The Classical Collection 14: Verdi: Operatic Masterpieces

~ Release by Giuseppe Verdi (see all versions of this release, 4 available)

Tracklist

▼CD 1
#TitleRatingLength
1Aida: Radames: Celeste Aida
choir vocals:
Chor der Wiener Staatsoper and Chorus of the Munich State Opera
soprano vocals [Aida]:
Eva Illes (soprano)
tenor vocals:
José Perez (Peruvian tenor)
tenor vocals [Radamès]:
José Maria Pérez (Peruvian tenor)
orchestra:
Milan Opera Orchestra, Nuremberg Symphony Orchestra and Chorus (an Alfred Scholz pseudonym) and Vienna Radio Orchestra (previously ORF-Symphonieorchester)
conductor:
Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym))
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
3:23
2Aida: Chorus: Gloria all'Egitto
choir vocals:
Chorus of the Munich State Opera
orchestra:
Nürnberger Symphoniker (an Alfred Scholz pseudonym) and Vienna Radio Orchestra (previously ORF-Symphonieorchester)
conductor:
Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym))
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
2:23
3Aida: Triumphal march - ballet music
choir vocals:
Chorus of the Munich State Opera
orchestra:
Nürnberger Symphoniker (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym))
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
3:31
4Aida: Chorus: Vieni, o guerriero vindice
choir vocals:
Chorus of the Munich State Opera
orchestra:
Nürnberger Symphoniker (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym))
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
2:12
5Aida: Radames, Aida: O terra, addio
soprano vocals and soprano vocals [Aida]:
Eva Illes (soprano)
tenor vocals and tenor vocals [Radamès]:
Juan Perez (Peruvian tenor)
orchestra:
Nürnberger Symphoniker (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym))
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
4:36
6Rigoletto: Duke: Questa o quella
choir vocals:
Chorus of the Munich State Opera
tenor vocals [Duca]:
Juan Perez (Peruvian tenor)
orchestra:
Nürnberger Symphoniker (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym)) and Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
1:44
7Rigoletto: Gilda, Duke: Giovanna, ho dei rimorsi
choir vocals:
Chor der Staatsoper München (Alfred Scholz related)
soprano vocals:
Bella Jasper (soprano)
soprano vocals [Gilda]:
Bella Jasper (soprano)
soprano vocals [Giovanna]:
Ute Herbert (soprano)
tenor vocals and tenor vocals [Duca]:
Juan Perez (Peruvian tenor)
tenor vocals [Duke]:
Juan Perez (Peruvian tenor)
orchestra:
Nürnberger Symphoniker (real orchestra, not the Alfred Scholz pseudonym) and Nürnberger Symphoniker (an Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 2. N°5 “Giovanna, ho dei rimorsi …” (Gilda, Giovanna) / Duetto “T'amo! T'amo” (Duca, Gilda)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
translated version of:
Rigoletto: Act I, Scene II. “Giovanna, I should have told him” (Gilda, Giovanna, Duke)
part of:
Rigoletto: Atto I
2:49
8Rigoletto: Duke: E il sol dell'anima
choir vocals:
Chor der Staatsoper München (Alfred Scholz related)
soprano vocals [Gilda]:
Bella Jasper (soprano)
soprano vocals [Giovanna]:
Ute Herbert (soprano)
tenor vocals, tenor vocals [Duca] and tenor vocals [Duke]:
Juan Perez (Peruvian tenor)
orchestra:
Nürnberger Symphoniker (real orchestra, not the Alfred Scholz pseudonym) and Nürnberger Symphoniker (an Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 2. “È il sol dell’anima” (Duca, Gilda, Ceprano, Borsa, Giovanna)
composer:
Giuseppe Verdi (Italian opera composer) (in 1850)
librettist:
Francesco Maria Piave (in 1850)
part of:
Rigoletto: Atto I
2:54
9Rigoletto: Duke, Gilda: Addio - Caro nome che il mio cor
soprano vocals and soprano vocals [Gilda]:
Bella Jasper (soprano)
tenor vocals and tenor vocals [Duke]:
Juan Perez (Peruvian tenor)
orchestra:
Nürnberger Symphoniker (an Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 2. “Addio! speranza ed anima” (Duca, Gilda)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto I
6:11
10Rigoletto: Duke: La donna e mobile
baritone vocals [Rigoletto]:
Rudolf Knoll (baritone)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera)
soprano vocals [Gilda]:
Bella Jasper (soprano)
tenor vocals and tenor vocals [Duca]:
Juan Perez (Peruvian tenor)
vocals:
Juan Perez (Duke) (Peruvian tenor)
orchestra:
Nürnberger Symphoniker (real orchestra, not the Alfred Scholz pseudonym) and Nürnberger Symphoniker (an Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (catch-all for arrangements)
composer:
Giuseppe Verdi (Italian opera composer)
arrangement of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
2:09
11Rigoletto: Duke: Bella figlia dell'amore
baritone vocals [Rigoletto]:
Rudolf Knoll (baritone)
choir vocals:
Chor der Staatsoper München (Alfred Scholz related)
soprano vocals [Gilda]:
Bella Jasper (soprano)
tenor vocals [Duke]:
Juan Perez (Duke) (Peruvian tenor)
tenor vocals [Tenor]:
Juan Perez (Peruvian tenor)
orchestra:
Nürnberger Symphoniker (an Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
4:14
12Rigoletto: Gilda, Rigoletto: Lasse incielo
baritone vocals and baritone vocals [Rigoletto]:
Rudolf Knoll (baritone)
choir vocals:
Chor der Staatsoper München (Alfred Scholz related) and Chorus of the Munich State Opera
soprano vocals and soprano vocals [Gilda]:
Bella Jasper (soprano)
orchestra:
Nürnberger Symphoniker (real orchestra, not the Alfred Scholz pseudonym) and Nürnberger Symphoniker (an Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto III. "V'ho ingannato, colpevole fui" (Gilda, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III. Scena e Duetto Finale. "Della vendetta alfin giunge l'istante!" (Rigoletto, Sparafucile, Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
4:48
13La Traviata: Chorus: Libiamo
baritone vocals and baritone vocals [Rigoletto]:
Rudolf Knoll (baritone)
bass vocals:
Ernst Wiemann (operatic bass)
choir vocals:
Chor der Staatsoper München (Alfred Scholz related) and Chorus of the Munich State Opera
soprano vocals and soprano vocals [Violetta]:
Bella Jasper (soprano)
tenor vocals:
Willem Verkerk (tenor)
orchestra:
Nürnberger Symphoniker (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (pseudonym for Alfred Scholz)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
3:11
14La Traviata: Germont: Di Prevenza il mar, il suol
baritone vocals:
Rudolf Knoll (baritone)
orchestra:
Nürnberger Symphoniker (real orchestra, not the Alfred Scholz pseudonym) and Nürnberger Symphoniker (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (pseudonym for Alfred Scholz)
recording of:
La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
4:35
15La Traviata: Violette: Addio del passato
soprano vocals and soprano vocals [Violetta Valery]:
Bella Jasper (soprano)
soprano vocals [Violetta]:
Bella Jasper (Violetta) (soprano)
orchestra:
Nürnberger Symphoniker (real orchestra, not the Alfred Scholz pseudonym) and Nürnberger Symphoniker (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (pseudonym for Alfred Scholz)
recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III
2:39
16La Traviata: Viletta, Alfredo: Parigi, o cara, noi lasce remo
soprano vocals and soprano vocals [Violetta Valery]:
Bella Jasper (soprano)
tenor vocals and tenor vocals [Alfredo Germont]:
Willem Verkerk (tenor)
tenor vocals [Alfredo]:
Juan Perez (Peruvian tenor)
vocals:
Bella Jasper (Violetta) (soprano)
orchestra:
Nürnberger Symphoniker (real orchestra, not the Alfred Scholz pseudonym) and Nürnberger Symphoniker (an Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (pseudonym for Alfred Scholz)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III
3:22
17Il Trovatore: Gypsy chorus
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
2:46
18Il Trovatore: Squilli, echeggi la tromba guerriera
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
1:28
19Il Trovatore: Manrico: Ah si, ben mio
tenor vocals and tenor vocals [Manrico]:
Juan Perez (Peruvian tenor)
orchestra:
Nürnberger Symphoniker (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym))
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:37
20Don Carlos: Canzone del velo
mezzo-soprano vocals [Eboli]:
Biserka Cvejic (mezzo-soprano)
recording of:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
5:01

Credits

Release

part of:The Classical Collection (a series by Orbis Publishing Ltd.) (number: 14) (order: 16)