Tracklist

CD 1
#TitleArtistRatingLength
1Stabat mater: Stabat mater dolorosa
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:02
2Stabat mater: Cuius animam gementem
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:17
3Stabat mater: O quam tristis et afflicta
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:35
4Stabat mater: Quae morebat et dolebat
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:22
5Stabat mater: Quis est homo, qui non fleret
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: V. Duo: Quis est homo, qui non fleret (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:21
6Stabat mater: Vidit suum dulcem natum
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria: Vidit suum dulcem natum (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:52
7Stabat mater: Eia Mater, fons amoris
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:41
8Stabat mater: Fac, ut ardeat cor meum
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:20
9Stabat mater: Sancta mater, istud agas
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi6:09
10Stabat mater: Fac, ut portem Christi mortem
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut protem Christi mortem (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:06
11Stabat mater: Inflammatus et accensus
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:25
12Stabat mater: Quando corpus morietur
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur - Amen (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:09
13Salve Regina: Salve Regina
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Salve Regina in A minor: I. Salve Regina (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in A minor
Giovanni Battista Pergolesi3:40
14Salve Regina: Ad te clamamus
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Salve Regina in A minor: II. Ad te clamamus (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in A minor
recording of:
Salve Regina in A minor: III. Ad te suspiramus (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in A minor
Giovanni Battista Pergolesi2:20
15Salve Regina: Eia ergo advocata
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Salve Regina in A minor: IV. Eia ergo, advocata nostra (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in A minor
Giovanni Battista Pergolesi2:03
16Salve Regina: O clemens, o pia
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
Salve Regina in A minor: V. O clemens (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Salve Regina in A minor
Giovanni Battista Pergolesi3:09
17In caelestibus regnis
recording engineer:
Antony Howell (engineer) (from 1987-12-02 until 1987-12-04)
executive producer:
Edward Perry (producer and founder of hyperion, aka Ted Perry)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
countertenor vocals:
Michael Chance (British countertenor) (from 1987-12-02 until 1987-12-04)
orchestra:
The King’s Consort (from 1987-12-02 until 1987-12-04)
conductor:
Robert King (conductor and harpsichordist) (from 1987-12-02 until 1987-12-04)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (from 1987-12-02 until 1987-12-04)
recording of:
In caelestibus regnis (from 1987-12-02 until 1987-12-04)
composer:
Giovanni Battista Pergolesi (composer)
Giovanni Battista Pergolesi2:32

Credits

Release

liner notes:Robert King (conductor and harpsichordist)
illustration:Andrea Mantegna
design:Terry Shannon (designer)
Discogs:https://www.discogs.com/release/2086537 [info]
ASIN:US: B000002ZKR [info]
purchase for mail-order:http://www.hyperion-records.co.uk/dc.asp?dc=D_CDA66294 [info]