Classics at the Movies

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
CD 2
#TitleArtistRatingLength
1Carmina Burana: Introduction (from The Doors)
baritone vocals:
Rudolf Knoll (baritone)
choir vocals:
Salzburg Mozarteum Chorus
soprano vocals:
Gerda Hartmann (soprano)
tenor vocals:
Richard Brünner (tenor)
orchestra:
The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name) and Salzburg Mozarteum Orchestra
conductor:
Hymisher Greenburg (probably a pseudonym of Alfred Sholz) and Kurt Prestel (conductor, chorus master)
chorus master:
Ernst Hinreiner (conductor)
phonographic copyright (℗) by:
Long Island (not an imprint; rights holders/licensors of music recordings) (in 1996)
compilation of:
Carmina Burana: Fortuna Imperatrix Mundi: I. O Fortuna by Salzburg Mozarteum Chorus, Russian State Chorus, Salzburg Boys Choir, Mozarteum Orchester Salzburg, Государственный академический симфонический оркестр России, Russian State Symphony Orchestra, Kurt Prestel, Serge Tchaikov and Carmina Burana: Fortuna Imperatrix Mundi: II. Fortune plango vulnera by Mozarteum Orchester & Chor Salzburg, Kurt Prestel
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff5:39
2Adagio for Strings (from Platoon)
orchestra:
Milwaukee Symphony Orchestra
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber10:00
3"Double" Concerto: Allegro (from Children of a Lesser God)
violin:
Joseph Brezina (violinist) and Feliz Elias (violinist)
orchestra:
Camerata Romana (an Alfred Scholz pseudonym)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach5:14
4La bohème: Act 1, "Che Gelida Manina" (from Moonstruck)
tenor vocals, tenor vocals [Rodolfo] and tenor vocals [Tenor]:
José Maria Pérez (Peruvian tenor)
orchestra:
Nuremberg Symphony Orchestra (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym))
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini3:57
5Madama Butterfly: Act 2, "Un bel dì" (from Fatal Attraction)
soprano vocals:
Vanda Gerlovič (soprano)
orchestra:
Slavonic Philharmonic Orchestra (an Alfred Scholz pseudonym)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:21
6Mandoline Concerto: Allegro (from Kramer vs. Kramer)
orchestra:
Camerata Romana (an Alfred Scholz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro
composer:
Antonio Vivaldi
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi3:14
7Cavalleria Rusticana: Intermezzo (from The Godfather, Part 3)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Cavalleria rusticana: Intermezzo
composer:
Pietro Mascagni (composer & conductor) (in 1888)
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (german lyrics)
Pietro Mascagni3:27
8Lieutenant Kijé Suite: Kijé's Wedding (from Crossing Delancey)Сергей Сергеевич Прокофьев2:31
9Lieutenant Kijé Suite: Troïka (from Love and Death)Сергей Сергеевич Прокофьев2:44
10Clarinet Concerto in A major, K. 622: II. Adagio (from Out of Africa)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:25
11Lohengrin: Prelude (from Ludwig)
orchestra:
Slavonic Philharmonic Orchestra (an Alfred Scholz pseudonym)
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75
Richard Wagner3:43
12Martha: Ach, so fromm (from The Grey Fox)
orchestra:
Nuremburg Symphony Orchestra (real orchestra, not the Alfred Scholz pseudonym)
recording of:
Martha: Akt II. "Ach so fromm" (Lyonel)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt II
Friedrich von Flotow2:59
13Warsaw Concerto: Introduction (from The Eagle Squadron)
orchestra:
Toronto Festival Pops Orchestra
partial recording of:
Warsaw Concerto (Dangerous Moonlight)
orchestrator:
Roy Douglas (British composer, pianist)
composer:
Richard Addinsell (composer)
part of:
Dangerous Moonlight (film soundtrack)
Richard Addinsell3:35
14William Tell Overture (from A Clockwork Orange)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) and Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
conductor:
Alfred Scholz
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Guillaume Tell : Ouverture
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
music quoted on:
Symphony no. 15 in A major, op. 141: I. Allegretto
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini12:06
CD 3
CD 4