Nr. | Titel | Bewertung | Länge |
---|
A1 | Our Love Is Here to Stay- recording engineer:
- Birger Svan (am 1965-01-30)
- Produzent(in):
- Alan Bates
- Bass:
- Niels-Henning Ørsted Pedersen (am 1965-01-30)
- Klavier:
- Kenny Drew (am 1965-01-30)
- Schlagzeug:
- Alex Riel (am 1965-01-30)
- Tenorsaxophon:
- Ben Webster (am 1965-01-30)
- aufgenommen bei:
- Jazzhus Montmartre in Copenhagen, Capital Region of Denmark, Dänemark (am 1965-01-30)
- instrumental recording of:
- Love Is Here to Stay (am 1965-01-30)
- Texter:
- Ira Gershwin
- Komponist(in):
- George Gershwin
- publisher:
- Chappell & Co., Inc. , Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music , Warner Chappell Music Ltd. , WB Music Corp. (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
- sub-publisher:
- Chappell Music , ヤマハミュージックエンタテインメントホールディングス und ワーナー・チャペル音楽出版 Synch事業部
- Teil von:
- The Goldwyn Follies
| | 6:28 |
A2 | My Romance- recording engineer:
- Birger Svan (am 1965-01-30)
- Produzent(in):
- Alan Bates
- Bass:
- Niels-Henning Ørsted Pedersen (am 1965-01-30)
- Klavier:
- Kenny Drew (am 1965-01-30)
- Schlagzeug:
- Alex Riel (am 1965-01-30)
- Tenorsaxophon:
- Ben Webster (am 1965-01-30)
- aufgenommen bei:
- Jazzhus Montmartre in Copenhagen, Capital Region of Denmark, Dänemark (am 1965-01-30)
- instrumental recording of:
- My Romance (am 1965-01-30)
- Texter:
- Lorenz Hart (in 1935)
- Komponist(in):
- Richard Rodgers (in 1935)
- publisher:
- Chappell & Co., Inc. , Lorenz Hart Publishing Co., T.B. Harms, Universal PolyGram International Publishing, Inc. , Warner Chappell Music Ltd. , Williamson Music Company, シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
- Teil von:
- Jumbo
| | 6:42 |
A3 | Blues for Herluf | | 5:23 |
A4 | Londonderry Air | | 4:32 |
A5 | Mack the Knife | | 5:23 |
B1 | I Can't Get Started | | 6:40 |
B2 | The Theme | | 3:06 |
B3 | Friskin' the Frog | | 7:16 |
B4 | Stormy Weather | | 7:21 |
B5 | Teach Me Tonight | | 2:48 |