Rock Times plus, Volume 4: 1967-1970

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

CD 1
Nr.TitelKünstlerBewertungLänge
1Mighty Quinn
recording of:
Quinn the Eskimo (The Mighty Quinn)
Texter und Komponist(in):
Bob Dylan (in 1967)
publisher:
Sony Music Holding und Dwarf Music (in 1968)
Manfred Mann2:52
2Pictures of Matchstick Men
recording of:
Pictures of Matchstick Men
Texter und Komponist(in):
Francis Rossi
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Valley Music Ltd (publisher)
Status Quo3:10
3Simon Says1910 Fruitgum Company2:15
4Young Girl
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Young Girl
Texter und Komponist(in):
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd.
Gary Puckett & the Union Gap43:16
5Yummy, Yummy, Yummy
Produzent(in):
Jerry Kasenetz, Jeff Katz (music producer), Joey Levine und Arthur Resnick (songwriter, producer)
Bassgitarre und Hintergrundgesang:
Dean Kastran
Sologesang:
Joey Levine
recording of:
Yummy Yummy Yummy (in 1968)
Verfasser(in):
Joey Levine und Arthur Resnick (songwriter, producer)
publisher:
T. M. Music (publisher) (in 1968)
Ohio Express42:21
6Ob-La-Di, Ob-La-Da
Produzent(in):
Mike Smith (60’s & 70’s UK Producer)
cover recording of:
Ob‐La‐Di, Ob‐La‐Da (in 1968)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC
Marmalade3:01
7There's a Kind of Hush
Techniker(in):
Dave Siddle (engineer)
Produzent(in):
Mickie Most (English record producer)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-12-07)
cover recording of:
There’s a Kind of Hush (am 1966-12-07)
Verfasser(in):
Les Reed und Geoff Stephens
publisher:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Herman’s Hermits4.52:35
8Son of a Preacher Man
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield
Dirigent(in):
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.452:26
9Going Up the Country
Produzent(in):
Canned Heat und Skip Taylor
Flöte:
Jim Horn (saxophonist, hornist, flutist and oboist)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
aufgenommen bei:
I.D. Sound Recorders, Hollywood in Los Angeles, California, Vereinigte Staaten und I.D. Sound in Los Angeles, California, Vereinigte Staaten (vom 1968-08-06 bis 1968-08-07)
recording of:
Going Up the Country (vom 1968-08-06 bis 1968-08-07)
Texter, Verfasser(in) und Komponist(in):
Alan Wilson (Canned Heat member)
publisher:
EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. und United Artists Music Ltd.
basiert auf:
Bull Doze Blues
Canned Heat42:51
10Living in the Past
recording of:
Living in the Past (Jethro Tull)
Texter und Komponist(in):
Ian Anderson (of Jethro Tull) (am 1969-02-12)
publisher:
BMG Monarch, Ian Anderson Music Ltd. und Chrysalis Music Ltd. (music publisher) (in 1969)
Jethro Tull3:21
11A Whiter Shade of PaleProcol Harum4.14:02
12Light My Fire
Produzent(in):
Rick Jarrard
Saiteninstrumente arranger:
George Tipton
cover recording of:
Light My Fire (am 1968-01-06)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. und 日音 Synch事業部
José Feliciano3.353:36
13Suspicious Minds
Techniker(in):
Al Pachucki
assistierende(r) Produzent(in):
Hugo "Wedge Montecristo" Bombardier
Produzent(in):
Felton Jarvis, Chips Moman und Erich Van Tourneau
Mix:
Brendan O’Brien (engineer)
Bass:
Erich Van Tourneau, Tommy Cogbill (am 1969-01-23) und Mike Leech (am 1969-01-23)
E-Gitarre:
Martin Bachand, JS "The Flash" Chouinard, Steve Nadeau und Mike Plant
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-23) und Reggie Young (guitarist and songwriter) (am 1969-01-23)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1969-01-23)
Orgel:
Bobby Emmons (am 1969-01-23)
Schlagzeug:
Gene Chrisman (am 1969-01-23)
Steel-Gitarre:
John Hughey (am 1969-01-23)
Gast vocals:
Stacie Tabb
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations und Kathy Westmoreland
arranger:
Mike Leech, Glen Spreen und Erich Van Tourneau
zusätzlich arranger:
Hugo "Wedge Montecristo" Bombardier
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) und Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
aufgenommen bei:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Vereinigte Staaten (am 1969-01-23), United Recording Studios (Las Vegas) in Las Vegas, Nevada, Vereinigte Staaten (am 1969-08-07), Honolulu International Center in Honolulu, Hawaii, Vereinigte Staaten (am 1973-01-14) und Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, Vereinigte Staaten (am 1973-01-14)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 91)
cover recording of:
Suspicious Minds (vom 1969-01-23 bis 1969-08-07)
Texter und Komponist(in):
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sony/ATV Songs LLC
live cover recording of:
Suspicious Minds (am 1973-01-14)
Texter und Komponist(in):
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sony/ATV Songs LLC
Elvis Presley44:30
14Raindrops Keep Fallin' on My HeadB.J. Thomas43:02
15Mrs. Robinson
recording engineer:
Roy Halee
assistierende(r) Produzent(in):
Bob Johnston (American record producer)
Produzent(in):
Art Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Gitarre:
Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
Schlagzeug:
Hal Blaine (am 1968-02-02)
vocals:
Art Garfunkel (am 1968-02-02) und Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Mrs. Robinson (am 1968-02-02)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music, Pattern Music Ltd (publisher), Paul Simon Music und Universal/MCA Music Ltd. (not for release label use!)
Simon & Garfunkel4.254:03
16Gentle on My Mind
cover recording of:
Gentle on My Mind
Texter und Komponist(in):
John Hartford
publisher:
Ensign Music Corp.
Dean Martin52:45
17(Sittin' on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (vom 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (vom 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (vom 1967-11-22 bis 1967-12-07) und Booker T. Jones (vom 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (vom 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys)) (vom 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (vom 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (vom 1967-11-22 bis 1967-12-07)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 38) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (vom 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. (holding: File NO Releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
Otis Redding4.452:38
18Respect
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
Dirigent(in):
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World und New York Post: 100 Greatest Covers (2007) (Nummer: 52)
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. und Warner/Chappell North America
Aretha Franklin3.82:26
19Cold Sweat
Produzent(in):
Johnny Musso
Gast vocals:
Wilson Pickett
live recording of:
Cold Sweat
Texter und Komponist(in):
James Brown (“The Godfather of Soul”) und Pee Wee Ellis
James Brown4:10
20Sweet Soul Music
recording of:
Sweet Soul Music
Verfasser(in):
Arthur Conley, Sam Cooke und Otis Redding
basiert auf:
Yeah Man
Arthur Conley2:21
21Everyday People
Bassgitarre:
Larry Graham (US bassist & singer) (in 1969)
Gitarre:
Freddie Stone (in 1969)
Gitarre und Keyboard:
Sly Stone (in 1969)
Keyboard:
Rose Stone (in 1969)
Saxophon:
Jerry Martini (in 1969)
Schlagzeug:
Greg Errico (in 1969)
Trompete:
Cynthia Robinson (in 1969)
vocals:
Larry Graham (US bassist & singer) (in 1969), Jerry Martini (in 1969), Freddie Stone (in 1969), Rose Stone (in 1969) und Sly Stone (in 1969)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 109) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 145)
recording of:
Everyday People (in 1969)
Texter und Komponist(in):
Sylvester Stewart
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Sly & the Family Stone4.152:22
22Dizzy
Tommy Roe2:53
23I'll Never Fall in Love Again
Dionne Warwick3:02
24Up, Up and Away
Techniker(in):
“Bones” Howe
Produzent(in):
Johnny Rivers und Marc Gordon (soul songwriter, producer, and manager)
Bass:
Joe Osborne
Schlagzeug:
Hal Blaine
Dirigent(in):
Jim Webb (US songwriter, composer, producer, pianist & singer)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Marty Paich
arranger:
Jim Webb (US songwriter, composer, producer, pianist & singer)
aufgenommen bei:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
Up, Up and Away
Texter und Komponist(in):
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
The 5th Dimension2.52:38
25Groovin'
recording of:
Groovin’
Verfasser(in):
Eddie Brigati und Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
The Young Rascals2:31
26Hush
Techniker(in):
Barry Ainsworth (engineer)
Produzent(in) und Mix:
Derek Lawrence (British producer)
E-Bass:
Nick Simper (am 1968-05-11)
E-Gitarre:
Ritchie Blackmore (am 1968-05-11)
Hammond-Orgel und Hintergrundgesang:
Jon Lord (am 1968-05-11)
Schlagzeug:
Ian Paice (am 1968-05-11)
vocals:
Rod Evans (am 1968-05-11)
phonographic copyright (℗) by:
HEC Enterprises Ltd. (in 1968)
aufgenommen bei:
Pye Studios in London (Greater London), England, Vereinigtes Königreich (am 1968-05-11)
cover recording of:
Hush (South, Royal, Deep Purple) (am 1968-05-11)
Texter und Komponist(in):
Joe South (bis 1967)
publisher:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher) und Lowery-Chappell Music
Deep Purple4.154:28

Nennungen

Veröffentlichungsgruppe

Teil von:Rock Times Plus (Nummer: 4) (Reihenfolge: 4)