The Seventies Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

CD 1
Nr.TitelKünstlerBewertungLänge
1How Deep Is Your Love
Produzent(in):
Bee Gees, Albhy Galuten und Karl Richardson
Bass:
Maurice Gibb (in 1977)
E-Gitarre:
Alan Kendall (in 1977)
Gitarre [rhythm guitar]:
Barry Gibb (in 1977)
Keyboard, Klavier und Synthesizer:
Blue Weaver (in 1977)
Perkussion:
Dennis Bryon (Welch drummer, author) (in 1977) und Joe Lala (in 1977)
Schlagzeug:
Dennis Bryon (Welch drummer, author) (in 1977)
Hintergrundgesang und sonstiger Gesang [harmony vocals]:
Barry Gibb (in 1977), Maurice Gibb (in 1977) und Robin Gibb (in 1977)
Sologesang:
Barry Gibb (in 1977) und Robin Gibb (in 1977)
phonographic copyright (℗) by:
Barry Gibb (in 1977), Maurice Gibb (in 1977) und Robin Gibb (in 1977)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (not for release label use!) (in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1977)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 367)
recording of:
How Deep Is Your Love (Bee Gees song) (in 1977)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Songs of Universal, Inc., Universal Music Careers, Universal Music Publishing Group Japan (work publisher - do NOT use as a release label), Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント, ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (vom 2017-04-01 bis heute)
sub-publisher:
Warner/Chappell Music Taiwan Ltd.
Bee Gees4.34:03
2December 63 (Oh, What a Night)Frankie Valli & The Four Seasons3:20
3Kissin’ in the Back Row of the Movies
Baritongesang:
Grant Kitchings
Sologesang:
Johnny Moore (soul/rnb vocalist for The Drifters)
Tenor-Gesang:
Butch Leake
vocals:
Bill Fredericks und Butch Mann
arranger:
Tony King (songwriter, arranger)
recording of:
Kissin’ in the Back Row of the Movies
Komponist(in):
Roger Greenaway und Tony Macaulay
The Drifters43:31
4Don’t Stop
recording of:
Don’t Stop
Texter und Komponist(in):
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher) und Gentoo Music, Inc. (in 1977)
Fleetwood Mac3:13
5A Horse With No Name
Techniker(in):
Robin Black (engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Akustikgitarre und Sologesang:
Dewey Bunnell (in 1971)
Bassgitarre:
Dan Peek (in 1971)
Perkussion:
Ray Cooper (percussionist) (in 1971)
Schlagzeug:
Kim Haworth (in 1971)
zwölfsaitige Gitarre:
Gerry Beckley (in 1971)
Remix:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
A Horse With No Name (in 1971)
Texter und Komponist(in):
Dewey Bunnell
America4.154:11
6If You Leave Me Now
recording engineer:
Armin Steiner (Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (vom 1976-03 bis 1976-04)
Sologesang:
Peter Cetera (vom 1976-03 bis 1976-04)
Saiteninstrumente arranger und Waldhorn arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Warner Strategic Marketing Inc. (in 1976) und Rhino Entertainment Company (not for release label use!) (in 2002)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Vereinigte Staaten (Saiteninstrumente), Sound Labs, Inc. in Hollywood, Los Angeles, California, Vereinigte Staaten und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (vom 1976-03 bis 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (vom 1976-03 bis 1976-04)
recording of:
If You Leave Me Now (vom 1976-03 bis 1976-04)
Texter:
Peter Cetera
Komponist(in):
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music und Spirit Music Publishing Ltd.
Chicago4.43:55
7He Ain’t Heavy He’s My Brother
Produzent(in):
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1969) und The Hollies Ltd. (vom 1969 bis 1970)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-06-25)
cover recording of:
He Ain’t Heavy, He’s My Brother (am 1969-06-25)
Verfasser(in):
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) und Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:18
8Make Me Smile (Come Up and See Me)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 18)
recording of:
Make Me Smile (Come Up and See Me)
Texter und Komponist(in):
Steve Harley
publisher:
RAK Publishing Ltd. und Trigram Music Management Ltd.
Steve Harley & Cockney Rebel4.253:54
9Long Train Runnin’
recording of:
Long Train Runnin’
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Warner Bros. Music (publisher; do NOT use as release label) (in 1982) und Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
The Doobie Brothers4.13:28
10Baker Street
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
Gitarre [lead guitar]:
Hugh Burns (in 1977)
Gitarre [rhythm guitar]:
Nigel Jenkins (in 1977)
Keyboard:
Tommy Eyre (in 1977)
Perkussion:
Glen LeFleur (in 1977)
Saxophon:
Raphael Ravenscroft (in 1977)
Schlagzeug:
Henry Spinetti (in 1977)
Sologesang:
Gerry Rafferty (in 1977)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (in 1977)
Bearbeitung von:
Baker Street von Gerry Rafferty
recording of:
Baker Street (in 1977)
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, EMI Music Publishing (do not use as a release label!), Icon Music Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Stage Three Music Publishing Limited und Universal‐Songs of PolyGram International, Inc.
Gerry Rafferty44:21
11How Long
Produzent(in):
John Anthony (British producer and record executive)
phonographic copyright (℗) by:
Anchor Records (UK 70s indie label), Minder Records (in 1974) und Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2015)
Teil von:
The Downloader’s Music Source Book (Nummer: 121)
recording of:
How Long?
Texter und Komponist(in):
Paul Carrack
publisher:
Minder Music Ltd.
Ace3.653:23
12Wuthering Heights
Produzent(in):
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1977)
recording of:
Wuthering Heights
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush (am 1977-03-05)
publisher:
Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. und EMI Music Publishing Ltd. (PRS-affiliated) (vom 1978 bis heute)
Kate Bush3:25
13Alone Again (Naturally)Gilbert O’Sullivan3:38
14Fool (If You Think It’s Over)
recording of:
Fool (If You Think It’s Over)
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4:05
15She’s GoneHall & Oates4.53:26
16Love Is in the Air
Produzent(in):
Harry Vanda und George Young (Australian musician and producer)
recording of:
Love Is in the Air
Verfasser(in):
Harry Vanda und George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
John Paul Young33:28
17If I Said You Had a Beautiful Body Would You Hold It Against Me
Techniker(in):
Jim Crosby (engineer) (in 1978) und Michael Lloyd (US guitarist/singer producer) (in 1978)
Produzent(in):
Michael Lloyd (US guitarist/singer producer) (in 1978)
Akustikgitarre und Sologesang:
David Bellamy (Bellamy Brothers) (in 1978) und Howard Bellamy (Bellamy Brothers) (in 1978)
Bassgitarre:
Jesse Chambers (in 1978)
E-Gitarre:
Carl Chambers (in 1978)
Keyboard:
Joe LaFrandre (in 1978)
Schlagzeug:
Rodney Price (drummer) (in 1978)
Steel-Gitarre:
Danny Jones (US steel guitarist) (in 1978)
recording of:
If I Said You Had a Beautiful Body Would You Hold It Against Me (in 1978)
Texter und Komponist(in):
David Bellamy (Bellamy Brothers)
The Bellamy Brothers23:13
18If You Could Read My Mind
recording engineer:
Gary Brandt und Lee Herschberg
Produzent(in):
Lenny Waronker und Joe Wissert
Mix:
Lee Herschberg
vocals:
Gordon Lightfoot
Saiteninstrumente arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 8)
recording of:
If You Could Read My Mind
Texter und Komponist(in):
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (beendet), Early Morning Music (beendet), Laetrec Music (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Gordon Lightfoot53:50
19Werewolves of London
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Jackson Browne (American singer-songwriter) und Waddy Wachtel
Bass:
John McVie
guitar family:
Waddy Wachtel
Klavier:
Warren Zevon
Schlagzeug:
Mick Fleetwood
phonographic copyright (℗) by:
Elektra Entertainment (renamed from Elektra 1989–2004; revived as Elektra 2009-06-01) (in 1978) und Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1978)
recording of:
Werewolves of London
Verfasser(in):
LeRoy P. Marinell, Waddy Wachtel und Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes und Zevon Music
Warren Zevon4.93:23
20Baby I’m-A Want You
Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972)
recording of:
Baby I’m-a Want You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–EMI Music Ltd.
Bread42:30
21Softly Whispering I Love You
Techniker(in):
Peter Vince (engineer, producer)
Interpret(in):
Brian Keith und Alan Parker (guitarist & composer)
arranger:
Ken Woodman (British trumpeter, music director, arranger and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
aufgenommen bei:
EMI Studios (London) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
Softly Whispering I Love You
Verfasser(in):
Roger Cook (singer, songwriter, producer) und Roger Greenaway
publisher:
Cookaway Music Ltd. NCB
The English Congregation23:02
CD 2
CD 3