano) (in 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (in 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-09) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:06
22Carmen: Act II. “Vous avez quelque chose à nous dire” (Zuniga, Pastia, Frasquita, Mercédès, Andrès, Carmen)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. Dialogue « Vous avez quelque chose à nous dire, maître Lillas Pastia ? » (Zuniga, Pastia, Andrès, Frasquita, Carmen) (in 1977-09)
composer:
Georges Bizet (composer)
part of:
Carmen : Acte II
Georges Bizet1:16
23Carmen: Act II. “Tout est bien alors” (Carmen, Zuniga) – No. 12 Chœur et Ensemble “Vivat! vivat le toréro!” (Chœur, Zuniga, Mercédes, Andrès, Frasquita, Pastia)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 13 Chœur « Vivat ! Vivat le toréro ! » (Frasquita, Mercédès, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:31
24Carmen: Act II. No. 13 Couplet (Air du Toréador) “Votre toast… je peux vous le rendre” (Escamillo, Chœur, Frasquita, Mercédès, Carmen, Pastia, Zuniga) – No. 13bis Chœur “Toréador, en garde” (Chœur, Frasquita, Pastia, Dancaïre, Remendado)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (“Chanson du toréador”) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet8:01
25Carmen: Act II. No. 14 Quintette “Nous avons en tête une affaire” (Dancaïre, Frasquita, Mercédès, Remendado, Carmen)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo soprano) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-09) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 15 Quintette « Nous avons en tête une affaire ! » (Le Dancaïre, Le Remendado, Carmen, Frasquita, Mercédès) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:49
26Carmen: Act II. “Amoureuse… ce n’est pas une raison, cela” (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) – No. 15 Chanson “Halte-là! Qui va là?” (Don José, Mercédès, Frasquita, Dancaïre, Carmen)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 16 « Halte là ! Qui va là ? Dragon d'Alcala !» (Don José, Carmen, Mercédès, Frasquita, Le Dancaïre, Le Remendado) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet2:33
▼CD 2: Carmen: Acts 2 (cont.) & 3
#TitleArtistRatingLength
1Carmen: Act II. No. 16 Duo “Je vais danser en votre honneur” (Carmen, Don José)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « Tout doux, Monsieur » … « Je vais danser en votre honneur » (Carmen, Don José) (in 1977-09)
composer:
Georges Bizet (composer)
part of:
Carmen : Acte II
Georges Bizet5:42
2Carmen: Act II. Air de la fleur “La fleur que tu m’avais jetée” (Don José)
editor:
Joachim Niss
tenor vocals [Don José]:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-09) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1977-09)
composer:
Georges Bizet (composer) (in 1875)
librettist:
Ludovic Halévy (french librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:16
3Carmen: Act II. “Non! Tu ne m’aimes pas!” (Carmen, Don José)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « Non ! Tu ne m’aimes pas » (Carmen, Don José) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:01
4Carmen: Act II. No. 17 Finale “Holà! Carmen! holà!” (Zuniga, Don José, Carmen, Dancaïre, Remendado, Les Bohémiens)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 18 Finale « Holà ! Carmen ! Holà ! Holà ! » (Zuniga, Don José, Carmen, Le Dancaïre, Le Remendado, les Bohémiens) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet3:32
5Carmen: Act II. “Suis-nous à travers la campagne” (Frasquita, Mercédès, Dancaïre, Remendado, Les Bohémiens, Les Bohémiennes)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte II
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet2:00
6Carmen: Entr’acte
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. Entr’acte (intermission between Acts II & III) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte II
part of:
Carmen: Act II (english lyrics)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet3:01
7Carmen: Act III, Scene I. No. 18 Introduction “Écoute, compagnon, écoute” (Les Contrabandiers, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III, No. 19. « Écoute, écoute, compagnon, écoute » (Les Contrebandiers, Mercédès, Frasquita, Carmen, Don José, Le Dancaïre, Le Remendado) (Chœur des contrebandiers) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:41
8Carmen: Act III, Scene I. “Halte! nous allons nous arrêter ici…” (Dancaïre, Remendado, Don José, Carmen)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Introduction : « Halte ! Nous allons nous arrêter ici ! » (Dancaïre, Remendado, Don José, Carmen) (in 1977-09)
composer:
Georges Bizet (composer)
part of:
Carmen : Acte III
Georges Bizet1:29
9Carmen: Act III, Scene I. No. 19 Trio “Mêlons!… Mêlons!… Coupons!” (Frasquita, Mercédès)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès, Carmen) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:21
10Carmen: Act III, Scene I. Air des cartes “Carreau, pique… la mort!” (Carmen)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Trio des cartes : « Carreau ! Pique !... La mort ! » (Frasquita, Mercédès, Carmen) (in 1977-09)
composer:
Georges Bizet (composer)
part of:
Carmen : Acte III
Georges Bizet3:20
11Carmen: Act III, Scene I. “Parlez encore, parlez, mes belles” (Frasquita, Mercédès, Carmen)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte III
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet0:50
12Carmen: Act III, Scene I. “Eh bien, j’avais raison” (Dancaïre, Carmen, Remandado, Frasquita, Mercédès, Don José)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte III
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet0:30
13Carmen: Act III, Scene I. No. 20 Morceau d’Ensemble “Quant au douanier, c’est notre affaire” (Carmen, Mercédès, Frasquita, Les Bohémiennes, Les Bohémiens, Dancaïre, Remandado)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. No. 21. « Quant au douanier, c'est notre affaire » (Frasquita, Mercédès, Carmen, Le Dancaïre, Le Remendado, Chœur) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen : Acte III
Georges Bizet3:08
14Carmen: Act III, Scene I. “Nous y sommes” (Le Guide, Micaëla)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte III
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen, WD 31 (Opera by Georges Bizet)
Georges Bizet0:44
15Carmen: Act III, Scene I. No. 21 Air “Je dis que rien ne m’épouvante” (Micaëla)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
soprano vocals [Micaëla]:
Ileana Cotrubaș (Romanian soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-09) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Air « Je dis que rien ne m’épouvante » (Micaëla) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:50
16Carmen: Act III, Scene I. “Mais… je ne me trompe pas…” (Micaëla, Escamillo, Don José) – No. 22 Duo “Je suis Escamillo, toréro de Grenade” (Escamillo, Don José)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Air : « Mais… Je ne me trompe pas… C’est Don José » (Micaëla) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
recording of:
Carmen : Acte III. No. 23. Duo « Quelques lignes plus bas » …« Je suis Escamillo, toréro de Grenade ! » (Escamillo, Don José) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:42
17Carmen: Act III, Scene I. No. 23 Finale “Holà, José!” (Carmen, Escamillo, Dancaïre, Don José, Les Contrebandiers, Les Contrebandières)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. No. 24. Finale « Holà, holà, José ! » (Carmen, Escamillo, Micaëla, Frasquita, Mercédès, Le Dancaïre, Don José, Le Remendado, Chœur) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:00
18Carmen: Act III, Scene I. “Halte!... Quelqu’un est là qui cherche à se cacher” (Remendado, Carmen, Dancaïre, Don José, Micaëla, Chœur, Escamillo)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Final « Halte ! Quelqu'un est là » … « Moi, je viens te chercher ! » (Le Remendado, Carmen, le Dancaïre, Don José, Micaëla, Frasquita, Mercédès, Escamillo, contrebandiers, contrebandières)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet5:16
19Carmen: Entr’acte
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08), St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet2:10
20Carmen: Act III, Scene II. No. 24 Chœur “A deux cuartos” (Marchandes, Marchands, Un Soldat, Andrès, Un Bohémien)
editor:
Joachim Niss
mezzo-soprano vocals:
Teresa Berganza (mezzo soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. No. 25 « À deux cuartos ! » (Chœur, Zuniga, Moralès, Frasquita, Mercédès) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet2:23
21Carmen: Act III, Scene II. No. 25 Chœur et Scène “Les voici! Voici le quadrille” (Chœur)
editor:
Joachim Niss
baritone vocals [Escamillo]:
Sherrill Milnes (baritone) (in 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-09) and George Watson’s College Boys’ Chorus (in 1977-09)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo soprano) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") and Polydor International GmbH (not for release label use!)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-09) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:52
22Carmen: Act III, Scene II. “Si tu m’aimes, Carmen” (Escamillo, Carmen, Frasquita, Mercédès)
editor:
Joachim Niss
baritone vocals [Escamillo]:
Sherrill Milnes (baritone) (in 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-09) and George Watson’s College Boys’ Chorus (in 1977-09)
mezzo-soprano vocals:
Alicia Nafé (mezzo-soprano) (in 1977-09)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo soprano) (in 1977-09)
soprano vocals:
Yvonne Kenny (Australian soprano) (in 1977-09)
tenor vocals:
Plácido Domingo (tenor) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-09) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, chœur) (in 1977-09)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:20
23Carmen: Act III, Scene II. No. 26 Duo final “C’est toi?… C’est moi!" (Carmen, Don José, Chœur)
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-08) and George Watson’s College Boys’ Chorus (in 1977-08)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (mezzo soprano) (in 1977-08)
tenor vocals [Don José]:
Plácido Domingo (tenor) (in 1977-08)
orchestra:
London Symphony Orchestra (in 1977-08)
conductor:
Claudio Abbado (conductor) (in 1977-08)
chorus master:
Patrick Criswell (chorusmaster) (in 1977-08) and John McCarthy (British choral conductor, scholar, composer and arranger) (in 1977-08)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s Church (Waterloo) in London (Greater London), England, United Kingdom (in 1977-08)
recording of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur) (in 1977-08)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet9:24
▼CD 3: Lucia di Lammermoor: Parts 1 & 2 (beg.)
#TitleArtistRatingLength
1Lucia di Lammermoor: Part I. “Percorrete le spiagge vicine” (Normanno, Coro)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 1) Preludio e coro d'introduzione “Percorrete le spiagge vicine” (Normanno, Coro) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:25
2Lucia di Lammermoor: Part I. “Tu sei turbato!… E n’ho ben donde” (Normanno, Enrico, Raimondo)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2a) “Tu sei turbato!” (Normanno, Enrico, Raimondo) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:38
3Lucia di Lammermoor: Part I. “Cruda, funesta smania” (Enrico, Normanno, Raimondo, Coro)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto I, Scena 1. (no. 2b) “Cruda, funesta smania” (Enrico, Normanno) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti7:35
4Lucia di Lammermoor: Part I. “Ancor non giunse!” (Lucia, Alisa)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3a) Scena “Ancor non giunse!” (Lucia, Alisa) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti4:11
5Lucia di Lammermoor: Part I. “Regnava nel silenzio” (Lucia, Alisa)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti8:38
6Lucia di Lammermoor: Part I. “Egli s’avanza” (Alisa, Edgardo, Lucia)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4a) “Egli s'avanza” (“Lucia perdona”) (Alisa, Edgardo, Lucia) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti2:45
7Lucia di Lammermoor: Part I. “Sulla tomba che rinserra” (Edgardo, Lucia)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti9:51
8Lucia di Lammermoor: Part II, Act I. “Lucia fra poco a te verrà” (Normanno, Enrico)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:06
9Lucia di Lammermoor: Part II, Act I. “Appressati, Lucia” (Enrico)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6a) Recitativo “Appressati, Lucia” (Enrico) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:15
10Lucia di Lammermoor: Part II, Act I. “Il pallor funesto” (Lucia, Enrico)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 6b) Duetto “Il pallor, funesto, orrendo” (Lucia, Enrico) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti12:25
11Lucia di Lammermoor: Part II, Act I. “Ebben?… Di tua speranza”
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 7a) “Ebben?... Di tua speranza” (Lucia, Raimondo) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:16
12Lucia di Lammermoor: Part II, Act I. “Ah! cedi, cedi, o più sciagure” (Raimondo, Lucia)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto II, Scena 1. (no. 7b) “Ah! Cedi, cedi... o più sciagure” (Raimondo, Lucia) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti6:41
▼CD 4: Lucia di Lammermoor: Part 2 (cont.)
#TitleArtistRatingLength
1Lucia di Lammermoor: Part II, Act I. “Per te d’immenso giubilo” (Coro)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (No. 8) Coro e cavatina “Per te d’immenso giubilo… Per poco fra le tenebre” (Coro, Arturo) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti1:20
2Lucia di Lammermoor: Part II, Act I. “Per poco fra le tenebre” (Arturo, Coro)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (No. 8) Coro e cavatina “Per te d’immenso giubilo… Per poco fra le tenebre” (Coro, Arturo) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti2:08
3Lucia di Lammermoor: Part II, Act I. “Dov’è Lucia?… Ecco il tuo sposo” (Arturo, Enrico, Coro, Lucia, Raimondo, Alisa)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9a) Scena “Dov'è Lucia?” – “Piange la madre estinta” (Arturo, Enrico, Coro) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9b) Quartetto “Ecco il tuo sposo” (Enrico, Lucia, Arturo, Raimondo) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti4:04
4Lucia di Lammermoor: Part II, Act I. “Chi mi frena in tal momento” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Arturo, Coro)
vocals:
Fernando de la Mora (tenor), Plácido Domingo (tenor), Jennifer Larmore (mezzo-soprano), Juan Pons (baritone), Samuel Ramey (bass-baritone) and Cheryl Studer (soprano)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:44
5Lucia di Lammermoor: Part II, Act I. “T’allontana, sciagurato” (Arturo, Enrico, Coro, Edgardo, Raimondo, Lucia, Alisa)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “T'allontana, sciagurato” (Enrico, Arturo, Edgardo, Lucia, Raimondo) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti6:05
6Lucia di Lammermoor: Part II, Act II. “Orrida è questa notte” (Edgardo, Enrico)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. (no. 11a) “Orrida è questa notte” (Edgardo, Enrico) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:04
7Lucia di Lammermoor: Part II, Act II. “Ashton!… Qui del padre ancor respira” (Edgardo, Enrico)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto III, Scena I. (no. 11c) Duetto "Qui del padre ancor respira" (Edgardo, Enrico) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti8:17
8Lucia di Lammermoor: Part II, Act II. “D’immenso giubilo” (Coro)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. “D'immenso giubilo s'innalzi un grido” (Coro) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti1:44
9Lucia di Lammermoor: Part II, Act II. “Cessi, ah cessi quel contento” (Raimondo, Coro)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Deh, cessate quel contento” … “Dalle stanze ove Lucia” (Raimondo, Coro) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti5:26
10Lucia di Lammermoor: Part II, Act II. “Oh giusto cielo!” (Coro, Lucia)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti5:58
11Lucia di Lammermoor: Part II, Act II. “Ardon gl’incensi” (Lucia, Normanno, Raimondo, Coro)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti5:47
12Lucia di Lammermoor: Part II, Act II. “S’avanza Enrico!” (Raimondo, Enrico, Coro, Lucia)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “S'avanza Enrico!” (Raimondo, Enrico, Coro, Lucia) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:47
13Lucia di Lammermoor: Part II, Act II. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:29
14Lucia di Lammermoor: Part II, Act II. “Si tragga altrove” (Enrico, Raimondo, Normanno)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Si tragga altrove” (Enrico, Raimondo, Normanno) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti2:02
15Lucia di Lammermoor: Part II, Act II. “Tombe degli avi miei” (Edgardo)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti3:48
16Lucia di Lammermoor: Part II, Act II. “Fra poco a me ricovero” (Edgardo, Coro, Raimondo)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti7:52
17Lucia di Lammermoor: Part II, Act II. “Tu che a Dio spiegasti l’ali” (Edgardo, Raimondo, Coro)
orchestra:
London Symphony Orchestra (in 1990-08)
conductor:
Ion Marin (conductor) (in 1990-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1990-08)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) (in 1990-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti4:48
▶CD 5: Pagliacci
▶CD 6: Cavalleria rusticana
▶CD 7: Les Contes d’Hoffmann: Prologue, Acts 1 & 2 (beg.)
▶CD 8: Les Contes d’Hoffmann: Acts 2 (cont.) & 3, Epilogue
▶CD 9: Tosca: Act 1
▶CD 10: Tosca: Acts 2 & 3
▶CD 11: Turandot: Acts 1 & 2 (beg.)
▶CD 12: Turandot: Acts 2 (cont.) & 3
▶CD 13: Il barbiere di Siviglia: Acts 1 & 2 (beg.)
▶CD 14: Il barbiere di Siviglia: Act 2 (cont.)
▶CD 15: Samson et Dalila: Act 1
▶CD 16: Samson et Dalila: Acts 2 & 3
▶CD 17: Il trovatore: Parts 1 & 2
▶CD 18: Il trovatore: Parts 3 & 4
▶CD 19: La traviata: Acts 1 & 2 (beg.)
▶CD 20: La traviata: Acts 2 (cont.) & 3
▶CD 21: Otello: Acts 1 & 2
▶CD 22: Otello: Acts 3 & 4
▶CD 23: Lohengrin: Act 1
▶CD 24: Lohengrin: Act 2 (beg.)
▶CD 25: Lohengrin: Act 2 (cont.)
▶CD 26: Lohengrin: Act 3