Let Freedom Sing: The Music of the Civil Rights Movement

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

CD 1
CD 2
Nr.TitelKünstlerBewertungLänge
1Forty Acres and a Mule
Oscar Brown Jr.3:28
2People Get Ready
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 24), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 28) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 122)
recording of:
People Get Ready
Texter und Komponist(in):
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:40
3Nobody Can Turn Me Around
The Mighty Clouds of Joy2:10
4I Wish I Knew (How It Would Feel to Be Free)
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1968)
Techniker(in) und Produzent(in):
Tom Dowd
vocals:
Solomon Burke (in 1968)
Dirigent(in):
Arif Mardin (in 1968)
arranger:
Arif Mardin
cover recording of:
I Wish I Knew How It Would Feel to Be Free (in 1968)
Verfasser(in):
Richard Lamb und Billy Taylor (jazz/bop pianist)
publisher:
Duane Music Inc. und Westminster Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Solomon Burke2:52
5Respect
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
Dirigent(in):
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World und New York Post: 100 Greatest Covers (2007) (Nummer: 52)
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. und Warner/Chappell North America
Aretha Franklin3.82:26
6The Motor City Is Burning
recording of:
The Motor City Is Burning
Texter und Komponist(in):
Al Smith (US blues artist)
publisher:
EMI United Partnership Ltd.
John Lee Hooker42:52
7Cryin' in the Streets, Part 1
teilweise recording of:
Cryin' in the Streets
Verfasser(in):
Ted Harris (Soul music writer), Sam Matter und Kerry Porter
George Perkins & The Silver Stars3:20
8Abraham, Martin, and John
Smokey Robinson & The Miracles3:04
9The Prayer
Ray Scott3:40
10Say It Loud - I'm Black and I'm Proud, Part 1
James Brown3:02
11And Black Is Beautiful
Nickie Lee3:02
12Sock It to 'Em Soul Brother
Bill Moss2:27
13Why I Sing the Blues, Part 1
B.B. King3:44
14I Don't Want Nobody to Give Me Nothing (Open Up the Door, I'll Get It Myself), Part 1
teilweise recording of:
I Don't Want Nobody to Give Me Nothing (Open the Door, I'll Get It Myself)
Texter und Komponist(in):
James Brown (“The Godfather of Soul”)
James Brown3:14
15Stand!
Bassgitarre:
Larry Graham (US bassist & singer) (am 1969-02-27)
Gitarre:
Freddie Stone (am 1969-02-27)
Gitarre und Keyboard:
Sly Stone (am 1969-02-27)
Keyboard:
Rose Stone (am 1969-02-27)
Saxophon:
Jerry Martini (am 1969-02-27)
Schlagzeug:
Greg Errico (am 1969-02-27)
Trompete:
Cynthia Robinson (am 1969-02-27)
vocals:
Larry Graham (US bassist & singer) (am 1969-02-27), Jerry Martini (am 1969-02-27), Freddie Stone (am 1969-02-27), Rose Stone (am 1969-02-27) und Sly Stone (am 1969-02-27)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 241)
recording of:
Stand! (am 1969-02-27)
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone3.653:08
16Message From a Black ManThe Temptations6:00
17Is It Because I'm Black
recording of:
Is It Because I'm Black
Verfasser(in):
G. Watts, J. Jones (Chicago-based soul/R&B singer, songwriter & producer) und S. Johnson
Syl Johnson3:58
18I Was Born Blue
Swamp Dogg3:02
19Yes, We Can, Part 1
Lee Dorsey3:31
20We the People Who Are Darker Than Blue
assistierende(r) Techniker(in):
Danny Turbeville
Techniker(in):
Tom Flye und R.J. Anfinson
Produzent(in):
Curtis Mayfield
arranger:
Riley Hampton und Gary Slabo
recording of:
We People Who Are Darker Than Blue
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
recording of:
We the People Who Are Darker Than Blue (William Parker arrangement)
Komponist(in):
Curtis Mayfield
arranger:
William Parker (US free jazz double bassist, multi-instrumentalist, poet & composer)
publisher:
Centering Music (publisher for William Parker)
Arrangement von:
We People Who Are Darker Than Blue
Curtis Mayfield46:06
21Young, Gifted, and Black
Bob & Marcia3:14
CD 3

Nennungen

Veröffentlichung

liner notes:Chuck D
leitende(r) Produzent(in):Mike Jason
Produzent(in):Colin Escott
Bas Hartong
Mike Jason
mastering:Joseph M. Palmaccio
ASIN:US: B001MEJYG4 [Info]