Fire! The Very Best of The Pointer Sisters

~ Release by The Pointer Sisters (see all versions of this release, 3 available)

Annotation

℗ «1996 BMG Entertainment/This Compilation»
℗ «1996 BMG Entertainment»

Countries where available (Deezer + Spotify)

(As of 2020-09-11).

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  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2020-09-11 06:03 UTC.

Tracklist

Digital Media 1
#TitleRatingLength
1Don’t Try to Take the Fifth
2:34
2Yes We Can Can
3:07
3Wang Dang Doodle
cover recording of:
Wang Dang Doodle
lyricist:
Willie Dixon (in 1960-06)
composer:
Willie Dixon
publisher:
Hoochie Coochie Music
3:03
4Fairytale
5:03
5How Long (Betcha Got a Chick on the Side)
3:27
6Everybody Is a Star3:21
7Fire
producer:
Richard Perry (producer)
cover recording of:
Fire
lyricist and composer:
Bruce Springsteen (in 1977-05)
53:29
8Happiness
3:59
9(She’s Got) The Fever
6:17
10Dreaming as One4:17
11He’s So Shy
recording engineer:
Gabe Veltri
synthesizer programming:
Michael Boddicker
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
James Guthrie
bass guitar:
Nate Watts
drums (drum set):
James Gadson (American drummer)
guitar:
Tim May (session/jazz guitarist)
keyboard and synthesizer:
Tom Snow (US keyboardist/songwriter)
percussion:
Paulinho da Costa
lead vocals:
June Pointer
arranger:
Tom Snow (US keyboardist/songwriter)
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1980)
recorded at and mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
He’s So Shy
writer:
Tom Snow (US keyboardist/songwriter) and Cynthia Weil
publisher:
Dyad Music Ltd., EMI Blackwood Music Inc. (1989-07-24–present), Mann and Weil Songs, Inc., Snow Music, Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部, 大洋音楽, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
53:39
12The Love Too Good to Last
recording engineer:
Gabe Veltri
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
James Guthrie
bass guitar:
Nate Watts
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
flugelhorn:
Chuck Findley and Warren Looney
guitar:
Paul Jackson, Jr.
keyboard:
Greg Phillinganes
percussion:
Paulinho da Costa
synthesizer:
Lance Ong
lead vocals:
Anita Pointer
brass [horns] arranger and strings arranger:
Burt Bacharach
vocals arranger:
The Pointer Sisters
orchestrator:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
concertmaster:
Sid Sharp
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1980)
recorded at and mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
The Love Too Good to Last
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach and Carole Bayer Sager
publisher:
Begonia Melodies Inc., Irving Music (BMI), New Hidden Valley Music Co., Woolnough Music, シンコーミュージック・エンタテイメント, フジパシフィックミュージック 第2事業部, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:34
13Could I Be Dreamin’
recording engineer:
Gabe Veltri
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
James Guthrie
alto flute:
Jay Hutson and Don Myrick
bass guitar:
Nate Watts
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
flugelhorn and trumpet:
Chuck Findley and Steve Madaio
French horn:
Henri Sigismonti
guitar:
Paul Jackson, Jr.
keyboard:
Greg Phillinganes
percussion:
Paulinho da Costa
trombone:
Bill Reichenbach (jazz trombonist)
lead vocals:
Anita Pointer
conductor:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
brass [horns] arranger and strings arranger:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
vocals arranger:
The Pointer Sisters
concertmaster:
Sid Sharp
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1980)
recorded at and mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Could I Be Dreamin’
writer:
Marlo Henderson, Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.) and Anita Pointer
publisher:
Anita Pointer Publishing, EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), Tira Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:32
14Someday We’ll Be Together
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
Bill Schnee
bass guitar:
Nate Watts
drums (drum set):
John Robinson (session drummer)
guitar:
Paul Jackson, Jr. and Tim May (session/jazz guitarist)
keyboard:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay)
percussion:
Paulinho da Costa
synthesizer:
Ed Walsh (US synthesizer player & programmer)
lead vocals:
Anita Pointer
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Someday We’ll Be Together
lyricist and composer:
Russ Ballard
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Russell Ballard Ltd and フジパシフィックミュージック BMG事業部
4:38
15What a Surprise
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
Bill Schnee
saxophone:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet (imprint of Planet Records, a funk/disco label active 1978–1985) (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
edit of:
What a Surprise by The Pointer Sisters
recording of:
What a Surprise
writer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.), Anita Pointer and June Pointer
publisher:
Anita Pointer Publishing, Braintree Music, EMI Blackwood Music Inc. (1989-07-24–present), Leggs Four Publishing, Tira Music and フジパシフィックミュージック SBK事業部
3:50
16Should I Do It
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
Bill Schnee
bass guitar:
Nate Watts
drums (drum set):
John Robinson (session drummer)
electric piano:
Greg Phillinganes
guitar:
Paul Jackson, Jr. and Tim May (session/jazz guitarist)
organ:
Danny Faragher
percussion:
Paulinho da Costa
piano:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay)
solo tenor saxophone:
Cool T. (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
lead vocals:
June Pointer
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Should I Do It
lyricist and composer:
Layng Martine, Jr. (Nashville songwriter)
publisher:
Layng Martine, Jr. Songs, Unichappell Music, Inc., Watch Hill Music, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:52
17Slow Hand
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
Bill Schnee
bass guitar:
Nate Watts
drums (drum set):
John Robinson (session drummer)
guitar:
Paul Jackson, Jr. and Tim May (session/jazz guitarist)
organ:
William Smith (organist/keyboardist)
percussion:
Paulinho da Costa
lead vocals:
Anita Pointer
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Slow Hand
lyricist:
John Bettis
composer:
Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music Co., Sweet Harmony Music Inc. (US work publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
53:52
18Sweet Lover Man
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
Bill Schnee
bass guitar:
Nate Watts
drums (drum set):
John Robinson (session drummer)
guitar:
Paul Jackson, Jr. and Tim May (session/jazz guitarist)
keyboard:
James Newton Howard (American score composer) and Greg Phillinganes
percussion:
Paulinho da Costa
synthesizer:
James Newton Howard (American score composer)
lead vocals:
June Pointer
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Sweet Lover Man
writer:
Jerry Ragovoy and Lenny Roberts (producer/engineer)
publisher:
Chappell & Co., Inc. (USA), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:11
Digital Media 2