Weihnachts-Gala Der Weltstars

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Rondeau (1st Movement of Suite No.1)
organ:
Simon Preston (organist, conductor, composer)
timpani:
Norbert Schmitt (timpani)
trumpet:
Bernhard Läubin (trumpeter), Hannes Läubin (trumpeter) and Wolfgang Läubin (trumpeter)
recording of:
Suite de Symphonies no. 1: I. Rondeau
composer:
Jean‐Joseph Mouret (composer)
part of:
Suite de Symphonies no. 1
Hannes Laubin1:58
2O Holy Night (Minuit Chrétien)
recording engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”) (in 1976-01)
lyricist:
Placide Cappeau
composer:
Adolphe Adam (composer) (in 1847)
is based on:
Minuit, chrétiens (Poem)
Luciano Pavarotti4:17
3Danses Caractéristiques A. Marche
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1966-10-13 until 1966-12-26)
conductor:
Herbert von Karajan (conductor) (from 1966-10-13 until 1966-12-26)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-10-13 until 1966-12-26)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-10-13 until 1966-12-26)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva (from 1966-10-13 until 1966-12-26)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский2:23
4O Tannenbaum
choir vocals:
Wiener Sängerknaben
recording of:
O Tannenbaum (original German version)
lyricist:
Ernst Anschütz (in 1824)
composer:
[traditional] (special purpose artist) (from 1500 until 1600)
version of:
Es lebe hoch der Zimmermannsgeselle
Wiener Sängerknaben1:38
5No. 3 in C, Trio "Die Schlittenfahrt"
Wiener Philharmoniker2:32
6White Christmas
Bryn Terfel5:01
7Jesu, Joy of Man's Desiring
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
arranger:
Guillermo Figueroa
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1990)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
instrumental recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Mans Desiring; catch-all for arrangements and unknown orchestrations) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Orpheus Chamber Orchestra3:27
8Ave Maria
soprano vocals:
Cheryl Studer (soprano) (in 1991-03)
orchestra:
London Symphony Orchestra (in 1991-03)
conductor:
Ion Marin (conductor) (in 1991-03)
arranger:
Carlo Sabatini
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-03)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (in 1991-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
arrangement of:
Ave Maria (Bach/Gounod)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (Special Purpose Artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
music quoted on:
Weiss Heim
Cheryl Studer2:10
9Meditation
recording engineer:
Wolf-Dieter Karwatky (from 1992-11-17 until 1992-11-18) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (from 1992-11-17 until 1992-11-18)
additional producer:
Werner Mayer (classical producer) (from 1992-11-17 until 1992-11-18)
co-producer:
Ewald Markl
executive producer:
Roger Wright (pianist)
violin:
Anne‐Sophie Mutter (violinist) (from 1992-11-17 until 1992-11-18)
orchestra:
Wiener Philharmoniker (from 1992-11-17 until 1992-11-18)
conductor:
James Levine (US conductor and pianist) (from 1992-11-17 until 1992-11-18)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1993)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 1992-11-17 until 1992-11-18)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1992-11)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Thaïs: Acte II
Jules Massenet6:43
10El Nacimiento (Vidala Catamarqueña)
tenor vocals:
José Carreras (Spanish tenor)
José Carreras3:58
11See, The Conqu'ring Hero Comes!
Hannes Laubin3:02
12Jesus Bleibet Meine Freude
English Baroque Soloists2:31
13Pie Jesu
recording engineer:
Hans Weber (producer/engineer) (in 1986-03)
executive producer:
Günther Breest (producer for classical music)
producer:
Joseph Szurly
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano) (in 1986-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: IV. Pie Jesu (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
recording of:
Requiem, op. 48: Pie Jesu (for saxophone and orchestra, Bauch)
composer:
Gabriel Fauré (French composer)
arranger:
Ronnie Bauch
arrangement of:
Requiem, op. 48: IV. Pie Jesu
Kathleen Battle4:06
14Adagio - Allegro - Adagio
producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
cello:
Ottomar Borwitzky (cellist) (from 1970-08-19 until 1970-08-23)
harpsichord:
Waldemar Döling (harpsichordist) (from 1970-08-19 until 1970-08-23) and Wolfgang Meyer (organist, harpsichordist) (from 1970-08-19 until 1970-08-23)
violin:
Thomas Brandis (violinist) (from 1970-08-19 until 1970-08-23) and Emil Maas (violinist) (from 1970-08-19 until 1970-08-23)
orchestra:
Berliner Philharmoniker (from 1970-08-19 until 1970-08-23)
conductor:
Herbert von Karajan (conductor) (from 1970-08-19 until 1970-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-08-19 until 1970-08-23)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1970-08-19 until 1970-08-23)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio (from 1970-08-19 until 1970-08-23)
composer:
Arcangelo Corelli
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Thomas Brandis3:52
15Die Könige
Bryn Terfel2:38
16Stille Nacht, Heilige Nacht
choir vocals:
Dresdner Kreuzchor
recording of:
Stille Nacht, heilige Nacht
lyricist:
Josef Mohr (in 1816)
composer:
Franz Xaver Gruber (in 1818)
music quoted on:
Sacrifice (Krampus soundtrack)
part of:
Oh, What a Lovely War! (stage musical)
Dresdner Kreuzchor3:34
17Ave Maria, "Ellens Gesang III", D839
harp:
Thelma Owen (in 1984-06)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1984-06)
arranger:
Thelma Owen
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label) (in 1984)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Kiri Te Kanawa3:38
18Danses Caractéristiques. F. Danse Des
recording engineer:
Klaus Behrens (Engineer) and Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Christopher Alder (editor/engineer/producer) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
piano [piano I]:
Martha Argerich (Argentine pianist) (in 1983-03)
piano [piano II]:
Nicolas Economou (in 1983-03)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1983-03)
partial recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques (for two pianos, arr. Economou) (in 1983-03)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1892)
piano arranger:
Nicolas Economou
part of:
The Nutcracker (suite from the ballet), op. 71a (for two pianos)
Martha Argerich2:11
19Mucho, Mucho
Plácido Domingo3:51
20Geistliches Wiegenlied, Op.91, No.2
piano:
Daniel Barenboim (pianist and conductor) (in 1982-03)
viola:
Wolfram Christ (violist and conductor) (in 1982-03)
soprano vocals:
Jessye Norman (soprano) (in 1982-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Studio Lankwitz in Berlin, Germany (in 1982-03)
recording of:
2 Gesänge, op. 91: Nr. 2. Geistliches Wiegenlied (in 1982-03)
lyricist:
Franz Emanuel August Geibel (poet)
composer:
Johannes Brahms (German composer)
part of:
2 Gesänge, op. 91
Jessye Norman6:11
21Hallelujah
sound engineer:
Hans-Peter Schweigmann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Gerd Ploebsch
editor:
Ulrich Vette (engineer)
choir vocals:
The English Concert Choir (in 1988-01)
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
The English Concert4:00