Classics at the Movies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

▶CD 1
▼CD 2
Nr.TitelKünstlerBewertungLänge
1Carmina Burana: Introduction (from The Doors)
Baritongesang:
Rudolf Knoll (baritone)
Chorgesang:
Salzburg Mozarteum Chorus
Soprangesang:
Gerda Hartmann (soprano)
Tenor-Gesang:
Richard Brünner (tenor)
Orchester:
The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name) und Salzburg Mozarteum Orchestra
Dirigent(in):
Hymisher Greenburg (probably a pseudonym of Alfred Sholz) und Kurt Prestel (conductor, chorus master)
Chorleiter(in):
Ernst Hinreiner (conductor)
phonographic copyright (℗) by:
Long Island (not an imprint; rights holders/licensors of music recordings) (in 1996)
Kompilation von:
Carmina Burana: Fortuna Imperatrix Mundi: I. O Fortuna von Salzburg Mozarteum Chorus, Russian State Chorus, Salzburg Boys Choir, Mozarteum Orchester Salzburg, Государственный академический симфонический оркестр России, Russian State Symphony Orchestra, Kurt Prestel, Serge Tchaikov und Carmina Burana: Fortuna Imperatrix Mundi: II. Fortune plango vulnera von Mozarteum Orchester & Chor Salzburg, Kurt Prestel
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
Fortune plango vulnera (Poem, CB 16)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff5:39
2Adagio for Strings (from Platoon)
Orchester:
Milwaukee Symphony Orchestra
recording of:
Adagio for Strings
Orchestrator(in):
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
Komponist(in):
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Samuel Barber10:00
3"Double" Concerto: Allegro (from Children of a Lesser God)
Geige / Violine:
Joseph Brezina (violinist) und Feliz Elias (violinist)
Orchester:
Camerata Romana (an Alfred Scholz pseudonym)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (vom 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach5:14
4La bohème: Act 1, "Che Gelida Manina" (from Moonstruck)
Tenor-Gesang, Tenor-Gesang [Rodolfo] und Tenor-Gesang [Tenor]:
José Maria Pérez (Peruvian tenor)
Orchester:
Nuremberg Symphony Orchestra (an Alfred Scholz pseudonym)
Dirigent(in):
Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym))
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini3:57
5Madama Butterfly: Act 2, "Un bel dì" (from Fatal Attraction)
Soprangesang:
Vanda Gerlovič (soprano)
Orchester:
Slavonic Philharmonic Orchestra (an Alfred Scholz pseudonym)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:21
6Mandoline Concerto: Allegro (from Kramer vs. Kramer)
Orchester:
Camerata Romana (an Alfred Scholz pseudonym) und Musici di San Marco (an Alfred Scholz pseudonym)
Dirigent(in):
Eugen Duvier (conductor, an Alfred Scholz pseudonym) und Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro
Komponist(in):
Antonio Vivaldi
Teil von:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi3:14
7Cavalleria Rusticana: Intermezzo (from The Godfather, Part 3)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Cavalleria rusticana: Intermezzo
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (german lyrics)
Pietro Mascagni3:27
8Lieutenant Kijé Suite: Kijé's Wedding (from Crossing Delancey)
Orchester:
Dallas Symphony Orchestra
recording of:
Lieutenant Kijé Suite, op. 60: III. Kijé's Wedding
Komponist(in):
Сергей Сергеевич Прокофьев (Russian composer) (in 1933)
Teil von:
Lieutenant Kijé Suite, op. 60
Сергей Сергеевич Прокофьев2:31
9Lieutenant Kijé Suite: Troïka (from Love and Death)
Orchester:
Dallas Symphony Orchestra
recording of:
Lieutenant Kijé Suite, op. 60: IV. Troika
Komponist(in):
Сергей Сергеевич Прокофьев (Russian composer) (in 1933)
Teil von:
Lieutenant Kijé Suite, op. 60
Сергей Сергеевич Прокофьев2:44
10Clarinet Concerto in A major, K. 622: II. Adagio (from Out of Africa)
Orchester:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (vom 1791-09-28 bis 1791-10-07)
Teil von:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:25
11Lohengrin: Prelude (from Ludwig)
Orchester:
Slavonic Philharmonic Orchestra (an Alfred Scholz pseudonym)
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
Komponist(in):
Richard Wagner (composer) (vom 1846 bis 1848)
Teil von:
Lohengrin, WWV 75
Richard Wagner3:43
12Martha: Ach, so fromm (from The Grey Fox)
Orchester:
Nuremburg Symphony Orchestra (real orchestra, not the Alfred Scholz pseudonym)
recording of:
Martha: Akt II. "Ach so fromm" (Lyonel)
Komponist(in):
Friedrich von Flotow (composer)
Librettist:
Friedrich Wilhelm Riese
Teil von:
Martha: Akt II
Friedrich von Flotow2:59
13Warsaw Concerto: Introduction (from The Eagle Squadron)
Orchester:
Toronto Festival Pops Orchestra
teilweise recording of:
Warsaw Concerto (Dangerous Moonlight)
Orchestrator(in):
Roy Douglas (British composer, pianist)
Komponist(in):
Richard Addinsell (composer)
Teil von:
Dangerous Moonlight (film soundtrack)
Richard Addinsell3:35
14William Tell Overture (from A Clockwork Orange)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) und Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
Dirigent(in):
Alfred Scholz
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Guillaume Tell : Ouverture
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Hippolyte Louis-Florent Bis (librettist) und Étienne de Jouy
music quoted on:
Symphony no. 15 in A major, op. 141: I. Allegretto
Teil von:
Guglielmo Tell (italian version by Calisto Bassi)
Teil von:
Guillaume Tell
Gioachino Rossini12:06
▶CD 3
▶CD 4