Fire! The Very Best of The Pointer Sisters

~ Release by The Pointer Sisters (see all versions of this release, 3 available)

Annotation

℗ «1996 BMG Entertainment/This Compilation»
℗ «1996 BMG Entertainment»

Countries where available (Deezer + Spotify)

(As of 2020-09-11).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇮 Liechtenstein (li) 🇱🇺 Luxembourg (lu) 🇲🇨 Monaco (mc) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇦🇱 Albania (al) 🇧🇦 Bosnia and Herzegovina (ba) 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇲🇪 Montenegro (me) 🇲🇰 Macedonia (mk) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇧🇾 Belarus (by) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇲🇩 Moldova (md) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇷🇺 Russian Federation (ru) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma) 🇹🇳 Tunisia (tn)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇯🇴 Jordan (jo) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇵🇸 Palestinian Territory, Occupied (ps) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Central Asia: 🇰🇿 Kazakhstan (kz)
  • Southern Asia: 🇮🇳 India (in)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-09-11 06:03 UTC.

Tracklist

| |
▼Digital Media 1
#TitleRatingLength
1Don’t Try to Take the Fifth
2:34
2Yes We Can Can
3:07
3Wang Dang Doodle
cover recording of:
Wang Dang Doodle
lyricist:
Willie Dixon (in 1960-06)
composer:
Willie Dixon
publisher:
Hoochie Coochie Music
3:03
4Fairytale
5:03
5How Long (Betcha Got a Chick on the Side)
3:27
6Everybody Is a Star
assistant engineer:
Gabe Veltri
producer:
Richard Perry (producer)
bass:
David Hungate
electric piano:
David Paich
guitar:
Danny Kortchmar and Waddy Wachtel
membranophone:
Jeff Porcaro
synthesizer:
James Newton Howard (American score composer)
remixer:
Bill Schnee
3:21
7Fire
producer:
Richard Perry (producer)
cover recording of:
Fire
lyricist and composer:
Bruce Springsteen (in 1977-05)
53:29
8Happiness
3:59
9(She’s Got) The Fever
6:17
10Dreaming as One
recording of:
Dreaming as One
writer:
David Palmer (early Steely Dan vocalist) and William D. “Smitty” Smith (organist/keyboardist)
publisher:
Drunken Boat Music, Larry Robins Music, Patramani Music and エイベックス・ミュージック・パブリッシング
4:17
11He’s So Shy
recording engineer:
Gabe Veltri
synthesizer programming:
Michael Boddicker
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
James Guthrie
bass guitar:
Nate Watts
drums (drum set):
James Gadson (American drummer)
guitar:
Tim May (session/jazz guitarist)
keyboard and synthesizer:
Tom Snow (US keyboardist/songwriter)
percussion:
Paulinho da Costa
lead vocals:
June Pointer
arranger:
Tom Snow (US keyboardist/songwriter)
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1980)
recorded at and mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
He’s So Shy
writer:
Tom Snow (US keyboardist/songwriter) and Cynthia Weil
publisher:
Dyad Music Ltd., EMI Blackwood Music Inc. (1989-07-24–present), Mann and Weil Songs, Inc., Snow Music, Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部, 大洋音楽, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
53:39
12The Love Too Good to Last
recording engineer:
Gabe Veltri
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
James Guthrie
bass guitar:
Nate Watts
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
flugelhorn:
Chuck Findley and Warren Looney
guitar:
Paul Jackson, Jr.
keyboard:
Greg Phillinganes
percussion:
Paulinho da Costa
synthesizer:
Lance Ong
lead vocals:
Anita Pointer
brass [horns] arranger and strings arranger:
Burt Bacharach
vocals arranger:
The Pointer Sisters
orchestrator:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
concertmaster:
Sid Sharp
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1980)
recorded at and mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
The Love Too Good to Last
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach and Carole Bayer Sager
publisher:
Begonia Melodies Inc., Irving Music (BMI), New Hidden Valley Music Co., Woolnough Music, シンコーミュージック・エンタテイメント, フジパシフィックミュージック 第2事業部, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:34
13Could I Be Dreamin’
recording engineer:
Gabe Veltri
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
James Guthrie
alto flute:
Jay Hutson and Don Myrick
bass guitar:
Nate Watts
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
flugelhorn and trumpet:
Chuck Findley and Steve Madaio
French horn:
Henri Sigismonti
guitar:
Paul Jackson, Jr.
keyboard:
Greg Phillinganes
percussion:
Paulinho da Costa
trombone:
Bill Reichenbach (jazz trombonist)
lead vocals:
Anita Pointer
conductor:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
brass [horns] arranger and strings arranger:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
vocals arranger:
The Pointer Sisters
concertmaster:
Sid Sharp
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1980)
recorded at and mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Could I Be Dreamin’
writer:
Marlo Henderson, Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.) and Anita Pointer
publisher:
Anita Pointer Publishing, EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), Tira Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:32
14Someday We’ll Be Together
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
Bill Schnee
bass guitar:
Nate Watts
drums (drum set):
John Robinson (session drummer)
guitar:
Paul Jackson, Jr. and Tim May (session/jazz guitarist)
keyboard:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay)
percussion:
Paulinho da Costa
synthesizer:
Ed Walsh (US synthesizer player & programmer)
lead vocals:
Anita Pointer
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Someday We’ll Be Together
lyricist and composer:
Russ Ballard
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Russell Ballard Ltd and フジパシフィックミュージック BMG事業部
4:38
15What a Surprise
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
Bill Schnee
saxophone:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet (imprint of Planet Records, a funk/disco label active 1978–1985) (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
edit of:
What a Surprise by The Pointer Sisters
recording of:
What a Surprise
writer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.), Anita Pointer and June Pointer
publisher:
Anita Pointer Publishing, Braintree Music, EMI Blackwood Music Inc. (1989-07-24–present), Leggs Four Publishing, Tira Music and フジパシフィックミュージック SBK事業部
3:50
16Should I Do It
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
Bill Schnee
bass guitar:
Nate Watts
drums (drum set):
John Robinson (session drummer)
electric piano:
Greg Phillinganes
guitar:
Paul Jackson, Jr. and Tim May (session/jazz guitarist)
organ:
Danny Faragher
percussion:
Paulinho da Costa
piano:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay)
solo tenor saxophone:
Cool T. (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
lead vocals:
June Pointer
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Should I Do It
lyricist and composer:
Layng Martine, Jr. (Nashville songwriter)
publisher:
Layng Martine, Jr. Songs, Unichappell Music, Inc., Watch Hill Music, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:52
17Slow Hand
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
Bill Schnee
bass guitar:
Nate Watts
drums (drum set):
John Robinson (session drummer)
guitar:
Paul Jackson, Jr. and Tim May (session/jazz guitarist)
organ:
William Smith (organist/keyboardist)
percussion:
Paulinho da Costa
lead vocals:
Anita Pointer
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Slow Hand
lyricist:
John Bettis
composer:
Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music Co., Sweet Harmony Music Inc. (US work publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
53:52
18Sweet Lover Man
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
Bill Schnee
bass guitar:
Nate Watts
drums (drum set):
John Robinson (session drummer)
guitar:
Paul Jackson, Jr. and Tim May (session/jazz guitarist)
keyboard:
James Newton Howard (American score composer) and Greg Phillinganes
percussion:
Paulinho da Costa
synthesizer:
James Newton Howard (American score composer)
lead vocals:
June Pointer
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Sweet Lover Man
writer:
Jerry Ragovoy and Lenny Roberts (producer/engineer)
publisher:
Chappell & Co., Inc. (USA), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:11
▼Digital Media 2
#TitleArtistRatingLength
1I’m Ready for Love
June Pointer3:58
2Heart to Heart
The Pointer Sisters3:31
3American Music
The Pointer Sisters3:59
4See How the Love Goes
The Pointer Sisters4:05
5Automatic
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters)
drum machine programming:
Brock Walsh (singer, producer, songwriter)
associate producer:
Glen Ballard and Brock Walsh (singer, producer, songwriter)
producer:
Richard Perry (producer)
bass:
Eddie N. Watkins Jr. (in 1983)
guitar:
Mark Goldenberg (in 1983) and Dennis Herring (in 1983)
Minimoog and synthesizer:
John Van Tongeren (in 1983)
synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983), Howie Rice (in 1983) and Brock Walsh (singer, producer, songwriter) (in 1983)
lead vocals:
Ruth Pointer (in 1983)
remixer:
Bill Schnee
recording of:
Automatic (in 1983)
composer:
Brock Patrick Walsh (singer, producer, songwriter) and Mark Goldenberg
The Pointer Sisters44:47
6Jump (for My Love)
recorded in:
Los Angeles, California, United States (in 1983)
drum machine and synthesizer programming:
Stephen Mitchell (US musician, composer, songwriter, producer et al.)
electronic drum set programming:
Reek Havoc
engineer:
Gary Skardina
associate producer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) and Gary Skardina
producer:
Richard Perry (producer)
additional synthesizer and Minimoog and electronic drum set:
Howie Rice (in 1983)
bass:
Louis Johnson (bass, member of Brothers Johnson) (in 1983)
drum machine and synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
percussion:
Paulinho da Costa (in 1983)
lead vocals:
June Pointer (in 1983)
remixer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) and James C. Tract
recording of:
Jump (for My Love) (in 1983)
writer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron and Gary Skardina
The Pointer Sisters34:23
7I Need You
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters)
drum machine programming:
Bob Mithoff and Howie Rice
electronic drum set programming:
Reek Havoc
producer:
Richard Perry (producer)
bass, electronic drum set and percussion and guitar:
Howie Rice (in 1983)
instruments:
Howie Rice (in 1983)
percussion:
Paulinho da Costa (in 1983)
Rhodes piano:
Vince Melamed (in 1983)
synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983), Howie Rice (in 1983) and John Van Tongeren (in 1983)
lead vocals:
Anita Pointer (in 1983), June Pointer (in 1983) and Ruth Pointer (in 1983)
remixer:
Bill Schnee
The Pointer Sisters4:04
8I’m So Excited
bass guitar:
Nathan East
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
George Doering and Lee Ritenour
keyboard [keyboards] and synthesizer:
Michael Boddicker and Greg Phillinganes
piano:
William D. “Smitty” Smith (organist/keyboardist)
background vocals:
June Pointer and Ruth Pointer
lead vocals:
Anita Pointer
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 6)
recording of:
I’m So Excited
writer:
Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, EMI Blackwood Music Inc. (1989-07-24–present), EMI Songs Ltd., Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
The Pointer Sisters4.83:54
9Telegraph Your Love
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters)
drum machine programming and associate producer:
Andy Goldmark
producer:
Richard Perry (producer)
Minimoog:
Howie Rice (in 1983)
synthesizer:
Andy Goldmark (in 1983) and Howie Rice (in 1983)
lead vocals:
Anita Pointer (in 1983)
remixer:
Bill Schnee
The Pointer Sisters4:00
10Baby, Come and Get It
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters)
drum machine programming:
James Ingram (R&B singer) and Barry Mann
electronic drum set programming:
Reek Havoc
associate producer:
Barry Mann
producer:
Richard Perry (producer)
electronic drum set:
Howie Rice (in 1983)
guitar:
David Katay (in 1983)
synthesizer:
James Ingram (R&B singer) (in 1983) and Barry Mann (in 1983)
background vocals:
James Ingram (R&B singer) (in 1983), Anita Pointer (in 1983) and Ruth Pointer (in 1983)
lead vocals:
June Pointer (in 1983)
remixer:
Bill Schnee
The Pointer Sisters4:11
11Neutron Dance
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters)
drum machine programming:
Reek Havoc, Bob Mithoff and Howie Rice
synthesizer programming:
Stephen Mitchell (US musician, composer, songwriter, producer et al.)
producer:
Richard Perry (producer)
Minimoog, drum machine, guitar, organ, piano and synthesizer:
Howie Rice (in 1983)
tambourine:
Paulinho da Costa (in 1983)
lead vocals:
Ruth Pointer (in 1983)
remixer:
Bill Schnee
recording of:
Neutron Dance (in 1983)
writer:
Danny Sembello and Allee Willis
The Pointer Sisters4:15
12Dare Me
recording of:
Dare Me
writer:
David Innis and Sam Lorber
The Pointer Sisters3:44
13Freedom (single version)
The Pointer Sisters4:24
14Back in My Arms
The Pointer Sisters4:40
15Goldmine
The Pointer Sisters3:52
16All I Know Is the Way I Feel
The Pointer Sisters4:41
17Overnight Success
Anita Pointer4:44
18He Turned Me Out
The Pointer Sisters4:12