The Operas & Operettas Collection I

~ Release by Jacques Offenbach (see all versions of this release, 3 available)

Tracklist

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CD 1: Ba-ta-clan
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1Ba-ta-clan : Introduction et chœur : « Cloc, clock, moc, mock » (Chœur)
producer:
Michel Garcin (french producer)
choir vocals:
Chorale Philippe Caillard (in 1966-03)
orchestra:
Orchestre Jean‐François Paillard (in 1966-03)
conductor:
Marcel Couraud (conductor) (in 1966-03)
balance engineer:
Guy Laporte
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-03)
recording of:
Ba-ta-clan : Introduction et chœur « Cloc, clock, moc, mock » (chœur) (in 1966-03)
composer:
Jacques Offenbach
librettist:
Ludovic Halévy (french librettist)
part of:
Ba-ta-clan (Chinoiserie musicale en un acte)
5:22
2Ba-ta-clan : No. 1 - Quatuor chinois : « Maxala, chapala » (Fé-an-nich-ton, Ké-ki-ka-ko, Fé-ni-han, Ko-ko-ri-ko)
producer:
Michel Garcin (french producer)
bass vocals [Ko-ko-ri-ko]:
René Terrasson (operatic bass) (in 1966-03)
soprano vocals [Fé-an-nich-ton]:
Huguette Boulangeot (soprano) (in 1966-03)
tenor vocals [Fé-ni-han]:
Rémy Corazza (French tenor) (in 1966-03)
tenor vocals [Ké-ki-ka-ko]:
Raymond Amade (tenor) (in 1966-03)
orchestra:
Orchestre Jean‐François Paillard (in 1966-03)
conductor:
Marcel Couraud (conductor) (in 1966-03)
balance engineer:
Guy Laporte
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-03)
recording of:
Ba-ta-clan : N° 1 – Quatuor chinois « Maxala, chapala » (Fé-an-nich-ton, Ké-ki-ka-ko, Fé-ni-han, Ko-ko-ri-ko) (in 1966-03)
composer:
Jacques Offenbach
librettist:
Ludovic Halévy (french librettist)
part of:
Ba-ta-clan (Chinoiserie musicale en un acte)
5:25
3Ba-ta-clan : No. 2 - Romance : « Adieu, chants de ma jeunesse » (Fé-an-nich-ton)
producer:
Michel Garcin (french producer)
soprano vocals [Fé-an-nich-ton]:
Huguette Boulangeot (soprano) (in 1966-03)
orchestra:
Orchestre Jean‐François Paillard (in 1966-03)
conductor:
Marcel Couraud (conductor) (in 1966-03)
balance engineer:
Guy Laporte
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-03)
recording of:
Ba-ta-clan : N° 2 – Romance « Adieu, chants de ma jeunesse » (Fé-an-nich-ton) (in 1966-03)
composer:
Jacques Offenbach
librettist:
Ludovic Halévy (french librettist)
part of:
Ba-ta-clan (Chinoiserie musicale en un acte)
3:29
4Ba-ta-clan : No. 3 - Duo : « Te souviens-tu de la maison dorée » (Fé-an-nich-ton, Ko-ko-ri-ko)
producer:
Michel Garcin (french producer)
bass vocals [Ko-ko-ri-ko]:
René Terrasson (operatic bass) (in 1966-03)
soprano vocals [Fé-an-nich-ton]:
Huguette Boulangeot (soprano) (in 1966-03)
orchestra:
Orchestre Jean‐François Paillard (in 1966-03)
conductor:
Marcel Couraud (conductor) (in 1966-03)
balance engineer:
Guy Laporte
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-03)
recording of:
Ba-ta-clan : N° 3 – Duo « Te souviens-tu de la maison dorée » (Fé-an-nich-ton, Ko-ko-ri-ko) (in 1966-03)
composer:
Jacques Offenbach
librettist:
Ludovic Halévy (french librettist)
part of:
Ba-ta-clan (Chinoiserie musicale en un acte)
2:59
5Ba-ta-clan : No. 4 - Ronde de Florette : « Êtes-vous pauvre et plein d'ardeur » (Fé-an-nich-ton)
producer:
Michel Garcin (french producer)
soprano vocals [Fé-an-nich-ton]:
Huguette Boulangeot (soprano) (in 1966-03)
orchestra:
Orchestre Jean‐François Paillard (in 1966-03)
conductor:
Marcel Couraud (conductor) (in 1966-03)
balance engineer:
Guy Laporte
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-03)
recording of:
Ba-ta-clan : N° 4 – Ronde de Florette « Êtes-vous pauvre et plein d'entrain » (Fé-an-nich-ton) (in 1966-03)
composer:
Jacques Offenbach
librettist:
Ludovic Halévy (french librettist)
part of:
Ba-ta-clan (Chinoiserie musicale en un acte)
2:36
6Ba-ta-clan : No. 5 - Duo italien : « Morto, infamio, morto » (Ké-ki-ka-ko, Fé-ni-han / Fé-an-nich-ton)
producer:
Michel Garcin (french producer)
soprano vocals [Fé-an-nich-ton]:
Huguette Boulangeot (soprano) (in 1966-03)
tenor vocals [Fé-ni-han]:
Rémy Corazza (French tenor) (in 1966-03)
tenor vocals [Ké-ki-ka-ko]:
Raymond Amade (tenor) (in 1966-03)
orchestra:
Orchestre Jean‐François Paillard (in 1966-03)
conductor:
Marcel Couraud (conductor) (in 1966-03)
balance engineer:
Guy Laporte
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-03)
recording of:
Ba-ta-clan : N° 5 – Duo italien « Morto, infamio, morto » (Ké-ki-ka-ko, Fé-ni-han / Fé-an-nich-ton) (in 1966-03)
composer:
Jacques Offenbach
librettist:
Ludovic Halévy (french librettist)
part of:
Ba-ta-clan (Chinoiserie musicale en un acte)
5:46
7Ba-ta-clan : No. 6 - Trio bouffe : « Je suis français » (Fé-ni-han, Ko-ko-ri-ko, Fé-an-nich-ton)
producer:
Michel Garcin (french producer)
bass vocals [Ko-ko-ri-ko]:
René Terrasson (operatic bass) (in 1966-03)
soprano vocals [Fé-an-nich-ton]:
Huguette Boulangeot (soprano) (in 1966-03)
tenor vocals [Fé-ni-han]:
Rémy Corazza (French tenor) (in 1966-03)
orchestra:
Orchestre Jean‐François Paillard (in 1966-03)
conductor:
Marcel Couraud (conductor) (in 1966-03)
balance engineer:
Guy Laporte
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-03)
recording of:
Ba-ta-clan : N° 6 – Trio bouffe « Je suis français » (Fé-ni-han, Ko-ko-ri-ko, Fé-an-nich-ton) (in 1966-03)
composer:
Jacques Offenbach
librettist:
Ludovic Halévy (french librettist)
part of:
Ba-ta-clan (Chinoiserie musicale en un acte)
5:18
8Ba-ta-clan : No. 7 - Le Ba-ta-clan et Final : « Le chapeau chinois, le trombone » (Tous, chœur)
producer:
Michel Garcin (french producer)
bass vocals [Ko-ko-ri-ko]:
René Terrasson (operatic bass) (in 1966-03)
choir vocals:
Chorale Philippe Caillard (in 1966-03)
soprano vocals [Fé-an-nich-ton]:
Huguette Boulangeot (soprano) (in 1966-03)
tenor vocals [Fé-ni-han]:
Rémy Corazza (French tenor) (in 1966-03)
tenor vocals [Ké-ki-ka-ko]:
Raymond Amade (tenor) (in 1966-03)
orchestra:
Orchestre Jean‐François Paillard (in 1966-03)
conductor:
Marcel Couraud (conductor) (in 1966-03)
balance engineer:
Guy Laporte
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-03)
recording of:
Ba-ta-clan : N° 7 – Le Ba-ta-clan et Final « Le Chapeau chinois, le trombone » (Fé-an-nich-ton, Ké-ki-ka-ko, Fé-ni-han, Ko-ko-ri-ko, chœur) (in 1966-03)
composer:
Jacques Offenbach
librettist:
Ludovic Halévy (french librettist)
part of:
Ba-ta-clan (Chinoiserie musicale en un acte)
9:35
CD 2: Les Bavards
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1Les Bavards : Acte I. Ouverture
producer:
Michel Garcin (french producer)
orchestra:
Orchestre lyrique de l'O.R.T.F. (in 1967-01)
conductor:
Marcel Couraud (conductor) (in 1967-01)
balance engineer:
Bernard Leroux (sound engineer)
recording of:
Les Bavards : Acte I. Ouverture (in 1967-01)
composer:
Jacques Offenbach
librettist:
Charles Nuitter (French librettist)
part of:
Les Bavards
2:30
2Les Bavards : Acte I. No. 1 - Chœur et scène : « Cherchons, cherchons bien » (Chœur)
producer:
Michel Garcin (french producer)
baritone vocals [4e créancier (Muletier)]:
Pierre Saugey (french baritone) (in 1967-01)
choir vocals:
Chœurs de l'O.R.T.F. (in 1967-01)
tenor vocals [1er créancier (Barbier)]:
Jacques Pruvost (French tenor vocalist) (in 1967-01)
tenor vocals [2e créancier (Marchand)]:
René Lenoty (French tenor) (in 1967-01)
tenor vocals [3e créancier (Bottier)]:
Robert Destain (tenor) (in 1967-01)
orchestra:
Orchestre lyrique de l'O.R.T.F. (in 1967-01)
conductor:
Marcel Couraud (conductor) (in 1967-01)
balance engineer:
Bernard Leroux (sound engineer)
recording of:
Les Bavards : Acte I. N° 1 Chœur et scène « Cherchons, cherchons bien » (Chœur) (in 1967-01)
composer:
Jacques Offenbach
librettist:
Charles Nuitter (French librettist)
part of:
Les Bavards
3:01
3Les Bavards : Acte I. No. 2 - Romance : « Sans aimer, oh ! peut-on vivre ? » (Roland)
producer:
Michel Garcin (french producer)
baritone vocals [Roland]:
Aimé Doniat (baritone) (in 1967-01)
orchestra:
Orchestre lyrique de l'O.R.T.F. (in 1967-01)
conductor:
Marcel Couraud (conductor) (in 1967-01)
balance engineer:
Bernard Leroux (sound engineer)
recording of:
Les Bavards : Acte I. N° 2 Romance « Sans aimer, oh ! peut-on vivre ? » (Roland) (in 1967-01)
composer:
Jacques Offenbach
librettist:
Charles Nuitter (French librettist)
part of:
Les Bavards
1:16
4Les Bavards : Acte I. No. 3 - Duetto : « Ce sont d'étranges personnages » (Inès, Roland)
producer:
Michel Garcin (french producer)
baritone vocals [Roland]:
Aimé Doniat (baritone)
soprano vocals [Inès]:
Huguette Boulangeot (soprano)
orchestra:
Orchestre lyrique de l'O.R.T.F.
conductor:
Marcel Couraud (conductor)
balance engineer:
Bernard Leroux (sound engineer)
recording of:
Les Bavards : Acte I. N° 3 Duetto « Ce sont d'étranges personnages » (Inès, Roland)
composer:
Jacques Offenbach
librettist:
Charles Nuitter (French librettist)
part of:
Les Bavards
5:00
5Les Bavards : Acte I. No. 4 - Air : « C'est bien reconnu » (Béatrix)
producer:
Michel Garcin (french producer)
soprano vocals [Béatrix]:
Lina Dachary (French soprano vocalist) (in 1967-01)
orchestra:
Orchestre lyrique de l'O.R.T.F. (in 1967-01)
conductor:
Marcel Couraud (conductor) (in 1967-01)
balance engineer:
Bernard Leroux (sound engineer)
recording of:
Les Bavards : Acte I. N° 4 Air « C'est bien reconnu » (Béatrix) (in 1967-01)
composer:
Jacques Offenbach
librettist:
Charles Nuitter (French librettist)
part of:
Les Bavards
3:18
6Les Bavards : Acte I. No. 5 - Chanson : « Partout on chercherait en vain » (Cristobal, Torribio)
producer:
Michel Garcin (french producer)
baritone vocals [Cristobal]:
Jean-Christophe Benoît (baritone) (in 1967-01)
tenor vocals [Torribio]:
Joseph Peyron (tenor) (in 1967-01)
orchestra:
Orchestre lyrique de l'O.R.T.F. (in 1967-01)
conductor:
Marcel Couraud (conductor) (in 1967-01)
balance engineer:
Bernard Leroux (sound engineer)
recording of:
Les Bavards : Acte I. N° 5 Chanson « Partout on chercherait en vain » (Cristobal, Torribio) (in 1967-01)
composer:
Jacques Offenbach
librettist:
Charles Nuitter (French librettist)
part of:
Les Bavards
3:33
7Les Bavards : Acte I. No. 6 - Duo bouffe : « Quel bavard insupportable » (Roland, Sarmiento)
producer:
Michel Garcin (french producer)
baritone vocals [Roland]:
Aimé Doniat (baritone) (in 1967-01)
bass vocals [Sarmiento]:
René Terrasson (operatic bass) (in 1967-01)
orchestra:
Orchestre lyrique de l'O.R.T.F. (in 1967-01)
conductor:
Marcel Couraud (conductor) (in 1967-01)
balance engineer:
Bernard Leroux (sound engineer)
recording of:
Les Bavards : Acte I. N° 6 Duo bouffe « Quel bavard insupportable » (Roland, Sarmiento) (in 1967-01)
composer:
Jacques Offenbach
librettist:
Charles Nuitter (French librettist)
part of:
Les Bavards
5:11
8Les Bavards : Acte I. No. 7 - Ensemble at chœur : « Seigneur Aclade, sous cette arcade » (Chœur, tous)
producer:
Michel Garcin (french producer)
baritone vocals [4e créancier (Muletier)]:
Pierre Saugey (french baritone) (in 1967-01)
baritone vocals [Cristobal]:
Jean-Christophe Benoît (baritone) (in 1967-01)
baritone vocals [Roland]:
Aimé Doniat (baritone) (in 1967-01)
bass vocals [Sarmiento]:
René Terrasson (operatic bass) (in 1967-01)
choir vocals:
Chœurs de l'O.R.T.F. (in 1967-01)
soprano vocals [Béatrix]:
Lina Dachary (French soprano vocalist) (in 1967-01)
soprano vocals [Inès]:
Huguette Boulangeot (soprano) (in 1967-01)
tenor vocals [1er créancier (Barbier)]:
Jacques Pruvost (French tenor vocalist) (in 1967-01)
tenor vocals [2e créancier (Marchand)]:
René Lenoty (French tenor) (in 1967-01)
tenor vocals [3e créancier (Bottier)]:
Robert Destain (tenor) (in 1967-01)
tenor vocals [Torribio]:
Joseph Peyron (tenor) (in 1967-01)
orchestra:
Orchestre lyrique de l'O.R.T.F. (in 1967-01)
conductor:
Marcel Couraud (conductor) (in 1967-01)
balance engineer:
Bernard Leroux (sound engineer)
recording of:
Les Bavards : Acte I. N° 7 Ensemble et chœur « Seigneur Aclade, sous cette arcade » (Chœur, tous) (in 1967-01)
composer:
Jacques Offenbach
librettist:
Charles Nuitter (French librettist)
part of:
Les Bavards
9:40
9Les Bavards : Acte II. No. 8 - Couplets : « Ouf ! quel métier d'être femme » (Béatrix)
producer:
Michel Garcin (french producer)
soprano vocals [Béatrix]:
Lina Dachary (French soprano vocalist) (in 1967-01)
orchestra:
Orchestre lyrique de l'O.R.T.F. (in 1967-01)
conductor:
Marcel Couraud (conductor) (in 1967-01)
balance engineer:
Bernard Leroux (sound engineer)
recording of:
Les Bavards : Acte II. N° 8 Couplets « Ouf ! quel métier d'être femme » (Béatrix) (in 1967-01)
composer:
Jacques Offenbach
librettist:
Charles Nuitter (French librettist)
part of:
Les Bavards
3:40
10Les Bavards : Acte II. No. 9 - Quatuor, chanson, causerie, ensemble : « À table, à table » (Inès, Béatrix, Roland, Sarmiento)
producer:
Michel Garcin (french producer)
baritone vocals [Roland]:
Aimé Doniat (baritone) (in 1967-01)
bass vocals [Sarmiento]:
René Terrasson (operatic bass) (in 1967-01)
soprano vocals [Béatrix]:
Lina Dachary (French soprano vocalist) (in 1967-01)
soprano vocals [Inès]:
Huguette Boulangeot (soprano) (in 1967-01)
orchestra:
Orchestre lyrique de l'O.R.T.F. (in 1967-01)
conductor:
Marcel Couraud (conductor) (in 1967-01)
balance engineer:
Bernard Leroux (sound engineer)
recording of:
Les Bavards : Acte II. N° 9 Quatuor, chanson, causerie, ensemble « À table, à table » (Inès, Beatrix, Roland, Sarmiento) (in 1967-01)
composer:
Jacques Offenbach
librettist:
Charles Nuitter (French librettist)
part of:
Les Bavards
10:37
11Les Bavards : Acte II. No. 10 - Trio : « Taisons-nous, agissons avec adresse » (Inès, Béatrix, Roland)
producer:
Michel Garcin (french producer)
baritone vocals [Roland]:
Aimé Doniat (baritone) (in 1967-01)
soprano vocals [Béatrix]:
Lina Dachary (French soprano vocalist) (in 1967-01)
soprano vocals [Inès]:
Huguette Boulangeot (soprano) (in 1967-01)
orchestra:
Orchestre lyrique de l'O.R.T.F. (in 1967-01)
conductor:
Marcel Couraud (conductor) (in 1967-01)
balance engineer:
Bernard Leroux (sound engineer)
recording of:
Les Bavards : Acte II. N° 10 Trio « Taisons-nous, agissons avec adresse » (Inès, Béatrix, Roland) (in 1967-01)
composer:
Jacques Offenbach
librettist:
Charles Nuitter (French librettist)
part of:
Les Bavards
3:00
12Les Bavards : Acte II. No. 11 - Ensemble : « Vos factures, cher seigneur, acquittées » (Tous, chœur)
producer:
Michel Garcin (french producer)
baritone vocals [4e créancier (Muletier)]:
Pierre Saugey (french baritone) (in 1967-01)
baritone vocals [Cristobal]:
Jean-Christophe Benoît (baritone) (in 1967-01)
baritone vocals [Roland]:
Aimé Doniat (baritone) (in 1967-01)
bass vocals [Sarmiento]:
René Terrasson (operatic bass) (in 1967-01)
choir vocals:
Chœurs de l'O.R.T.F. (in 1967-01)
soprano vocals [Béatrix]:
Lina Dachary (French soprano vocalist) (in 1967-01)
soprano vocals [Inès]:
Huguette Boulangeot (soprano) (in 1967-01)
tenor vocals [1er créancier (Barbier)]:
Jacques Pruvost (French tenor vocalist) (in 1967-01)
tenor vocals [2e créancier (Marchand)]:
René Lenoty (French tenor) (in 1967-01)
tenor vocals [3e créancier (Bottier)]:
Robert Destain (tenor) (in 1967-01)
tenor vocals [Torribio]:
Joseph Peyron (tenor) (in 1967-01)
orchestra:
Orchestre lyrique de l'O.R.T.F. (in 1967-01)
conductor:
Marcel Couraud (conductor) (in 1967-01)
balance engineer:
Bernard Leroux (sound engineer)
recording of:
Les Bavards : Acte II. N° 11 Ensemble « Vos factures, cher seigneur, acquittés » (Tous, chœur) (in 1967-01)
composer:
Jacques Offenbach
librettist:
Charles Nuitter (French librettist)
part of:
Les Bavards
7:57
CD 3: Orphée aux enfers (Opéra-féerie in four acts, 1871) (Acts I & II beginning)
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1Orphée aux enfers : Ouverture
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Ouverture (from 1978-06-05 until 1978-11-09)
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach
part of:
Orphée aux enfers (opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
2:54
2Orphée aux enfers : Acte I. No. 1 - Chœur des bergers et scène du conseil municipal : « Voici la douzième heure » (Chœur, Le Licteur, L'Opinion publique)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [L'Opinion publique]:
Jane Rhodes (French soprano/mezzo-soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [un licteur]:
Hugues Brambilla (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte I. No. 1 - Chœur des bergers et scène du conseil municipal : « Voici la douzième heure » (Chœur, Le Licteur, L'Opinion publique) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte I
6:15
3Orphée aux enfers : Acte I. No. 2 - Couplets du berger joli : « La femme dont le cœur rêve » (Eurydice)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte I. No. 2 - Couplets du berger joli : « La femme dont le cœur rêve » (Eurydice) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte I
3:07
4Orphée aux enfers : Acte I. Dialogue : « Que vois-je ? » (Orphée, Eurydice)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Orphée]:
Michel Sénéchal (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte I. Dialogue : « Que vois-je ? » (Orphée, Eurydice) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte I
0:54
5Orphée aux enfers : Acte I. No. 3 - Duo du concerto : « Ah c'est ainsi ! » (Eurydice, Orphée)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Orphée]:
Michel Sénéchal (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte I. No. 3 - Duo du concerto : « Ah c'est ainsi ! » (Eurydice, Orphée) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte I
6:46
6Orphée aux enfers : Acte I. Dialogue : « À la bonne heure » (Eurydice, Orphée)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Orphée]:
Michel Sénéchal (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte I. Dialogue : « À la bonne heure » (Eurydice, Orphée) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte I
0:35
7Orphée aux enfers : Acte I. No. 4 - Ballet pastoral
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte I. No. 4 - Ballet pastoral (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte I
7:59
8Orphée aux enfers : Acte I. No. 5 - Chanson d'Aristée: « Moi, je suis Aristée » (Aristée)
tenor vocals [Aristée]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte I. No. 5 - Chanson d'Aristée: « Moi, je suis Aristée » (Aristée) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte I
4:39
9Orphée aux enfers : Acte I. No. 5 bis - Sortie des bergers, dialogue : « Voici la tendre Eurydice ! » (Aristée, Eurydice)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Aristée]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte I. No. 5 bis - Sortie des bergers, dialogue : « Voici la tendre Eurydice ! » (Aristée, Eurydice) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte I
1:14
10Orphée aux enfers : Acte I. No. 5 ter - Mélodrame, dialogue : « Aïe ! » (Eurydice, Aristée)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Aristée]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte I. No. 5 ter - Mélodrame, dialogue : « Aïe ! » (Eurydice, Aristée) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte I
1:05
11Orphée aux enfers : Acte I. No. 6 - Invocation à la mort : « La mort m'apparaît » (Eurydice)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte I. No. 6 - Invocation à la mort : « La mort m'apparaît » (Eurydice) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte I
2:01
12Orphée aux enfers : Acte I. Dialogue : « Ça y est ! » (Aristée) / No. 6 bis - Mélodrame, dialogue: « Voilà une plume » (Aristée, Eurydice, Orphée)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Aristée]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Orphée]:
Michel Sénéchal (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte I. Dialogue : « Ça y est ! » (Aristée) / No. 6 bis - Mélodrame, dialogue: « Voilà une plume » (Aristée, Eurydice, Orphée) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte I
1:14
13Orphée aux enfers : Acte I. No. 7 - Final : « Libre ! ô bonheur ! » (Orphée, Chœur, L'Opinion publique, Les enfants)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09) and Les Petits chanteurs à la croix potencée (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [L'Opinion publique]:
Jane Rhodes (French soprano/mezzo-soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Orphée]:
Michel Sénéchal (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte I. No. 7 - Final : « Libre ! ô bonheur ! » (Orphée, Chœur, L'Opinion publique, Les enfants) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte I
11:48
14Orphée aux enfers : Acte II. No. 8 - Entr'acte et chœur du sommeil
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 8 - Entr'acte et chœur du sommeil (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
2:17
15Orphée aux enfers : Acte II. No. 9 - Couplets : « Je suis Vénus ! » (Vénus, Cupidon, Mars, Chœur)
baritone vocals [Mars]:
Jean‐Philippe Lafont (baritone) (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Vénus]:
Michèle Command (soprano) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 9 - Couplets : « Je suis Vénus ! » (Vénus, Cupidon, Mars, Chœur) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
4:03
16Orphée aux enfers : Acte II. No. 10 - Divertissement des songes et des heures : « Tzing, tzing » (Morphée, Chœur)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Vénus]:
Michèle Command (soprano) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 10 - Divertissement des songes et des heures : « Tzing, tzing » (Morphée, Chœur) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
7:22
17Orphée aux enfers : Acte II. No. 11 - Réveil des dieux et couplets de Diane : « Par Saturne ! » (Jupiter, Vénus, Diane, Chœur) / Dialogue: « Ce qu'il est devenu, chaste Diane ? » (Jupiter, Diane, Junon)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Junon]:
Danièle Castaing (soprano / mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Vénus]:
Michèle Command (soprano) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 11 - Réveil des dieux et couplets de Diane : « Par Saturne ! » (Jupiter, Vénus, Diane, Chœur) / Dialogue: « Ce qu'il est devenu, chaste Diane ? » (Jupiter, Diane, Junon) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
4:38
CD 4: Orphée aux enfers (Opéra-féerie in four acts, 1871) (Acts II end, III & IV)
#TitleRatingLength
1Orphée aux enfers : Acte II. No. 12 - Rondo saltarelle de Mercure : « Eh hop ! Eh hop ! » (Mercure, Junon, Jupiter)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Junon]:
Danièle Castaing (soprano / mezzo-soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Mercure]:
André Mallabrera (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 12 - Rondo saltarelle de Mercure : « Eh hop ! Eh hop ! » (Mercure, Junon, Jupiter) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
2:19
2Orphée aux enfers : Acte II. Dialogue : « Salut au puissant maître des dieux » (Mercure, Jupiter, Junon)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Junon]:
Danièle Castaing (soprano / mezzo-soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Mercure]:
André Mallabrera (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. Dialogue : « Salut au puissant maître des dieux » (Mercure, Jupiter, Junon) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
0:33
3Orphée aux enfers : Acte II. No. 12 bis - Entrée de Pluton
tenor vocals:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 12 bis - Entrée de Pluton (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
0:22
4Orphée aux enfers : Acte II. No. 13 - Air en prose de Pluton : « Comme il me regarde ! » (Pluton)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 13 - Air en prose de Pluton : « Comme il me regarde ! » (Pluton) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
3:17
5Orphée aux enfers : Acte II. Dialogue : « Laissons cela ! » (Jupiter, Pluton)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. Dialogue : « Laissons cela ! » (Jupiter, Pluton) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
0:18
6Orphée aux enfers : Acte II. No. 14 - Chœur de la révolte : « Aux armes, dieux et demi-dieux ! » (Diane, Vénus, Cupidon, Pluton, Jupiter, les Dieux et les Déesses)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Vénus]:
Michèle Command (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 14 - Chœur de la révolte : « Aux armes, dieux et demi-dieux ! » (Diane, Vénus, Cupidon, Pluton, Jupiter, les Dieux et les Déesses) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
1:51
7Orphée aux enfers : Acte II. Dialogue : « Silence, ou je tonne » (Jupiter, Pluton, Diane, Junon, Vénus, Cupidon, tous)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. Dialogue : « Silence, ou je tonne » (Jupiter, Pluton, Diane, Junon, Vénus, Cupidon, tous) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
0:45
8Orphée aux enfers : Acte II. No. 15 - Rondeau des métamorphoses : « Pour séduire Alcmène » (Diane, Vénus, Cupidon, Chœur)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Vénus]:
Michèle Command (soprano) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 15 - Rondeau des métamorphoses : « Pour séduire Alcmène » (Diane, Vénus, Cupidon, Chœur) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
1:46
9Orphée aux enfers : Acte II. Dialogue : « Seigneurs, deux étrangers sont là » (Mercure, Jupiter, Pluton)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
tenor vocals [Mercure]:
André Mallabrera (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. Dialogue : « Seigneurs, deux étrangers sont là » (Mercure, Jupiter, Pluton) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
0:28
10Orphée aux enfers : Acte II. No. 16 - Grand Final, scène, ensemble, chœur et marche : « Il approche ! Il s'avance ! Le voilà, oui, c'est bien lui !" (Pluton, Orphée, les Dieux, Jupiter, Mercure, Vénus, Diane, L'Opinion publique, Cupidon)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [L'Opinion publique]:
Jane Rhodes (French soprano/mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Vénus]:
Michèle Command (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Mercure]:
André Mallabrera (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Orphée]:
Michel Sénéchal (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 16 - Grand Final, scène, ensemble, chœur et marche : « Il approche ! Il s'avance ! Le voilà, oui, c'est bien lui !" (Pluton, Orphée, les Dieux, Jupiter, Mercure, Vénus, Diane, L'Opinion publique, Cupidon) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
9:08
11Orphée aux enfers : Acte II. No. 17 - Entr'acte
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte II. No. 17 - Entr'acte (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte II
1:06
12Orphée aux enfers : Acte III. No. 18 - Couplets des regrets : « Ah ! Quelle triste destinée » (Eurydice)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 18 - Couplets des regrets : « Ah ! Quelle triste destinée » (Eurydice) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
2:46
13Orphée aux enfers : Acte III. Dialogue : « Voilà deux jours que je suis seule » (Eurydice, John Styx)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [John Styx]:
Bruce Brewer (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. Dialogue : « Voilà deux jours que je suis seule » (Eurydice, John Styx) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
1:17
14Orphée aux enfers : Acte III. No. 19 - Couplets du roi de Béotie : « Quand j'étais roi de Béotie » (John Styx)
tenor vocals [John Styx]:
Bruce Brewer (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 19 - Couplets du roi de Béotie : « Quand j'étais roi de Béotie » (John Styx) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
1:55
15Orphée aux enfers : Acte III. Dialogue : « Voyez-vous, il est une chose » (John Styx, Eurydice) / Mélodrame : « Ah ! tenez, Madame » (John Styx, Euridice, Pluton, Jupiter)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [John Styx]:
Bruce Brewer (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. Dialogue : « Voyez-vous, il est une chose » (John Styx, Eurydice) / Mélodrame : « Ah ! tenez, Madame » (John Styx, Euridice, Pluton, Jupiter) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
1:04
16Orphée aux enfers : Acte III. Septuor du tribunal : « Minos, Éaque et Rhadamante » (Minos, Éaque, Rhadamante, Chœur, Pluton, Cerbère, Jupiter, Huissier)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
baritone vocals [Minos]:
Jean-Claude Bonnafous (operatic bass) (from 1978-06-05 until 1978-11-09)
bass vocals [Rhadamante]:
Henry Amiel (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
tenor vocals [Éaque]:
Roger Trentin (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [John Styx]:
Bruce Brewer (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Mercure]:
André Mallabrera (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. Septuor du tribunal : « Minos, Éaque et Rhadamante » (Minos, Éaque, Rhadamante, Chœur, Pluton, Cerbère, Jupiter, Huissier) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
2:09
17Orphée aux enfers : Acte III. No. 20 - Dialogue : « La séance est ouverte ! » (Minos, Rhadamante, Éaque, Pluton, Cerbère, Jupiter, Huissier) / Mélodrame : « Ah ! mon bras ! » (Jupiter, Pluton, les Juges, Cupidon)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
baritone vocals [Minos]:
Jean-Claude Bonnafous (operatic bass) (from 1978-06-05 until 1978-11-09)
bass vocals [Rhadamante]:
Henry Amiel (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Éaque]:
Roger Trentin (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 20 - Dialogue : « La séance est ouverte ! » (Minos, Rhadamante, Éaque, Pluton, Cerbère, Jupiter, Huissier) / Mélodrame : « Ah ! mon bras ! » (Jupiter, Pluton, les Juges, Cupidon) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
1:39
18Orphée aux enfers : Acte III. No. 21 - Ronde des policemen : « Nez au vent, œil au guet » (Chœur)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 21 - Ronde des policemen : « Nez au vent, œil au guet » (Chœur) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
1:17
19Orphée aux enfers : Acte III. No. 22 - Récit et couplets des baisers : « Allons, mes fins limiers, visitez et fouillez ! » (Cupidon, Jupiter, les Policemen, Chœur)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 22 - Récit et couplets des baisers : « Allons, mes fins limiers, visitez et fouillez ! » (Cupidon, Jupiter, les Policemen, Chœur) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
5:10
20Orphée aux enfers : Acte III. Dialogue : « La porte est là ! » (Un Policeman, Jupiter, Cupidon)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. Dialogue : « La porte est là ! » (Un Policeman, Jupiter, Cupidon) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
0:54
21Orphée aux enfers : Acte III. No. 23 - Petite ronde du bourdon : « Le beau bourdon que voilà » (Chœur des Policemen)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 23 - Petite ronde du bourdon : « Le beau bourdon que voilà » (Chœur des Policemen) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
2:05
22Orphée aux enfers : Acte III. No. 24 - Duo de la mouche : « Il m'a semblé que sur mon épaule » (Eurydice, Jupiter)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 24 - Duo de la mouche : « Il m'a semblé que sur mon épaule » (Eurydice, Jupiter) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
5:47
23Orphée aux enfers : Acte III. Dialogue : « Ah, je savais bien » (Eurydice, Jupiter, Pluton)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. Dialogue : « Ah, je savais bien » (Eurydice, Jupiter, Pluton) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
0:57
24Orphée aux enfers : Acte III. No. 25 - Scène des mouches : « Si j'étais roi de Béotie » (Les Enfants)
choir vocals:
Les Petits chanteurs à la croix potencée (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. No. 25 - Scène des mouches : « Si j'étais roi de Béotie » (Les Enfants) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
1:27
25Orphée aux enfers : Acte III. Dialogue : « La mouche ! » (Pluton, Cupidon)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. Dialogue : « La mouche ! » (Pluton, Cupidon) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
0:47
26Orphée aux enfers : Acte III. Galop
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte III. Galop (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte III
2:04
27Orphée aux enfers : Acte IV. No. 26 - Chœur infernal : « Vive le vin ! Vive Pluton ! » (Chœur, Cupidon)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte IV. No. 26 - Chœur infernal : « Vive le vin ! Vive Pluton ! » (Chœur, Cupidon) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte IV
3:08
28Orphée aux enfers : Acte IV. No. 27 - Hymne à Bacchus : « J'ai vu le Dieu Bacchus » (Eurydice, Diane, Cupidon et les Déesses, Pluton)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte IV. No. 27 - Hymne à Bacchus : « J'ai vu le Dieu Bacchus » (Eurydice, Diane, Cupidon et les Déesses, Pluton) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte IV
2:57
29Orphée aux enfers : Acte IV. No. 28 - Menuet et galop infernal : « Maintenant, je veux, moi qui suis mince et fluet » (Jupiter, Diane, tous, Pluton, Eurydice)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte IV. No. 28 - Menuet et galop infernal : « Maintenant, je veux, moi qui suis mince et fluet » (Jupiter, Diane, tous, Pluton, Eurydice) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte IV
5:10
30Orphée aux enfers : Acte IV. No. 28 - Dialogue : « Et maintenant, fuyons, Jupiter » (Eurydice, Jupiter, Pluton, Cupidon)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte IV. No. 28 - Dialogue : « Et maintenant, fuyons, Jupiter » (Eurydice, Jupiter, Pluton, Cupidon) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte IV
1:14
31Orphée aux enfers : Acte IV. No. 29 - Mélodrame : « Elle est assez bonne ! » (Jupiter, Pluton, Eurydice, Orphée, tous)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Orphée]:
Michel Sénéchal (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte IV. No. 29 - Mélodrame : « Elle est assez bonne ! » (Jupiter, Pluton, Eurydice, Orphée, tous) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte IV
2:49
32Orphée aux enfers : Acte IV. No. 30 - Final : « Ne regarde pas en arrière ! » (L'Opinion publique, tous, Jupiter, les Dieux, Orphée, Pluton, Eurydice)
baritone vocals [Jupiter]:
Michel Trempont (baritone) (from 1978-06-05 until 1978-11-09)
choir vocals:
Chœur du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [Cupidon]:
Jane Berbié (mezzo-soprano) (from 1978-06-05 until 1978-11-09)
mezzo-soprano vocals [L'Opinion publique]:
Jane Rhodes (French soprano/mezzo-soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Diane]:
Michèle Pena (french soprano) (from 1978-06-05 until 1978-11-09)
soprano vocals [Eurydice]:
Mady Mesplé (soprano) (from 1978-06-05 until 1978-11-09)
tenor vocals [Orphée]:
Michel Sénéchal (tenor) (from 1978-06-05 until 1978-11-09)
tenor vocals [Pluton]:
Charles Burles (tenor) (from 1978-06-05 until 1978-11-09)
orchestra:
Orchestre national du Capitole de Toulouse (from 1978-06-05 until 1978-11-09)
conductor:
Michel Plasson (conductor) (from 1978-06-05 until 1978-11-09)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1978-06-05 until 1978-07-12) and Salle Wagram in Paris, Île-de-France, France (from 1978-07-20 until 1978-11-09)
recording of:
Orphée aux enfers : Acte IV. No. 30 - Final : « Ne regarde pas en arrière ! » (L'Opinion publique, tous, Jupiter, les Dieux, Orphée, Pluton, Eurydice) (from 1978-06-05 until 1978-11-09)
composer:
Jacques Offenbach
part of:
Orphée aux Enfers : Acte IV
2:55
CD 5: Orpheus in der Unterwelt (Opéra bouffon in two acts, 1858) (Act I)
#TitleRatingLength
1Orpheus in der Unterwelt: Ouvertüre
producer:
Christfried Bickenbach
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orphée aux enfers : Ouverture (from 1977-09-26 until 1977-09-30)
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach
part of:
Orphée aux enfers (opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
8:53
2Orpheus in der Unterwelt: Akt I, Szene 1. Einleitungsszene: „Wer ich bin?” (Die öffentliche Meinung)
producer:
Christfried Bickenbach
contralto vocals [Die öffentliche Meinung]:
Gisela Litz (German contralto) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Einleitungsszene „Wer ich bin?” (Die öffentliche Meinung) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
translated version of:
Orphée aux enfers : Acte I. No. 1 - Chœur des bergers et scène du conseil municipal : « Voici la douzième heure » (Chœur, Le Licteur, L'Opinion publique)
part of:
Orpheus in der Unterwelt: Akt I
1:13
3Orpheus in der Unterwelt: Akt I, Szene 1. Chanson: „Ein Weib, das Lieb' und Sehnsucht plagen” (Eurydike)
producer:
Christfried Bickenbach
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Chanson: „Ein Weib, das Lieb' und Sehnsucht plagen” (Eurydike) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
translated version of:
Orphée aux enfers : Acte I. No. 2 - Couplets du berger joli : « La femme dont le cœur rêve » (Eurydice)
part of:
Orpheus in der Unterwelt: Akt I
3:12
4Orpheus in der Unterwelt: Akt I, Szene 1. Dialog: „Ach, schade…” (Eurydike, Orpheus)
producer:
Christfried Bickenbach
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Orpheus]:
Adolf Dallapozza (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Dialog „Ach, schade …” (Eurydike, Orpheus) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
translated version of:
Orphée aux enfers : Acte I. Dialogue : « Que vois-je ? » (Orphée, Eurydice)
part of:
Orpheus in der Unterwelt: Akt I
2:00
5Orpheus in der Unterwelt: Akt I, Szene 1. Duett: „So ist's gemeint?” (Orpheus, Eurydike)
producer:
Christfried Bickenbach
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Orpheus]:
Adolf Dallapozza (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Duett „So ist's gemeint?” (Orpheus, Eurydike) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
translated version of:
Orphée aux enfers : Acte I. No. 3 - Duo du concerto : « Ah c'est ainsi ! » (Eurydice, Orphée)
part of:
Orpheus in der Unterwelt: Akt I
6:52
6Orpheus in der Unterwelt: Akt I, Szene 1. Dialog: „Oh Venus, befreie mich von diesem Mann” (Eurydike, Orpheus, Aristeus)
producer:
Christfried Bickenbach
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Aristeus]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
tenor vocals [Orpheus]:
Adolf Dallapozza (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Dialog „Oh Venus, befreie mich von diesem Mann” (Eurydike, Orpheus, Aristeus) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
1:43
7Orpheus in der Unterwelt: Akt I, Szene 1. Hirtengesang: „Hört, Aristeus bin ich, der seine Lämmer weidet” (Aristeus)
producer:
Christfried Bickenbach
tenor vocals [Aristeus]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Hirtengesang „Hört, Aristeus bin ich, der seine Lämmer weidet” (Aristeus) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
4:54
8Orpheus in der Unterwelt: Akt I, Szene 1. Dialog mit Melodram: „Ein wenig idyllisch, ein wenig sentimental ” (Aristeus, Eurydike)
producer:
Christfried Bickenbach
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Aristeus]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Dialog mit Melodram „Ein wenig idyllisch, ein wenig sentimental ” (Aristeus, Eurydike) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
1:31
9Orpheus in der Unterwelt: Akt I, Szene 1. Couplets: „Der Tod will mir als Freund erscheinen” (Eurydike)
producer:
Christfried Bickenbach
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Couplets „Der Tod will mir als Freund erscheinen” (Eurydike) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
translated version of:
Orphée aux enfers : Acte I. No. 6 - Invocation à la mort : « La mort m'apparaît » (Eurydice)
part of:
Orpheus in der Unterwelt: Akt I
part of:
Orpheus in der Unterwelt: Akt I
2:07
10Orpheus in der Unterwelt: Akt I, Szene 1. Dialog mit Melodram: „Bevor wir aber in meine Unterwelt entfliehen” (Pluto, Eurydike, Orpheus, Die öffentliche Meinung)
producer:
Christfried Bickenbach
contralto vocals [Die öffentliche Meinung]:
Gisela Litz (German contralto) (from 1977-09-26 until 1977-09-30)
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Orpheus]:
Adolf Dallapozza (tenor) (from 1977-09-26 until 1977-09-30)
tenor vocals [Pluto]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Dialog mit Melodram „Bevor wir aber in meine Unterwelt entfliehen” (Pluto, Eurydike, Orpheus, Die öffentliche Meinung) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
1:52
11Orpheus in der Unterwelt: Akt I, Szene 1. Duett: „Komm, komm, folg' der Ehre” (Die öffentliche Meinung, Orpheus)
producer:
Christfried Bickenbach
contralto vocals [Die öffentliche Meinung]:
Gisela Litz (German contralto) (from 1977-09-26 until 1977-09-30)
tenor vocals [Orpheus]:
Adolf Dallapozza (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 1. Duett „Komm, komm, folg' der Ehre” (Die öffentliche Meinung, Orpheus) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
2:55
12Orpheus in der Unterwelt: Akt I, Szene 2. Entr'acte und Ensemble: „O Seligkeit, im Schlaf zu liegen!” … „Cupido bin ich” … „Die Venus bin ich” … „Vor Gram und Schmerz muß ich vergehen” (Chor, Cupido, Venus, Diana)
producer:
Christfried Bickenbach
choir vocals:
Chor der Kölner Oper (from 1977-09-26 until 1977-09-30)
soprano vocals [Cupido]:
Brigitte Lindner (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Diana]:
Grit van Jüten (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Venus]:
Kari Lövaas (Norwegian soprano) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
chorus master:
Hans Wolfgang Schmitz (chorus master) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 2. Entr'acte und Ensemble „O Seligkeit, im Schlaf zu liegen!” … „Cupido bin ich” … „Die Venus bin ich” … „Vor Gram und Schmerz muß ich vergehen” (Chor, Cupido, Venus, Diana) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
8:09
13Orpheus in der Unterwelt: Akt I, Szene 2. Dialog mit Melodram: „Armer Akteon” (Diana, Venus, Jupiter, Cupido, Merkur, Pluto)
producer:
Christfried Bickenbach
baritone vocals [Jupiter]:
Benno Kusche (baritone) (from 1977-09-26 until 1977-09-30)
soprano vocals [Cupido]:
Brigitte Lindner (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Diana]:
Grit van Jüten (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Venus]:
Kari Lövaas (Norwegian soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Merkur]:
Gerd W. Dieberitz (journalist, lyricist, occasional operetta singer) (from 1977-09-26 until 1977-09-30)
tenor vocals [Pluto]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 2. Dialog mit Melodram „Armer Akteon” (Diana, Venus, Jupiter, Cupido, Merkur, Pluto) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
3:21
14Orpheus in der Unterwelt: Akt I, Szene 2. Ensemble: „Zum Kampf! Ihr Götter kommt herbei” (Diana, Venus, Cupido, Jupiter, Pluto, Chor)
producer:
Christfried Bickenbach
baritone vocals [Jupiter]:
Benno Kusche (baritone) (from 1977-09-26 until 1977-09-30)
choir vocals:
Chor der Kölner Oper (from 1977-09-26 until 1977-09-30)
soprano vocals [Cupido]:
Brigitte Lindner (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Diana]:
Grit van Jüten (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Venus]:
Kari Lövaas (Norwegian soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Pluto]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
chorus master:
Hans Wolfgang Schmitz (chorus master) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 2. Ensemble „Zum Kampf! Ihr Götter kommt herbei” (Diana, Venus, Cupido, Jupiter, Pluto, Chor) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
2:02
15Orpheus in der Unterwelt: Akt I, Szene 2. Dialog: „Wir wollen Wein, Champagner” (Diana, Venus, Cupido, Jupiter, Pluto, Chor)
producer:
Christfried Bickenbach
baritone vocals [Jupiter]:
Benno Kusche (baritone) (from 1977-09-26 until 1977-09-30)
choir vocals:
Chor der Kölner Oper (from 1977-09-26 until 1977-09-30)
soprano vocals [Cupido]:
Brigitte Lindner (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Diana]:
Grit van Jüten (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Venus]:
Kari Lövaas (Norwegian soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Pluto]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
chorus master:
Hans Wolfgang Schmitz (chorus master) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 2. Dialog „Wir wollen Wein, Champagner” (Diana, Venus, Cupido, Jupiter, Pluto, Chor) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
0:40
16Orpheus in der Unterwelt: Akt I, Szene 2. Couplets: „Um einst Alkmenen zu betören” (Cupido, Diana, Venus, Pluto, Chor)
producer:
Christfried Bickenbach
choir vocals:
Chor der Kölner Oper (from 1977-09-26 until 1977-09-30)
soprano vocals [Cupido]:
Brigitte Lindner (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Diana]:
Grit van Jüten (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Venus]:
Kari Lövaas (Norwegian soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Pluto]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
chorus master:
Hans Wolfgang Schmitz (chorus master) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 2. Couplets „Um einst Alkmenen zu betören” (Cupido, Diana, Venus, Pluto, Chor) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
2:48
17Orpheus in der Unterwelt: Akt I, Szene 2. Dialog: „Also, das geht zu weit” (Jupiter, Merkur, Pluto, Diana, Cupido, Venus, Orpheus, Die öffentliche Meinung)
producer:
Christfried Bickenbach
baritone vocals [Jupiter]:
Benno Kusche (baritone) (from 1977-09-26 until 1977-09-30)
contralto vocals [Die öffentliche Meinung]:
Gisela Litz (German contralto) (from 1977-09-26 until 1977-09-30)
soprano vocals [Cupido]:
Brigitte Lindner (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Diana]:
Grit van Jüten (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Venus]:
Kari Lövaas (Norwegian soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Merkur]:
Gerd W. Dieberitz (journalist, lyricist, occasional operetta singer) (from 1977-09-26 until 1977-09-30)
tenor vocals [Orpheus]:
Adolf Dallapozza (tenor) (from 1977-09-26 until 1977-09-30)
tenor vocals [Pluto]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 2. Dialog „Also, das geht zu weit” (Jupiter, Merkur, Pluto, Diana, Cupido, Venus, Orpheus, Die öffentliche Meinung) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
0:34
18Orpheus in der Unterwelt: Akt I, Szene 2. Finale I: „Ach, er kommt sich zu beklagen” (Pluto, Diana, Cupido, Venus, Orpheus, Die öffentliche Meinung, Jupiter, Chor)
producer:
Christfried Bickenbach
baritone vocals [Jupiter]:
Benno Kusche (baritone) (from 1977-09-26 until 1977-09-30)
choir vocals:
Chor der Kölner Oper (from 1977-09-26 until 1977-09-30)
contralto vocals [Die öffentliche Meinung]:
Gisela Litz (German contralto) (from 1977-09-26 until 1977-09-30)
soprano vocals [Cupido]:
Brigitte Lindner (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Diana]:
Grit van Jüten (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Venus]:
Kari Lövaas (Norwegian soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Orpheus]:
Adolf Dallapozza (tenor) (from 1977-09-26 until 1977-09-30)
tenor vocals [Pluto]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
chorus master:
Hans Wolfgang Schmitz (chorus master) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt I, Szene 2. Finale I „Ach, er kommt sich zu beklagen” (Pluto, Diana, Cupido, Venus, Orpheus, Die öffentliche Meinung, Jupiter, Chor) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt I
7:41
CD 6: Orpheus in der Unterwelt (Opéra bouffon in two acts, 1858) (Act II)
#TitleRatingLength
1Orpheus in der Unterwelt: Akt II, Szene 3. Entr'acte
producer:
Christfried Bickenbach
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt II, Szene 3. Entr'acte (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt II
2:21
2Orpheus in der Unterwelt: Akt II, Szene 3. Dialog: „Himmel, welche Höllenpein” und Couplets: „Als ich einst Prinz war von Arkadien” (Hans Styx, Eurydike)
producer:
Christfried Bickenbach
bass vocals [Hans Styx]:
Theo Lingen (from 1977-09-26 until 1977-09-30)
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt II, Szene 3. Dialog „Himmel, welche Höllenpein” und Couplets „Als ich einst Prinz war von Arkadien” (Hans Styx, Eurydike) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt II
4:30
3Orpheus in der Unterwelt: Akt II, Szene 3. Dialog: „Oh! Wo sind wir hier?” (Jupiter, Pluto, Eurydike)
producer:
Christfried Bickenbach
baritone vocals [Jupiter]:
Benno Kusche (baritone) (from 1977-09-26 until 1977-09-30)
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Pluto]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt II, Szene 3. Dialog „Oh! Wo sind wir hier?” (Jupiter, Pluto, Eurydike) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt II
1:33
4Orpheus in der Unterwelt: Akt II, Szene 3. Duett: „Ich glaubte hier etwas zu fühlen” (Eurydike, Jupiter)
producer:
Christfried Bickenbach
baritone vocals [Jupiter]:
Benno Kusche (baritone) (from 1977-09-26 until 1977-09-30)
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt II, Szene 3. Duett „Ich glaubte hier etwas zu fühlen” (Eurydike, Jupiter) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt II
5:52
5Orpheus in der Unterwelt: Akt II, Szene 3. Dialog: „Ich habe dich erhascht” (Eurydike, Jupiter)
producer:
Christfried Bickenbach
baritone vocals [Jupiter]:
Benno Kusche (baritone) (from 1977-09-26 until 1977-09-30)
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt II, Szene 3. Dialog „Ich habe dich erhascht” (Eurydike, Jupiter) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt II
0:52
6Orpheus in der Unterwelt: Akt II, Szene 4. Höllischer Chor: „Gott Pluto lebe hoch” (Chor)
producer:
Christfried Bickenbach
choir vocals:
Chor der Kölner Oper (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
chorus master:
Hans Wolfgang Schmitz (chorus master) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt II, Szene 4. Höllischer Chor „Gott Pluto lebe hoch” (Chor) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt II
2:39
7Orpheus in der Unterwelt: Akt II, Szene 4. Dialog, Menuett, Höllischer Galopp und Chor: „Weil mein Schritt so leicht” … „Galopp schließe nun den Ball” (Jupiter, Diana, Eurydike, Pluto, Chor)
producer:
Christfried Bickenbach
baritone vocals [Jupiter]:
Benno Kusche (baritone) (from 1977-09-26 until 1977-09-30)
choir vocals:
Chor der Kölner Oper (from 1977-09-26 until 1977-09-30)
soprano vocals [Diana]:
Grit van Jüten (soprano) (from 1977-09-26 until 1977-09-30)
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Pluto]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
chorus master:
Hans Wolfgang Schmitz (chorus master) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt II, Szene 4. Dialog, Menuett, Höllischer Galopp und Chor „Weil mein Schritt so leicht” … „Galopp schließe nun den Ball” (Jupiter, Diana, Eurydike, Pluto, Chor) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt II
5:20
8Orpheus in der Unterwelt: Akt II, Szene 4. Dialog: „Und jetzt laß uns fliehen” (Jupiter, Eurydike, Pluto, Orpheus, Die öffentliche Meinung)
producer:
Christfried Bickenbach
baritone vocals [Jupiter]:
Benno Kusche (baritone) (from 1977-09-26 until 1977-09-30)
contralto vocals [Die öffentliche Meinung]:
Gisela Litz (German contralto) (from 1977-09-26 until 1977-09-30)
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Orpheus]:
Adolf Dallapozza (tenor) (from 1977-09-26 until 1977-09-30)
tenor vocals [Pluto]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt II, Szene 4. Dialog „Und jetzt laß uns fliehen” (Jupiter, Eurydike, Pluto, Orpheus, Die öffentliche Meinung) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt II
2:16
9Orpheus in der Unterwelt: Akt II, Szene 4. Finale II: „Du darfst den Blick nicht rückwärts lenken” (Jupiter, Orpheus, Pluto, Eurydike, Chor)
producer:
Christfried Bickenbach
baritone vocals [Jupiter]:
Benno Kusche (baritone) (from 1977-09-26 until 1977-09-30)
choir vocals:
Chor der Kölner Oper (from 1977-09-26 until 1977-09-30)
soprano vocals [Eurydike]:
Anneliese Rothenberger (soprano) (from 1977-09-26 until 1977-09-30)
tenor vocals [Orpheus]:
Adolf Dallapozza (tenor) (from 1977-09-26 until 1977-09-30)
tenor vocals [Pluto]:
Ferry Gruber (tenor) (from 1977-09-26 until 1977-09-30)
orchestra:
Philharmonia Hungarica (from 1977-09-26 until 1977-09-30)
conductor:
Willy Mattes (composer, arranger and conductor) (from 1977-09-26 until 1977-09-30)
chorus master:
Hans Wolfgang Schmitz (chorus master) (from 1977-09-26 until 1977-09-30)
balance engineer:
Hartwig Paulsen
recorded at:
Festspielhaus Recklinghausen in Recklinghausen, Nordrhein-Westfalen, Germany (from 1977-09-26 until 1977-09-30)
recording of:
Orpheus in der Unterwelt: Akt II, Szene 4. Finale II „Du darfst den Blick nicht rückwärts lenken” (Jupiter, Orpheus, Pluto, Eurydike, Chor) (from 1977-09-26 until 1977-09-30)
composer:
Jacques Offenbach
librettist:
Hector Crémieux and Ludovic Halévy (french librettist)
part of:
Orpheus in der Unterwelt: Akt II
3:11
CD 7: La Belle Hélène (Acts I & II beginning)
CD 8: La Belle Hélène (Acts II end & III)
CD 9: Die schöne Helena (Act I)
CD 10: Die schöne Helena (Acts II & III)
CD 11: La Vie parisienne (Acts I & II)
CD 12: La Vie parisienne (Acts III & IV)
CD 13: Pariser Leben (La Vie parisienne) (Acts I & II)
CD 14: Pariser Leben (La Vie parisienne) (Acts III, IV & V)
CD 15: La Fille du tambour-major (extraits) / La Grande-duchesse de Gérolstein (extraits)

Credits

Release Group

includes:Airs célèbres by Offenbach, Jane Rhodes, Roberto Benzi, Orchestre National Bordeaux Aquitaine
Ba-ta-clan / Les Bavards
Die Großherzogin von Gerolstein
Die schöne Helena (1979 Munich studio cast, sung in german) by Jacques Offenbach; Anneliese Rothenberger, Brigitte Fassbaender, Nicolai Gedda, Ferry Gruber, Benno Kusche, Klaus Hirte, Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester & Willy Mattes
Hoffmanns Erzählungen by Jacques Offenbach; Siegfried Jerusalem, Jeanette Scovotti, Dietrich Fischer‐Dieskau, Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester, Heinz Wallberg
La Belle Hélène by Jacques Offenbach; Chœur et Orchestre du Capitole de Toulouse, Michel Plasson, Jessye Norman
La Fille du tambour-major (Extraits) by Jacques Offenbach; Michel Dens, Liliane Chatel, Nadine Sautereau, Suzanne Lafaye, Dominique Tirmont, Orchestre et Chœurs de la Société des Concerts du Conservatoire, Félix Nuvolone
La Grande–duchesse de Gérolstein (Extraits) by Jacques Offenbach; Éliane Lublin, Raymond Amade, Jean-Christophe Benoît, Christos Grigoriou, Guy Godin, Chœurs et Orchestre de la Société des Concerts du Conservatoire, Jean‐Pierre Marty
La Périchole (Plasson) by Jacques Offenbach; Teresa Berganza, José Carreras, Gabriel Bacquier, Chœurs et Orchestre du Capitole de Toulouse, Michel Plasson
La Vie Parisienne by Jacques Offenbach; Régine Crespin, Mady Mesplé, Chœur et Orchestre du Capitole de Toulouse, Michel Plasson
Les Brigands by Jacques Offenbach; Chœurs et Orchestre de l’Opéra de Lyon, John Eliot Gardiner
Les Contes d’Hoffmann by Offenbach; Neil Shicoff, Ann Murray, Jessye Norman, Rosalind Plowright, Luciana Serra, Robert Tear, José Van Dam, Chorus and Orchestra of the Théâtre Royal de la Monnaie, Brussels, Sylvain Cambreling
Orphée aux enfers (1978 studio cast) by Jacques Offenbach; Mady Mesplé, Jane Rhodes, Michel Sénéchal, Charles Burles, Orchestre et Chœur du Capitole de Toulouse, Michel Plasson
Orpheus in der Unterwelt by Offenbach; RothenbergerDallapozzaLindnerKuscheWilly Mattes
Pariser Leben by Jacques Offenbach; Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester, Willy Mattes
Vive Offenbach ! Pomme d'Api – Monsieur Choufleuri – Mesdames de la Halle by Offenbach; Mady Mesplé, Jean-Philippe Lafont, Charles Burles, Michel Trempont, Léonard Pezzino, Michel Hamel, Ensemble Vocal Jean Laforge, Orchestre Philharmonique de Monte‐Carlo, Manuel Rosenthal