Pure Ella

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

The front cover art scan of the words "Pure Ella" appear to be black but they are actually reflective silver.

Anmerkung zuletzt geändert am 2020-02-22 22:48 UTC.

Titelliste

▼CD 1
Nr.TitelBewertungLänge
1Mack the Knife
4:49
2Blue Skies
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (in 1958)
Dirigent(in):
Paul Weston (in 1958)
Interpret(in):
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
cover recording of:
Blue Skies (am 1958-03-18)
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
3:45
3A-Tisket, A-Tasket
recording of:
A-Tisket, A-Tasket
Texter:
[traditional] (special purpose artist), Al Feldman (reeds) und Ella Fitzgerald
Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13188)
1:52
4They Can’t Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
4:39
5Misty
recorded in:
Hollywood, Los Angeles, California, Vereinigte Staaten (vom 1960-04-14 bis 1960-04-19)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (vom 1960-04-14 bis 1960-04-19)
Sologesang:
Ella Fitzgerald (vom 1960-04-14 bis 1960-04-19)
cover recording of:
Misty
Texter:
Johnny Burke (American lyricist, 1908-1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
2:53
6You’ll Have to Swing It (Mr. Paganini)
4:08
7Tea for Two
3:17
8Love Is Here to Stay
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (in 1959)
Dirigent(in):
Nelson Riddle (in 1959)
Interpret(in):
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
cover recording of:
Love Is Here to Stay (in 1959)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Teil von:
The Goldwyn Follies
3:53
9Night and Day
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (in 1956)
Dirigent(in):
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1956)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
3:06
10My Funny Valentine
recorded in:
Los Angeles, California, Vereinigte Staaten (vom 1956-08-21 bis 1956-08-31)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone:
Chuck Gentry (vom 1956-08-21 bis 1956-08-31)
Bass:
Joe Mondragon (vom 1956-08-21 bis 1956-08-31)
Bassposaune:
George Roberts (american bass trombone) (vom 1956-08-21 bis 1956-08-31)
Flöte und Saxophon:
Bob Cooper (US jazz saxophonist) (vom 1956-08-21 bis 1956-08-31), Ted Nash (40s-80s US swing reedman, uncle of the other) (vom 1956-08-21 bis 1956-08-31), Bud Shank (vom 1956-08-21 bis 1956-08-31) und Maurice Stein (American jazz saxophonist) (vom 1956-08-21 bis 1956-08-31)
Flügelhorn:
Vince DeRosa (vom 1956-08-21 bis 1956-08-31)
Gitarre:
Barney Kessel (vom 1956-08-21 bis 1956-08-31)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (vom 1956-08-21 bis 1956-08-31)
Posaune:
Milt Bernhart (vom 1956-08-21 bis 1956-08-31), Joe Howard (american trombone player) (vom 1956-08-21 bis 1956-08-31) und Lloyd Ulyate (vom 1956-08-21 bis 1956-08-31)
Schlagzeug:
Alvin Stoller (vom 1956-08-21 bis 1956-08-31)
Trompete:
Pete Candoli (vom 1956-08-21 bis 1956-08-31), Maynard Ferguson (vom 1956-08-21 bis 1956-08-31), Conrad Gozzo (vom 1956-08-21 bis 1956-08-31) und Ray Linn (vom 1956-08-21 bis 1956-08-31)
Sologesang:
Ella Fitzgerald
vocals:
Ella Fitzgerald (vom 1956-08-21 bis 1956-08-31)
Dirigent(in):
Buddy Bregman (vom 1956-08-21 bis 1956-08-31)
arranger und Orchestrator(in):
Buddy Bregman
recording of:
My Funny Valentine (from “Babes in Arms”) (vom 1956-08-21 bis 1956-08-31)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Teil von:
Waiting to Exhale (1995 film)
43:55
11The Boy From Ipanema
2:59
12Too Marvelous for Words
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (vom 1964-10-19 bis 1964-10-21)
Instrumente:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (vom 1964-10-19 bis 1964-10-21)
Klarinette:
Buddy DeFranco (vom 1964-10-19 bis 1964-10-21)
Tenorsaxophon:
Plas Johnson (vom 1964-10-19 bis 1964-10-21)
Vibraphon:
Frank Flynn (vom 1964-10-19 bis 1964-10-21)
Sologesang:
Ella Fitzgerald (vom 1964-10-19 bis 1964-10-21)
Dirigent(in):
Nelson Riddle (vom 1964-10-19 bis 1964-10-21)
Interpret(in):
Nelson Riddle and His Orchestra (in 1964)
arranger:
Nelson Riddle
cover recording of:
Too Marvelous for Words (in 1964)
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
42:32
13Take the "A" Train
Techniker(in):
Val Valentin (am 1957-06-24)
Produzent(in):
Norman Granz
alto saxophone:
Johnny Hodges (am 1957-06-24)
alto saxophone und Klarinette:
Russell Procope (am 1957-06-24)
Bassklarinette und Klarinette:
Harry Carney (am 1957-06-24)
Klarinette und Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1957-06-24)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1957-06-24)
Kontrabass:
Jimmy Woode (am 1957-06-24)
Posaune:
Quentin Jackson (am 1957-06-24), John Sanders (US jazz trombonist) (am 1957-06-24) und Britt Woodman (am 1957-06-24)
Schlagzeug:
Sam Woodyard (am 1957-06-24)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1957-06-24) und Paul Gonsalves (am 1957-06-24)
Trompete:
William “Cat” Anderson (am 1957-06-24), Willie Cook (am 1957-06-24), Dizzy Gillespie (am 1957-06-24) und Clark Terry (American swing trumpeter) (am 1957-06-24)
Trompete und Geige / Violine:
Ray Nance (am 1957-06-24)
Sologesang:
Ella Fitzgerald (am 1957-06-24)
Interpret(in):
Duke Ellington and His Orchestra (am 1957-06-24)
cover recording of:
Take the “A” Train (am 1957-06-24)
publisher:
Billy Strayhorn (am 1941-06-12)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Tempo (am 1943-02-19)
Version von:
Take the “A” Train (original instrumental version)
6:43
14Summertime
vocals:
Louis Armstrong
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Dorothy Kuhns (playwright), Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (vom 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
lyrics quoted on:
Doin’ Time
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
5:00
15How High the Moon
7:06
16All the Things You Are
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (in 1963)
Dirigent(in):
Nelson Riddle (in 1963)
Interpret(in):
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
recording of:
All the Things You Are (from “Very Warm for May”) (vom 1963-01-07 bis heute)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
cover recording of:
All the Things You Are (from “Very Warm for May”) (in 1963)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
3:18
17Over the Rainbow
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (in 1960)
Dirigent(in):
Billy May (in 1960)
Interpret(in):
Billy May & His Orchestra (in 1960)
arranger:
Billy May
cover recording of:
Over the Rainbow (The Wizard of Oz) (in 1960)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, フジパシフィック音楽出版 SBK事業部 (bis 2014-12-31), ヤマハミュージックパブリッシング (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
Academy Award for Best Original Song (Nummer: 12)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
4:19
18Oh, Lady Be Good
4:05

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/498314 [Info]