Classics at the Movies

~ Uitgave van Various Artists (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

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▼cd 1
#TitelArtiestWaarderingDuur
1Also sprach Zarathustra (from 2001: A Space Odyssey)
orkest:
Rochester Pops (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
componist:
Richard Strauss (German composer) (in 1896)
deel van:
Also sprach Zarathustra (op 30; TrV 176)
Richard Strauss1:46
2Ride of the Valkyries (from Apocalypse Now)
orkest:
San Diego Symphony Orchestra
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt
componist:
Richard Wagner (composer) (van 1854 tot 1856)
publisher:
Schott Music International (publisher; do not use as label)
deel van:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:50
3Gayane Suite: Sabre Dance (from Punchline)
orkest:
Houston Symphony
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance
componist:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
versie van:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
deel van:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Արամ Խաչատրյան2:40
4Canon in D (from Ordinary People)
orkest:
Collegium Aureum, The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) en London Festival Orchestra (Alfred Scholz pseudonym)
dirigent:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Canon and Gigue in D major, T. 377: I. Canon
componist:
Johann Pachelbel (composer)
deel van:
Canon and Gigue in D major, T. 377
Johann Pachelbel4:50
5Pagliacci: Vesti la giubba (from The Untouchables)
tenorvocalen:
José Perez (Peruvian tenor)
tenorvocalen [Tenor]:
José Maria Pérez (Peruvian tenor)
orkest:
Nuremberg Symphony Orchestra (an Alfred Scholz pseudonym)
dirigent:
Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym))
recording of:
Pagliacci: Atto I. “Recitar!” - “Vesti la giubba” (Canio)
componist en librettist:
Ruggero Leoncavallo (composer) (in 1892)
deel van:
For the First Time (1959 film)
deel van:
Pagliacci: Atto I
Ruggero Leoncavallo3:24
6Hungarian Rhapsody no. 2 for Piano (from Who Framed Roger Rabbit?)
piano:
Josef Bulva (pianist)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version)
componist:
Franz Liszt
muziek geciteerd in:
Happy Birthday but 13 classical composers are fighting over the last slice of cake
deel van:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt9:26
7Prince Igor: Polovstian Dances nos. 8 and 17
orkest:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra)
recording of:
Polovtsian Dances no. 8, “Dance of the Polovtsian Maidens”: Presto, 6/8, F major
orkestrator:
Александр Константинович Глазунов (Russian composer, 1865–1936) en Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov)
componist:
Александр Порфирьевич Бородин (Alexander Borodin)
arrangement van:
Prince Igor: Act II. Dance of the Polovtsian Maidens
deel van:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
recording of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”
orkestrator:
Александр Константинович Глазунов (Russian composer, 1865–1936) en Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov)
componist:
Александр Порфирьевич Бородин (Alexander Borodin)
arrangement van:
Prince Igor: Act II. Polovtsian Dance with Choir
deel van:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
Александр Порфирьевич Бородин13:52
8Symphony no. 4, "Italian": IV. Saltarello. Presto (from A Midsummer Night's Dream)
orkest:
Bamberg Philharmonic Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto
componist:
Felix Mendelssohn (composer) (in 1833)
deel van:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:16
9Emperor Waltz (from The Last Emperor)
orkest:
Vienna Folk Opera Orchestra
recording of:
Kaiser-Walzer, op. 437
had de première in:
Berlin, Duitsland (op 1889-10-21)
componist:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1889)
deel van:
Works of Johann Strauss Jr. by opus number (nummer: op. 437)
Johann Strauss II12:03
10Bolero (from "10")
piano:
Mee Chou Lee (pianist)
orkest:
London Festival Orchestra (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) en Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect)
dirigent:
Samo Hubad (conductor) en Anton Nanut (pseudonym for Alfred Scholz)
recording of:
Boléro
componist:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) en Soc. Arima (rights society?)
had de première bij:
Palais Garnier in Paris, Île-de-France, Frankrijk (op 1928-11-22)
deel van:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (nummer: M. 81)
Maurice Ravel13:46
▼cd 2
#TitelArtiestWaarderingDuur
1Carmina Burana: Introduction (from The Doors)
baritonvocalen:
Rudolf Knoll (baritone)
koor:
Salzburg Mozarteum Chorus
sopraanvocalen:
Gerda Hartmann (soprano)
tenorvocalen:
Richard Brünner (tenor)
orkest:
The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name) en Salzburg Mozarteum Orchestra
dirigent:
Hymisher Greenburg (probably a pseudonym of Alfred Sholz) en Kurt Prestel (conductor, chorus master)
koorleider:
Ernst Hinreiner (conductor)
fonografisch auteursrecht (℗):
Long Island (not an imprint; rights holders/licensors of music recordings) (in 1996)
compilatie van:
Carmina Burana: Fortuna Imperatrix Mundi: I. O Fortuna van Salzburg Mozarteum Chorus, Russian State Chorus, Salzburg Boys Choir, Mozarteum Orchester Salzburg, Государственный академический симфонический оркестр России, Russian State Symphony Orchestra, Kurt Prestel, Serge Tchaikov en Carmina Burana: Fortuna Imperatrix Mundi: II. Fortune plango vulnera van Mozarteum Orchester & Chor Salzburg, Kurt Prestel
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
componist:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
versie van:
O Fortuna (Poem, CB 17)
deel van:
Carmina Burana: Fortuna Imperatrix Mundi
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera
componist:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
versie van:
Fortune plango vulnera (Poem, CB 16)
deel van:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff5:39
2Adagio for Strings (from Platoon)
orkest:
Milwaukee Symphony Orchestra
recording of:
Adagio for Strings
orkestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
componist:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
had de première bij:
[radio broadcast] (1938-11-05)
publisher:
G. Schirmer Inc.
arrangement van:
String Quartet, op. 11: II. Molto adagio
Samuel Barber10:00
3"Double" Concerto: Allegro (from Children of a Lesser God)
viool:
Joseph Brezina (violinist) en Feliz Elias (violinist)
orkest:
Camerata Romana (an Alfred Scholz pseudonym)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1730 tot 1731)
deel van:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach5:14
4La bohème: Act 1, "Che Gelida Manina" (from Moonstruck)
tenorvocalen, tenorvocalen [Rodolfo] en tenorvocalen [Tenor]:
José Maria Pérez (Peruvian tenor)
orkest:
Nuremberg Symphony Orchestra (an Alfred Scholz pseudonym)
dirigent:
Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym))
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
componist:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa en Luigi Illica
deel van:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini3:57
5Madama Butterfly: Act 2, "Un bel dì" (from Fatal Attraction)
sopraanvocalen:
Vanda Gerlovič (soprano)
orkest:
Slavonic Philharmonic Orchestra (an Alfred Scholz pseudonym)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa en Luigi Illica
deel van:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:21
6Mandoline Concerto: Allegro (from Kramer vs. Kramer)
orkest:
Camerata Romana (an Alfred Scholz pseudonym) en Musici di San Marco (an Alfred Scholz pseudonym)
dirigent:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) en Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro
componist:
Antonio Vivaldi
deel van:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi3:14
7Cavalleria Rusticana: Intermezzo (from The Godfather, Part 3)
orkest:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Cavalleria rusticana: Intermezzo
componist:
Pietro Mascagni (composer & conductor) (in 1888)
deel van:
Cavalleria rusticana
deel van:
Cavalleria rusticana (german lyrics)
Pietro Mascagni3:27
8Lieutenant Kijé Suite: Kijé's Wedding (from Crossing Delancey)
orkest:
Dallas Symphony Orchestra
recording of:
Lieutenant Kijé Suite, op. 60: III. Kijé's Wedding
componist:
Сергей Сергеевич Прокофьев (Russian composer) (in 1933)
deel van:
Lieutenant Kijé Suite, op. 60
Сергей Сергеевич Прокофьев2:31
9Lieutenant Kijé Suite: Troïka (from Love and Death)
orkest:
Dallas Symphony Orchestra
recording of:
Lieutenant Kijé Suite, op. 60: IV. Troika
componist:
Сергей Сергеевич Прокофьев (Russian composer) (in 1933)
deel van:
Lieutenant Kijé Suite, op. 60
Сергей Сергеевич Прокофьев2:44
10Clarinet Concerto in A major, K. 622: II. Adagio (from Out of Africa)
orkest:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio
componist:
Wolfgang Amadeus Mozart (classical composer) (van 1791-09-28 tot 1791-10-07)
deel van:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:25
11Lohengrin: Prelude (from Ludwig)
orkest:
Slavonic Philharmonic Orchestra (an Alfred Scholz pseudonym)
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
componist:
Richard Wagner (composer) (van 1846 tot 1848)
deel van:
Lohengrin, WWV 75
Richard Wagner3:43
12Martha: Ach, so fromm (from The Grey Fox)
orkest:
Nuremburg Symphony Orchestra (real orchestra, not the Alfred Scholz pseudonym)
recording of:
Martha: Akt II. "Ach so fromm" (Lyonel)
componist:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
deel van:
Martha: Akt II
Friedrich von Flotow2:59
13Warsaw Concerto: Introduction (from The Eagle Squadron)
orkest:
Toronto Festival Pops Orchestra
gedeeltelijk recording of:
Warsaw Concerto (Dangerous Moonlight)
orkestrator:
Roy Douglas (British composer, pianist)
componist:
Richard Addinsell (composer)
deel van:
Dangerous Moonlight (film soundtrack)
Richard Addinsell3:35
14William Tell Overture (from A Clockwork Orange)
orkest:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) en Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
dirigent:
Alfred Scholz
fonografisch auteursrecht (℗):
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Guillaume Tell : Ouverture
componist:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) en Étienne de Jouy
muziek geciteerd in:
Symphony no. 15 in A major, op. 141: I. Allegretto
deel van:
Guglielmo Tell (italian version by Calisto Bassi)
deel van:
Guillaume Tell
Gioachino Rossini12:06
▼cd 3
#TitelArtiestWaarderingDuur
1Toccata and Fugue (from Rollerball)
orgel:
Hans-Christoph Becker-Foss (organist and choir leader)
fonografisch auteursrecht (℗):
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (vanaf 1982 tot nu)
opgenomen bij:
Marktkirche St. Nicolai (Beckerath-Organ, Hameln) in Hamelin, Niedersachsen, Duitsland
recording of:
Toccata und Fuge d-Moll, BWV 565
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (nummer: BWV 565)
muziek geciteerd in:
Lethal Symphonies
Johann Sebastian Bach48:11
2The Nutcracker Suite: Dance of the Sugar Plum Fairy (from Fantasia)
orkest:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) en Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
dirigent:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) en Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
componist:
Пётр Ильич Чайковский (Russian romantic composer)
deel van:
Fantasia (Disney soundtrack)
deel van:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revisie van:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
componist:
Пётр Ильич Чайковский (Russian romantic composer)
arrangement van:
The Nutcracker, Op. 71: Dance of the Sugarplum Fairy, Extract (Arrangement for solo piano by Pauline Hall)
deel van:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский2:10
3The Sorcerer's Apprentice (from Fantasia)
orkest:
Denver Symphony Orchestra
recording of:
L’Apprenti sorcier
componist:
Paul Dukas (composer) (van 1896 tot 1897)
deel van:
Fantasia (Disney soundtrack)
Paul Dukas11:47
4Night on Bald Mountain (from Fantasia)
orkest:
South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
recording of:
A Night on Bare Mountain (orchestrated by Stokowski)
orkestrator:
Leopold Stokowski (conductor)
componist:
Модест Петрович Мусоргский (composer)
is gebaseerd op:
A Night on Bald Mountain (orchestrated by Rimsky-Korsakov)
Модест Петрович Мусоргский10:40
5The Barber of Seville: Overture (from Prizzi's Honor)
orkest:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke), Philharmonia Slavonica (an Alfred Scholz pseudonym), Plovdid Philharmonic Orchestra, Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) en Symphonic Festival Orchestra (Alfred Scholz pseudonym)
dirigent:
Anton Nanut (conductor), Rouslan Raychev (conductor) en Alfred Scholz
fonografisch auteursrecht (℗):
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Il barbiere di Siviglia: Sinfonia
componist:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
deel van:
Il barbiere di Siviglia
deel van:
Le Barbier de Séville (french lyrics)
deel van:
The Barber of Seville (english lyrics)
Gioachino Rossini47:47
6Rigoletto: Questo a quella (from Wall Street)
koor:
Chorus of the Munich State Opera
tenorvocalen [Duca]:
Juan Perez (Peruvian tenor)
orkest:
Nürnberger Symphoniker (an Alfred Scholz pseudonym)
dirigent:
Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym)) en Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
componist:
Giuseppe Verdi (Italian opera composer) (van 1850 tot 1851-03-11)
librettist:
Francesco Maria Piave (van 1850 tot 1851-03-11)
deel van:
Rigoletto: Atto I
Giuseppe Verdi1:47
7The Four Seasons "The Spring": Allegro (from The Four Seasons)
orkest:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
componist:
Antonio Vivaldi (in 1723)
deel van:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi3:27
8Gianni Schicchi: O mio babbino caro (from A Room With a View)
sopraanvocalen:
Ljiljan Molnar‐Talajac
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. en G. Ricordi & Co. (London) Ltd.
deel van:
Gianni Schicchi
Giacomo Puccini2:23
9La traviata: E strano e strano (from Pretty Woman)
sopraanvocalen:
Biserka Cvejic (mezzo-soprano)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
deel van:
La traviata: Atto I
Giuseppe Verdi8:57
10The Marriage of Figaro: Overture (from Trading Places)
orkest:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), Berlin Symphony Orchestra (almost certainly a Scholz fake artist), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (LPO), London Philharmonic Orchestra (Alfred Scholz pseudonym) en Philharmonia Slovanica Orchester (an Alfred Scholz pseudonym)
dirigent:
Pietro di la Corona (Alfred Scholz pseudonym), Laurence Gordon Siegel (conductor, possibly another pseudonym Alfred Scholz created) en Alfred Scholz
recording of:
Le nozze di Figaro, K. 492: Sinfonia
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
deel van:
Die Hochzeit des Figaro (German translation)
deel van:
Le nozze di Figaro, K. 492
Wolfgang Amadeus Mozart44:19
11Piano Sonata no. 11 (Rondo) All Turca (from Fame)
piano:
Philippe Entremont (French pianist/conductor)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
gecomponeerd in:
Paris, Île-de-France, Frankrijk (in 1778)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
deel van:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:43
12Samson and Delilah: Mon cœur s’ouvre à ta voix (from Slam Dance)
contraltovocalen:
Marianna Radev (contralto)
vocalen:
Marianna Radev (contralto)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s'ouvre à ta voix » (Dalila)
componist:
Camille Saint‐Saëns (composer)
deel van:
Samson et Dalila : Acte II
Camille Saint‐Saëns5:48
▼cd 4
#TitelArtiestWaarderingDuur
1Eine kleine Nachtmusik, K. 525: Allegro (from Amadeus)
orkest:
Camerata Academica (Austrian chamber orchestra), Camerata Academica Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Camerata Labacensis, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), The Northstar Orchestra en Philharmonic Orchestra London (Alfred Scholz pseudonym)
dirigent:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alexander von Pitamic (pseudonym for Alfred Scholz) en Alfred Scholz
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
deel van:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:35
2Piano Concerto no. 20 in D minor, K. 466: II. Romance (from Amadeus)
piano:
Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
deel van:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart8:47
3On the Beautiful, Blue Danube (from 2001: A Space Odyssey)
orkest:
Vienna Folk Opera Orchestra
recording of:
An der schönen blauen Donau, op. 314
had de première in:
Wien, Oostenrijk (op 1867-02-15)
componist:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
deel van:
Works of Johann Strauss Jr. by opus number (nummer: op. 314)
Johann Strauss II10:05
4Rhapsody in Blue (from Manhattan)
orkest:
Slavonic Philharmonic Orchestra (an Alfred Scholz pseudonym)
recording of:
Rhapsody in Blue (standard 1942 orchestration)
orkestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
componist:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. en Warner Bros. Music (publisher; do NOT use as release label)
revisie van:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin16:32
5Habañera (from Carmen Jones)
orkest:
Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra)
recording of:
Carmen Jones: Act I. Dat’s Love (Habañera)
orkestrator:
Robert Russell Bennett
componist:
Georges Bizet (composer)
librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
versie van:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
deel van:
Carmen Jones: Act I
Georges Bizet2:11
6Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": Andante
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) en Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orkest:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) en Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym)
dirigent:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) en Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
componist:
Wolfgang Amadeus Mozart (classical composer) (van 1785 tot 1785-03-09)
deel van:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart35:38
7Romeo and Juliet, Fantasy Overture (from Now, Voyager)
orkest:
Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (London orchestra, known as New Philharmonia Orchestra from 1964-1976), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Royal Promenade Orchestra, Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) en Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
dirigent:
Alfred Gehardt (conductor), Alfred Scholz, Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created), Nodar Tsatishvili, George Ralph Warren en Peter Wohlert
fonografisch auteursrecht (℗):
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
componist:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
herzien door:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
opgedragen aan:
Милий Алексеевич Балакирев (composer, pianist, conductor)
deel van:
The Tchaikovsky Handbook (nummer: TH 42) en Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (nummer: ČW 39)
revisie van:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский18:09
8Finale from Symphony no. 9, "Choral" (from Die Hard)
koor:
London Festival Chorus
orkest:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
componist:
Ludwig van Beethoven (German composer) (van 1822 tot 1824)
librettist:
Friedrich Schiller (German poet and playwright)
is gebaseerd op:
An die Freude
deel van:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven3:42