| op. 2 | By Footpath and Stile, op. 2 | | | | Song-cycle | | | |
| op. 3 | A Severn Rhapsody, op. 3 | | | | | | | |
| op. 5 | Three Short Elegies, op. 5 | | | | | | | |
| op. 6 | Introit, op. 6 | | | | | | | |
| op. 7 | Nocturne (New Year Music), op. 7 | | | | | | | |
| op. 8 | Dies Natalis, op. 8 | | | | Cantata | | | |
| op. 9 | Farewell to Arms, op. 9 | | | | | | | |
| op. 10 | Eclogue for Piano and Strings, op. 10 | | | | | | | |
| op. 11 | Romance for String Orchestra in E-flat major, op. 11 | | | | | | | |
| op. 12 | Two Sonnets, op. 12 | | | | | | | |
| op. 13a | To a Poet, op. 13a | | | | Song-cycle | | | |
| op. 13b | Oh Fair to See, op. 13b | | | | Song-cycle | | | |
| op. 14 | A Young Man’s Exhortation, op. 14 | | | | Song-cycle | | | |
| op. 15 | Earth and Air and Rain, op. 15 | | | | Song-cycle | | | |
| op. 16 | Before and After Summer, op. 16 | | | | Song-cycle | | | |
| op. 17 | Seven Partsongs, op. 17 | | | | | | | |
| op. 18 | Let Us Garlands Bring, op. 18 | | | | Song-cycle | | | |
| op. 19a | Till Earth Outwears, op. 19a | | | | Song-cycle | | | |
| op. 19b | I Said to Love, op. 19b | | | | Song-cycle | | | |
| op. 20 | The Fall of the Leaf, op. 20 | | | | | | | |
| op. 21 | Interlude for Oboe and String Quartet, op. 21 | | | | | | | |
| op. 22 | Elegy for Violin and Piano, op. 22 | | | | | | | |
| op. 23 | Five Bagatelles, op. 23 | | | | | | | |
| op. 25 | Prelude for String Orchestra in F minor, op. 25 | | | | | | | |
| op. 26 | Lo, the full, final sacrifice, op. 26 | | - Choir of New College Oxford, Edward Higginbottom
- John Bowen, Choir of King’s College, Cambridge, Roland Robertson, Richard Farnes, Stephen Cleobury
- The Choir of Westminster Abbey, Daniel Cook, James O’Donnell
- Amy Dickson, Aurora Orchestra, Nicholas Collon
- (show 7 more)
| | | | | |
| op. 27 | Three Anthems, op. 27 | | | | | | | |
| op. 28a | Love’s Labour’s Lost, op. 28a | | | | Incidental music | | | |
| op. 28b | Suite from “Love’s Labours Lost”, op. 28b | | | | Suite | | | |
| op. 29 | Intimations of Immortality, op. 29 | | | | | | | |
| op. 30 | For St. Cecilia, op. 30 | | | | | | | |
| op. 31 | Concerto for Clarinet and String Orchestra, op. 31 | | | | Concerto | | | |
| op. 32 | Thou didst delight my eyes, op. 32 | | | | | | | |
| op. 33 | All This Night, op. 33 | | | | Motet | | | |
| op. 35 | Let us now praise famous men, op. 35 | | | | | | | |
| op. 36 | Magnificat, op. 36 | | - Bruce Blyth, Choir of King’s College, Cambridge, Graham Green, Richard Farnes, Stephen Cleobury
- The Choir of Westminster Abbey, Daniel Cook, James O’Donnell
- Choir of Trinity College, Alexander Hamilton, Stephen Layton
- The Richard Hickox Singers, City of London Sinfonia, Richard Hickox
- (show 3 more)
| | | | | |
| op. 37 | White-flowering days, op. 37 | | | | | | | |
| op. 38 | Grand Fantasia and Toccata, op. 38 | | | | Concerto | | | |
| op. 39 | In Terra Pax, op. 39 | | - St. Olaf Orchestra, Manitou Singers, St. Olaf Cantorei, St. Olaf Chapel Choir, St. Olaf Choir, Viking Chorus
- City of London Choir, Julia Doyle, Roderick Williams, Mark Williams, Bournemouth Symphony Orchestra, Hilary Davan Wetton
| | Song | | | |
| op. 40 | Cello Concerto in A minor, op. 40 | | | | Concerto | | | |
