Het beste uit radio1 classics 100 volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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CD 1
Nr.TitelKünstlerBewertungLänge
1Smoke on the Water
recording of:
Smoke on the Water
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
lyrics quoted on:
Hungry Daze
music quoted on:
LED Storm (Tune 1)
music quoted on:
Lifetime Enlightenment
music quoted on:
Шальная ночь
Deep Purple5:17
2Ashes to Ashes
Produzent(in):
David Bowie und Tony Visconti
Mix:
Tony Visconti
recording of:
Ashes to Ashes
Texter und Komponist(in):
David Bowie
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
David Bowie4.43:35
3Like a Rolling Stone
recorded in:
New York, New York, Vereinigte Staaten (am 1965-06-15)
Produzent(in):
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.) (vom 1965-07-15 bis 1965-07-16)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 1), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 4) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 16)
recording of:
Like a Rolling Stone (am 1965-06-15)
Texter und Komponist(in):
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (vom 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
Bob Dylan4.456:07
4Piano Man
Produzent(in):
Phil Ramone und Michael Stewart (US producer/guitarist)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1973)
recording of:
Piano Man
Texter und Komponist(in):
Billy Joel
publisher:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, CBS Songs Ltd. (in 1973) und Joelsongs (in 1973)
Billy Joel4:33
5Perfect Day
Produzent(in):
David Bowie und Mick Ronson (British guitarist)
Sologesang:
Lou Reed (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 334)
recording of:
Perfect Day (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music Ltd. und Screen Gems–EMI Music Ltd.
Lou Reed4.43:42
6Man on the Moon
Techniker(in):
Clif Norrell
zusätzliche(r) Techniker(in):
Ed Brooks (audio engineer at RFI Mastering in Seattle), George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Tod Lemkuhl, Ted Malia und Andrew Roshberg
Produzent(in):
Scott Litt (producer and engineer) und R.E.M. (American rock band)
Mix:
Scott Litt (producer and engineer) und Clif Norrell
vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1992)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten und Criteria Studios in Miami, Florida, Vereinigte Staaten
zusätzlich aufgenommen bei:
Bosstown Recording Studios in Atlanta, Georgia, Vereinigte Staaten, John Keane Studios in Athens, Georgia, Vereinigte Staaten und Kingsway Studios (New Orleans) in New Orleans, Louisiana, Vereinigte Staaten
mixed at:
Bad Animals Studio in Seattle, Washington, Vereinigte Staaten
recording of:
Man on the Moon
Verfasser(in):
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Night Garden Music
R.E.M.4.255:10
7Instant Street
Techniker(in):
Ben Findley (US engineer)
Produzent(in) und Mix:
David Bottrill (producer / mixer)
Gast-Perkussion:
Piet Jorens
Gast-Saiteninstrumente:
Browndog (string quartet)
Saiteninstrumente arranger:
Klaas Janzoons (Belgian musician)
recording of:
Instant Street
Texter:
Tom Barman (Belgian musician) und Craig Ward (Scottish musician, former dEUS guitarist)
Komponist(in):
Tom Barman (Belgian musician), Danny Mommens (Belgian bass player) und Craig Ward (Scottish musician, former dEUS guitarist)
dEUS46:12
8Feeling Good
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1965-01-15)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1965-01-15)
Dirigent(in):
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (am 1965-01-15)
Verfasser(in):
Leslie Bricusse und Anthony Newley
publisher:
Concord Music Ltd und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:51
9Once in a Lifetime
live recording of:
Once in a Lifetime
Texter:
David Byrne (Talking Heads)
Komponist(in):
David Byrne (Talking Heads), Brian Eno, Chris Frantz, Jerry Harrison (Talking Heads) und Tina Weymouth
publisher:
Bleu Disque Music Co., Careers‐BMG Music Publishing, Inc., E.G. Music Ltd. (publisher) und Index Music
Talking Heads5:25
10Paranoid Android
recorded in:
Vereinigtes Königreich (vom 1996-07 bis 1997-03)
recording engineer und Produzent(in):
Nigel Godrich (English record producer) und Radiohead
Programmierung:
Thom Yorke
assistierende(r) Techniker(in):
Jon Bailey (engineer), Gerard Navarro (engineer) und Chris Scard
Mix und Editing:
Nigel Godrich (English record producer)
Bass-Synthesizer und Bassgitarre:
Colin Greenwood (vom 1996-07 bis 1997-03)
Effektgerät und Hintergrundgesang:
Ed O’Brien (vom 1996-07 bis 1997-03)
Gitarre:
Jonny Greenwood (English musician and score composer) (vom 1996-07 bis 1997-03), Ed O’Brien (vom 1996-07 bis 1997-03) und Thom Yorke (vom 1996-07 bis 1997-03)
Glockenspiel, Keyboard, mellotron und Orgel:
Jonny Greenwood (English musician and score composer) (vom 1996-07 bis 1997-03)
Klavier:
Jonny Greenwood (English musician and score composer) (vom 1996-07 bis 1997-03) und Thom Yorke (vom 1996-07 bis 1997-03)
Perkussion:
Colin Greenwood (vom 1996-07 bis 1997-03), Ed O’Brien (vom 1996-07 bis 1997-03) und Philip Selway (vom 1996-07 bis 1997-03)
Schlagzeug:
Philip Selway (vom 1996-07 bis 1997-03)
vocals:
Thom Yorke (vom 1996-07 bis 1997-03)
Dirigent(in):
Nick Ingman (vom 1996-07 bis 1997-03)
Saiteninstrumente arranger:
Radiohead
phonographic copyright (℗) by:
XL Recordings Ltd. (not for release label use! use it’s imprint XL Recordings instead) (in 2017)
Musikvideos:
Paranoid Android von Radiohead
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 20) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 256)
recording of:
Paranoid Android (vom 1996-07 bis 1997-03)
Verfasser(in):
Colin Greenwood, Jonny Greenwood (English musician and score composer), Ed O’Brien, Philip Selway und Thom Yorke
Radiohead4.46:22
11Alone Again Or
Techniker(in):
Bruce Botnick
Produzent(in):
Bruce Botnick und Arthur Lee
Bassgitarre:
Ken Forssi
Schlagzeug:
Michael Stuart-Ware (US drummer for Love)
Sologesang:
Bryan MacLean
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California, Vereinigte Staaten (vom 1967-06-09 bis 1967-09-25)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 436)
recording of:
Alone Again Or
Texter und Komponist(in):
Bryan MacLean
Love4.253:12
12Sweet Home Alabama
Lynyrd Skynyrd4:37
13Cocaine
recording of:
Cocaine
Texter und Komponist(in):
J.J. Cale
publisher:
Audigram Songs, Inc., BMG Platinum Songs und Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale2:44
14Tin Soldier
Small Faces3:21
15The Scientist
recording engineer und Techniker(in):
Ken Nelson (UK record producer ('98-active))
zusätzlich recording engineer und zusätzliche(r) Produzent(in):
Mark Phythian
zusätzliche(r) Techniker(in):
Rik Simpson
Produzent(in):
Coldplay und Ken Nelson (UK record producer ('98-active))
Mix:
Coldplay, Ken Nelson (UK record producer ('98-active)) und Mark Phythian
phonographic copyright (℗) by:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (in 2002)
Musikvideos:
The Scientist von Coldplay
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 172)
recording of:
The Scientist
Verfasser(in):
Guy Berryman, Jonny Buckland, Will Champion und Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd.
Coldplay4.25:06
16I Hope That I Don't Fall in Love With You
Tom Waits3:54
17Formidable
Produzent(in):
Stromae
Mix:
Lionel Capouillez
Sologesang:
Stromae
arranger:
Lionel Capouillez und Stromae
mixed at:
Studio Air (Brussels) in Brussels, Belgien
Teil von:
MIA Award: Song of the Year (Nummer: 2013)
recording of:
Formidable
Texter und Komponist(in):
Stromae
Teil von:
Prix Rolf Marbot de la chanson de l’année (Nummer: 2013)
Stromae43:32
18Hallelujah
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1994)
cover recording of:
Hallelujah
Texter und Komponist(in):
Leonard Cohen
publisher:
Bad Monk Publishing, Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020), Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部
Jeff Buckley54:16
CD 2
Nr.TitelKünstlerBewertungLänge
1Good Vibrations
Produzent(in):
Brian Wilson (Beach Boys co-founder)
recording of:
Good Vibrations (Love/Wilson lyrics, common version)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co-founder)
Komponist(in):
Brian Wilson (Beach Boys co-founder)
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country-specific information is available)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.753:36
2The Passenger
Techniker(in):
Eduard Meyer und Colin Thurston
Produzent(in):
Bewlay Bros.
Bassgitarre:
Tony Sales (vom 1977-06-04 bis 1977-06-18)
cowbell, Schlagzeug, shakers und Tamburin:
Hunt Sales (vom 1977-06-04 bis 1977-06-18)
Gitarre:
Carlos Alomar (vom 1977-06-04 bis 1977-06-18) und Ricky Gardiner (vom 1977-06-04 bis 1977-06-18)
Klavier:
David Bowie (vom 1977-06-04 bis 1977-06-18)
Hintergrundgesang:
David Bowie (vom 1977-06-04 bis 1977-06-18), Hunt Sales (vom 1977-06-04 bis 1977-06-18) und Tony Sales (vom 1977-06-04 bis 1977-06-18)
Sologesang:
Iggy Pop (vom 1977-06-04 bis 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977)
aufgenommen bei:
Hansa Studio III in Berlin, Deutschland (vom 1977-06-04 bis 1977-06-18)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 179)
recording of:
The Passenger (vom 1977-06-04 bis 1977-06-18)
Texter:
Iggy Pop
Komponist(in):
Ricky Gardiner
Iggy Pop4.64:39
3Don't Stop
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late '70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham, Christine McVie und Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und Warner Bros. (holding: File NO Releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, Vereinigte Staaten
recording of:
Don’t Stop
Texter und Komponist(in):
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher) und Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:11
4Make Me Smile (Come Up and See Me)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 18)
recording of:
Make Me Smile (Come Up and See Me)
Texter und Komponist(in):
Steve Harley
publisher:
RAK Publishing Ltd. und Trigram Music Management Ltd.
Steve Harley & Cockney Rebel4.253:56
5Blauw
Techniker(in):
Hans Bedeker
Produzent(in):
Rick de Leeuw (Dutch singer, songwriter, author)
Mix:
Frank Reinke (Germany based Engineer)
Interpret(in):
The Scene (Dutch rock band)
phonographic copyright (℗) by:
Phonogram B.V. (in 1990)
mixed at:
Peerstudio in Hamburg, Deutschland
engineered at:
Studio 88 in Hilversum, Noord-Holland, Niederlande, Kingdom of the Netherlands
recording of:
Blauw
Texter und Komponist(in):
M.J. Lau
publisher:
Peermusic Holland B.V., Tenyor Music und Warner Basart Publ. Group
The Scene4:36
6Blue Monday
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
New Order6:16
7Suspicious Minds
Techniker(in):
Al Pachucki
assistierende(r) Produzent(in):
Hugo "Wedge Montecristo" Bombardier
Produzent(in):
Felton Jarvis, Chips Moman und Erich Van Tourneau
Mix:
Brendan O’Brien (engineer)
Bass:
Erich Van Tourneau, Tommy Cogbill (am 1969-01-23) und Mike Leech (am 1969-01-23)
E-Gitarre:
Martin Bachand, JS "The Flash" Chouinard, Steve Nadeau und Mike Plant
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-23) und Reggie Young (guitarist and songwriter) (am 1969-01-23)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1969-01-23)
Orgel:
Bobby Emmons (am 1969-01-23)
Schlagzeug:
Gene Chrisman (am 1969-01-23)
Steel-Gitarre:
John Hughey (am 1969-01-23)
Gast vocals:
Stacie Tabb
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations und Kathy Westmoreland
arranger:
Mike Leech, Glen Spreen und Erich Van Tourneau
zusätzlich arranger:
Hugo "Wedge Montecristo" Bombardier
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) und Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
aufgenommen bei:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Vereinigte Staaten (am 1969-01-23), United Recording Studios (Las Vegas) in Las Vegas, Nevada, Vereinigte Staaten (am 1969-08-07), Honolulu International Center in Honolulu, Hawaii, Vereinigte Staaten (am 1973-01-14) und Neal S. Blaisdell Center (complex; use ONLY if no more specific venue info is available!) in Honolulu, Hawaii, Vereinigte Staaten (am 1973-01-14)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 91)
cover recording of:
Suspicious Minds (vom 1969-01-23 bis 1969-08-07)
Texter und Komponist(in):
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sony/ATV Songs LLC
live cover recording of:
Suspicious Minds (am 1973-01-14)
Texter und Komponist(in):
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sony/ATV Songs LLC
Elvis Presley44:30
8I Heard It Through the Grapevine
Produzent(in):
Norman Whitfield
Instrumente:
The Funk Brothers (vom 1967-02-03 bis 1967-04-10)
Orgel:
Earl Van Dyke (vom 1967-02-03 bis 1967-04-10)
Schlagzeug:
Richard "Pistol" Allen (vom 1967-02-03 bis 1967-04-10) und Uriel Jones (vom 1967-02-03 bis 1967-04-10)
Hintergrundgesang:
The Andantes (vom 1967-02-03 bis 1967-04-10)
Sologesang:
Marvin Gaye (vom 1967-02-03 bis 1967-04-10)
Orchester:
Detroit Symphony Orchestra (vom 1967-02-03 bis 1967-04-10)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (vom 1967-02-03 bis 1967-04-10)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 80) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 119)
recording of:
I Heard It Through the Grapevine (vom 1967-02-03 bis 1967-04-10)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部
recording of:
I Heard It Through the Grapevine (am 1967-04-10)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部
Marvin Gaye3.93:14
9Gloria
assistierende(r) Techniker(in):
Frank D'Augusta
Techniker(in):
Bernie Kirsh
Produzent(in):
John Cale (Velvet Underground founder)
engineered at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
cover recording of:
Gloria (Van Morrison/Them song)
Texter und Komponist(in):
Van Morrison
publisher:
Carlin Music Corporation, Chappell & Co., Chappell & Co., Inc. (USA), Exile Publishing Ltd., Gallo Music Publishers, PolyGram Music Publishing Ltd., Unichappell Music, Bernice Music, Inc. (in 1965) und Unichappell Music, Inc. (in 1965)
Patti Smith5:50
10Sweet Jane
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 335)
recording of:
Sweet Jane
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:04
11O La La La
phonographic copyright (℗) by:
EMI (EMI Records, since 1972) (in 1981)
recording of:
O la la la
Verfasser(in):
A. Hintjens (Belgian rock vocalist Arno Hintjens), F. Baelen und R. Cloet (Belgian drummer)
T.C. Matic3:16
12The House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, Keith Prowse und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.054:28
13Nothing Compares 2 U
vocals:
Sinéad O’Connor
phonographic copyright (℗) by:
Chrysalis Records Limited (not for release label use! company behind the Chrysalis imprint) (in 1990)
cover recording of:
Nothing Compares 2 U
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
NPG Publishing, Warner Chappell, シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
Sinéad O’Connor34:38
14Locomotive Breath
Techniker(in):
John Burns (engineer/producer for Genesis)
leitende(r) Produzent(in):
Terry Ellis (UK producer & band manager)
Produzent(in):
Ian Anderson (of Jethro Tull) und Terry Ellis (UK producer & band manager)
Akustikgitarre und Flöte:
Ian Anderson (of Jethro Tull) (am 1971-02-12)
Bassgitarre und Altblockflöte:
Jeffrey Hammond Hammond (am 1971-02-12)
E-Gitarre und soprano recorder:
Martin Barre (am 1971-02-12)
mellotron, Orgel und Klavier:
John Evan (am 1971-02-12)
Schlagzeug und Perkussion:
Clive Bunker (am 1971-02-12)
vocals:
Ian Anderson (of Jethro Tull) (am 1971-02-12)
Dirigent(in):
Dee Palmer (aka David Palmer (Jethro Tull)) (am 1971-02-12)
Remix:
Robin Black (engineer)
Orchestrator(in):
Dee Palmer (aka David Palmer (Jethro Tull))
aufgenommen bei:
Island Studios (London) in London (Greater London), England, Vereinigtes Königreich (am 1971-02-12)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, Vereinigtes Königreich
recording of:
Locomotive Breath (am 1971-02-12)
Texter und Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull4.354:21
15The Killing Moon
recording engineer und Produzent(in):
David Lord (British composer, engineer and producer)
Mix:
Echo & the Bunnymen und Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
Verfasser(in):
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson und Will Sergeant
Echo & the Bunnymen4.655:44
16A Whiter Shade of PaleProcol Harum4.14:00
17Into My Arms
Assistent recording engineer:
Paul Hicks und Paul Wright (UK recording engineer)
recording engineer:
Paul Corkett
Produzent(in):
Nick Cave & the Bad Seeds und Flood (British producer Mark Ellis)
assistierende(r) Mix:
Chris Scard
Mix:
Flood (British producer Mark Ellis)
Bass:
Martyn P. Casey
Klavier:
Nick Cave (Australian singer-songwriter, musician and score composer)
vocals:
Nick Cave (Australian singer-songwriter, musician and score composer)
recording of:
Into My Arms
Texter und Komponist(in):
Nick Cave (Australian singer-songwriter, musician and score composer)
publisher:
Mute Song Ltd.
Nick Cave & the Bad Seeds4.154:12
18Mia
Gorki5:32