I Put a Spell on You

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleRatingLength
1I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
4.32:36
2Mississippi Goddam
double bass:
Lisle Atkinson (on 1964-04-04)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-04-04)
guitar:
Rudy Stevenson (on 1964-04-04)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-04-04)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-04-04)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 172)
live recording of:
Mississippi Goddam (on 1964-04-04)
lyricist and composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. (LDN) Ltd. and Sam Fox Publishing Company (publisher; do NOT use as release label)
44:55
3Don’t Let Me Be Misunderstood
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
writer:
Bennie Benjamin, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
42:48
4Trouble in Mind
cover recording of:
Trouble in Mind
lyricist and composer:
Richard M. Jones
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) and Universal‐MCA Music Publishing (US)
2:42
5The Laziest Gal in Town
cover recording of:
The Laziest Gal in Town
lyricist and composer:
Cole Porter (composer) (in 1927)
2:18
6I Love You Porgy
bass, bass guitar and percussion:
Lisle Atkinson
double bass:
Lisle Atkinson (on 1964-03-21)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-03-21)
flute:
Rudy Stevenson
guitar:
Rudy Stevenson (on 1964-03-21)
harmonica:
Al Schackman
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1964-03-21)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1964-03-21)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
52:33
7Ne me quitte pas
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
cover recording of:
Ne me quitte pas (original French version) (in 1965-01)
lyricist and composer:
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales and Warner Chappell Music France
43:36
8Gimme Some
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
4.53:01
9Nobody Knows You When You’re Down and Out
producer:
Hal Mooney
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Jimmy Cox
part of:
The Real Book (compilation of jazz standards, Volume I)
3.52:40
10Strange Fruit
producer:
Hal Mooney
cover recording of:
Strange Fruit (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
4.53:29
11Take Care of Business
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Take Care of Business
lyricist and composer:
Andy Stroud (former husband of Nina Simone.)
42:06
12Don’t Take All Night
recording of:
Don’t Take All Night
writer:
Bennie Benjamin and Sol Marcus
2:52
13Plain Gold Ring
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
PolyGram Records Inch (not for release label use! US division of PolyGram) (in 1964)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Plain Gold Ring (in 1957-12)
lyricist:
George Stone (composer)
composer:
Blue Sky Black Death (US hip hop production duo), Earl Burroughs and George Stone (composer)
publisher:
Thandewye Music (publisher; do NOT use as release label) and Hank Snow Music (on 1959-09-21)
33:53
14He’s Got the Whole World in His Hands
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
He’s Got the Whole World in His Hands (in 1957-12)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Thandewye Music (publisher; do NOT use as release label)
lyrics quoted on:
Sold! To the Nice Rich Man!
3:11
15For All We Know
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
For All We Know (1934 song) (in 1957-12)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
4:01
16Central Park Blues
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recording of:
Central Park Blues
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Memory Music Lane Ltd.
43:04