Audio’s Audiophile, Volume 10: Power of Pop (Gold-CD)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

CD 1
Nr.TitelKünstlerBewertungLänge
1Diggin’ on James Brown
Tower of Power4:40
2Lucky Ones
recording of:
Lucky Ones
Komponist(in):
Paul Dean (Canadian guitarist), Mike Reno, Scott Smith (Canadian bassist for Loverboy) und Denise Thurlow
Loverboy3:51
3Foreplay / Long Time
assistierende(r) Techniker(in):
Bruce Hensal, Deni King (engineer) und Doug Rider
Techniker(in):
Warren Dewey und Tom Scholz
Produzent(in):
John Boylan und Tom Scholz
assistierende(r) Mix:
Steve Hodge
Akustikgitarre [on Foreplay], Bassgitarre [on Long Time], Clavinet, Gitarre, Gitarre [lead guitar on Foreplay] und Orgel:
Tom Scholz (vom 1975 bis 1976)
Bassgitarre [on Foreplay]:
Fran Sheehan (vom 1975 bis 1976)
Gitarre [lead guitar on Long Time] und Gitarre [rhythm guitar]:
Barry Goudreau (vom 1975 bis 1976)
Perkussion und Schlagzeug:
Sib Hashian (vom 1975 bis 1976)
Sologesang und Sologesang [Harmony]:
Brad Delp (vom 1975 bis 1976)
arranger:
Brad Delp und Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Foxglove Studios in Watertown, Massachusetts, Vereinigte Staaten (in 1975), Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, Vereinigte Staaten (in 1976) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Vereinigte Staaten (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Vereinigte Staaten
medley including a recording of:
Foreplay (vom 1975 bis 1976)
Komponist(in):
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd. und Pure Songs (in 1978)
medley including a recording of:
Long Time (vom 1975 bis 1976)
Texter und Komponist(in):
Tom Scholz
publisher:
Screen Gems–EMI Music Ltd. und Pure Songs (in 1978)
Boston47:49
4Rosanna
recording engineer:
Al Schmitt
Produzent(in):
Toto (US rock group)
Mix:
Greg Ladanyi
Bassgitarre:
David Hungate
Conga:
Lenny Castro
Gitarre:
Steve Lukather
Hammond-Orgel und Synthesizer:
David Paich und Steve Porcaro
Klavier:
David Paich
Perkussion:
Lenny Castro und Jeff Porcaro
Posaune:
James Pankow
Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist) und Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Schlagzeug [drums]:
Jeff Porcaro
Trompete:
Gary Grant (brass) und Jerry Hey
Hintergrundgesang [background vocal]:
Tom Kelly (songwriter), Bobby Kimball, Steve Lukather und David Paich
Sologesang:
Bobby Kimball und Steve Lukather
Blechblasinstrumente [horns] arranger:
Jerry Hey und David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982) und Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
recording of:
Rosanna
Texter und Komponist(in):
David Paich
publisher:
Hudmar Publishing Co. Inc., Sony Music Publishing (Japan), Inc., A Division und Spirit Two Music
Toto3.95:32
5Bessie
Patricia Kaas4:10
6Criminal
recording of:
Criminal
Texter und Komponist(in):
Fiona Apple
Fiona Apple5:44
7Bury My Heart at Wounded Knee
Indigo Girls5:00
8Almost Home
Mary Chapin Carpenter4:38
9Precious Little
Eleanor McEvoy4:26
10Puppe kaputt
recording of:
Puppe kaputt
Texter und Komponist(in):
Reinhold Heil und Rosa Precht
Cosa Rosa3:56
11Two Princes
Techniker(in):
Frank Aversa und Spin Doctors
Produzent(in):
Frank Aversa, Peter Denenberg, Frankie LaRocka und Spin Doctors
Mix:
Peter Denenberg, Frankie LaRocka und Spin Doctors
Bassgitarre:
Mark White (Spin Doctors)
Gitarre:
Eric Schenkman
Hammond-Orgel, Schlagzeug und Perkussion:
Aaron Comess
Gast Hintergrundgesang:
John Popper
vocals:
Chris Barron
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes
Verfasser(in):
Chris Barron, Aaron Comess, Eric Schenkman und Mark White (Spin Doctors)
publisher:
Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:18
12Pride
recording of:
Pride
Texter und Komponist(in):
William Calhoun (US rapper, Westside Connection member William Calhoun)
publisher:
Sony/ATV Harmony
Living Colour4:57
13Movin’ on Up
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
recording of:
Movin’ on Up
Verfasser(in):
Bobby Gillespie, Andrew Innes und Robert Young (British guitarist, of Primal Scream)
publisher:
Complete Music Ltd. und EMI Music Publishing Ltd. (PRS-affiliated)
Primal Scream33:49
14Ja genau
Stoppok3:29
15If I Like It, I Do It
Techniker(in):
Mark McGuire (UK producer/engineer) und Mike Nielsen (NZ/London/Turkey engineer)
Koproduzent(in):
Jay Kay (English singer, Jamiroquai) und Mike Nielsen (NZ/London/Turkey engineer)
Mix:
Jay Kay (English singer, Jamiroquai) und Mike Nielsen (NZ/London/Turkey engineer)
Bassgitarre:
Stuart Zender
Schlagzeug:
Nick Van Gelder
Sologesang:
Jay Kay (English singer, Jamiroquai)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.)
recording of:
If I Like It, I Do It
Verfasser(in):
Nick Van Gelder und Jay Kay (English singer, Jamiroquai)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) und SM Publishing (UK) Limited (current name of Sony Music Publishing UK)
Jamiroquai3.554:54
16Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (in 1977)
vocals:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Bill Withers4.754:16
17Promise Me
Techniker(in):
Barry Hammond
Produzent(in):
Paul Samwell-Smith
Mix:
Frank Filipetti
Gast-Bassgitarre:
Maartin Allcock
Gast-Gitarre:
Simon Nicol (singer, multi-instrumentalist and producer from England)
Gast-Keyboard:
Bias Boshell
Gast-membranophone:
Dave Mattacks
Pianoakkordeon, Hintergrundgesang und Sologesang:
Beverley Craven
recording of:
Promise Me
Texter und Komponist(in):
Beverley Craven
Beverley Craven43:38

Nennungen

Veröffentlichungsgruppe

Teil von:Audio’s Audiophile (Nummer: 10) (Reihenfolge: 10)