Nr. | Titel | Künstler | Bewertung | Länge |
---|
1 | The James Bond Fanfare | David Arnold | | 0:24 |
2 | The Living Daylights | a‐ha | 4 | 4:13 |
3 | Where Has Everybody Gone (The Living Daylights) | Chrissie Hynde | | 3:36 |
4 | If There Was a Man (The Living Daylights) | Chrissie Hynde | | 2:49 |
5 | Licence to Kill | Gladys Knight | 4 | 4:11 |
6 | Goldeneye | Tina Turner | 3.35 | 3:29 |
7 | The Experience of Love (Goldeneye) | Éric Serra | | 5:54 |
8 | Tomorrow Never Dies | Sheryl Crow | 4 | 4:52 |
9 | Surrender (Tomorrow Never Dies) | k.d. lang | 4 | 3:55 |
10 | The World Is Not Enough | Garbage | 3.85 | 3:56 |
11 | Only Myself to Blame (The World Is Not Enough) | Scott Walker | | 3:35 |
12 | Die Another Day | Madonna | 3.45 | 4:36 |
13 | You Know My Name (Casino Royale) | Chris Cornell | 3.75 | 4:01 |
14 | Another Way to Die (Quantum of Solace) | Jack White & Alicia Keys | 3.65 | 4:23 |
15 | Skyfall | Adele | 2.5 | 4:46 |
16 | Writing’s on the Wall (Spectre)- Assistent recording engineer:
- Gordon Davidson , Darren Heelis , Mike Horner, Toby Hulbert, Christina Paakkari und Charles Wong
- recording engineer:
- Steve Fitzmaurice , Darren Heelis und Steve Price
- zusätzliche Programmierung:
- Steve Fitzmaurice , Guy Lawrence und Howard Lawrence
- Produzent(in):
- Steve Fitzmaurice , Guy Lawrence und Jimmy Napes
- zusätzliche(r) Produzent(in):
- Disclosure
- Mix:
- Steve Fitzmaurice
- Bass-Synthesizer [Korg Bass]:
- Darren Heelis
- Klavier:
- James Napes
- vocals:
- Sam Smith
- Dirigent(in):
- Simon Hale
- Orchestrator(in):
- Simon Hale
- concertmaster:
- Everton Nelson
- aufgenommen bei:
- Abbey Road Studios in St John's Wood, Westminster, London , England, Vereinigtes Königreich, RAK Studios in London , England, Vereinigtes Königreich und The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London , England, Vereinigtes Königreich
- mixed at:
- The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London , England, Vereinigtes Königreich
- recording of:
- Writing’s on the Wall
- Verfasser(in):
- Jimmy Napes und Sam Smith
- Teil von:
- Academy Award for Best Original Song (Nummer: 88)
| Sam Smith | | 4:39 |
17 | Writing’s on the Wall (instrumental version) | Sam Smith | | 2:10 |
18 | Spectre | Radiohead | | 3:19 |
19 | No Time to Die | Billie Eilish | 3.75 | 4:02 |