The Vietnam War: A Film by Ken Burns & Lynn Novick: The Soundtrack

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

▼Digitales Medium 1
Nr.TitelKünstlerBewertungLänge
1A Hard Rain’s A‐Gonna Fall
Produzent(in):
John Hammond (producer)
Akustikgitarre, Mundharmonika und Sologesang:
Bob Dylan
recording of:
Hard Rain’s A‐Gonna Fall
Texter und Komponist(in):
Bob Dylan (in 1962-10)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell (vom 1963 bis 1991) und Special Rider Music (vom 1991 bis heute)
Bob Dylan4.256:51
2Hello Vietnam (single version)
Johnnie Wright3:08
3It’s My Life
Produzent(in):
Mickie Most (English record producer)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 12)
cover recording of:
It’s My Life (The Animals)
Texter:
Roger Atkins
Komponist(in):
Carl D’Errico
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
The Animals3.23:08
4Eve of Destruction
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
Texter und Komponist(in):
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.53:33
5Turn Turn Turn
Produzent(in):
Terry Melcher
arranger:
Pete Seeger
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season) (am 1965-09-10)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Pete Seeger (in 1959)
publisher:
TRO Essex Music Ltd.
The Byrds4.653:51
6Masters of War
The Staple Singers4:36
7Mustang Sally
Techniker(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
Produzent(in):
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music") und Jerry Wexler
Bass [electric bass]:
Tommy Cogbill (vom 1966-10-13 bis 1966-10-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (vom 1966-10-13 bis 1966-10-14)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (vom 1966-10-13 bis 1966-10-14)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (vom 1966-10-13 bis 1966-10-14)
Schlagzeug:
Roger Hawkins (vom 1966-10-13 bis 1966-10-14)
Tenorsaxophon:
Gilbert Caples (vom 1966-10-13 bis 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (vom 1966-10-13 bis 1966-10-14) und Eddie Logan (vom 1966-10-13 bis 1966-10-14)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (vom 1966-10-13 bis 1966-10-14)
vocals:
Wilson Pickett (vom 1966-10-13 bis 1966-10-14)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (vom 1966-10-13 bis 1966-10-14)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 434)
cover recording of:
Mustang Sally (vom 1966-10-13 bis 1966-10-14)
Texter und Komponist(in):
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Fourteenth Hour Music, Inc., Springtime Music, Inc. und フジパシフィックミュージック SBK事業部
Wilson Pickett43:06
8Smokestack Lightnin’
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1956-01)
Gitarre:
Willie Johnson (Member of The Famous Flames) (in 1956-01), Willie Johnson (Blues guitarist) (in 1956-01) und Hubert Sumlin (in 1956-01)
Klavier:
Hosea Lee Kennard (in 1956-01)
Kontrabass und Kontrabass [bass]:
Willie Dixon (in 1956-01)
Mundharmonika und Sologesang:
Howlin’ Wolf (in 1956-01)
Schlagzeug und Schlagzeug [drums]:
Earl Phillips (in 1956-01)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 285)
recording of:
Smokestack Lightning (in 1956-01)
Texter und Komponist(in):
Chester Arthur Burnett
publisher:
Arc Music (U.S. rock & blues publisher)
Howlin’ Wolf53:08
9Backlash Blues
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
recording of:
Backlash Blues (am 1967-01-05)
Texter:
Langston Hughes
Komponist(in):
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) und Rolls Royce Music (publisher; do NOT use as release label)
Nina Simone4.652:29
10The Sound of Silence
Simon & Garfunkel3:05
11One Too Many Mornings
Produzent(in):
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
recording of:
One Too Many Mornings
Texter und Komponist(in):
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Warner/Chappell (vom 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
Bob Dylan4.22:39
12Ain’t Too Proud to Beg
Produzent(in):
Norman Whitfield
Instrumente:
The Funk Brothers (vom 1966-01-04 bis 1966-01-11)
Hintergrundgesang:
Melvin Franklin (vom 1966-01-04 bis 1966-01-11), Eddie Kendricks (vom 1966-01-04 bis 1966-01-11), Otis Williams (US baritone singer, member of The Temptations & The Distants) (vom 1966-01-04 bis 1966-01-11) und Paul Williams (member of The Temptations) (vom 1966-01-04 bis 1966-01-11)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (vom 1966-01-04 bis 1966-01-11)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (vom 1966-01-04 bis 1966-01-11)
recording of:
Ain’t Too Proud to Beg (vom 1966-01-04 bis 1966-01-11)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team) und Norman Whitfield
Komponist(in):
Norman Whitfield
publisher:
Jobete Music, Jobete Music (UK) Ltd., Stone Agate Music und Stone Agate Music Division
The Temptations52:32
13Are You Experienced?
Techniker(in):
Eddie Kramer (engineer)
Produzent(in):
Bryan “Chas” Chandler
E-Bass:
Noel Redding (vom 1967-04-03 bis 1967-04-04)
E-Gitarre und Klavier:
Jimi Hendrix (vom 1967-04-03 bis 1967-04-04)
Schlagzeug:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (vom 1967-04-03 bis 1967-04-04)
phonographic copyright (℗) by:
Experience Hendrix, L.L.C. (company, not a label) (in 2010)
aufgenommen bei:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (vom 1967-04-03 bis 1967-04-04)
recording of:
Are You Experienced? (vom 1967-04-03 bis 1967-04-04)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music
The Jimi Hendrix Experience44:14
14I’m a Man (single version)
The Spencer Davis Group2:55
15Green Onions (single version)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 181) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 418)
recording of:
Green Onions
Komponist(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones und Lewie Steinberg
publisher:
Al Jackson Jr. Music, Carlin Music Corporation, East/Memphis Music Corp. und Irving Music (BMI)
Booker T. & the MG’s4.152:54
16Strange Brew
recording engineer:
Tom Dowd (vom 1967-04 bis 1967-05)
Produzent(in):
Felix Pappalardi
Bass:
Jack Bruce (vom 1967-04 bis 1967-05)
Gitarre:
Eric Clapton (vom 1967-04 bis 1967-05)
Schlagzeug:
Ginger Baker (vom 1967-04 bis 1967-05)
vocals:
Jack Bruce (vom 1967-04 bis 1967-05) und Eric Clapton (vom 1967-04 bis 1967-05)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1967) und Robert Stigwood Organisation Ltd. (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (vom 1967-04 bis 1967-05)
recording of:
Strange Brew (vom 1967-04 bis 1967-05)
Verfasser(in):
Eric Clapton, Gail Collins Pappalardi und Felix Pappalardi
publisher:
Careers‐BMG Music Publishing, Inc., Casserole Music Corp., Dratleaf Music Ltd., Pronto Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Windfall Music Enterprises Incorporated
Cream4.152:47
17Waist Deep in the Big Muddy (live)
live recording of:
Waist Deep in the Big Muddy
Texter:
Pete Seeger
Komponist(in):
Pete Seeger (in 1967)
Pete Seeger2:55
18A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
Procol Harum4.14:01
19The Lord Is in This Place
recording of:
The Lord Is in This Place
Komponist(in):
Sandy Denny, Ashley Hutchings und Richard Thompson (UK folk rock singer/songwriter)
Fairport Convention1:59
20For What It’s Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield42:35
▶Digitales Medium 2

Nennungen

Veröffentlichung

phonographic copyright (℗) by:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2017)
zum Herunterladen kaufen:https://itunes.apple.com/us/album/id1445669136 [Info]