The Complete EMI Recordings 1946-1984, Volume 2: Opera & Vocal (discs 11-20) (editable pseudo-release)

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

| |
▼CD 11: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
#TitleArtistRatingLength
1Aida: Atto Terzo: Introduzione-Preghiera: "O tu che sei d'Osiride"
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:14
2Aida: Atto Terzo: Introduzione-Preghiera: "Vieni d'Iside al tempero" (Coro, Ramfis, Amneris)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Introduzione-Preghiera: “Vieni d’Iside al tempio” (Sacerdotesse, Sacerdoti, Ramfis, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:21
3Aida: Atto Terzo: Romanza: "Qui Radamès verrá!"
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:51
4Aida: Atto Terzo: Romanza: "O patria mia" (Aida)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:06
5Aida: Atto Terzo: Duetto: "Ciel! mio padre!"
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:14
6Aida: Atto Terzo: Duetto: "Rivedrai le foreste imbalsamate" (Aida, Amonasro)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi7:12
7Aida: Atto Terzo: Duetto: "Pur ti riveggo, mia dolce Aida..."
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:28
8Aida: Atto Terzo: Duetto: "Nel fiero anelito di nuova guerra" (Radamès, Aida)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Duetto: “Nel fiero anelito di nuova guerra” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:46
9Aida: Atto Terzo: Duetto: "Fuggiam gli ardori inospiti" / "Là, tra foreste vergini" (Aida, Radamès)
producer:
Michel Glotz
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:49
10Aida: Atto Terzo: Finale III: "Ma dimmi; per qual via" (Aida, Radamès, Amonasro, Amneris, Ramfis)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:28
11Aida: Atto Quarto, Scena Prima: Scena: "L'abborrita rivale a me sfuggia" (Amneris)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:10
12Aida: Atto Quarto, Scena Prima: Duetto: "Già i sacerdoti adunansi" (Amneris, Radamès)
producer:
Michel Glotz
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi7:40
13Aida: Atto Quarto, Scena Prima: Scena del giudizio: "Ohimè! morir mi sento!"
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:49
14Aida: Atto Quarto, Scena Prima: Scena del giudizio: "Spirto del nume"
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Spirto del nume” (Amneris, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:30
15Aida: Atto Quarto, Scena Prima: Scena del giudizio: "A lui vivo, la tomba" / "Sacerdoti: compiste un delitto!" (Amneris, Ramfis, Sacerdoti)
producer:
Michel Glotz
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “A lui vivo, la tomba” / “Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:42
16Aida: Atto Quarto, Scena Seconda: Scena e duetto: "La fatal pietra sovra me si chiuse"
producer:
Michel Glotz
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi7:02
17Aida: Atto Quarto, Scena Seconda: Finale Ultimo: "O terra addio" (Aida, Radamès, coro, Amneris)
producer:
Michel Glotz
tenor vocals:
José Carreras (Spanish tenor) (in 1979-05)
orchestra:
Wiener Philharmoniker (in 1979-05)
conductor:
Herbert von Karajan (conductor) (in 1979-05)
balance engineer:
Wolfgang Gülich (engineer) (in 1979-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-05)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:15
▼CD 12: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach12:13
2Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison"
producer:
Walter Legge (British classical record producer, 1906-1979)
contralto vocals:
Marga Höffgen (contralto) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach6:03
3Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:15
4Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:56
5Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te"
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:37
6Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:56
7Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus"
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
tenor vocals:
Nicolai Gedda (tenor) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach6:03
8Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:03
9Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris"
producer:
Walter Legge (British classical record producer, 1906-1979)
contralto vocals:
Marga Höffgen (contralto) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:31
10Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus"
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Heinz Rehfuss (baritone) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:21
11Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:46
▼CD 13: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
#TitleArtistRatingLength
1Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:47
2Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Wiener Singverein
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:02
3Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum" (feat. Emma Kirkby, Christian Immler)
producer:
Walter Legge (British classical record producer, 1906-1979)
contralto vocals:
Marga Höffgen (contralto) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:16
4Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:08
5Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus Crucifixus"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:45
6Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:54
7Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum" (feat. David Thomas)
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Heinz Rehfuss (baritone) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach6:35
8Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:36
9Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:00
10Mass in B minor, BWV 232: IVa. Chorus "Sanctus"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach6:24
11Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:41
12Mass in B minor, BWV 232: IVc. Aria "Benedictus"
producer:
Walter Legge (British classical record producer, 1906-1979)
tenor vocals:
Nicolai Gedda (tenor) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:48
13Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:44
14Mass in B minor, BWV 232: IVe. Aria "Agnus Dei"
producer:
Walter Legge (British classical record producer, 1906-1979)
contralto vocals:
Marga Höffgen (contralto) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach6:56
15Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:08
16Mass in B minor, BWV 232: Duet: "Christe eleison"
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
contralto vocals:
Kathleen Ferrier (contralto) (on 1950-06-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (conductor) (on 1950-06-15)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1950-06-15)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (on 1950-06-15)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:35
17Mass in B minor, BWV 232: Soprano Aria: "Laudamus te"
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (conductor) (on 1950-06-15)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1950-06-15)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (on 1950-06-15)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:54
18Mass in B minor, BWV 232: Duet: "Et in unum Dominum"
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
contralto vocals:
Kathleen Ferrier (contralto) (on 1950-06-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (conductor) (on 1950-06-15)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1950-06-15)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (on 1950-06-15)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:17
▼CD 14: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
#TitleArtistRatingLength
1Ein deutsches Requiem, Op. 45: I. Ziemlich langsam. "Selig sind, die da Leid tragen"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (Chor) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:38
2Ein deutsches Requiem, Op. 45: II. Langsam, marschmässig. "Denn alles Fleisch, es ist wie Gras"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms14:49
3Ein deutsches Requiem, Op. 45: III. Andante moderato. "Herr, lehre doch mich"
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals:
Hans Hotter (German operatic bass-baritone)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” (Chor, Bariton) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:16
4Ein deutsches Requiem, Op. 45: IV. Mässig bewegt. "Wie lieblich sind Deine Wohnungen"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms6:05
5Ein deutsches Requiem, Op. 45: V. Langsam. "Ihr habt nun Traurigkeit"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Wiener Philharmoniker (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms7:15
6Ein deutsches Requiem, Op. 45: VI. Andante. "Denn wir haben hier keine bleibende Statt"
producer:
Walter Legge (British classical record producer, 1906-1979)
bass-baritone vocals:
Hans Hotter (German operatic bass-baritone)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (Chor, Bariton) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms12:34
7Ein deutsches Requiem, Op. 45: VII. Feierlich. "Selig sind die Toten, die in dem Herrn sterben"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten” (Chor) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:13
▼CD 15: Missa Solemnis in D major
#TitleArtistRatingLength
1Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: I. Kyrie
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
recording of:
Missa Solemnis D-Dur, op. 123: I. Kyrie (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven11:11
2Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Gloria: IIa. Gloria in excelsis Deo
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: II. Gloria (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven4:52
3Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Gloria: IIb. Qui tollis
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: II. Gloria (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven5:39
4Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Gloria: IIc. Quoniam tu solus sanctus
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: II. Gloria (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven6:50
5Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Credo: IIIa. Credo in unam Deum
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: III. Credo (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven4:46
6Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Credo: IIIb. Et in carnatus est
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: III. Credo (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven6:08
7Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Credo: IIIc. Et resurrexit
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: III. Credo (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven11:27
8Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Sanctus: IVa. Sanctus
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: IV. Sanctus (from 1958-09-11 until 1958-09-15)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven3:56
9Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Sanctus: IVb. Benedictus
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: IV. Sanctus (from 1958-09-11 until 1958-09-15)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven13:10
▼CD 16: Missa Solemnis in D major, Mozart, Strauss
#TitleArtistRatingLength
1Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Agnus Dei: Va. Agnus Dei
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: V. Agnus Dei (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven6:47
2Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Agnus Dei: Vb. Dona nobis pacem
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: V. Agnus Dei (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven9:32
3Ah, perfido!, Op. 65
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-09-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-09-20)
conductor:
Herbert von Karajan (conductor) (on 1954-09-20)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Neville Boyling (engineer)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-20)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (on 1954-09-20)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
Ludwig van Beethoven14:16
4Fidelio: Act I. No. 9 Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-09-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-09-20)
conductor:
Herbert von Karajan (conductor) (on 1954-09-20)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Neville Boyling (engineer)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-20)
recording of:
Fidelio: Act I. No. 9a Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline) (on 1954-09-20)
composer:
Ludwig van Beethoven (German composer)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
Ludwig van Beethoven2:13
5Fidelio: Act I. Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-09-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-09-20)
conductor:
Herbert von Karajan (conductor) (on 1954-09-20)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Neville Boyling (engineer)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-20)
recording of:
Fidelio: Act I. No. 9b Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco) (on 1954-09-20)
composer:
Ludwig van Beethoven (German composer)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
Ludwig van Beethoven5:25
6Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus"
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Herbert von Karajan (conductor) (on 1955-07-28)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Köchelverzeichnis (original numbering) (number: 618) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 618)
Wolfgang Amadeus Mozart3:56
7Vier Letzte Lieder, AV150 Op. posth: Beim Schlafengehen: Frühling (Hesse)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1956-06-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-06-20)
conductor:
Herbert von Karajan (conductor) (on 1956-06-20)
balance engineer:
Douglas Larter
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1956-06-20)
live recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (on 1956-06-20)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss2:56
8Vier Letzte Lieder, AV150 Op. posth: Beim Schlafengehen: Beim Schlafengehen (Hesse)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1956-06-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-06-20)
conductor:
Herbert von Karajan (conductor) (on 1956-06-20)
balance engineer:
Douglas Larter
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1956-06-20)
live recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (on 1956-06-20)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss5:00
9Vier Letzte Lieder, AV150 Op. posth: Beim Schlafengehen: Im Abendrot (Eichendorff)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1956-06-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-06-20)
conductor:
Herbert von Karajan (conductor) (on 1956-06-20)
balance engineer:
Douglas Larter
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1956-06-20)
live recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (on 1956-06-20)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss6:43
10Vier Letzte Lieder, AV150 Op. posth: Beim Schlafengehen: September (Hesse)
producer:
Walter Legge (British classical record producer, 1906-1979)
horn:
Dennis Brain (horn player) (on 1956-06-20)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1956-06-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-06-20)
conductor:
Herbert von Karajan (conductor) (on 1956-06-20)
balance engineer:
Douglas Larter
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1956-06-20)
live recording of:
Vier letzte Lieder, AV 150: II. „September“ (on 1956-06-20)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-09-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss3:47
▼CD 17: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft's School, Philharmonia Orchestra)
#TitleArtistRatingLength
1Hänsel und Gretel: Orchestra. Overture
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Vorspiel (Overture) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
part of:
Hansel and Gretel (english version)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck8:40
2Hänsel und Gretel, Act One, Scene 1: “Suse, liebe Suse, was raschelt im Stroh?” (Gretel, Hänsel)
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 1. Szene. “Suse, liebe Suse, was raschelt im Stroh?” (Gretel, Hänsel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck3:45
3Hänsel und Gretel, Act One, Scene 1: “So recht! und willst du nun nicht mehr klagen” (Gretel, Hänsel)
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 1. Szene. “So recht! und willst du nun nicht mehr klagen” (Gretel, Hänsel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck1:59
4Hänsel und Gretel, Act One, Scene 1: “Brüderchen, komm tanz’ mit mir” - Tanzduett (Gretel, Hänsel)
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 1. Szene. “Brüderchen, komm tanz' mit mir” - Tanzduett (Gretel, Hänsel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck3:38
5Hänsel und Gretel, Act One, Scene 2: “Holla! ... Himmel! Die Mutter!” (Mutter, Hänsel, Gretel)
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
mezzo-soprano vocals [Mutter/Gertrud]:
Maria von Ilosvay (contralto) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 2. Szene. “Holla! ... Himmel! Die Mutter!” (Mutter, Hänsel, Gretel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck1:43
6Hänsel und Gretel, Act One, Scene 2: “Marsch! Fort in den Wald!” (Mutter)
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals [Mutter/Gertrud]:
Maria von Ilosvay (contralto) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 2. Szene. “Marsch! Fort in den Wald!” (Mutter) (“Da liegt nun der gute Topf in Scherben”) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck2:29
7Hänsel und Gretel, Act One, Scene 3: “Ral la la la, ral la la la, Heissa Mutter, ich bin da!” (Vater)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Vater/Peter]:
Josef Metternich (baritone) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 3. Szene. “Ral la la la, ral la la la, Heissa Mutter, ich bin da!” (Vater) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck2:25
8Hänsel und Gretel, Act One, Scene 3: “Ho ho! Wer spek-spektakelt mir da im Haus...” (Mutter, Vater)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Vater/Peter]:
Josef Metternich (baritone) (from 1953-06-27 until 1953-07-02)
mezzo-soprano vocals [Mutter/Gertrud]:
Maria von Ilosvay (contralto) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 3. Szene. “Ho ho! Wer spek-spektakelt mir da im Haus...” (Mutter, Vater) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck4:39
9Hänsel und Gretel, Act One, Scene 3: “Doch halt, wo bleiben die Kinder?” (Mutter, Vater)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Vater/Peter]:
Josef Metternich (baritone) (from 1953-06-27 until 1953-07-02)
mezzo-soprano vocals [Mutter/Gertrud]:
Maria von Ilosvay (contralto) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 3. Szene. “Doch halt, wo bleiben die Kinder?” (Mutter, Vater) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck1:43
10Hänsel und Gretel, Act One, Scene 3: “Wenn sie sich verirrten im Walde dort” (Mutter, Vater)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Vater/Peter]:
Josef Metternich (baritone) (from 1953-06-27 until 1953-07-02)
mezzo-soprano vocals [Mutter/Gertrud]:
Maria von Ilosvay (contralto) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 3. Szene. “Wenn sie sich verirrten im Walde dort” (Mutter, Vater) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck1:28
11Hänsel und Gretel, Act One, Scene 3: “Eine Hex’, steinalt haust tief im Wald” (Mutter, Vater)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Vater/Peter]:
Josef Metternich (baritone) (from 1953-06-27 until 1953-07-02)
mezzo-soprano vocals [Mutter/Gertrud]:
Maria von Ilosvay (contralto) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 3. Szene. “Eine Hex', steinalt haust tief im Wald” (Mutter, Vater) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck2:35
12Hänsel und Gretel, Act One, Scene 3: Vorspiel: Der Hexenritt
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt I, 3. Szene. Vorspiel: Der Hexenritt (Witches' Ride) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
part of:
Hansel and Gretel (english version)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck4:25
13Hänsel und Gretel, Act Two, Scene 1: “Ein Männlein steht im Walde” (Gretel, Hänsel)
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt II, 1. Szene. “Ein Männlein steht im Walde” (Gretel, Hänsel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck1:32
14Hänsel und Gretel, Act Two, Scene 1: “Mein Erbelkörbchen ist voll bis oben!” (Gretel, Hänsel)
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt II, 1. Szene. “Mein Erbelkörbchen ist voll bis oben!” (Gretel, Hänsel) (“Kuckuck, Kuckuck, Eierschluck!”) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck4:49
15Hänsel und Gretel, Act Two, Scene 1: “Gretel, ich weiss den Weg nicht mehr!” (Hänsel, Gretel, Echo)
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt II, 1. Szene. “Gretel, ich weiss den Weg nicht mehr!” (Hänsel, Gretel, Echo) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck4:44
16Hänsel und Gretel, Act Two, Scene 2: “Der kleine Sandmann bin ich, s-t!” - Lied des Sandmanns (Sandmann, Hänsel, Gretel)
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Sandmann]:
Anny Felbermayer (soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. Lied des Sandmanns “Der kleine Sandmann bin ich, s-t!” (Sandmann, Hänsel, Gretel) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck3:21
17Hänsel und Gretel, Act Two, Scene 2: “Abends, will ich schlafen gehn” (Hänsel, Gretel)
producer:
Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals [Hänsel]:
Elisabeth Grümmer (soprano) (from 1953-06-27 until 1953-07-02)
soprano vocals [Gretel]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1953-06-27 until 1953-07-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Nachtgebet / Evening Prayer / Prière du soir) (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck3:39
18Hänsel und Gretel, Act Two, Scene 3: Orchestra. Traumpantomime
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1953-06-27 until 1953-07-02)
conductor:
Herbert von Karajan (conductor) (from 1953-06-27 until 1953-07-02)
balance engineer:
Douglas Larter (from 1953-06-27 until 1953-07-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1953-06-27 until 1953-07-02)
recording of:
Hänsel und Gretel: Akt II, 3. Szene. Traumpantomime (from 1953-06-27 until 1953-07-02)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
part of:
Hansel and Gretel (english version)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck5:46
▶CD 18: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft's School, Philharmonia Orchestra)
▶CD 19: Così fan tutte (Philharmonia Orchestra & Chorus)
▶CD 20: Così fan tutte (Philharmonia Orchestra & Chorus)