Mozart / Vivaldi / Grieg / Tchaikovsky / Haendel / Berlioz / Mendelssohn / Rimsky-Korkasoff / Bizet / Beethoven

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Packaged as a cardboard box with 10 cardboard sleeves containing the discs. Each disc has its own Cat. No. and barcode (ordered by the listing on the back of the outer cardboard box):
SYCD600101/8711539013615,
SYCD600202/8711539013622,
SYCD600303/8711539013639,
SYCD600504/8711539013646,
SYCD600705/8711539013653,
SYCD600806/8711539013660,
SYCD600907/8711539013677,
SYCD601208/8711539013684,
SYCD601409/8711539013691,
SYCD601910/8711539013707.
There is no other title to this release other than "10 CD Box" and the last names of the various composers.

Annotation last modified on 2014-12-08 17:09 UTC.

Tracklist

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▼CD 1: Vivaldi
#TitleArtistRatingLength
1The Spring: I. Allegro
orchestra:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi3:27
2The Spring: II. Largo et pianissimo sempre
orchestra:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi2:28
3The Spring: III. Allegro
orchestra:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi4:11
4The Summer: I. Allegro non molto
orchestra:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”
Antonio Vivaldi5:16
5The Summer: II. Adagio
orchestra:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”
Antonio Vivaldi2:27
6The Summer: III. Tempo impetuoso d'estate
orchestra:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto “L’estate” (“Summer”), op. 8 no. 2, RV 315: III. Presto: Tempo impetuoso d’estate (arr: Jeannette Sorrell)
composer:
Antonio Vivaldi
arranger:
Jeannette Sorrell (conductor and harpsichordist)
arrangement of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
Antonio Vivaldi3:06
7The Autumn: I. Allegro
orchestra:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”
Antonio Vivaldi5:14
8The Autumn: II. Adagio molto
orchestra:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”
Antonio Vivaldi2:56
9The Autumn: III. La caccia: Allegro
orchestra:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”
Antonio Vivaldi3:22
10The Winter: I. Allegro non molto
orchestra:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
composer:
Antonio Vivaldi (in 1723)
music quoted on:
In eternum
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi3:21
11The Winter: II. Largo
orchestra:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi2:12
12The Winter: III. Allegro
orchestra:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi3:10
▼CD 2: Mozart
#TitleArtistRatingLength
1Eine Kleine Nachtmusik, K. 525: I. Allegro
orchestra:
Camerata Academica (Austrian chamber orchestra), Camerata Academica Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Camerata Labacensis, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), The Northstar Orchestra and Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alexander von Pitamic (pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:30
2Eine Kleine Nachtmusik, K. 525: II. Romanze: Andante
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Camerata Labacensis, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonia Slavonica (an Alfred Scholz pseudonym) and Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Libor Pešek (conductor), Alexander von Pitamic (pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:44
3Eine Kleine Nachtmusik, K. 525: III. Menuett: Allegretto
orchestra:
Camerata Academia Salzburg (Austrian chamber orchestra), Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Camerata Labacensis, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra and Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alexander von Pitamic (pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:20
4Eine Kleine Nachtmusik, K. 525: IV. Rondo: Allegro
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Academica of Salzburg (Austrian chamber orchestra), Camerata Accademica Hamburg, Camerata Labacensis, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alexander von Pitamic (pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:28
5The Magic Flute Overture, K. 620
orchestra:
London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Alfred Scholz and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
recording of:
Die Zauberflöte: Ouvertüre
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620
Wolfgang Amadeus Mozart7:24
6The Marriage of Figaro Overture, K. 492
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), Berlin Symphony Orchestra (almost certainly a Scholz fake artist), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (LPO), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Philharmonia Slovanica Orchester (an Alfred Scholz pseudonym)
conductor:
Pietro di la Corona (Alfred Scholz pseudonym), Laurence Gordon Siegel (conductor, possibly another pseudonym Alfred Scholz created) and Alfred Scholz
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492
Wolfgang Amadeus Mozart44:18
7German Dances No. 1 & No. 2
orchestra:
Konzerthausorchester Berlin (Berliner Sinfonie-Orchester prior to 2006) and Symphonisches Orchester Berlin (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Carl-August Bünte (conductor)
recording of:
Sechs deutsche Tänze, K. 509: No. 1 in D major
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1787-02-06 until 1878-02-06)
part of:
Sechs deutsche Tänze, K. 509 (for small orchestra)
recording of:
Sechs deutsche Tänze, K. 509: No. 2 in G major
composer:
Wolfgang Amadeus Mozart (classical composer) (on 1787-02-06)
part of:
Sechs deutsche Tänze, K. 509 (for small orchestra)
Wolfgang Amadeus Mozart3:46
▼CD 3: Grieg
#TitleArtistRatingLength
1Peer Gynt Suite No. 1, Op. 46: I. Morning song
orchestra:
Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic, Košice) and Slowakische Staatsphilharmonie (Slovak Philharmonic, Bratislava)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Róbert Stankovský and Peter Stern (conductor, supposedly a faux artist Alfred Scholz created)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:56
2Peer Gynt Suite No. 1, Op. 46: II. Ases death
orchestra:
Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica and Slowakische Staatsphilharmonie (Slovak Philharmonic, Bratislava)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann, Libor Pesek (conductor) and Peter Stern (conductor, supposedly a faux artist Alfred Scholz created)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:37
3Peer Gynt Suite No. 1, Op. 46: III. Anitra's dance
orchestra:
Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), London Festival Orchestra (Alfred Scholz pseudonym) and Slowakische Philharmonie (Slovak Philharmonic, Bratislava)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Alfred Gehardt (conductor), Libor Pešek (conductor) and Peter Stern (conductor, supposedly a faux artist Alfred Scholz created)
recording of:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt: Anitras dans
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg43:34
4Peer Gynt Suite No. 1, Op. 46: IV. Hall of the mountain king
orchestra:
Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), London Festival Orchestra (Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic, Bratislava)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pešek (conductor) and Peter Stern (conductor, supposedly a faux artist Alfred Scholz created)
phonographic copyright (℗) by:
GMS (in 1986)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:23
5Peer Gynt Suite No. 2, Op. 55: I. Ingrid's lament
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Slowakische Staatsphilharmonie (Slovak Philharmonic, Bratislava)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym) and Libor Pesek (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:12
6Peer Gynt Suite No. 2, Op. 55: II. Arabian dance
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica and Slowakische Staatsphilharmonie (Slovak Philharmonic, Bratislava)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann and Libor Pesek (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
part of:
Peer Gynt Suite no. 2, op. 55
recording of:
Peer Gynt Suite no. 2, op. 55: II. Arabisk dans
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Arabisk dans
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:38
7Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's homecoming
orchestra:
International Concert Orchestra (an Alfred Scholz pseudonym) (ended), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica and Slowakische Staatsphilharmonie (Slovak Philharmonic, Bratislava)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann, Alfred Gehardt (conductor), Libor Pesek (conductor) and Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg2:32
8Peer Gynt Suite No. 2, Op. 55: IV. Solveig's song
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Slowakische Staatsphilharmonie (Slovak Philharmonic, Bratislava)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym) and Libor Pesek (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (do not use if there is a singer)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg55:27
9Holberg Suite, Op. 40: I. Prelude
orchestra:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic, Bratislava)
conductor:
Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (for string orchestra)
Edvard Grieg2:47
10Holberg Suite, Op. 40: II. Sarabande
orchestra:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic, Bratislava)
conductor:
Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (for string orchestra)
Edvard Grieg4:12
11Holberg Suite, Op. 40: III. Gavotte
orchestra:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic, Bratislava)
conductor:
Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: III. Gavotte (Allegretto) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (for string orchestra)
Edvard Grieg3:08
12Holberg Suite, Op. 40: IV. Andante religioso
orchestra:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic, Bratislava)
conductor:
Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: IV. Air (Andante religioso) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (for string orchestra)
Edvard Grieg5:38
13Holberg Suite, Op. 40: V. Rigaudon
orchestra:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic, Bratislava)
conductor:
Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: V. Rigaudon (Allegro con brio) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (for string orchestra)
Edvard Grieg3:03
▼CD 4: Mozart
#TitleArtistRatingLength
1Piano concerto No. 21 in C major K. 467, "Elvira Madigan": I. Allegro maestoso
piano:
Silvia Čápová (pianist), Vilmos Fischer (pianist, an Alfred Scholz pseudonym), Angela Giulini (fictitious pianist created by Alfred Scholz), Leonard Hokanson (pianist), Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) and István Székely (pianist)
orchestra:
Camerata Labacensis, Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Kurt Redel (flutist and conductor) and Alfred Scholz
recording of:
Concerto for Piano no. 21 in C major, K. 467: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart14:34
2Piano concerto No. 21 in C major K. 467, "Elvira Madigan": II. Andante
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart35:36
3Piano concerto No. 21 in C major K. 467, "Elvira Madigan": III. Allegro vivace assai
piano:
Silvia Čápová (pianist), Vilmos Fischer (pianist, an Alfred Scholz pseudonym), Angela Giulini (fictitious pianist created by Alfred Scholz), Leonard Hokanson (pianist), Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) and István Székely (pianist)
orchestra:
Camerata Labacensis, Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Kurt Redel (flutist and conductor) and Alfred Scholz
recording of:
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:05
4Symphony No. 41 in C major K. 551, "Jupiter": I. Allegro vivace
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation)
conductor:
Carl-August Bünte (conductor)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart11:23
5Symphony No. 41 in C major K. 551, "Jupiter": II. Andante cantabile
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Philharmonia Slovanica Orchester (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Salzburg Mozarteum Orchestra
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), János Sándor, Alfred Scholz, Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart9:29
6Symphony No. 41 in C major K. 551, "Jupiter": III. Menuetto: allegretto
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slovanica Orchester (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Salzburg Mozarteum Orchestra
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), János Sándor, Alfred Scholz, Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart5:04
7Symphony No. 41 in C major K. 551, "Jupiter": IV. Molto allegro
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Philharmonia Slovanica Orchester (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Salzburg Mozarteum Orchestra
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), János Sándor, Alfred Scholz, Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:50
▼CD 5: Beethoven
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1Symphony No. 3 in E-flat major, Op. 55, "Eroica": I. Allegro con brio
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Hans Swarowsky (conductor)
recording of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”
Ludwig van Beethoven14:56
2Symphony No. 3 in E-flat major, Op. 55, "Eroica": II. Adagio Assai
orchestra:
Bamberger Symphoniker and Bamburg Philharmonic Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Hans Swarowsky (conductor)
recording of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”
Ludwig van Beethoven9:55
3Symphony No. 3 in E-flat major, Op. 55, "Eroica": III. Scherzo: allegro vivace
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Hans Swarowsky (conductor)
recording of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”
Ludwig van Beethoven6:03
4Symphony No. 3 in E-flat major, Op. 55, "Eroica": IV. Finale: allegro molto
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Hans Swarowsky (conductor)
recording of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”
Ludwig van Beethoven11:48
5Coriolan Overture, Op. 62
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), Berliner Festspielorchester (likely another Alfred Scholz orchestra pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Anton Nanut (conductor), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Ouvertüre Coriolan, op. 62
composer:
Ludwig van Beethoven (German composer) (in 1807)
dedicated to:
Heinrich Joseph von Collin
premiered at:
Palais Lobkowitz in Wien, Austria (in 1807-03)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 62)
Ludwig van Beethoven7:35
▼CD 6: Mendelssohn / Bizet
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1Symphony No. 4 in A major, Op. 90, "Italian": I. Allegro vivace
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), International Concert Orchestra (an Alfred Scholz pseudonym) and London Symphony Orchestra
conductor:
Alfred Scholz, Hans Swarowsky (conductor) and Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn11:32
2Symphony No. 4 in A major, Op. 90, "Italian": II. Andante con moto
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), International Concert Orchestra (an Alfred Scholz pseudonym) and London Symphony Orchestra
conductor:
Alfred Scholz, Hans Swarowsky (conductor) and Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:38
3Symphony No. 4 in A major, Op. 90, "Italian": III. Con moto moderato
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), International Concert Orchestra (an Alfred Scholz pseudonym) and London Symphony Orchestra
conductor:
Alfred Scholz, Hans Swarowsky (conductor) and Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:54
4Symphony No. 4 in A major, Op. 90, "Italian": IV. Presto salterello
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), International Concert Orchestra (an Alfred Scholz pseudonym) and London Symphony Orchestra
conductor:
Alfred Scholz, Hans Swarowsky (conductor) and Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:17
5Symphony in C: I. Allegro
orchestra:
International Concert Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) and London Philharmonic Orchestra (LPO)
conductor:
Alfred Scholz and Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphonie no. 1 en ut majeur : I. Allegro vivo
composer:
Georges Bizet (composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet6:52
6Symphony in C: II. Adagio
orchestra:
International Concert Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), London Philharmonic Orchestra (LPO) and Philharmonisches Festspielorchester (an Alfred Scholz pseudonym)
conductor:
Louis Ablazzo, Alfred Scholz and Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphonie no. 1 en ut majeur : II. Andante (Adagio)
composer:
Georges Bizet (composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet9:54
7Symphony in C: III. Allegro vivace
orchestra:
International Concert Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) and London Philharmonic Orchestra (LPO)
conductor:
Alfred Scholz and Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphonie no. 1 en ut majeur : III. Scherzo. Allegro vivace
composer:
Georges Bizet (composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet5:39
8Symphony in C: IV. Allegro vivace
orchestra:
International Concert Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) and London Philharmonic Orchestra (LPO)
conductor:
Alfred Scholz and Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphonie no. 1 en ut majeur : IV. Finale. Allegro vivace
composer:
Georges Bizet (composer) (from 1855-10 until 1855-11)
part of:
Symphonie no. 1 en ut majeur
Georges Bizet6:14
▼CD 7: Rimsky-Korsakoff
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1Scheherazade, Op. 35: I. The sea and Sinbad's ship
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava)
conductor:
Bystrík Režucha (conductor)
recording of:
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
composer:
Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov) (in 1888)
part of:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков10:17
2Scheherazade, Op. 35: II. The tale of the calendar prince
orchestra:
Slovak State Philharmony (Slovak Philharmonic, Bratislava)
conductor:
Bystrík Režucha (conductor)
recording of:
Scheherazade, op. 35: II. The Kalendar Prince
composer:
Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov) (in 1888)
part of:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков11:39
3Scheherazade, Op. 35: III. The young prince and the young princess
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava) and Slovenský komorný orchester Bohdana Warchala
conductor:
Bystrík Režucha (conductor)
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess
composer:
Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov) (in 1888)
part of:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков10:06
4Scheherazade, Op. 35: IV. Festival at bagdad; the sea; the ship goes to pieces on a rock; conclusion
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava)
conductor:
Bystrík Režucha (conductor)
recording of:
Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman
composer:
Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov) (in 1888)
part of:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков12:01
▼CD 8: Berlioz
#TitleArtistRatingLength
1Symphony Fantastique, Op. 14: I. Reveries - Passions
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Anton Nanut (conductor) and Alfred Scholz
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz15:12
2Symphony Fantastique, Op. 14: II. A ball
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Anton Nanut (conductor) and Alfred Scholz
recording of:
Symphonie fantastique, op. 14: II. Un bal
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:09
3Symphony Fantastique, Op. 14: III. Scene in the country
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Anton Nanut (conductor) and Alfred Scholz
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz17:02
4Symphony Fantastique, Op. 14: IV. March to the scaffold
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Anton Nanut (conductor) and Alfred Scholz
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:42
5Symphony Fantastique, Op. 14: V. Dreams of a witches sabbath
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) and Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Anton Nanut (conductor) and Alfred Scholz
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz11:21
▼CD 9: Haendel
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1Water Music: I. Allegro
orchestra:
Slovenský komorný orchester Bohdana Warchala
conductor:
Bohdan Warchal (violinist, conductor)
George Frideric Handel2:54
2Water Music: II. Air
orchestra:
Slovenský komorný orchester Bohdana Warchala
conductor:
Bohdan Warchal (violinist, conductor)
George Frideric Handel5:32
3Water Music: III. Bouree
orchestra:
Slovenský komorný orchester Bohdana Warchala
conductor:
Bohdan Warchal (violinist, conductor)
George Frideric Handel0:48
4Water Music: IV. Hornpipe
orchestra:
Slovenský komorný orchester Bohdana Warchala
conductor:
Bohdan Warchal (violinist, conductor)
George Frideric Handel0:57
5Water Music: V. Andante expressivo
orchestra:
Slovenský komorný orchester Bohdana Warchala
conductor:
Bohdan Warchal (violinist, conductor)
George Frideric Handel3:49
6Water Music: VI. Hornpipe
orchestra:
Slovenský komorný orchester Bohdana Warchala
conductor:
Bohdan Warchal (violinist, conductor)
George Frideric Handel3:17
7Royal Fireworks Music: I. Overture
orchestra:
Slovenský komorný orchester Bohdana Warchala
conductor:
Bohdan Warchal (violinist, conductor)
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel9:22
8Royal Fireworks Music: II. Bouree
orchestra:
Slovak Philharmonic Chamber Orchestra and Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava)
conductor:
Oliver von Dohnányi (conductor) and Bohdan Warchal (violinist, conductor)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia
recording of:
Music for the Royal Fireworks, HWV 351: II. Bourrée
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:48
9Royal Fireworks Music: III. La paix
orchestra:
Slovenský komorný orchester Bohdana Warchala
conductor:
Bohdan Warchal (violinist, conductor)
recording of:
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:27
10Royal Fireworks Music: IV. La rejouissance
orchestra:
Bamberg Philharmonic Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), Český národní symfonický orchestr (Czech National Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, Radio Symphony Orchestra and Slovenský komorný orchester Bohdana Warchala
conductor:
Sidney Lark (conductor, possibly an Alfred Scholtz pseudonym), Rolf Reinhardt (German conductor 1927-2006), Bernhard Stopler (conductor) and Bohdan Warchal (violinist, conductor)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:51
11Royal Fireworks Music: V. Menuet I
orchestra:
Slovenský komorný orchester Bohdana Warchala
conductor:
Bohdan Warchal (violinist, conductor)
recording of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:30
12Royal Fireworks Music: VI. Menuet II
orchestra:
Slovenský komorný orchester Bohdana Warchala
conductor:
Bohdan Warchal (violinist, conductor)
recording of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:38
▼CD 10: Tchaikovsky
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1Nutcracker Suite, Op. 71a: I. Miniature overture
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
composer:
Пётр Ильич Чайковский (Russian romantic composer) (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
Пётр Ильич Чайковский3:11
2Nutcracker Suite, Op. 71a: II. March
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский2:33
3Nutcracker Suite, Op. 71a: III. Dance of the sugar plum fairy
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский1:49
4Nutcracker Suite, Op. 71a: IV. Russian dance
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:06
5Nutcracker Suite, Op. 71a: V. Arab dance
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) and South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский2:52
6Nutcracker Suite, Op. 71a: VI. Chinese dance
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) and South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:12
7Nutcracker Suite, Op. 71a: VII. Dance of the reed flutes
orchestra:
Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) and South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor:
Hymisher Greenburg (probably a pseudonym of Alfred Sholz), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Alfred Scholz and Peter Stern (conductor, supposedly a faux artist Alfred Scholz created)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский1:59
8Nutcracker Suite, Op. 71a: VIII. Waltz of the flowers
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский6:25
9Sleeping Beauty, Op. 66, excerpts: I. Introduction
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Introduction
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty)
Пётр Ильич Чайковский3:30
10Sleeping Beauty, Op. 66, excerpts: II. Pas d'action - andante
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Alfred Scholz, Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский5:24
11Sleeping Beauty, Op. 66, excerpts: III. Pas de caractére - allegro moderato
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский2:33
12Sleeping Beauty, Op. 66, excerpts: IV. Panorame - andantino
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский4:25
13Sleeping Beauty, Op. 66, excerpts: V. Finale - apotheosis
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
partial recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Пётр Ильич Чайковский2:05
14Romeo & Juliet Fantasy Overture
orchestra:
Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (London orchestra, known as New Philharmonia Orchestra from 1964-1976), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Royal Promenade Orchestra, Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Alfred Gehardt (conductor), Alfred Scholz, Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created), Nodar Tsatishvili, George Ralph Warren and Peter Wohlert
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский18:06