Brentwood Jazz Christmas

~ Release by Sam Levine (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleRatingLength
1Oh, Come, All Ye Faithful
recording engineer and mixer:
Brent King (US recording engineer)
assistant engineer:
Greg Motycka and Greg Parker (engineer)
producer:
Jack Jezzro
acoustic guitar:
Jack Jezzro
bass [acoustic bass]:
Jim Ferguson (American bass player)
bass [electric bass]:
Gary Lunn
electric guitar:
Jerry Kimbrough
percussion:
Bob Mater
piano:
Bill Altvater
woodwind:
Sam Levine (session musician, multi-instrumentalist)
arranger:
Sam Levine (session musician, multi-instrumentalist)
phonographic copyright (℗) by:
Brentwood Music, Inc.
mixed at:
Downstage Studio in Nashville, Tennessee, United States
recording of:
O Come, All Ye Faithful (English version of Latin “Adeste fideles”)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
translator:
Frederick Oakeley (in 1841)
translated version of:
Adeste fideles (original latin version)
5:10
2I'll Be Home For Christmas
recording engineer and mixer:
Brent King (US recording engineer)
assistant engineer:
Greg Motycka and Greg Parker (engineer)
producer:
Jack Jezzro
bass [acoustic bass]:
Jim Ferguson (American bass player)
bass [electric bass]:
Gary Lunn
electric guitar:
Jerry Kimbrough
percussion:
Bob Mater
piano:
Bill Altvater
woodwind:
Sam Levine (session musician, multi-instrumentalist)
arranger:
Sam Levine (session musician, multi-instrumentalist)
phonographic copyright (℗) by:
Brentwood Music, Inc.
mixed at:
Downstage Studio in Nashville, Tennessee, United States
3:57
3Silent Night! Holy Night!
recording engineer and mixer:
Brent King (US recording engineer)
assistant engineer:
Greg Motycka and Greg Parker (engineer)
producer:
Jack Jezzro
bass [acoustic bass]:
Jim Ferguson (American bass player)
bass [electric bass]:
Gary Lunn
electric guitar:
Jack Jezzro and Jerry Kimbrough
percussion:
Bob Mater
piano:
Bill Altvater
woodwind:
Sam Levine (session musician, multi-instrumentalist)
arranger:
Sam Levine (session musician, multi-instrumentalist)
phonographic copyright (℗) by:
Brentwood Music, Inc.
mixed at:
Downstage Studio in Nashville, Tennessee, United States
recording of:
Silent Night (Christmas carol, English translation)
lyricist:
Josef Mohr (in 1816)
composer:
Franz Xaver Gruber (in 1818)
translator:
John Freeman Young (in 1859)
translated version of:
Stille Nacht, heilige Nacht
5:50
4Good King Wenceslas
recording engineer and mixer:
Brent King (US recording engineer)
assistant engineer:
Greg Motycka and Greg Parker (engineer)
producer:
Jack Jezzro
bass [acoustic bass]:
Jim Ferguson (American bass player)
bass [electric bass]:
Gary Lunn
electric guitar:
Jerry Kimbrough
percussion:
Bob Mater
piano:
Bill Altvater
woodwind:
Sam Levine (session musician, multi-instrumentalist)
arranger:
Sam Levine (session musician, multi-instrumentalist)
phonographic copyright (℗) by:
Brentwood Music, Inc.
mixed at:
Downstage Studio in Nashville, Tennessee, United States
recording of:
Good King Wenceslas
lyricist:
John Mason Neale (in 1853)
composer:
[traditional] (special purpose artist) (from 1201 until 1301)
arranger:
Thomas Helmore (in 1853)
is based on:
Tempus adest floridum
5:20
5I Wonder As I Wander
recording engineer and mixer:
Brent King (US recording engineer)
assistant engineer:
Greg Motycka and Greg Parker (engineer)
producer:
Jack Jezzro
bass [acoustic bass]:
Jim Ferguson (American bass player)
bass [electric bass]:
Gary Lunn
electric guitar:
Jack Jezzro and Jerry Kimbrough
percussion:
Bob Mater
piano:
Bill Altvater
woodwind:
Sam Levine (session musician, multi-instrumentalist)
arranger:
Sam Levine (session musician, multi-instrumentalist)
phonographic copyright (℗) by:
Brentwood Music, Inc.
mixed at:
Downstage Studio in Nashville, Tennessee, United States
recording of:
I Wonder as I Wander
lyricist and composer:
John Jacob Niles (American folklorist and folk musician)
6:28
6O Come, O Come Emmanuel
recording engineer and mixer:
Brent King (US recording engineer)
assistant engineer:
Greg Motycka and Greg Parker (engineer)
producer:
Jack Jezzro
bass [acoustic bass]:
Jim Ferguson (American bass player)
bass [electric bass]:
Gary Lunn
electric guitar:
Jerry Kimbrough
percussion:
Bob Mater
piano:
Bill Altvater
woodwind:
Sam Levine (session musician, multi-instrumentalist)
arranger:
Sam Levine (session musician, multi-instrumentalist)
phonographic copyright (℗) by:
Brentwood Music, Inc.
mixed at:
Downstage Studio in Nashville, Tennessee, United States
recording of:
O Come, O Come, Emmanuel (Neale lyrics)
lyricist and translator:
John Mason Neale
composer:
[anonymous] (Special Purpose Artist)
part of:
Hymns Ancient and Modern (1861 edition (first edition)) (number: 36)
arrangement of:
Veni, veni, Emmanuel
translated version of:
Veni, veni, Emmanuel
5:20
7Angels We Have Heard On High
recording engineer and mixer:
Brent King (US recording engineer)
assistant engineer:
Greg Motycka and Greg Parker (engineer)
producer:
Jack Jezzro
bass [acoustic bass]:
Jim Ferguson (American bass player)
bass [electric bass]:
Gary Lunn
electric guitar:
Jerry Kimbrough
percussion:
Bob Mater
piano:
Bill Altvater
woodwind:
Sam Levine (session musician, multi-instrumentalist)
arranger:
Sam Levine (session musician, multi-instrumentalist)
phonographic copyright (℗) by:
Brentwood Music, Inc.
mixed at:
Downstage Studio in Nashville, Tennessee, United States
recording of:
Angels We Have Heard on High
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
[traditional] (special purpose artist)
translator:
James Chadwick (bishop) (in 1862)
lyrics quoted on:
Gloria
version of:
Les Anges dans nos campagnes
3:50
8Come, Thou Long Expected Jesus
recording engineer and mixer:
Brent King (US recording engineer)
assistant engineer:
Greg Motycka and Greg Parker (engineer)
producer:
Jack Jezzro
acoustic guitar:
Jack Jezzro
bass [acoustic bass]:
Jim Ferguson (American bass player)
bass [electric bass]:
Gary Lunn
electric guitar:
Jerry Kimbrough
percussion:
Bob Mater
piano:
Bill Altvater
woodwind:
Sam Levine (session musician, multi-instrumentalist)
arranger:
Sam Levine (session musician, multi-instrumentalist)
phonographic copyright (℗) by:
Brentwood Music, Inc.
mixed at:
Downstage Studio in Nashville, Tennessee, United States
6:04
9Have Yourself A Merry Little Christmas
recording engineer and mixer:
Brent King (US recording engineer)
assistant engineer:
Greg Motycka and Greg Parker (engineer)
producer:
Jack Jezzro
bass [acoustic bass]:
Jim Ferguson (American bass player)
bass [electric bass]:
Gary Lunn
electric guitar:
Jerry Kimbrough
percussion:
Bob Mater
piano:
Bill Altvater
woodwind:
Sam Levine (session musician, multi-instrumentalist)
arranger:
Sam Levine (session musician, multi-instrumentalist)
phonographic copyright (℗) by:
Brentwood Music, Inc.
mixed at:
Downstage Studio in Nashville, Tennessee, United States
recording of:
Have Yourself a Merry Little Christmas
writer:
Ralph Blane (in 1943) and Hugh Martin (in 1943)
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
part of:
Meet Me in St. Louis (1944 film)
5:44
10O Little Town Of Bethlehem
recording engineer and mixer:
Brent King (US recording engineer)
assistant engineer:
Greg Motycka and Greg Parker (engineer)
producer:
Jack Jezzro
bass [acoustic bass]:
Jim Ferguson (American bass player)
bass [electric bass]:
Gary Lunn
electric guitar:
Jerry Kimbrough
percussion:
Bob Mater
piano:
Bill Altvater
woodwind:
Sam Levine (session musician, multi-instrumentalist)
arranger:
Sam Levine (session musician, multi-instrumentalist)
phonographic copyright (℗) by:
Brentwood Music, Inc.
mixed at:
Downstage Studio in Nashville, Tennessee, United States
4:30

Credits

Release

executive producer:Ed Kee
mastering:Randy LeRoy (American recording and mastering engineer)
Discogs:https://www.discogs.com/release/6198206 [info]