Luciano Pavarotti - The Complete Opera Recordings IV

~ Release by Luciano Pavarotti (see all versions of this release, 6 available)

Tracklist

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▼CD 65: Bellini: Norma (I)
#TitleArtistRatingLength
1Norma: Sinfonia
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Sinfonia
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma
Vincenzo Bellini6:13
2Norma: Atto I. Introduzione - “Ite sul colle, o Druidi” (Oroveso, Druidi)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 1. Coro d'introduzione “Ite sul colle, o Druidi” (Oroveso, coro)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini6:51
3Norma: Atto I. “Svanir le voci!” (Pollione, Flavio)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
tenor vocals [Flavio]:
Kim Begley (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 1. Recitativo “Svanir le voci!” (Pollione, Flavio)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini2:30
4Norma: Atto I. “Meco all'altar di Venere era Adalgisa in Roma” (Pollione, Flavio, Druidi)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
choir vocals [Druidi]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
tenor vocals [Flavio]:
Kim Begley (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 1. Cavatina “Meco all'altar di Venere” (Pollione, Flavio, Druidi)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini4:18
5Norma: Atto I. “Me protegge, me diffende” (Pollione, Flavio, Druidi)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
choir vocals [Druidi]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
tenor vocals [Flavio]:
Kim Begley (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 1. Cabaletta “Me protegge, me difende” (Pollione, Flavio, Druidi)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini2:39
6Norma: Atto I. “Norma viene” (Druidi, Sacerdotesse, Guerrieri, Bardi, Eubagi, Sacrificatori)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
choir vocals [Druidi], choir vocals [Guerrieri] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 1. “Norma viene” (Druidi, Sacerdotesse, Guerrieri, Bardi, Eubagi, Sacrificatori)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini3:24
7Norma: Atto I. “Seduziose voci, voci di Guerra” (Norma, Oroveso, Druidi, Guerrieri)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Guerrieri]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 1. Recitativo “Sediziose voci” (Norma, Oroveso, Druidi, Guerrieri)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini3:45
8Norma: Atto I. “Casta Diva” (Norma, Oroveso, Druidi, Sacerdotesse, Guerrieri)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi], choir vocals [Guerrieri] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:57
9Norma: Atto I. “Fine al rito” (Norma, Oroveso, Druidi, Sacerdotesse, Guerrieri)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi], choir vocals [Guerrieri] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 1. Recitativo “Fine al rito” (Norma, Oroveso, coro)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini1:32
10Norma: Atto I. “Ah! bello a me ritorna” (Oroveso, Druidi, Sacerdotesse, Guerrieri)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 1. Cabaletta “Ah! bello a me ritorna” (Norma, Oroveso, coro)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini4:20
▼CD 66: Bellini: Norma (II)
#TitleArtistRatingLength
1Norma: Atto I. “Sgombra è la sacra selva, compuito il rito” (Adalgisa)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 1. Recitativo “Sgombra è la sacra selva” (Adalgisa, Pollione)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini3:51
2Norma: Atto I. “Deh! proteggimi, o Dio!” (Adalgisa)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 1. Aria “Deh! proteggimi, o Dio!” (Adalgisa)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini2:15
3Norma: Atto I. “Eccola! va', mi lascia, ragion non odo” (Adalgisa)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 1. Scena “Eccola! va, mi lascia” (Adalgisa, Pollione)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini1:25
4Norma: Atto I. “Va', crudele, al Dio spietato offri in don oil sangue mio” (Pollione, Adalgisa)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 1. Duetto “Va, crudele” (Pollione, Adalgisa)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini8:50
5Norma: Atto I. “Vanne, e li cela entrambi” (Norma, Clotilde)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
mezzo-soprano vocals [Clotilde]:
Diana Montague (mezzo soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 2. Recitativo “Vanne, e li cela entrambi” (Norma, Clotilde)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini3:55
6Norma: Atto I. “Adalgisa! - Alma, costanza” (Norma, Adalgisa)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 2. Scena “Adalgisa! … Alma, costanza” (Norma, Adalgisa)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini3:12
7Norma: Atto I. “Oh! rimembranza!” (Norma, Adalgisa)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 2. Duetto “Oh, rimembranza!” (Norma, Adalgisa)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini4:09
8Norma: Atto I. “Ah! si, fa core, e abbracciami” (Norma, Adalgisa)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 2. “Ah si, fa core, abbracciami” (Norma, Adalgisa)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani
part of:
Norma: Atto I
Vincenzo Bellini3:00
9Norma: Atto I. “Ma di'... l'amato giovane quale fra noi si noma?” (Norma, Adalgisa, Pollione)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 2. Finale “Ma di … l'amato giovane?” (Norma, Adalgisa, Pollione)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini1:27
10Norma: Atto I. “Oh non tremare, o perfido” (Norma, Adalgisa)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 2. “Oh non tremare” (Norma, Adalgisa)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini1:31
11Norma: Atto I. “Oh! di qual sei tu vittima” (Norma)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
partial recording of:
Norma: Atto I, scena 2. Trio “Oh! di qual sei tu vittima” (Norma, Adalgisa, Pollione)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini1:20
12Norma: Atto I. “Oh! qual traspare orribile” (Adalgisa, Norma)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
partial recording of:
Norma: Atto I, scena 2. Trio “Oh! di qual sei tu vittima” (Norma, Adalgisa, Pollione)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini1:12
13Norma: Atto I. “Norma! de'tuoi rimproveri segno non farmi adesso” (Pollione, Norma, Adalgisa)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 2. “Norma! de'tuoi rimproveri segno non farmi adesso” (Pollione, Norma, Adalgisa)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani
part of:
Norma: Atto I
Vincenzo Bellini2:52
14Norma: Atto I. “Perfido! - Or basti” (Norma, Pollione, Adalgisa)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 2. Trio “Perfido! Or basti!” (Norma, Pollione, Adalgisa)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini1:22
15Norma: Atto I. “Vanne, si: mi lascia, indegno” (Norma, Adalgisa, Pollione, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto I, scena 2. “Vanne, si, mi lascia, indegno” (Norma, Pollione, Adalgisa, coro)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani
part of:
Norma: Atto I
Vincenzo Bellini2:39
▼CD 67: Bellini: Norma (III)
#TitleArtistRatingLength
1Norma: Atto II. Introduzione
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II. Introduzione
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:32
2Norma: Atto II. “Domono entrambi... non vedran la mano che li percuote” (Norma, Clotilde)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
mezzo-soprano vocals [Clotilde]:
Diana Montague (mezzo soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 1. Recitativo “Dormono entrambi!” (Norma, Clotilde)
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini5:04
3Norma: Atto II. “Mi chiami, o Norma!” (Adalgisa, Norma)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 1. Scena “Mi chiami, o Norma?” (Norma, Adalgisa)
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:16
4Norma: Atto II. “Deh! con te, con te li prendi” (Norma, Adalgisa)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 1. Duetto “Deh! con te, con te li prendi” (Norma, Adalgisa)
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:48
5Norma: Atto II. “Mira, o Norma, a' tuoi ginocchi questi cari tuoi pargoletti” (Adalgisa, Norma)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 1. Duetto “Mira, o Norma” (Norma, Adalgisa)
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini5:14
6Norma: Atto II. “Sì, fino all'ore estreme compagna tua m'avrai” (Norma, Adalgisa)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Adalgisa]:
Montserrat Caballé (soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 1. “Si, fino all’ore estreme” (Adalgisa, Norma)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani
part of:
Norma: Atto II
Vincenzo Bellini2:18
7Norma: Atto II. “Non parti?” (Guerrieri)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
choir vocals [Guerrieri]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 2. “Non parti?” (coro) (chorus of the warriors)
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:20
8Norma: Atto II. “Guerrieri! a voi venirne credea foriero d'avvenir migliore” (Oroveso, Guerrieri)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Guerrieri]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 2. Recitativo “Guerrieri! a voi venirne” (Oroveso, coro)
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:33
9Norma: Atto II. “Ei tornerà” (Norma, Clotilde)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
mezzo-soprano vocals [Clotilde]:
Diana Montague (mezzo soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Scena “Ei tornerà. Sì!” (Norma, Clotilde)
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:43
10Norma: Atto II. “Squilla il bronzo del Dio!” (Druidi, Sacerdotesse, Oroveso, Norma)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Scena “Squilla il bronzo del Dio!” (Coro, Oroveso, Norma)
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini1:40
11Norma: Atto II. “Guerra, Guerra!” (Norma, Oroveso, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. “Guerra! Guerra!” (Coro, Oroveso, Norma)
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:41
12Norma: Atto II. “Né compi il rito, o Norma? né la vittima acceni?” (Oroveso, Norma, Clotilde, Pollione, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
mezzo-soprano vocals [Clotilde]:
Diana Montague (mezzo soprano) (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Recitativo “Nè compi il rito, o Norma?” (Oroveso, Norma, Clotilde, Coro, Pollione)
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:34
13Norma: Atto II. “In mia man alfin tu sei” (Norma, Pollione)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Duetto “In mia man alfin tu sei” (Norma, Pollione)
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:54
14Norma: Atto II. “Già mi pasco ne'tuoi sguardi” (Norma, Pollione)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. “Già mi pasco ne' tuoi sguardi” (Norma, Pollione)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani
part of:
Norma: Atto II
Vincenzo Bellini2:16
15Norma: Atto II. “Dammi quel ferro” (Pollione, Norma, Oroveso, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. “Dammi quel ferro!” (Pollione, Norma, Oroveso, Coro)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani
part of:
Norma: Atto II
Vincenzo Bellini3:07
16Norma: Atto II. “Qual cor tradisti” (Norma, Pollione, Oroveso, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Finale “Qual cor tradisti” (Norma, Pollione, Oroveso, Coro)
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:30
17Norma: Atto II. “Norma! deh! Norma, scolpati!” (Oroveso, Druidi, Sacerdotesse, Norma, Pollione)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Finale “Norma!.. deh! Norma, scòlpati! …” (Coro, Norma, Pollione, Oroveso)
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:13
18Norma: Atto II. “Deh! non volerli vittime del mio fatale errore” (Norma, Pollione, Oroveso, Druidi, Sacerdotesse)
recording engineer:
Stanley Goodall (engineer) and James Lock (engineer)
assistant producer:
Peter Wadland
producer:
Andrew Cornall (engineer / producer)
bass vocals [Oroveso]:
Samuel Ramey (bass-baritone) (from 1984-11 until 1984-12)
choir vocals [Druidi] and choir vocals [Sacerdotesse]:
Chorus of the Welsh National Opera (from 1984-11 until 1984-12)
soprano vocals [Norma]:
Joan Sutherland (soprano) (from 1984-11 until 1984-12)
tenor vocals [Pollione]:
Luciano Pavarotti (tenor) (from 1984-11 until 1984-12)
orchestra:
Orchestra of the Welsh National Opera (from 1984-11 until 1984-12)
conductor:
Richard Bonynge (conductor and pianist) (from 1984-11 until 1984-12)
chorus master:
Andrew Greenwood (conductor) (from 1984-11 until 1984-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1984-11 until 1984-12)
recording of:
Norma: Atto II, scena 3. Finale “Deh! non volerli vittime” (Norma, Oroveso, Coro, Pollione)
lyricist:
Felice Romani (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:19
▼CD 68: Verdi: Aida (I)
#TitleArtistRatingLength
1Aida: Preludio
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida (German lyrics)
part of:
Aida
Giuseppe Verdi4:37
2Aida: Atto I, scena 1. “Sì: corre voce che l'Etiope ardisca” (Ramfis)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi1:28
3Aida: Atto I, scena 1. “Se quel guerrier io fossi!” (Radamès)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:05
4Aida: Atto I, scena 1. “Quale insolita gioia” (Amneris)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:11
5Aida: Atto I, scena 1. “Alta cagion v'aduna” (Il Re)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Il Re]:
Luigi Roni (operatic bass) (from 1985-12 until 1986-01)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
tenor vocals [Un messaggero]:
Ernesto Gavazzi (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:35
6Aida: Atto I, scena 1. “Ritorna vincitor!” (Aida)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l'amor mio …” – “I sacri nomi di padre, d'amante” (Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:39
7Aida: Atto I, scena 2. “Possente, possente Fthà” (Sacerdotessa)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
soprano vocals [Una sacerdotessa]:
Madelyn Renée (operatic soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:42
8Aida: Atto I, scena 2. “Mortal, diletto ai Numi” (Ramfis)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi5:48
▼CD 69: Verdi: Aida (II)
#TitleArtistRatingLength
1Aida: Atto II, scena 1: “Chi mai fra gl' inni e i plausi” (Schiave)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi6:48
2Aida: Atto II, scena 1: “Fu la sorte dell'armi a' tuoi funesta” (Amneris)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi7:17
3Aida: Atto II, scena 1: “Su! del Nilo al sacro lido” (Coro)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:47
4Aida: Atto II, scena 2: “Gloria all'Egitto, ad Iside” (Popolo)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:41
5Aida: Atto II, scena 2: Marcia
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
Giuseppe Verdi5:49
6Aida: Atto II, scena 2: “Vieni, o guerriero vindice” (Popolo)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:30
7Aida: Atto II, scena 2: “Salvator della patria, io ti saluto” (Il Re)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Il Re]:
Luigi Roni (operatic bass) (from 1985-12 until 1986-01)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:09
8Aida: Atto II, scena 2: “Che veggo!... Egli?... Mio padre!” (Aida)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
baritone vocals [Amonasro]:
Leo Nucci (baritone) (from 1985-12 until 1986-01)
bass vocals [Il Re]:
Luigi Roni (operatic bass) (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi0:59
9Aida: Atto II, scena 2: “Quest'assisa ch'io vesto vi dica” (Amonasro)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
baritone vocals [Amonasro]:
Leo Nucci (baritone) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:33
10Aida: Atto II, scena 2: “Ma tu, Re, tu signore possente” (Amonasro)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
baritone vocals [Amonasro]:
Leo Nucci (baritone) (from 1985-12 until 1986-01)
bass vocals [Il Re]:
Luigi Roni (operatic bass) (from 1985-12 until 1986-01)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:44
11Aida: Atto II, scena 2: “O Re: pei sacri Numi” (Radamès)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Il Re]:
Luigi Roni (operatic bass) (from 1985-12 until 1986-01)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
partial recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:27
12Aida: Atto II, scena 2: “Gloria all'Egitto, ad Iside” (Il Re, Popolo)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
baritone vocals [Amonasro]:
Leo Nucci (baritone) (from 1985-12 until 1986-01)
bass vocals [Il Re]:
Luigi Roni (operatic bass) (from 1985-12 until 1986-01)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:23
▼CD 70: Verdi: Aida (III)
#TitleArtistRatingLength
1Aida: Atto III. “O tu che sei d'Osiride” (Sacerdotesse, Sacerdoti)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi5:18
2Aida: Atto III. “Qui Radamès verrà! ...Che vorrà dirmi?” (Aida)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:56
3Aida: Atto III. “Ciel! mio padre!” (Aida)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
baritone vocals [Amonasro]:
Leo Nucci (baritone) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi8:07
4Aida: Atto III. “Pur ti riveggo, mia dolce Aida...” (Radamès)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:18
5Aida: Atto III. “Fuggiam gli ardori inospiti” (Aida)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
baritone vocals [Amonasro]:
Leo Nucci (baritone) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:36
6Aida: Atto III. “Tu...Amonasro!...tu!...il Re?” (Radamès)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
baritone vocals and baritone vocals [Amonasro]:
Leo Nucci (baritone) (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
partial recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:42
7Aida: Atto IV, scena 1. “L'aborrita rivale a me sfuggia...” (Amneris)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:12
8Aida: Atto IV, scena 1. “Già i Sacerdoti adunansi” (Amneris)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi6:52
9Aida: Atto IV, scena 1. “Ohimè!...morir mi sento! Oh! chi lo salva?” (Amneris)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi7:17
10Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès!” (Ramfis)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
Giuseppe Verdi5:28
11Aida: Atto IV, scena 2. “La fatal pietra sovra me si chiuse” (Radamès)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:11
12Aida: Atto IV, scena 2. “Presago il core della tua condanna” (Aida)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:49
13Aida: Atto IV, scena 2. “O terra, addio” (Aida, poi con Radamès)
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi4:36
▼CD 71: Verdi: Ernani (I)
#TitleArtistRatingLength
1Ernani: Parte I. Preludio
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 1) Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:23
2Ernani: Parte I. “Evviva! beviam!” (Coro)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Armstrong (conductor) and Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 2) Coro d’Introduzione. “Evviva!… beviamo” (Ribelli e Banditi)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 3a) “Ernani pensoso!” (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:21
3Ernani: Parte I. “Mercé, diletti amici... Come rugiada al cespite” (Ernani)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 3c) “Si rapisca…” (Ernani, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi4:02
4Ernani: Parte I. “Dell'esilio nel dolore” (Ernani)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:08
5Ernani: Parte I. “Surta è la notte... Ernani! Ernani, involami” (Elvira)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 4a) Scena “Surta è la notte” (Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 4b) Cavatina “Ernani!… Ernani, involami” (Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 4c) “Quante d’Iberia giovani” (Coro, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi6:22
6Ernani: Parte I. “Tutto sprezzo che d'Ernani” (Elvira)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 4d) “Tutto sprezzo, che d’Ernani” (Elvira, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:13
7Ernani: Parte I. “Fa che a me venga...” (Carlo)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
baritone vocals [Don Carlo]:
Leo Nucci (baritone) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
soprano vocals [Giovanna]:
Linda McLeod (Mezzo-soprano) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 5a) Scena “Fa’ che a me venga…” (Carlo, Giovanna, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:13
8Ernani: Parte I. “Da quell dì che t'ho veduta” (Carlo)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
baritone vocals [Don Carlo]:
Leo Nucci (baritone) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 5b) Duetto “Da quel dì che t’ho veduta” (Carlo, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:47
9Ernani: Parte I. “Non t'ascolto, mia sarai” (Carlo)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
baritone vocals [Don Carlo]:
Leo Nucci (baritone) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 5c) Scena “Non t’ascolta…mia sarai…” (Carlo, Elvira, Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 5d) Terzetto “Tu se’, Ernani!…mel dice lo sdegno” (Carlo, Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:44
10Ernani: Parte I. “Che ma vegg'io!... Infelice!...e tuo credevi” (Silva)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 6a) Scena “Che mai vegg’io!” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 6b) Cavatina “Infelice!… e tuo credevi” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 6c) “L’offeso onor, signori” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:38
11Ernani: Parte I. “Infin che un brando vindice” (Silva)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 6d) Cabaletta “Infin che un brando vindice” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi2:58
12Ernani: Parte I. “Uscite...” (Silva)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
baritone vocals [Don Carlo]:
Leo Nucci (baritone) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
bass vocals [Jago]:
Alastair Miles (operatic bass) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
soprano vocals:
Linda McLeod (Mezzo-soprano) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Don Riccardo]:
Richard Morton (operatic tenor) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 6e) Scena “Uscite…Ma, signore…” (Silva, Ernani, Carlo, Jago, Riccardo, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 6f) “Vedi come il buon vegliardo” (Carlo, Riccardo, Silva, Ernani, Elvira, Jago, Giovanna, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi4:14
13Ernani: Parte I. “Mio signor, dolente i sono” (Silva)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
baritone vocals [Don Carlo]:
Leo Nucci (baritone) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
bass vocals [Jago]:
Alastair Miles (operatic bass) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
soprano vocals [Giovanna]:
Linda McLeod (Mezzo-soprano) (in 1987-05)
tenor vocals [Don Riccardo]:
Richard Morton (operatic tenor) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 6g) “Mio signor, dolente io sono…” (Silva, Carlo, Elvira, Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 6h) Finale “Io tuo fido?…” (Ernani, Elvira, Carlo, Silva, Riccardo, Giovanni, Jago, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:57
14Ernani: Parte II. “Esultiamo! Letizia ne innondi” (Coro)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 7) Coro d’introduzione “Esultiamo!… Letizia ne innondi” (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
Giuseppe Verdi2:33
15Ernani: Parte II. “Jago, qui tosto il pellegrin adduci” (Silva)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 8a) Recitativo “Jago, qui tosto il pellegrin adduci” (Silva, Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
Giuseppe Verdi2:12
16Ernani: Parte II. “Oro, quant'oro ogn'avido” (Ernani)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 8b) Terzetto “Oro, quant’oro ogni avido” (Ernani, Elvira, Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
recording of:
Ernani: Atto II. (no. 8c) Scena “In queste mura ogn’ospite” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
Giuseppe Verdi3:19
17Ernani: Parte II. “Tu, perfida!” (Ernani)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 8d) Duettino “Tu perfida…Come fissarmi ardisci?” (Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
Giuseppe Verdi1:50
18Ernani: Parte II. “Ah, morir potessi adesso” (Ernani, Elvira)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 8e) “Ah, morir, potessi adesso” (Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
Giuseppe Verdi2:21
19Ernani: Parte II. “Scellerati, il mio furore” (Silva)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 8f) Seguito del Terzetto “Scellerati, il mio fuore” (Silva, Jago, Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
recording of:
Ernani: Atto II. (no. 8g) Stretta del Terzetto “No, vendetta più tremenda” (Silva, Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
Giuseppe Verdi3:20
▶CD 72: Verdi: Ernani (II)
▶CD 73: Berlioz: Requiem
▶CD 74: Verdi: Rigoletto (I)
▶CD 75: Verdi: Rigoletto (II)
▶CD 76: Donizetti: L'elisir d'amore (I)
▶CD 77: Donizetti: L'elisir d'amore (II)
▶CD 78: Verdi: Il trovatore (I)
▶CD 79: Verdi: Il trovatore (II)
▶CD 80: Verdi: Otello (I)
▶CD 81: Verdi: Otello (II)
▶CD 82: Verdi: La traviata (I)
▶CD 83: Verdi: La traviata (II)
▶CD 84: Leoncavallo: Pagliacci
▶CD 85: Puccini: Manon Lescaut (I)
▶CD 86: Puccini: Manon Lescaut (II)