The Complete EMI Recordings 1946-1984, Volume 2: Opera & Vocal

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

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▼CD 1: Opera Arias (1947)
#TitleArtistRatingLength
1Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals:
Erich Kunz (baritone) (on 1947-12-09)
soprano vocals:
Irmgard Seefried (soprano) (on 1947-12-09)
orchestra:
Wiener Philharmoniker (on 1947-12-09)
conductor:
Herbert von Karajan (conductor) (on 1947-12-09)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (on 1947-12-09)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (on 1947-12-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:11
2Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Cebotari (on 1947-12-16)
orchestra:
Wiener Philharmoniker (on 1947-12-16)
conductor:
Herbert von Karajan (conductor) (on 1947-12-16)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1947-12-16)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (on 1947-12-16)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:43
3Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Irmgard Seefried (soprano) (on 1947-12-11)
orchestra:
Wiener Philharmoniker (on 1947-12-11)
conductor:
Herbert von Karajan (conductor) (on 1947-12-11)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (on 1947-12-11)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (on 1947-12-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:30
4Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!" (Donna Anna)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Cebotari (on 1947-12-16)
orchestra:
Wiener Philharmoniker (on 1947-12-16)
conductor:
Herbert von Karajan (conductor) (on 1947-12-16)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (on 1947-12-16)
recording of:
Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna) (on 1947-12-16)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:56
5Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals:
Erich Kunz (baritone) (on 1947-12-09)
orchestra:
Wiener Philharmoniker (on 1947-12-09)
conductor:
Herbert von Karajan (conductor) (on 1947-12-09)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (on 1947-12-09)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (on 1947-12-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arranger:
Georg Sartorius
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:24
6Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Irmgard Seefried (soprano) (on 1947-12-11)
orchestra:
Wiener Philharmoniker (on 1947-12-11)
conductor:
Herbert von Karajan (conductor) (on 1947-12-11)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (on 1947-12-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (on 1947-12-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:44
7Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Aria "Deh vieni non tardar" (Susanna)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Irmgard Seefried (soprano) (on 1947-12-11)
orchestra:
Wiener Philharmoniker (on 1947-12-11)
conductor:
Herbert von Karajan (conductor) (on 1947-12-11)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (on 1947-12-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (on 1947-12-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV
Wolfgang Amadeus Mozart4:31
8Cavalleria Rusticana: Intermezzo
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (on 1949-01-21)
conductor:
Herbert von Karajan (conductor) (on 1949-01-21)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1949-01-21)
recording of:
Cavalleria rusticana: Intermezzo (on 1949-01-21)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (german lyrics)
Pietro Mascagni4:00
9Manon Lescaut: Intermezzo
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (on 1947-12-12)
conductor:
Herbert von Karajan (conductor) (on 1947-12-12)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1947-12-12)
recording of:
Manon Lescaut: Atto III. Intermezzo (Intermezzo between Acts II and III) (on 1947-12-12)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut
Giacomo Puccini4:36
10La Bohème: Sì, mi chiamano Mimì
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1948-11-06)
orchestra:
Wiener Philharmoniker (on 1948-11-06)
conductor:
Herbert von Karajan (conductor) (on 1948-11-06)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (on 1948-11-06)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (on 1948-11-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:43
11La Bohème: Quando me'n'vò soletta (Musetta's Waltz)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Ljuba Welitsch (soprano) (on 1948-11-10)
orchestra:
Wiener Philharmoniker (on 1948-11-10)
conductor:
Herbert von Karajan (conductor) (on 1948-11-10)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1948-11-10)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (on 1948-11-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (Puccini)
Giacomo Puccini2:28
12Gianni Schicchi: O mio babbino caro
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1948-11-06)
orchestra:
Wiener Philharmoniker (on 1948-11-06)
conductor:
Herbert von Karajan (conductor) (on 1948-11-06)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1948-11-06)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (on 1948-11-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:59
13Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals:
Erich Kunz (baritone) (on 1947-12-08)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1947-12-08)
orchestra:
Wiener Philharmoniker (on 1947-12-08)
conductor:
Herbert von Karajan (conductor) (on 1947-12-08)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1947-12-08)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (on 1947-12-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:07
14Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals and soprano vocals [Konstanze]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1946-10)
orchestra:
Wiener Philharmoniker (in 1946-10)
conductor:
Herbert von Karajan (conductor) (in 1946-10)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1946-10)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1946-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart8:49
15Der Zigeunerbaron: So elend und treu
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Cebotari (on 1948-11-16)
orchestra:
Wiener Philharmoniker (on 1948-11-16)
conductor:
Herbert von Karajan (conductor) (on 1948-11-16)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (on 1948-11-16)
recording of:
Der Zigeunerbaron: Akt I, Nr. 11. „So elend und so treu“ … „O habet acht“ (Barinkay, Saffi) (on 1948-11-16)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Der Zigeunerbaron: Akt I
Johann Strauss II3:13
16The Bartered Bride, B143: "Endlich allein... Wie fremd und tot"
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Hilde Konetzni (soprano) (on 1947-12-15)
orchestra:
Wiener Philharmoniker (on 1947-12-15)
conductor:
Herbert von Karajan (conductor) (on 1947-12-15)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1947-12-15)
recording of:
Die verkaufte Braut: Akt. III "Endlich allein ... Wie fremd und tot" (on 1947-12-15)
composer:
Bedřich Smetana (composer)
additional librettist:
Max Kalbeck
librettist:
Karel Sabina
part of:
Die verkaufte Braut
Bedřich Smetana8:10
17Ariadne auf Naxos, Op. 60: Opera: Conclusion: "Es gibt ein Reich, wo alles rein ist" (Ariadne)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Cebotari (on 1948-11-16)
orchestra:
Wiener Philharmoniker (on 1948-11-16)
conductor:
Herbert von Karajan (conductor) (on 1948-11-16)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (on 1948-11-16)
recording of:
Ariadne auf Naxos, op. 60: Oper. [5] “Es gibt ein Reich, wo alles rein ist” (Ariadne) (on 1948-11-16)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:32
▼CD 2: Choruses / Rosenkavalier And Salome Excerpts.
#TitleArtistRatingLength
1Die Meistersinger von Nürnberg: Act III. Wach auf!
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Chor der Wiener Staatsoper (on 1949-11-03)
orchestra:
Wiener Philharmoniker (on 1949-11-03)
conductor:
Herbert von Karajan (conductor) (on 1949-11-03)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1949-11-03)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!" (on 1949-11-03)
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III
Richard Wagner3:51
2Lohengrin: Act III. Prelude
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Chor der Wiener Staatsoper (on 1949-11-03)
orchestra:
Wiener Philharmoniker (on 1949-11-03)
conductor:
Herbert von Karajan (conductor) (on 1949-11-03)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1949-11-03)
recording of:
Lohengrin, WWV 75: Akt III, Vorspiel (on 1949-11-03)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner2:54
3Lohengrin: Act III, Scene I. "Treulich geführt ziehet dahin" (Bridal Chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Chor der Wiener Staatsoper (on 1949-11-03)
orchestra:
Wiener Philharmoniker (on 1949-11-03)
conductor:
Herbert von Karajan (conductor) (on 1949-11-03)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1949-11-03)
recording of:
Lohengrin, WWV 75: Akt III, Scene I. “Treulich geführt ziehet dahin” (on 1949-11-03)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner5:44
4Der fliegende Holländer: Summ und brumm, du gutes Rädchen
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (on 1948-11-19)
conductor:
Herbert von Karajan (conductor) (on 1948-11-19)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1948-11-19)
recording of:
Der fliegende Holländer, WWV 63: Akt II, Nr. 4. Lied, Scene, Ballade und Chor "Summ und brumm, du gutes Rädchen" (Chor der Spinnerinnen) (on 1948-11-19)
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt II
Richard Wagner3:51
5Der fliegende Holländer: Act III. Introduction & Sailor's Chorus
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Chor der Wiener Staatsoper (on 1949-11-03)
orchestra:
Wiener Philharmoniker (on 1949-11-03)
conductor:
Herbert von Karajan (conductor) (on 1949-11-03)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1949-11-03)
partial recording of:
Der fliegende Holländer, WWV 63: Akt III, Nr. 7. Chor der Norvegischen Matrosen und Ensemble "Steuermann! Lass die Wacht!" (on 1949-11-03)
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt III
recording of:
Der fliegende Holländer, WWV 63: Akt III. Entreacte (on 1949-11-03)
composer and librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt III
Richard Wagner3:44
6Tannhäuser: March & Entry of the Guests
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Chor der Wiener Staatsoper (on 1947-12-15)
orchestra:
Wiener Philharmoniker (on 1947-12-15)
conductor:
Herbert von Karajan (conductor) (on 1947-12-15)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1947-12-15)
recording of:
Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. Festmarsch (Grand March) (on 1947-12-15)
composer:
Richard Wagner (composer)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste)
Richard Wagner6:49
7Die Meistersinger von Nürnberg: Da zu dir der Heiland kam
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Chor der Wiener Staatsoper (on 1949-11-03)
orchestra:
Wiener Philharmoniker (on 1949-11-03)
conductor:
Herbert von Karajan (conductor) (on 1949-11-03)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1949-11-03)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt I, Scene I. "Da zu dir der Heiland kam" (on 1949-11-03)
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt I
Richard Wagner4:21
8Der Rosenkavalier, Op. 59: Kann mich auch an ein Mädel erinnern
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Hilde Konetzni (soprano) (on 1947-12-15)
orchestra:
Wiener Philharmoniker (on 1947-12-15)
conductor:
Herbert von Karajan (conductor) (on 1947-12-15)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1947-12-15)
recording of:
Der Rosenkavalier, op. 59: Kann much auch an ein madel erinnern (on 1947-12-15)
part of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian)
Richard Strauss4:46
9Der Rosenkavalier, Op. 59: Quinquin, er soll jetzt geh'n
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Hilde Konetzni (soprano) (on 1947-12-15)
orchestra:
Wiener Philharmoniker (on 1947-12-15)
conductor:
Herbert von Karajan (conductor) (on 1947-12-15)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1947-12-15)
recording of:
Der Rosenkavalier, op. 59: Quinquin, er soll jetzt geh'n (on 1947-12-15)
part of:
Der Rosenkavalier, op. 59: Akt I. "Ich hab' ihn nicht einmal geküßt"
Richard Strauss3:46
10Der Rosenkavalier, Op. 59: Mir ist die Ehre (Presentation of the Rose)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1947-12-09) and Irmgard Seefried (soprano) (on 1947-12-09)
orchestra:
Wiener Philharmoniker (on 1947-12-09)
conductor:
Herbert von Karajan (conductor) (on 1947-12-09)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1947-12-09)
partial recording of:
Der Rosenkavalier, op. 59: Akt II. "Jetzt aber kommt mein Herr Zukünftiger" (Sophie, Faninal, Baron, Octavian, Marianne) (on 1947-12-09)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mir ist die Ehre widerfahren" (Octavian, Sophie) (on 1947-12-09)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
recording of:
Der Rosenkavalier, op. 59: Akt II. "Was sie ist … mit ihren Augen voll Tränen" (Octavian, Sophie) (on 1947-12-09)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss11:08
11Salome, Op. 54: Abstieg in die Cisterne
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals:
Gertrud Schuster (contralto) (on 1948-11-24)
soprano vocals:
Ljuba Welitsch (soprano) (on 1948-11-24)
tenor vocals:
Josef Witt (tenor) (on 1948-11-24)
orchestra:
Wiener Philharmoniker (on 1948-11-24)
conductor:
Herbert von Karajan (conductor) (on 1948-11-24)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1948-11-24)
recording of:
Salome, op. 54: Abstieg in die Cisterne (on 1948-11-24)
part of:
Salome (op. 54; TrV 215)
Richard Strauss2:59
12Salome, Op. 54: Ah! Du wolltest mich nicht
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals:
Gertrud Schuster (contralto) (on 1948-11-24)
soprano vocals:
Ljuba Welitsch (soprano) (on 1948-11-24)
tenor vocals:
Josef Witt (tenor) (on 1948-11-24)
orchestra:
Wiener Philharmoniker (on 1948-11-24)
conductor:
Herbert von Karajan (conductor) (on 1948-11-24)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1948-11-24)
recording of:
Salome: Vierte Szene. "Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan" (Salome) (on 1948-11-24)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss4:16
13Salome, Op. 54: Ah! warum hast du mich nicht angeseh'n
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals:
Gertrud Schuster (contralto) (on 1948-11-24)
soprano vocals:
Ljuba Welitsch (soprano) (on 1948-11-24)
tenor vocals:
Josef Witt (tenor) (on 1948-11-24)
orchestra:
Wiener Philharmoniker (on 1948-11-24)
conductor:
Herbert von Karajan (conductor) (on 1948-11-24)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1948-11-24)
recording of:
Salome, op. 54: Ah! Warum hast du mich nicht angeseh’n (on 1948-11-24)
part of:
Salome (op. 54; TrV 215)
Richard Strauss10:30
▼CD 3: Die Zauberflöte (Orquesta Filarmónica de Viena)
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Ouverture
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Ouvertüre (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620
Wolfgang Amadeus Mozart7:05
2Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [First Lady]:
Sena Jurinac (soprano) (in 1950-11)
soprano vocals [Second Lady]:
Friedl Riegler (operatic soprano) (in 1950-11)
soprano vocals [Third Lady]:
Else Schürhoff (german operatic soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:07
3Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals:
Erich Kunz (baritone) (in 1950)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:39
4Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:28
5Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Queen of Night]:
Wilma Lipp (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:53
6Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [First Lady]:
Sena Jurinac (soprano) (in 1950-11)
soprano vocals [Second Lady]:
Friedl Riegler (operatic soprano) (in 1950-11)
soprano vocals [Third Lady]:
Else Schürhoff (german operatic soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:23
7Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:44
8Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:12
9Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [First Boy]:
Hermine Steinmassl (in 1950-11)
soprano vocals [Second Boy]:
Eleonore Dörpinghans (in 1950-11)
soprano vocals [Third Boy]:
Annelies Stükl (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:04
10Die Zauberflöte, K. 620: Act I. "Zurück!... Zurück?" (Stimme, Tamino, Sprecher)
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
bass-baritone vocals [Speaker]:
George London (bass-baritone) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. „Zurück!” … „Zurück?” … „Wo willst du kühner Fremdling hin?” … „O ewige Nacht” (Priester, Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:01
11Die Zauberflöte, K. 620: Act I, Scene XV. "O ew'ge Nacht, wann wirst du schwinden?"
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
partial recording of:
Die Zauberflöte: Akt I. „Zurück!” … „Zurück?” … „Wo willst du kühner Fremdling hin?” … „O ewige Nacht” (Priester, Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:08
12Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:03
13Die Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:24
14Die Zauberflöte, K. 620: Act I, Scene XVII. "Wer viel wagt, gewinnt oft viel!"
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
partial recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart0:50
15Die Zauberflöte, K. 620: Act I, Scene XVII. "Könnte jeder brave Mann"
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. „Könnte jeder brave Mann” (Pamina, Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart0:44
16Die Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:44
17Die Zauberflöte, K. 620: Act I, Scene XVII. Larghetto - recitative. "Herr, ich bin zwar Verbrecherin!"
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. „Herr, ich bin zwar Verbrecherin” (Pamina, Sarastro) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:31
18Die Zauberflöte, K. 620: Act I, Scene XVIII. Allegro - recitativo - adagio. "Na, stolzer Jüngling; nur hierher!"
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. „Nun, stolzer Jüngling; nur hierher!” (Monostatos, Pamina, Tamino, Gefolge, Sarastro) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:27
19Die Zauberflöte, K. 620: Act I, Scene XVIII. "Führt diese beiden Fremdlinge"
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: Akt I. „Führt diese beiden Fremdlinge” (Sarastro, Chor)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:39
▼CD 4: Die Zauberflöte (Orquesta Filarmónica de Viena)
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:50
2Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "O Isis und Osiris!" (Sarastro)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:14
3Die Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Papageno, Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:01
4Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
soprano vocals [First Lady]:
Sena Jurinac (soprano) (in 1950-11)
soprano vocals [Second Lady]:
Friedl Riegler (operatic soprano) (in 1950-11)
soprano vocals [Third Lady]:
Else Schürhoff (german operatic soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:09
5Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos)
producer:
Walter Legge (British classical record producer, 1906-1979)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:16
6Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Queen of Night]:
Wilma Lipp (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:47
7Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro)
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:54
8Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [First Boy]:
Hermine Steinmassl (in 1950-11)
soprano vocals [Second Boy]:
Eleonore Dörpinghans (in 1950-11)
soprano vocals [Third Boy]:
Annelies Stükl (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:52
9Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:17
10Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:23
11Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:43
12Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:44
13Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [First Boy]:
Hermine Steinmassl (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
soprano vocals [Second Boy]:
Eleonore Dörpinghans (in 1950-11)
soprano vocals [Third Boy]:
Annelies Stükl (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:48
14Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina)
producer:
Walter Legge (British classical record producer, 1906-1979)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:39
15Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Tamino mein! O welch Glück!" (Pamina, Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:52
16Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Triumph! Triumph! Du edles Paar!"
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Triumph! Triumph! Du edles Paar!” (Chor) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:47
17Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [First Boy]:
Hermine Steinmassl (in 1950-11)
soprano vocals [Second Boy]:
Eleonore Dörpinghans (in 1950-11)
soprano vocals [Third Boy]:
Annelies Stükl (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:56
18Die Zauberflöte, K. 620: Act II, Scene XXIX. "Pa-pa-gena!... Pa-pa-geno!" (Papageno, Papagena)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Papagena]:
Emmy Loose (soprano) (in 1950-11)
vocals:
Emmy Loose (soprano) (in 1950)
orchestra:
Wiener Philharmoniker (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1950)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:22
19Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Chor, Monostatos, Königin, Damen)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [First Lady]:
Sena Jurinac (soprano) (in 1950-11)
soprano vocals [Queen of Night]:
Wilma Lipp (soprano) (in 1950-11)
soprano vocals [Second Lady]:
Friedl Riegler (operatic soprano) (in 1950-11)
soprano vocals [Third Lady]:
Else Schürhoff (german operatic soprano) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:17
20Die Zauberflöte, K. 620: Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro)
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:04
▼CD 5: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
#TitleArtistRatingLength
1Le nozze di Figaro, K. 492: Sinfonia
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492
Wolfgang Amadeus Mozart3:56
2Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… Venti… trenta…" (Figaro, Susanna)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 1) Duetto “Cinque… dieci… Venti… trenta…” (Figaro, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:36
3Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:26
4Le nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:14
5Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:02
6Le nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena IV. (no. 5) Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart2:03
7Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:02
8Le nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andante" (Il Conte, Basilio, Susanna)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VII. (no. 7) Terzetto “Cosa sento! tosto andante” (Il Conte, Basilio, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart4:45
9Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 8) Coro “Giovani liete, fiori spargete” (Coro) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 9) Coro “Giovani liete” (Coro) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart1:14
10Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arranger:
Georg Sartorius
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:40
11Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1950)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart4:07
12Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Sena Jurinac (soprano) (in 1950, from 1950-06-17 until 1950-10-31)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:43
13Le nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:59
14Le nozze di Figaro, K. 492: Act II, Scene III. No. 14 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. (no. 14) Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
arranger:
Georg Sartorius
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:55
15Le nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IV. (no. 15) Duettino “Aprite, presto, aprite” (Susanna, Cherubino) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart1:01
16Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart2:42
17Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Signore, cos'è quel stupore?" (Il Conte, La Contessa, Susanna)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Signore, cos’è quel stupore?” (Il Conte, La Contessa, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart5:24
18Le nozze di Figaro, K. 492: Act II, Scene IX. No. 16 Finale "Conoscete signor Figaro" (Il Conte, La Contessa, Susanna)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Conoscete signor Figaro” (Il Conte, La Contessa, Susanna) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart8:07
19Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (from 1950-06-17 until 1950-10-31)
conductor:
Herbert von Karajan (conductor) (from 1950-06-17 until 1950-10-31)
balance engineer:
Anthony Griffith (engineer) (from 1950-06-17 until 1950-10-31) and Robert Becket (classical recording engineer, EMI mainly) (from 1950-06-17 until 1950-10-31)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1950-06-17 until 1950-10-31)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) (from 1950-06-17 until 1950-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II
Wolfgang Amadeus Mozart3:52
▶CD 6: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶CD 7: Salome (Wiener Philharmoniker)
▶CD 8: Salome (Wiener Philharmoniker)
▶CD 9: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶CD 10: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶CD 11: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶CD 12: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
▶CD 13: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
▶CD 14: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
▶CD 15: Missa Solemnis in D major
▶CD 16: Missa Solemnis in D major, Mozart, Strauss
▶CD 17: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft's School, Philharmonia Orchestra)
▶CD 18: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft's School, Philharmonia Orchestra)
▶CD 19: Così fan tutte (Philharmonia Orchestra & Chorus)
▶CD 20: Così fan tutte (Philharmonia Orchestra & Chorus)
▶CD 21: Così fan tutte (Philharmonia Orchestra & Chorus)
▶CD 22: Arias And Orchestral Music - 1954
▶CD 23: Die Fledermaus (Philharmonia Orchestra & Chorus)
▶CD 24: Die Fledermaus (Philharmonia Orchestra & Chorus)
▶CD 25: Ariadne auf Naxos: Prologue and Opera: Beginning (Philharmonia Orchestra)
▶CD 26: Ariadne auf Naxos: Opera: Conclusion (Philharmonia Orchestra)
▶CD 27: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft's School)
▶CD 28: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft's School)
▶CD 29: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft's School)
▶CD 30: Falstaff (Philharmonia Orchestra & Chorus)
▶CD 31: Falstaff (Philharmonia Orchestra & Chorus)
▶CD 32: Fidelio (Berliner Philharmoniker)
▶CD 33: Fidelio (Berliner Philharmoniker)
▶CD 34: Missa Solemnis in D major
▶CD 35: Ein deutsches Requiem, Op. 45
▶CD 36: Pelléas et Mélisande (Berliner Philharmoniker)
▶CD 37: Pelléas et Mélisande (Berliner Philharmoniker)
▶CD 38: Pelléas et Mélisande (Berliner Philharmoniker)
▶CD 39: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
▶CD 40: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
▶CD 41: Don Carlo (1884 4 Act Version)
▶CD 42: Don Carlo (1884 4 Act Version)
▶CD 43: Don Carlo (1884 4 Act Version)
▶CD 44: Otello (Berliner Philharmoniker)
▶CD 45: Otello (Berliner Philharmoniker)
▶CD 46: Il Trovatore (Berliner Philharmoniker)
▶CD 47: Il Trovatore (Berliner Philharmoniker)
▶CD 48: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
▶CD 49: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
▶CD 50: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶CD 51: Lohengrin, Act 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶CD 52: Lohengrin, Acts 2 and 3 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶CD 53: Die Meistersinger von Nürnberg, Act 1 (Bayreuth Festival Chorus and Orchestra)
▶CD 54: Die Meistersinger von Nürnberg, Acts 1 and 2 (Bayreuth Festival Chorus and Orchestra)
▶CD 55: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
▶CD 56: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
▶CD 57: Die Meistersinger von Nürnberg, Act 1 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶CD 58: Die Meistersinger von Nürnberg, Acts 1 and 2 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶CD 59: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶CD 60: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶CD 61: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
▶CD 62: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
▶CD 63: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
▶CD 64: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
▶CD 65: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
▶CD 66: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie-Orchester Berlin)
▶CD 67: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie-Orchester Berlin)
▶CD 68: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▶CD 69: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
▶CD 70: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▶CD 71: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)

Credits