Hippy Lullabies

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1The Sound of Silence
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass guitar:
Bob Bushnell
drums (drum set):
Bobby Gregg
guitar:
Vinnie Bell and Al Gorgoni
lead vocals:
Art Garfunkel (on 1964-03-10) and Paul Simon (of Simon & Garfunkel) (on 1964-03-10)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 74) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 156)
recording of:
The Sound of Silence (from 1964-03-10 until 1965-06-15)
lyricist:
Paul Simon (of Simon & Garfunkel) (from 1963 until 1964)
composer:
Paul Simon (of Simon & Garfunkel) (from 1963 until 1963-11)
publisher:
J. Michel KG (publisher), MDW (publisher), Mother Culture Publishing, Pattern Music Ltd (publisher), Universal/MCA Music Ltd. (not for release label use!), WB Music Corp. (1929–2019), Paul Simon Music (in 1964, in 1992) and Magic Arts Publishing (in 2000)
Simon & Garfunkel4.653:04
2Albatross
phonographic copyright (℗) by:
Blue Horizon Records (in 1968) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
recording of:
Albatross (on 1968-10-06)
composer:
Peter Green (former member of Fleetwood Mac)
Fleetwood Mac4.23:09
3Black Magic Woman / Gipsy Queen
recorded in:
San Francisco, California, United States (in 1970-06)
engineer:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (from 1970-06-04 until 1970-06-05)
congas:
José “Chepito” Áreas (in 1970-06) and Michael Carabello (in 1970-06)
congas and percussion:
Michael Carabello (from 1970-06-04 until 1970-06-05)
congas, percussion and timbales and timbales:
José “Chepito” Áreas (from 1970-06-04 until 1970-06-05)
drums (drum set):
Michael Shrieve (from 1970-06-04 until 1970-06-05)
guitar:
Carlos Santana (from 1970-06-04 until 1970-06-05)
keyboard and lead vocals:
Gregg Rolie (from 1970-06-04 until 1970-06-05)
percussion:
Rico Reyes (from 1970-06-04 until 1970-06-05)
tabla:
Steven Saphore (from 1970-06-04 until 1970-06-05)
background vocals:
Rico Reyes (from 1970-06-04 until 1970-06-05) and Carlos Santana (from 1970-06-04 until 1970-06-05)
vocals:
Gregg Rolie (in 1970-06)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios in San Francisco, California, United States (from 1970-06-04 until 1970-06-05)
cover recording of:
Black Magic Woman
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd. and Murbo Music Publishers, Inc.
cover recording of:
Gypsy Queen
composer:
Gábor Szabó (in 1966)
publisher:
Gabor & Cardigan Music, PAB Music Corp. and Wixen Music Publishing, Inc.
Santana4.155:17
4I Shall Be Released
engineer:
Don Hahn (engineer) and Tony May (Engineer)
producer:
The Band and John Simon (US producer, arranger, composer, songwriter and musician)
bass:
Rick Danko (in 1968-02)
drums (drum set):
Levon Helm (in 1968-02)
guitar:
Robbie Robertson (in 1968-02)
organ:
Garth Hudson (in 1968-02)
piano:
Richard Manuel (in 1968-02)
vocals:
Rick Danko (in 1968-02), Levon Helm (in 1968-02) and Richard Manuel (in 1968-02)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (in 1968-02)
part of:
New York Post: 100 Greatest Covers (2007) (number: 67)
recording of:
I Shall Be Released (original lyrics) (in 1968-02)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
ソニー・ミュージックパブリッシング A事業部 and Dwarf Music (from 1967 to present)
The Band3.53:12
5Ode to Billy Joe
phonographic copyright (℗) by:
Capitol Records Nashville (in 1967)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 191) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 412)
recording of:
Ode to Billie Joe
lyricist and composer:
Bobbie Gentry
publisher:
Larry Shayne Music, Inc.
Bobbie Gentry54:12
6On the Road Again
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1968)
recorded at:
Suffolk Meadows in Long Island, New York, United States (on 1979-09-08)
live recording of:
On the Road Again (on 1979-09-08)
lyricist and composer:
Floyd Jones (blues performer and songwriter) and Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Unart Catalog Inc., EMI United Partnership Ltd., Lawn Music, Metric Music Co (publisher), SBK United Partnership Ltd. and United Partnership Ltd.
Canned Heat3.43:23
7California Dreamin'
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan
solo alto flute:
Bud Shank
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
The Mamas & the Papas4.42:39
8I Feel Free
engineer:
John Timperley
producer:
Robert Stigwood
bass and piano:
Jack Bruce (from 1966-07 until 1966-09)
drums (drum set):
Ginger Baker (from 1966-07 until 1966-09)
guitar:
Eric Clapton (from 1966-07 until 1966-09)
vocals:
Ginger Baker (from 1966-07 until 1966-09), Jack Bruce (from 1966-07 until 1966-09) and Eric Clapton (from 1966-07 until 1966-09)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1966) and Universal International Music B.V. (company, do not use as label) (in 1966)
recorded at:
Chalk Farm Studios in London (Greater London), England, United Kingdom (from 1966-07 until 1966-09) and Mayfair Studios (England) in London (Greater London), England, United Kingdom (from 1966-07 until 1966-09)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom (on 1966-12-08)
recording of:
I Feel Free (from 1966-07 until 1966-09)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Cream4.152:51
9The House of the Rising Sun
cover recording of:
House of the Rising Sun
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
Frijid Pink3:25
10Me and Bobby McGee
recording of:
Me and Bobby McGee
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp.
Kris Kristofferson4:08
11Mercedes Benz
recorded in:
Los Angeles, California, United States (on 1970-10-01)
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul A. Rothchild
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-10-01)
drums (drum set):
Clark Pierson (on 1970-10-01)
guest bongos and congas:
Bobbye Hall (on 1970-10-01)
guest tambourine:
Sandra Crouch (on 1970-10-01)
guitar:
John Till (rock guitarist) (on 1970-10-01)
organ:
Ken Pearson (on 1970-10-01)
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-10-01)
background vocals:
Phil Badella (on 1970-10-01), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-10-01), Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-10-01), John Cooke (on 1970-10-01), Janis Joplin (on 1970-10-01), Vince Mitchell (on 1970-10-01), Ken Pearson (on 1970-10-01), Clark Pierson (on 1970-10-01) and John Till (rock guitarist) (on 1970-10-01)
lead vocals:
Janis Joplin (on 1970-10-01)
performer:
Full Tilt Boogie (on 1970-10-01)
recording of:
Mercedes Benz (on 1970-10-01)
writer:
Janis Joplin, Michael McClure and Bob Neuwirth
Janis Joplin3.51:45
12San Francisco NightsEric Burdon & The Animals43:21
13Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-01-20)
producer:
Terry Melcher
12 string guitar:
Jim McGuinn (on 1965-01-20)
bass guitar:
Chris Hillman (on 1965-01-20)
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds) (on 1965-01-20)
tambourine:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20), David Crosby (on 1965-01-20), Chris Hillman (on 1965-01-20) and Jim McGuinn (on 1965-01-20)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
cover recording of:
Mr. Tambourine Man (on 1965-01-20)
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (from 1964 until 1992) and Special Rider Music (from 1992 to present)
The Byrds42:28
14Aquarius / Let the Sunshine In
sound engineer, engineer and producer:
Bones Howe
assistant producer:
Ann McClelland
bass:
Joe Osborne
drums (drum set) and percussion:
Hal Blaine
performer:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman, Bob Alcivar and Bones Howe
vocals arranger:
Bob Alcivar
music videos:
Age of Aquarius / Let the Sunshine In by The 5th Dimension
medley including a recording of:
Aquarius (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd.
part of:
Hair (1967 musical)
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
writer:
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) and Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar and Bones Howe
publisher:
United Artists Music Co., Inc.
medley of:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley of:
Aquarius (from “Hair”)
medley including a recording of:
Let the Sunshine In
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Music Publishing Scandinavia AB and United Artists Music Co., Inc.
The Fifth Dimension4.44:46
15Sunshine Superman
producer:
Mickie Most (English record producer)
recording of:
Sunshine Superman
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd.
Donovan54:31
16Good Vibrations
recording engineer:
Bruce Botnick, Chuck Britz and Larry Levine
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Brian Wilson (Beach Boys co-founder)
mixer:
Derry FitzGerald
lead vocals:
Mike Love (Beach Boys) and Carl Wilson (Beach Boys) (from 1966-02 until 1966-06)
vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1966-02 until 1966-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 6) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (from 1966-02 until 1966-06)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co-founder)
composer:
Brian Wilson (Beach Boys co-founder)
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country-specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:34
17Nights in White Satin
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Tyler Music Ltd.
The Moody Blues4.154:25
18My White Bicycle
producer:
Mark Wirtz
keyboard:
Mark Wirtz
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1967)
recording of:
My White Bicycle
writer:
Ken Burgess and Keith Hopkins
publisher:
Getaway Songs Ltd., Intersong Music and Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
Tomorrow43:15
19A Whiter Shade of PaleProcol Harum4.13:59
20White Rabbit
recorded in:
San Francisco, California, United States (from 1969-05-07 to present)
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
recorded at:
RCA Victor's Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 455) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 478)
recording of:
White Rabbit (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Grace Slick
publisher:
Irving Music, Inc.
is based on:
Alice’s Adventures in Wonderland (novel)
is based on:
Through the Looking-Glass, and What Alice Found There (novel)
Jefferson Airplane4.252:32

Credits

Release

compiler:Klāss Vāvere
design:Elita Šica-Vāvere (Designer)
part of:Lullabies (number: 7) (order: 7)
Discogs:https://www.discogs.com/release/15962202 [info]