Your Hit Parade: 1943

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Time-Life Music by MCA Records

Anmerkung zuletzt geändert am 2020-01-28 20:50 UTC.

Titelliste

▼CD 1
Nr.TitelKünstlerBewertungLänge
1Juke Box Saturday Night
recording of:
Juke Box Saturday Night
Texter:
Al Stillman
Komponist(in):
Paul McGrane
Glenn Miller & His Orchestra3:06
2I’ve Heard That Song Before
recording of:
I’ve Heard That Song Before (am 1942-07-31)
Texter:
Sammy Cahn (in 1942)
Komponist(in):
Jule Styne (in 1942)
publisher:
Cahn Music Company und Morley Music Co. Inc.
Harry James and His Orchestra3:00
3Don’t Get Around Much Anymore
recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp., Sony/ATV Harmony, フジパシフィックミュージック SBK事業部 und ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
Version von:
Never No Lament
The Ink Spots3:07
4Sunday, Monday or Always
recording of:
Sunday, Monday or Always (am 1943-07-02)
Texter:
Johnny Burke (American lyricist, 1908-1964) (in 1943)
Komponist(in):
Jimmy Van Heusen (in 1943)
publisher:
Burke-Van Heusen, Inc.
Bing Crosby2:38
5You’d Be So Nice to Come Home To
recorded in:
Hollywood, Los Angeles, California, Vereinigte Staaten (am 1942-07-30)
vocals:
Dinah Shore (am 1942-07-30)
Orchester:
Orchestra conducted by Paul Weston (am 1942-07-30)
Dirigent(in):
Paul Weston (am 1942-07-30)
recording of:
You’d Be So Nice to Come Home To (am 1942-07-30)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Dinah Shore2:55
6Let’s Get Lost
recording of:
Let’s Get Lost
Verfasser(in):
Frank Loesser und Jimmy McHugh (songwriter)
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody) und Sony/ATV Harmony (ASCAP)
Vaughn Monroe & His Orchestra3:02
7Boogie Woogie
alto saxophone:
Hymie Shertzer (am 1938-09-16) und Fred Stulce (am 1938-09-16)
Gitarre:
Carmen Mastren (am 1938-09-16)
Klavier:
Howard Smith (swing jazz pianist) (am 1938-09-16)
Kontrabass:
Gene Traxler (am 1938-09-16)
Posaune:
Tommy Dorsey (Swing trombone player & band leader) (am 1938-09-16), Les Jenkins (am 1938-09-16) und Buddy Morrow (am 1938-09-16)
Rohrblattinstrumente:
Johnny Mintz (am 1938-09-16)
Schlagzeug:
Maurice Purtill (am 1938-09-16)
Tenorsaxophon:
Deane Kincaide (am 1938-09-16) und Hymie Shertzer (am 1938-09-16)
Trompete:
Yank Lawson (am 1938-09-16), Lee Castaldo (am 1938-09-16) und Charlie Spivak (am 1938-09-16)
recording of:
Boogie Woogie (am 1938-09-16)
Komponist(in):
Clarence “Pine Top” Smith
Tommy Dorsey & His Orchestra3:10
8I’m Old Fashioned
recorded in:
Los Angeles, California, Vereinigte Staaten (am 1942-07-27)
vocals:
Fred Astaire (am 1942-07-27)
Orchester:
John Scott Trotter and His Orchestra (am 1942-07-27)
recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (am 1942-07-27)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Jerome Kern (in 1942)
publisher:
T.B. Harms, The Johnny Mercer Foundation und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
Fred Astaire2:27
9Stormy Weather
recorded in:
Hollywood, Los Angeles, California, Vereinigte Staaten (am 1941-12-15)
Orchester:
Lou Bring’s Orchestra
Dirigent(in):
Lou Bring
cover recording of:
Stormy Weather (am 1941-12-15)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Lena Horne3:23
10You’ll Never Know
recording of:
You’ll Never Know
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (beendet), EMI Blackwood Music Inc. (1989-07-24–present) und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ワーナー・チャペル音楽出版, ヤマハミュージックパブリッシング (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
Academy Award for Best Original Song (Nummer: 16)
Dick Haymes & The Song Spinners2:46
11That Old Black Magic
recording of:
That Old Black Magic
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
Glenn Miller & His Orchestra3:04
12People Will Say We’re in Love
vocals:
Bing Crosby (in 1943) und Trudy Erwin (in 1943)
Orchester:
The Sportsmen Glee Club (in 1943)
recording of:
People Will Say We’re in Love (in 1943)
Orchestrator(in):
Robert Russell Bennett
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company und Williamson Music, Inc.
music quoted on:
Finale (Oklahoma!)
music quoted on:
Oklahoma! Overture
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Bing Crosby & Trudy Erwin2:59
13Why Don’t You Do Right
recording of:
Why Don’t You Do Right?
Texter und Komponist(in):
Kansas Joe McCoy
publisher:
Edwin Morris Music und Morley Music Co
Version von:
Weed Smoker’s Dream
Benny Goodman3:14
14Paper Doll
recording of:
Paper Doll
Texter und Komponist(in):
Johnny S. Black (in 1915)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Mills Brothers2:38
15I Had the Craziest Dream
recording of:
I Had the Craziest Dream (am 1942-07-23)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Harry James and His Orchestra3:25
16In the Blue of the Evening
recording of:
In the Blue of Evening (1940s song)
Texter:
Tom Adair
Komponist(in):
Alfonso D’Artega (songwriter and conductor)
publisher:
Shapiro, Bernstein & Co., Inc.
Tommy Dorsey & His Orchestra2:56
17Brazil
recording of:
Brazil
Komponist(in):
Ary Barroso
Übersetzer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
übersetzte Version von:
Aquarela do Brasil
Teil von:
Brazil
Xavier Cugat & His Waldorf-Astoria Orchestra2:49
18Zing! Went the Strings of My Heart
vocals:
Judy Garland (am 1939-07-29)
recording of:
Zing! Went the Strings of My Heart (am 1939-07-29)
Texter und Komponist(in):
James F. Hanley
publisher:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Judy Garland52:58
19Pistol-Packin’ Mama
accordion:
Paul Sells (am 1942-03-20)
Bass:
Fred Whiting (US double bassist) (am 1942-03-20)
Gitarre:
Johnny Bond (am 1942-03-20), Al Dexter (am 1942-03-20) und Dick Reinhart (am 1942-03-20)
Steel-Gitarre:
Frankie Marvin (US country musician) (am 1942-03-20)
Trompete:
Harry Hollinger (am 1942-03-20)
aufgenommen bei:
CBS Columbia Square Recording Studios (KNX and Columbia Broadcasting System) in Hollywood, Los Angeles, California, Vereinigte Staaten
Teil von:
V Disc (by matrix number) (Nummer: VP 39)
recording of:
Pistol Packin’ Mama (am 1942-03-20)
publisher:
Albert Poindexter (am 1942-02-16)
Texter und Komponist(in):
Al Dexter
publisher:
Universal‐Songs of PolyGram International, Inc.
Al Dexter and His Troopers42:48
20Taking a Chance on Love
vocals:
Helen Forrest
recording of:
Taking a Chance on Love
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
Benny Goodman and His Orchestra3:11
21Moonlight Becomes You
vocals:
Bing Crosby (in 1942)
Orchester:
John Scott Trotter and His Orchestra (in 1942)
recording of:
Moonlight Becomes You (am 1942-06-12)
Texter:
Johnny Burke (American lyricist, 1908-1964) (in 1942)
Komponist(in):
Jimmy Van Heusen (in 1942)
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony und ソニー・ミュージックパブリッシング A事業部
Bing Crosby33:12
22Comin’ in on a Wing and a Prayer
recording of:
Coming In on a Wing and a Prayer
Texter:
Harold Adamson
Verfasser(in):
Harold Adamson und Jimmy McHugh (songwriter)
Komponist(in):
Jimmy McHugh (songwriter)
Dick Haymes2:23
23When the Lights Go on Again (All Over the World)
vocals:
Vaughn Monroe (in 1942)
recording of:
When the Lights Go On Again (All Over the World) (in 1942)
Verfasser(in):
Bennie Benjamin (in 1942), Sol Marcus (in 1942) und Eddie Seiler (in 1942)
Vaughn Monroe & His Orchestra3:05
24As Time Goes By
recording of:
As Time Goes By (the song from “Casablanca”)
Texter, Verfasser(in) und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
Warner/Chappell Music Taiwan Ltd.
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Dooley Wilson3:00

Nennungen

Veröffentlichungsgruppe

Teil von:Your Hit Parade (Time-Life Music) (Nummer: 20) (Reihenfolge: 20)