The Philips Years

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

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▼CD 1: Nina Simone in Concert
#TitleRatingLength
1I Loves You, Porgy
bass, bass guitar and percussion:
Lisle Atkinson
double bass:
Lisle Atkinson (on 1964-03-21)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-03-21)
flute:
Rudy Stevenson
guitar:
Rudy Stevenson (on 1964-03-21)
harmonica:
Al Schackman
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-03-21)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1964-03-21)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
52:34
2Plain Gold Ring
double bass:
Lisle Atkinson (on 1964-04-06)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-04-06)
guitar:
Rudy Stevenson (on 1964-04-06)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-04-06)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-04-06)
live recording of:
Plain Gold Ring (on 1964-04-06)
lyricist:
George Stone (composer)
composer:
Blue Sky Black Death (US hip hop production duo), Earl Burroughs and George Stone (composer)
publisher:
Thandewye Music (publisher; do NOT use as release label) and Hank Snow Music (on 1959-09-21)
6:25
3Pirate Jenny
double bass:
Lisle Atkinson (on 1964-04-04)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-04-04)
guitar:
Rudy Stevenson (on 1964-04-04)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-04-04)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-04-04)
live cover recording of:
The Threepenny Opera: Pirate Jenny (Marc Blitzstein translation) (on 1964-04-04)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein
publisher:
Universal Edition Ltd. (publisher; do NOT use as release label) and Weill-Brecht-Harms Co., Inc.
translated version of:
Die Dreigroschenoper: Akt I. Die Seeräuberjenny
46:40
4Old Jim Crow
double bass:
Lisle Atkinson (on 1964-03-21)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-03-21)
guitar:
Rudy Stevenson (on 1964-03-21)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-03-21)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
live recording of:
Old Jim Crow (on 1964-03-21)
writer:
Jackie Alper, Ron Vander Groef and Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
2:41
5Don't Smoke in Bed
double bass:
Lisle Atkinson (on 1964-03-21)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-03-21)
guitar:
Rudy Stevenson (on 1964-03-21)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-03-21)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
live cover recording of:
Don’t Smoke in Bed (on 1964-03-21)
lyricist and composer:
Willard Robison
publisher:
MCA Music Ltd. and Oriole Music Corp.
25:33
6Go Limp
double bass:
Lisle Atkinson (on 1964-04-04)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-04-04)
guitar:
Rudy Stevenson (on 1964-04-04)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-04-04)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-04-04)
live recording of:
Go Limp (on 1964-04-04)
additional lyricist:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
lyricist:
Alex Comfort
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
orchestration of:
Go Limp
7:07
7Mississippi Goddam
double bass:
Lisle Atkinson (on 1964-04-04)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-04-04)
guitar:
Rudy Stevenson (on 1964-04-04)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-04-04)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-04-04)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 172)
live recording of:
Mississippi Goddam (on 1964-04-04)
lyricist and composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. (LDN) Ltd. and Sam Fox Publishing Company (publisher; do NOT use as release label)
44:57
▼CD 2: Broadway Blues Ballads
#TitleRatingLength
1Don’t Let Me Be Misunderstood
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
writer:
Bennie Benjamin, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
42:42
2Night Song (from the musical “Golden Boy”)
recorded in:
New York, New York, United States (in 1964)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964)
orchestra:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
Night Song (from "Golden Boy") (in 1964)
lyricist:
Lee Adams (US musical theatre lyricist & librettist)
composer:
Charles Strouse
librettist:
William Gibson (playwright) and Clifford Odets (US playwright)
part of:
Golden Boy (The Musical)
33:00
3The Laziest Gal in Town
recorded in:
New York, New York, United States (in 1964)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964)
orchestra:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
The Laziest Gal in Town (in 1964)
lyricist and composer:
Cole Porter (composer) (in 1927)
52:15
4Something Wonderful (from “The King and I”)
recorded in:
New York, New York, United States (in 1964)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964)
orchestra:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
Something Wonderful (The King and I) (in 1964)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
translated version of:
דבר מה נפלא כל כך
part of:
The King and I (Rodgers & Hammerstein musical)
52:37
5Don’t Take All Night
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Take All Night (in 1964-06)
writer:
Bennie Benjamin and Sol Marcus
32:45
6Nobody
recorded in:
New York, New York, United States (in 1964)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964)
orchestra:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
recording of:
Nobody (in 1964)
lyricist:
Alex Rogers (songwriter, 1876-1930)
composer:
Bert Williams
part of:
Abyssinia (1906 musical)
cover recording of:
Nobody
lyricist:
Alex Rogers (songwriter, 1876-1930)
composer:
Bert Williams
part of:
Abyssinia (1906 musical)
44:10
7I Am Blessed
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
I Am Blessed (in 1964-06)
writer:
Bennie Benjamin and Sol Marcus
42:52
8Of This I’m Sure
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Of This I’m Sure (in 1964-06)
writer:
Bennie Benjamin and Sol Marcus
32:30
9See-Line Woman
recorded in:
New York, New York, United States (on 1964-03-21)
producer:
Hal Mooney
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-03-21)
vocals and conductor:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-03-21)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
cover recording of:
See-Line Woman (on 1964-03-21)
writer:
George Bass and Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
is based on:
Sea Lion Woman
2.652:20
10Our Love (Will See Us Through)
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Our Love (Will See Us Through) (in 1964-06)
writer:
Bennie Benjamin
42:55
11How Can I
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
How Can I? (in 1964-06)
writer:
Bennie Benjamin and Sol Marcus
42:00
12The Last Rose of Summer
recorded in:
New York, New York, United States (in 1966-08)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1966-08)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1966-08)
orchestra:
Harold Mooney & His Orchestra (in 1966-08)
conductor:
Hal Mooney (in 1966-08)
arranger:
Hal Mooney
recording of:
The Last Rose of Summer (in 1966-08)
lyricist:
Thomas Moore (Irish poet)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13861)
43:00
▼CD 3: I Put a Spell on You
#TitleRatingLength
1I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
4.32:37
2Tomorrow Is My Turn
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
cover recording of:
Tomorrow Is My Turn (in 1965-01)
lyricist:
Yves Stéphane
composer:
Charles Aznavour
translator:
Marcel Stellman
translated version of:
L’amour c’est comme un jour
4.52:52
3Ne me quitte pas
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
cover recording of:
Ne me quitte pas (original French version) (in 1965-01)
lyricist and composer:
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales and Warner Chappell Music France
43:38
4Marriage Is for Old Folks
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
recording of:
Marriage Is for Old Folks
writer:
Leon Carr and Earl S. Shuman (composer / lyricist)
43:33
5July Tree
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
recording of:
July Tree (in 1965-01)
writer:
Irma Jurist and Eve Merriam
42:44
6Gimme Some
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
4.53:02
7Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
4.152:57
8One September Day
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
42:51
9Blues on Purpose
recorded in:
New York, New York, United States (in 1964)
guitar:
Rudy Stevenson (in 1964)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964)
recording of:
Blues on Purpose (in 1964)
composer:
Rudy Stevenson
43:20
10Beautiful Land
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
cover recording of:
Beautiful Land (in 1965-01)
writer:
Leslie Bricusse and Anthony Newley
part of:
The Roar of the Greasepaint – The Smell of the Crowd
2.651:57
11You’ve Got to Learn
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
You’ve Got to Learn
lyricist and composer:
Charles Aznavour
translator:
Marcel Stellman
translated version of:
Il faut savoir
42:44
12Take Care of Business
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Take Care of Business
lyricist and composer:
Andy Stroud (former husband of Nina Simone.)
42:05
▼CD 4: Pastel Blues
#TitleRatingLength
1Be My Husband
producer:
Hal Mooney
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (from 1965-05-19 until 1965-05-20)
recording of:
Be My Husband (from 1965-05-19 until 1965-05-20)
composer:
Andy Stroud (former husband of Nina Simone.)
2.653:23
2Nobody Knows You When You’re Down and Out
producer:
Hal Mooney
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Jimmy Cox
part of:
The Real Book (compilation of jazz standards, Volume I)
3.52:41
3End of the Line
producer:
Hal Mooney
recording of:
End of the Line (from 1965-05-19 until 1965-05-20)
writer:
John Edmondson and Cynthia Medley
42:57
4Trouble in Mind
producer:
Hal Mooney
cover recording of:
Trouble in Mind (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Richard M. Jones
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) and Universal‐MCA Music Publishing (US)
4.22:43
5Tell Me More and More and Then Some
producer:
Hal Mooney
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
live cover recording of:
Tell Me More and More and Then Some (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Billie Holiday
43:11
6Chilly Winds Don’t Blow
producer:
Hal Mooney
live recording of:
Chilly Winds Don’t Blow (from 1964-04-04 until 1964-04-06)
writer:
Hecky Krasnow and Bill Lovelock (songwriter)
is based on:
Chilly Winds (a.k.a. Lonesome Road Blues - catch-all work)
54:04
7Ain’t No Use
producer:
Hal Mooney
recording of:
Ain’t No Use (from 1965-05-19 until 1965-05-20)
writer:
Rudy Stevenson
publisher:
EMI Tunes Ltd
4.53:03
8Strange Fruit
producer:
Hal Mooney
cover recording of:
Strange Fruit (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
4.53:32
9Sinnerman
producer:
Hal Mooney
live cover recording of:
Sinnerman (from 1965-05-19 until 1965-05-20)
lyricist and composer:
[traditional] (special purpose artist)
4.8510:22
▼CD 5: Let It All Out
#TitleRatingLength
1Mood Indigo
cover recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS-affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
42:30
2The Other Woman
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond
drums (drum set):
Albert “Tootie” Heath
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
The Other Woman
writer:
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
43:06
3Love Me or Leave Me
bass guitar and percussion:
Lisle Atkinson (on 1965-10-01)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1965-10-01)
flute and guitar:
Rudy Stevenson (on 1965-10-01)
harmonica:
Al Schackman (on 1965-10-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-10-01)
cover recording of:
Love Me or Leave Me (on 1965-10-01)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Company (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
44:09
4Don't Explain
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
Don’t Explain
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation and Universal Music Publishing (use ONLY if no country-specific information is available)
34:23
5Little Girl Blue
cover recording of:
Little Girl Blue
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jumbo
32:36
6Chauffeur
cover recording of:
Me and My Chauffeur Blues
writer:
Memphis Minnie
42:51
7For Myself
recording of:
For Myself
lyricist and composer:
Van McCoy
2.52:09
8The Ballad of Hollis Brown
cover recording of:
Ballad of Hollis Brown
lyricist and composer:
Bob Dylan (in 1962)
publisher:
M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner/Chappell (from 1963 until 1991) and Special Rider Music (from 1991 to present)
2.54:58
9This Year's Kisses
cover recording of:
This Year’s Kisses
lyricist and composer:
Irving Berlin
3.53:02
10Images
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-03-21)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-03-21)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
live recording of:
Images (on 1964-03-21)
lyricist:
Waring Cuney
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
2.52:54
11Nearer Blessed Lord
44:32
▼CD 6: Wild Is the Wind
#TitleRatingLength
1I Love Your Lovin' Ways
52:40
2Four Women
recording of:
Four Women (in 1965)
lyricist and composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
EMI Tunes Ltd
3.54:29
3What More Can I Say
52:53
4Lilac Wine
producer:
Hal Mooney (on 1965-09-30)
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-09-30)
cover recording of:
Lilac Wine (on 1965-09-30)
lyricist and composer:
James H. Shelton (composer of "Lilac Wine")
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4.54:17
5That's All I Ask
recording of:
That’s All I Ask
writer:
Horace Ott
52:32
6Break Down and Let It All Out
cover recording of:
Break Down and Let It All Out
lyricist and composer:
Van McCoy
42:41
7Why Keep on Breaking My Heart
3.52:38
8Wild Is the Wind
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
Wild Is the Wind (in 1964)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
4.57:00
9Black Is the Color of My True Love's Hair
producer:
Jack Gold
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone) (in 1964)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arrangement of:
Black Is the Colour (of My True Love’s Hair)
3.53:28
10If I Should Lose You
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
If I Should Lose You
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
4.53:59
11Either Way I Lose
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Horace Ott
cover recording of:
Either Way I Lose
writer:
Van Allen Mc Coy
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Van McCoy Music Inc.
42:45
▼CD 7: High Priestess of Soul
#TitleRatingLength
1Don’t You Pay Them No Mind
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
cover recording of:
Don’t You Pay Them No Mind
writer:
Richard Ahlert and Bobby Scott (vocals, piano, US musician & producer)
33:06
2I’m Gonna Leave You
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1966-04-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1966-04-01)
conductor:
Hal Mooney (on 1966-04-01)
arranger:
Hal Mooney
recording of:
I’m Gonna Leave You (on 1966-04-01)
lyricist and composer:
Rudy Stevenson
32:19
3Brown Eyed Handsome Man
cover recording of:
Brown Eyed Handsome Man
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
22:06
4Keeper of the Flame
recording of:
Keeper of the Flame
writer:
Charles Anthony Derringer
43:23
5The Gal From Joe’s
cover recording of:
The Gal From Joe’s
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
4.52:47
6Take Me to the Water
2.52:50
7I’m Going Back Home
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1966-08)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1966-08)
conductor:
Hal Mooney (in 1966-08)
recording of:
I’m Going Back Home (in 1966-08)
writer:
Rudy Stevenson
32:52
8I Hold No Grudge
recording of:
I Hold No Grudge (in 1966)
writer:
Angelo Badalamenti (American score composer) and John W. Clifford
3.52:22
9Come Ye
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1966-08)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1966-08)
conductor:
Hal Mooney (in 1966-08)
recording of:
Come Ye (Nina Simone)
lyricist and composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
3.53:39
10He Ain’t Comin’ Home No More
recording of:
He Ain’t Comin’ Home No More
writer:
Angelo Badalamenti (American score composer) and John W. Clifford
43:13
11Work Song
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1966)
lyricist:
Oscar Brown Jr.
composer:
Nat Adderley
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ
version of:
Work Song (original instrumental)
3.353:09
12I Love My Baby
recording of:
I Love My Baby
lyricist and composer:
Andy Stroud (former husband of Nina Simone.)
44:07