Now That’s What I Call Legends

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Don’t Stop Me Now
additional engineer:
John Etchells
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer) and Queen (UK rock group)
bass guitar:
John Deacon (from 1978-07 until 1978-10)
electric guitar:
Brian May (Queen guitarist) (from 1978-07 until 1978-10)
percussion:
Roger Taylor (Queen drummer) (from 1978-07 until 1978-10)
piano:
Freddie Mercury (from 1978-07 until 1978-10)
vocals:
Brian May (Queen guitarist) (from 1978-07 until 1978-10), Freddie Mercury (from 1978-07 until 1978-10) and Roger Taylor (Queen drummer) (from 1978-07 until 1978-10)
arranger:
Queen (UK rock group)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1978) and Raincloud Productions Ltd. (in 1978)
recorded at:
Mountain Studio in Montreux, Vaud, Switzerland (from 1978-07 until 1978-10) and Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (from 1978-07 until 1978-10)
part of:
TV Cream: Real 100 Best Singles Ever (number: 74)
recording of:
Don’t Stop Me Now (from 1978-07 until 1978-10)
written in:
Montreux, Vaud, Switzerland and Nice, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France
lyricist and composer:
Freddie Mercury (from 1978-07 until 1978-10)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
We Will Rock You (Queen musical)
Queen4.253:32
2Billie Jean
recording engineer and mixer:
Bruce Swedien
synthesizer programming:
Bill Wolfer
co-producer:
Michael Jackson (“King of Pop”)
producer:
Quincy Jones
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
drums (drum set):
Leon Ndugu Chancler
guitar:
David Williams (session guitarist and songwriter)
Rhodes piano and synthesizer:
Greg Phillinganes
synthesizer:
Bill Wolfer
lead vocals:
Michael Jackson (“King of Pop”)
conductor:
Jeremy Lubbock
percussion and synthesizer arranger and synthesizer arranger:
Michael Jackson (“King of Pop”)
strings arranger:
Jerry Hey
phonographic copyright (℗) by:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
recorded at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States (in 1982)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 44) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 58)
recording of:
Billie Jean
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music, Neue Welt Musikverlag GmbH & Co. KG (- 2017), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and ソニー・ミュージックパブリッシング A事業部
Michael Jackson4.154:55
3Into the Groove
recording of:
Into the Groove
writer:
Stephen Bray and Madonna (“Queen of Pop”)
publisher:
Warner / Chappell Music Publishing
Madonna4:38
4I Wanna Dance With Somebody (Who Loves Me)
recording engineer and mixer:
David Frazer (engineer)
percussion programming:
Preston Glass
additional assistant engineer:
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) and Ross Williams (engineer)
additional engineer:
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon and Jay Rifkin
assistant engineer:
Dana Jon Chappelle
producer:
Narada Michael Walden
alto saxophone:
Marc Russo
bass synthesizer [bass synth]:
Randy Jackson (former bassist with Journey and American Idol judge)
drums (drum set):
Narada Michael Walden
electronic drum set [Simmons]:
Greg “Gigi” Gonaway
guitar synthesizer [Charvel GTM6 midi guitar synth]:
Corrado Rustici
synthesizer [synth horns]:
Sterling Smith
synthesizer [synths]:
Walter Afanasieff
background vocals:
Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall (backing vocalist) and Myrna Matthews
background vocals and lead vocals:
Whitney Houston
arranger:
Narada Michael Walden
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
recorded at:
Clinton Recording Studios (NYC 10th Ave til 2010) in New York, New York, United States, Right Track Recording in Manhattan, New York, New York, United States, Tarpan Studios in San Rafael, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 231)
recording of:
I Wanna Dance With Somebody (Who Loves Me)
writer:
George Merrill and Shannon Rubicam
publisher:
Boy Meets Girl Music and Irving Music (BMI)
Whitney Houston4.254:50
5The Winner Takes It All
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
bass guitar:
Mike Watson (English-Swedish rock musician) (on 1980-06-06)
cello:
Olle Gustafsson (cellist) (on 1980-06-16) and Åke Olofsson (Swedish cellist) (on 1980-06-16)
drums (drum set):
Ola Brunkert (on 1980-06-06)
guitar:
Lasse Wellander (on 1980-06-06)
keyboard and synthesizer:
Benny Andersson (ABBA) (on 1980-06-06)
percussion:
Åke Sundqvist (on 1980-06-06)
viola:
Nils Heie (on 1980-06-16), Håkan Roos (Swedish violist) (on 1980-06-16) and Bo Söderström (Swedish violinist) (on 1980-06-16)
violin:
Martin Bylund (Swedish violinist) (on 1980-06-16), Anders Dahl (Swedish violinist) (on 1980-06-16), Lars Stegenberg (Swedish violinist) (on 1980-06-16), Gunnar Michols (Swedish violinist) (on 1980-06-16), Bernt Nylund (Swedish violinist) (on 1980-06-16), Bertil Orsin (Swedish violinist) (on 1980-06-16), Sixten Strömvall (Swedish violinist) (on 1980-06-16) and Harry Teike (on 1980-06-16)
background vocals:
Anni-Frid Lyngstad (on 1980-06-06)
lead vocals:
Agnetha Fältskog (on 1980-06-06)
cello, viola and violin arranger:
Rutger Gunnarsson (in 1980)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1980)
recorded at:
Polar Studios in Stockholm, Stockholms län, Sweden (on 1980-06-06, on 1980-06-16)
mixed at:
Polar Studios in Stockholm, Stockholms län, Sweden (on 1980-06-18)
part of:
The Downloader’s Music Source Book (number: 66)
recording of:
The Winner Takes It All (in 1980-06)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
EMI Music Publishing (do not use as a release label!) (ended), Universal Music Publishing Group (ended), Universal/Union Songs Musikförlag AB (ended), Bocu Music, EMI Waterford Music, Union Songs AB (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
part of:
Mamma Mia! (1999 musical)
ABBA3.854:56
6In the Air Tonight
assistant engineer:
Nick Launay and Karen Segal (engineer)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar:
John Giblin (in 1980)
guitar:
Daryl Stuermer (in 1980)
Rhodes piano, drum machine, drums (drum set), synthesizer and vocoder:
Phil Collins (of Genesis) (in 1980)
violin:
Sharokav (in 1980)
lead vocals:
Phil Collins (of Genesis)
arranger:
Phil Collins (of Genesis)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 291)
recording of:
In the Air Tonight (in 1980)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishers) Limited, Imagem Music, Effectsound Ltd. (publisher) (in 1980) and Hit & Run Music (Publishing) Ltd (in 1980)
part of:
Risky Business (film soundtrack)
Phil Collins4.35:26
7With or Without You
recording engineer:
Flood (British producer Mark Ellis)
synthesizer [DX7] programming:
Brian Eno
additional engineer:
Pat McCarthy and Dave Meegan (producer)
producer:
Brian Eno and Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
assistant mixer:
Mary Kettle
mixer:
Steve Lillywhite and Mark Wallis
additional guitar, omnichord and tambourine:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
bass guitar:
Adam Clayton
drums (drum set) and percussion:
Larry Mullen, Jr.
guitar:
The Edge (U2 guitarist David Evans)
harmonica and lead vocals:
Bono (singer of U2)
keyboard:
Brian Eno
background vocals:
The Edge (U2 guitarist David Evans), Brian Eno and Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
phonographic copyright (℗) by:
Island Records Ltd. (UK) (in 1987), Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2007, in 2017) and Universal Island Records Ltd. (not for release label use! UK record company) (in 2007)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 131) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 211)
recording of:
With or Without You
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. and The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
U24.24:55
8Don’t Look Back in AngerOasis4.24:49
9Bad Medicine
engineer and mixer:
Bob Rock
producer:
Bruce Fairbairn
recording of:
Bad Medicine
writer:
Jon Bon Jovi, Desmond Child and Richie Sambora
publisher:
Aggressive Music, PolyGram Music Publishing Ltd., Sony/ATV Tunes LLC, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Bon Jovi Publishing (in 1988), EMI April Music Inc. (in 1988), New Jersey Underground Music Inc. (in 1988), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1988) and SBK April Music Inc. (in 1988)
Bon Jovi3:54
10Sweet Dreams (Are Made of This)
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987-1996) (in 1983)
recording of:
Sweet Dreams (Are Made of This)
lyricist:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
composer:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. and Universal Music–MGB Songs
Eurythmics4.354:54
11Roxanne
engineer:
Chris Gray (UK engineer) and Nigel Gray (UK producer)
producer:
The Police (British rock band)
drums (drum set):
Stewart Copeland
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographic copyright (℗) by:
A&M Records (in 1978), Polydor Records (record company, please use “Polydor” for release label.) (in 1978), A&M Records, Inc. (in 1997) and A&M Records, Ltd. (in 2003)
recorded at:
Surrey Sound Studios in Leatherhead, Surrey, England, United Kingdom
music videos:
Roxanne (Music video) by The Police
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 388)
recording of:
Roxanne
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police4.33:10
12What’s Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 134) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Tina Turner4.153:45
13You Win AgainBee Gees4:02
14Heaven
recording engineer:
Bob Clearmountain (from 1983-06-06 until 1983-06-07)
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov and Michael Sauvage
engineer:
Bob Clearmountain
associate producer:
Jim Vallance
producer:
Bryan Adams (Canadian singer/songwriter) and Bob Clearmountain
mixer:
Bob Clearmountain (on 1983-06-16)
drums (drum set) [drums]:
Steve Smith (American drummer) (from 1983-06-06 until 1983-06-07)
electric bass guitar [bass]:
Dave (Bass player (Bryan Adams) and engineer) (from 1983-06-06 until 1983-06-07)
guitar:
Keith (Canadian guitarist) (from 1983-06-06 until 1983-06-07)
keyboard [keyboards]:
Rob Sabino (from 1983-06-06 until 1983-06-07)
percussion and piano:
Bryan (Canadian singer/songwriter) (from 1983-06-06 until 1983-06-07)
lead vocals:
BA (Canadian singer/songwriter) (from 1983-06-06 until 1983-06-07)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1983, in 1984) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1983)
recorded at:
Power Station in Manhattan, New York, New York, United States (from 1983-06-06 until 1983-06-07)
mixed at:
Power Station in Manhattan, New York, New York, United States (on 1983-06-16)
part of:
The Downloader’s Music Source Book (number: 166)
recording of:
Heaven (from 1983-06-06 until 1983-06-07)
written in:
West Vancouver, Vancouver, British Columbia, Canada (in 1983)
writer:
Bryan Adams (Canadian singer/songwriter) (in 1983) and Jim Vallance (in 1983)
publisher:
Adams Communications Inc. (in 1983, in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1983), Irving Music, Inc. (in 1983), Testatyme Music (in 1983), Calypso Toonz (in 1984) and Rondor Music (London) Ltd. (in 1984)
Bryan Adams4.054:04
15All Night Long (All Night)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
recording of:
All Night Long (All Night)
lyricist and composer:
Lionel Richie
Lionel Richie3.44:20
16Upside Down
Diana Ross3:38
17Can’t Get You Out of My Head
drum machine programming:
Rob Davis (Songwriter/producer was in Mud)
engineer and mixer:
Tim Orford
producer:
Rob Davis (Songwriter/producer was in Mud) and Cathy Dennis
electric guitar and keyboard:
Rob Davis (Songwriter/producer was in Mud)
background vocals and lead vocals:
Kylie Minogue
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (from 2001 to present)
produced for:
19 Productions
music videos:
Can’t Get You Out of My Head (music video) by Kylie Minogue
recording of:
Can’t Get You Out of My Head
lyricist:
Cathy Dennis
composer:
Rob Davis (Songwriter/producer was in Mud)
publisher:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Kylie Minogue3.753:49
18Faith
recording of:
Faith
lyricist and composer:
George Michael
George Michael3:12
19It’s Not Unusual
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.62:01
CD 2
#TitleArtistRatingLength
1Woman
producer:
Jack Douglas, John Lennon (The Beatles) and Yoko Ono (Japanese-American musician and artist)
lead vocals:
John Lennon (The Beatles)
phonographic copyright (℗) by:
Calderstone Productions Limited (in 2016)
recording of:
Woman
lyricist and composer:
John Lennon (The Beatles)
publisher:
Geffen/Kaye Music, Lenono Music and フジパシフィックミュージック 第2事業部
John Lennon43:25
2In the Ghetto
engineer:
Al Pachucki
producer:
Felton Jams and Chips Moman
bass:
Tommy Cogbill (on 1969-01-21) and Mike Leech (on 1969-01-21)
drums (drum set):
Gene Chrisman (on 1969-01-21)
French horn:
Tony Cason (on 1969-01-21) and Joe D'Gerolamo (on 1969-01-21)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-21) and Reggie Young (guitarist and songwriter) (on 1969-01-21)
harmonica:
Ed Kollis (on 1969-01-21)
organ:
Bobby Emmons (on 1969-01-21)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1969-01-21)
saxophone:
J.P. Luper (saxophonist) (on 1969-01-21) and Glen Spreen (on 1969-01-21)
steel guitar:
John Hughey (on 1969-01-21)
trombone:
Jack Hale (trombone) (on 1969-01-21), Ed Logan (on 1969-01-21) and Gerald Richardson (on 1969-01-21)
trumpet:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys)) (on 1969-01-21), Dick Steff (on 1969-01-21) and R.F. Taylor (on 1969-01-21)
vocals:
Joe Babcock (on 1969-01-21), Donna Thatcher (on 1969-01-21), Dolores Edgin (on 1969-01-21), Ginger Holladay (American singer-songwriter) (on 1969-01-21), Mary Holladay (on 1969-01-21), Millie Kirkham (on 1969-01-21), Mary (Jeannie) Green (on 1969-01-21), June Page (on 1969-01-21), Susan Pilkington (on 1969-01-21), Sandy Posey (on 1969-01-21) and Hurshel Wiginton (on 1969-01-21)
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969) and RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969)
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-21)
cover recording of:
In the Ghetto (on 1969-01-21)
lyricist and composer:
M. Davis (US country singer, songwriter & actor)
publisher:
ABG Elvis Songs, B-n-B Music Inc., Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music Inc., R&H Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sony/ATV Songs LLC
Elvis Presley4.352:46
3Sacrifice
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
bass guitar:
Romeo Williams
drums (drum set):
Jonathan Moffett
keyboard:
Guy Babylon, Elton John (English singer, songwriter, pianist, and composer) and Fred Mandel
background vocals:
Davey Johnstone
lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
phonographic copyright (℗) by:
Happenstance Ltd. (record and publishing company) (in 1989)
recorded at:
Puk Recording Studios in Randers Municipality, Central Denmark Region, Denmark
recording of:
Sacrifice
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) and Universal‐Songs of PolyGram International, Inc.
Elton John2.555:07
4Fields of Gold
recording of:
Fields of Gold
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Music Publishing Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS-affiliated) and Steerpike Ltd.
Sting3:40
5Without You
programming:
Walter Afanasieff, Gary Cirimelli and Ren Klyce
additional engineer:
Manny LaCarrubba
engineer:
Jim Caruana, Dana Jon Chappelle and Kent Matcke
producer:
Walter Afanasieff and Mariah Carey
mixer:
Mick Guzauski
acoustic guitar, bass synthesizer, keyboard and synthesizer:
Walter Afanasieff
background vocals:
Mariah Carey, Melonie Daniels, Kelly Price and Shanrae Price
arranger:
Walter Afanasieff and Mariah Carey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
recorded at:
Right Track Recording in Manhattan, New York, New York, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
cover recording of:
Without You
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and Apple Publishing Ltd. (from 1970 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Mariah Carey4.43:34
6Because You Loved Me
recording engineer and mixer:
Humberto Gatica
synclavier programming:
Simon Franglen (English score composer)
assistant engineer:
Mark Agostino, Kyle Bess, Paul Boutin, Chris Brooke and Peter Doell
engineer:
Felipe Elgueta
executive producer:
Jon Avnet (American director, writer and producer)
producer:
David Foster (Canadian music producer, arranger and composer)
drums (drum set):
Simon Franglen (English score composer) (in 1995)
guitar:
Michael Thompson (session guitarist) (in 1995)
keyboard:
David Foster (Canadian music producer, arranger and composer) (in 1995)
background vocals:
Terry Bradford (1990 Star Search male vocalist champion) (in 1995), Alex Brown (US soul vocalist, member of Raelets) (in 1995), Bridgette Bryant (American session backing vocalist) (in 1995), Alanna Capps (in 1995), Carl Carwell (in 1995), Sue Ann Carwell (in 1995), Philip Ingram (in 1995), Kofi (in 1995), Maxann Lewis (in 1995) and Will Wheaton (in 1995)
lead vocals:
Céline Dion (in 1995)
background vocals arranger:
Carl Carwell, Sue Ann Carwell and David Foster (Canadian music producer, arranger and composer)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (in 1995), Chartmarker Studios in Los Angeles, California, United States (in 1995) and Rumbo Recorders in Canoga Park, Los Angeles, California, United States (in 1995)
recording of:
Because You Loved Me (in 1995)
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs, Touchstone Pictures Music and Songs Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and 日音 Synch事業部
Céline Dion3.054:35
7PatienceTake That3:22
8Turn It On Again
recorded at:
Polar Studios in Stockholm, Stockholms län, Sweden (from 1979-11 until 1979-12)
remix of:
Turn It On Again by Genesis (in 2007)
recording of:
Turn It On Again (from 1979-11 until 1979-12)
lyricist:
Mike Rutherford
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd., Anthony Banks Ltd. (from 1980 to present) and Philip Collins Ltd. (from 1980 to present)
Genesis53:49
9You Got It
engineer:
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) and Don Smith (producer, engineer and mixer)
producer:
Jeff Lynne
acoustic guitar:
Roy Orbison (in 1988-04) and Tom Petty (in 1988-04)
bass guitar, electric guitar, keyboard and piano:
Jeff Lynne (in 1988-04)
drums (drum set) and percussion:
Phil Jones (Percussionist) (in 1988-04)
background vocals:
Jeff Lynne (in 1988-04), Roy Orbison (in 1988-04) and Tom Petty (in 1988-04)
lead vocals:
Roy Orbison (in 1988-04)
phonographic copyright (℗) by:
Roys Boy’s, LLC (in 1989, in 2014) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
recorded at:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, United Kingdom (in 1988-04), M.C. Studios in Los Angeles, California, United States (in 1988-04) and Rumbo Recorders in Canoga Park, Los Angeles, California, United States (in 1988-04)
recording of:
You Got It (in 1988-04)
writer:
Jeff Lynne, Roy Orbison and Tom Petty
Roy Orbison4.553:32
10(I Can’t Help) Falling in Love With YouUB403:28
11Heart of GlassBlondie3:43
12Freedom
producer:
George Michael
arranger:
George Michael
music videos:
Freedom by Wham!
recording of:
Freedom (Wham!)
lyricist and composer:
George Michael
publisher:
Chappell Music (UK) and Morrison Leahy Music Ltd. (in 1984)
Wham!45:19
13Town Called Malice
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1981-12)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 151)
recording of:
Town Called Malice
lyricist and composer:
Paul Weller
publisher:
Notting Hill Music (UK) Ltd. and Stylist Music Ltd.
lyrics quoted on:
Kom igen Lena!
The Jam4.752:54
14You’re the First, the Last, My EverythingBarry White3.653:25
15Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:28
16I Got You (I Feel Good)
James Brown2:29
17Jolene
engineer:
Tom Pick
producer:
Bob Ferguson
banjo:
Bobby Thompson (guitar & banjo player) (on 1972-05-03) and Buck Trent (on 1972-05-03)
bass:
Bobby Dyson (on 1972-05-03)
drums (drum set):
Kenny Malone (session drummer/percussion) (on 1972-05-03)
electric guitar:
Jimmy Colvard (American session guitarist) (on 1972-05-03)
fiddle:
Johnny Gimble (on 1972-05-03) and Mack Magaha (Bluegrass Fiddler) (on 1972-05-03)
guitar:
Dolly Parton (on 1972-05-03)
guitar [rhythm guitar]:
Dave Kirby (US country singer/songwriter) (on 1972-05-03)
piano:
Hargus "Pig" Robbins (on 1972-05-03)
steel guitar:
Stu Basore (on 1972-05-03)
background vocals:
Joe Babcock (on 1972-05-03), Dolores Edgin (on 1972-05-03), June Page (on 1972-05-03) and Hurshel Wiginton (on 1972-05-03)
vocals:
Dolly Parton (on 1972-05-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1973) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1972-05-03)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 28), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 63) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 217)
recording of:
Jolene (on 1972-05-03)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton4.252:43
18Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist:
Van Morrison (in 1967)
composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. and Web IV Music Inc. (in 1967)
recording of:
Brown Eyed Girl (from 1967-03 until 1967-11)
lyricist:
Van Morrison (in 1967)
composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. and Web IV Music Inc. (in 1967)
Van Morrison3.33:02
19Maggie May
edit of:
Maggie May (without “Henry” prelude) by Rod Stewart
recording of:
Maggie May (in 1971)
writer:
Martin Quittenton and Rod Stewart
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS-affiliated), H. G. Music Inc, Rightsong Music Inc. and Unichappell Music, Inc.
Rod Stewart33:44
20Knockin’ on Heaven’s Door
recording of:
Knockin’ on Heaven’s Door
additional lyricist:
Bob Dylan (on 1975-03-23)
lyricist and composer:
Bob Dylan
publisher:
Ram’s Horn Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bob Dylan2:32
21The Sound of Silence (single version)
recording of:
The Sound of Silence
lyricist:
Paul Simon (of Simon & Garfunkel) (from 1963 until 1964)
composer:
Paul Simon (of Simon & Garfunkel) (from 1963 until 1963-11)
publisher:
J. Michel KG (publisher), MDW (publisher), Mother Culture Publishing, Pattern Music Ltd (publisher), Universal/MCA Music Ltd. (not for release label use!), WB Music Corp. (1929–2019), Paul Simon Music (in 1964, in 1992) and Magic Arts Publishing (in 2000)
Simon & Garfunkel3:06
22God Only Knows
recording of:
God Only Knows
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co-founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
The Beach Boys2:56
23Live and Let Die
recording engineer:
Bill Price (UK producer/engineer) (from 1972-10-19 until 1972-10-20)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (from 1972-10-19 until 1972-10-20) and Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
mixer:
Bill Price (UK producer/engineer) (on 1972-10-21)
bass guitar:
Denny Laine (from 1972-10-19 until 1972-10-20)
bass guitar, electric guitar and percussion, piano and lead vocals:
Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
drums (drum set):
Denny Seiwell (drummer / percussionist) (from 1972-10-19 until 1972-10-20)
duck call and timpani:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20)
electric guitar:
Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (from 1972-10-19 until 1972-10-20)
percussion:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20) and Denny Seiwell (drummer / percussionist) (from 1972-10-19 until 1972-10-20)
background vocals:
Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
orchestrator:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney-related, NYC-based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1973)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-20)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-19)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-21)
recording of:
Live and Let Die (from 1972-10-19 until 1972-10-20)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
EMI United Partnership Ltd. and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Paul McCartney4.13:09