Fidelio

~ Release by Beethoven; London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis (see all versions of this release, 1 available)

Annotation

Booklet

Annotation last modified on 2008-03-12 22:43 UTC.

Tracklist

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▼Hybrid SACD 1: Fidelio, Act I
#TitleArtistRatingLength
1Fidelio: Ouvertüre
producer:
James Mallinson (producer)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
Ludwig van Beethoven6:43
2Fidelio: Act I, Scene I. "Jetzt Schätzchen"
producer:
James Mallinson (producer)
solo soprano vocals [Marzelline]:
Sally Matthews (soprano) (from 2006-05-23 until 2006-05-25)
solo tenor vocals [Jaquino]:
Andrew Kennedy (tenor vocalist) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:26
3Fidelio: Act I, Scene I. "Der arme Jaquino"
producer:
James Mallinson (producer)
solo soprano vocals [Marzelline]:
Sally Matthews (soprano) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:22
4Fidelio: Act I, Scene I. "O wär' ich schon mit dir vereint"
producer:
James Mallinson (producer)
solo soprano vocals [Marzelline]:
Sally Matthews (soprano) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:04
5Fidelio: Act I, Scene I. "Ist Fidelio noch nicht zurück gekommen?"
producer:
James Mallinson (producer)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Marzelline]:
Sally Matthews (soprano) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:42
6Fidelio: Act I, Scene I. "Mir ist so wunderbar"
producer:
James Mallinson (producer)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Marzelline]:
Sally Matthews (soprano) (from 2006-05-23 until 2006-05-25)
solo tenor vocals [Jaquino]:
Andrew Kennedy (tenor vocalist) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1805)
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:34
7Fidelio: Act I, Scene I. "Höre, Fidelio"
producer:
James Mallinson (producer)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Marzelline]:
Sally Matthews (soprano) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. "Höre, Fidelio!" (Rocco, Marzelline) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:35
8Fidelio: Act I, Scene I. "Hat man nicht auch Gold beineben"
producer:
James Mallinson (producer)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:52
9Fidelio: Act I, Scene I. "Ihr könnt das leicht sagen"
producer:
James Mallinson (producer)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Marzelline]:
Sally Matthews (soprano) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven1:46
10Fidelio: Act I, Scene I. "Gut, Söhnchen, gut"
producer:
James Mallinson (producer)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Marzelline]:
Sally Matthews (soprano) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:14
11Fidelio: Act I, Scene II. "Marsch"
producer:
James Mallinson (producer)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:13
12Fidelio: Act I, Scene II. "Drei Schildwachen auf den Wall"
producer:
James Mallinson (producer)
solo baritone vocals [Don Pizarro]:
Juha Uusitalo (Bass-baritone) (from 2006-05-23 until 2006-05-25)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 6b. "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:50
13Fidelio: Act I, Scene II. "Ha! Welch' ein Augenblick!"
producer:
James Mallinson (producer)
choir vocals:
London Symphony Chorus (from 2006-05-23 until 2006-05-25)
solo baritone vocals [Don Pizarro]:
Juha Uusitalo (Bass-baritone) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:11
14Fidelio: Act I, Scene II. "Hauptmann"
producer:
James Mallinson (producer)
solo baritone vocals [Don Pizarro]:
Juha Uusitalo (Bass-baritone) (from 2006-05-23 until 2006-05-25)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:28
15Fidelio: Act I, Scene II. "Jetzt, Alter, jetzt hat es Eile!"
producer:
James Mallinson (producer)
solo baritone vocals [Don Pizarro]:
Juha Uusitalo (Bass-baritone) (from 2006-05-23 until 2006-05-25)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:44
16Fidelio: Act I, Scene II. "Abscheulicher! Wo eilst du hin?"
producer:
James Mallinson (producer)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:52
17Fidelio: Act I, Scene II. "Rocco, ich ersuchte euch schon"
producer:
James Mallinson (producer)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Marzelline]:
Sally Matthews (soprano) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 9b. "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:31
18Fidelio: Act I, Scene II. "O welche Lust!"
producer:
James Mallinson (producer)
choir vocals:
London Symphony Chorus (from 2006-05-23 until 2006-05-25)
solo bass vocals [Second Prisoner]:
Darren Jeffery (bass) (from 2006-05-23 until 2006-05-25)
solo tenor vocals [First Prisoner]:
Andrew Tortise (tenor) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25) and Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” (Chor, 1st Prisoner, 2nd Prisoner) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:59
19Fidelio: Act I, Scene II. "Nun sprecht, wie ging's?"
producer:
James Mallinson (producer)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:29
20Fidelio: Act I, Scene II. "Leb wohl, du warmes Sonnenlicht"
producer:
James Mallinson (producer)
choir vocals:
London Symphony Chorus (from 2006-05-23 until 2006-05-25)
solo baritone vocals [Don Pizarro]:
Juha Uusitalo (Bass-baritone) (from 2006-05-23 until 2006-05-25)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Marzelline]:
Sally Matthews (soprano) (from 2006-05-23 until 2006-05-25)
solo tenor vocals [Jaquino]:
Andrew Kennedy (tenor vocalist) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:25
▼Hybrid SACD 2: Fidelio, Act II
#TitleArtistRatingLength
1Fidelio: Act II, Scene I. “Introduktion”
producer:
James Mallinson (producer)
solo tenor vocals [Florestan]:
John Mac Master (tenor) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:50
2Fidelio: Act II, Scene I. “Gott! Welch' Dunkel Hier!”
producer:
James Mallinson (producer)
solo tenor vocals [Florestan]:
John Mac Master (tenor) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven7:35
3Fidelio: Act II, Scene I. “Wie Kalt Ist Es”
producer:
James Mallinson (producer)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 12a. Melodrama "Wie kalt ist es in diesem unteirdischen Gewölbe!" (Leonore, Rocco) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:42
4Fidelio: Act II, Scene I. “Er Erwacht!”
producer:
James Mallinson (producer)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
solo tenor vocals [Florestan]:
John Mac Master (tenor) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:04
5Fidelio: Act II, Scene I. “Euch Werde Lohn In Besser'n Welten”
producer:
James Mallinson (producer)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
solo tenor vocals [Florestan]:
John Mac Master (tenor) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:41
6Fidelio: Act II, Scene I. “Alles Ist Bereit”
producer:
James Mallinson (producer)
solo baritone vocals [Don Pizarro]:
Juha Uusitalo (Bass-baritone) (from 2006-05-23 until 2006-05-25)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
solo tenor vocals [Florestan]:
John Mac Master (tenor) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:30
7Fidelio: Act II, Scene I. “Er Sterbe!”
producer:
James Mallinson (producer)
solo baritone vocals [Don Pizarro]:
Juha Uusitalo (Bass-baritone) (from 2006-05-23 until 2006-05-25)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
solo tenor vocals [Florestan]:
John Mac Master (tenor) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:19
8Fidelio: Act II, Scene I. O, Meine Leonore”
producer:
James Mallinson (producer)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
solo tenor vocals [Florestan]:
John Mac Master (tenor) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:05
9Fidelio: Act II, Scene I. “O Namenlose Freunde”
producer:
James Mallinson (producer)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
solo tenor vocals [Florestan]:
John Mac Master (tenor) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:48
10Fidelio: Act II, Scene II. “Heil Sei Dem Tag”
producer:
James Mallinson (producer)
choir vocals:
London Symphony Chorus (from 2006-05-23 until 2006-05-25)
solo baritone vocals [Don Pizarro]:
Juha Uusitalo (Bass-baritone) (from 2006-05-23 until 2006-05-25)
solo bass vocals [Don Fernando]:
Daniel Borowski (bass singer) (from 2006-05-23 until 2006-05-25)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Marzelline]:
Sally Matthews (soprano) (from 2006-05-23 until 2006-05-25)
solo tenor vocals [Jaquino]:
Andrew Kennedy (tenor vocalist) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
Ludwig van Beethoven6:56
11Fidelio: Act II, Scene II. “O Gott!”
producer:
James Mallinson (producer)
choir vocals:
London Symphony Chorus (from 2006-05-23 until 2006-05-25)
solo bass vocals [Don Fernando]:
Daniel Borowski (bass singer) (from 2006-05-23 until 2006-05-25)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Marzelline]:
Sally Matthews (soprano) (from 2006-05-23 until 2006-05-25)
solo tenor vocals [Florestan]:
John Mac Master (tenor) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
Ludwig van Beethoven3:41
12Fidelio: Act II, Scene II. “Wer Ein Holdes Weib Errungen”
producer:
James Mallinson (producer)
choir vocals:
London Symphony Chorus (from 2006-05-23 until 2006-05-25)
solo bass vocals [Don Fernando]:
Daniel Borowski (bass singer) (from 2006-05-23 until 2006-05-25)
solo bass vocals [Rocco]:
Kristinn Sigmundsson (operatic bass) (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Leonore]:
Christine Brewer (from 2006-05-23 until 2006-05-25)
solo soprano vocals [Marzelline]:
Sally Matthews (soprano) (from 2006-05-23 until 2006-05-25)
solo tenor vocals [Florestan]:
John Mac Master (tenor) (from 2006-05-23 until 2006-05-25)
solo tenor vocals [Jaquino]:
Andrew Kennedy (tenor vocalist) (from 2006-05-23 until 2006-05-25)
orchestra:
London Symphony Orchestra (from 2006-05-23 until 2006-05-25)
conductor:
Sir Colin Davis (English conductor) (from 2006-05-23 until 2006-05-25)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 2006-05-23 until 2006-05-25)
live recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (from 2006-05-23 until 2006-05-25)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) ((complete finale))
Ludwig van Beethoven4:32