Best of Händel

~ Veröffentlichung von George Frideric Handel (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

The list of artists on the album has been applied to every track. It's probably possible to work out what's what, but it it will take some unravelling. There is some similarity to https://www.deccaclassics.com/en/cat/4798393.

Anmerkung zuletzt geändert am 2020-05-23 16:41 UTC.

Titelliste

▼CD 1
Nr.TitelBewertungLänge
1Feuerwerksmusik (Ouvertüre)
Orchester:
English Baroque Soloists
Dirigent(in):
Sir John Eliot Gardiner
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
7:30
2Samson (Let the bright seraphim)
Orgel:
Simon Preston (organist, conductor, composer)
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer)
Mezzosoprangesang:
Magdalena Kožená (mezzo-soprano) und Marijana Mijanovic (classical contralto)
Soprangesang:
Lynne Dawson (soprano) und Renée Fleming (soprano)
Interpret(in):
Choir of Westminster Abbey und Monteverdi Choir
recording of:
Samson, HWV 57: Act III, no. 107. “Let the Bright Seraphim” (Israelite Woman)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Samson, HWV 57: Act III
5:35
3Messiah (Hallelujah)
Orgel:
Simon Preston (organist, conductor, composer)
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer)
Mezzosoprangesang:
Magdalena Kožená (mezzo-soprano) und Marijana Mijanovic (classical contralto)
Soprangesang:
Lynne Dawson (soprano) und Renée Fleming (soprano)
Interpret(in):
Choir of Westminster Abbey und Monteverdi Choir
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
3:59
4Solomon (Arrival of the Queen of Sheba)
Oboe:
Lothar Koch (oboist)
Orgel:
Simon Preston (organist, conductor, composer)
Trompete:
Maurice André (French trumpeter)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft
Teil von:
Solomon, HWV 67: Act III
3:09
5Concerto a due Cori Nr. 3 (Allegro)
Harfe:
Ursula Holliger (Swiss harpist)
Oboe:
Lothar Koch (oboist)
Orgel:
Simon Preston (organist, conductor, composer)
Trompete:
Maurice André (French trumpeter)
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer)
Mezzosoprangesang:
Magdalena Kožená (mezzo-soprano) und Marijana Mijanovic (classical contralto)
Soprangesang:
Lynne Dawson (soprano) und Renée Fleming (soprano)
Interpret(in):
Choir of Westminster Abbey und Monteverdi Choir
teilweise recording of:
Concerto a due cori no. 3 in F major, HWV 334
Komponist(in):
George Frideric Handel (German‐British baroque composer) (vom 1747 bis 1748)
Premiere bei:
Covent Garden Theatre (1732-1808) in London (Greater London), England, Vereinigtes Königreich (am 1748-03-23)
Teil von:
Händel-Werke-Verzeichnis (Nummer: HWV 334)
4:31
6Serse (Frondi tenere - Ombra mai fu)
Harfe:
Ursula Holliger (Swiss harpist)
Oboe:
Lothar Koch (oboist)
Orgel:
Simon Preston (organist, conductor, composer)
Trompete:
Maurice André (French trumpeter)
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer)
Mezzosoprangesang:
Magdalena Kožená (mezzo-soprano) und Marijana Mijanovic (classical contralto)
Soprangesang:
Lynne Dawson (soprano) und Renée Fleming (soprano)
Interpret(in):
Choir of Westminster Abbey und Monteverdi Choir
recording of:
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (vom 1737-12-26 bis 1738-01-09)
Teil von:
Serse, HWV 40: Atto I
3:49
7Israel in Egypt (Moses and the children of Israel)
Harfe:
Ursula Holliger (Swiss harpist)
Oboe:
Lothar Koch (oboist)
Orgel:
Simon Preston (organist, conductor, composer)
Trompete:
Maurice André (French trumpeter)
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer)
Mezzosoprangesang:
Magdalena Kožená (mezzo-soprano) und Marijana Mijanovic (classical contralto)
Soprangesang:
Lynne Dawson (soprano) und Renée Fleming (soprano)
Interpret(in):
Choir of Westminster Abbey und Monteverdi Choir
recording of:
Israel in Egypt, HWV 54: Part III, no. 17: Introitus (Chorus) "Moses and the children of Israel"
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1738)
Librettist:
Charles Jennens
Teil von:
Israel in Egypt, HWV 54: Part III "Moses' Song"
3:21
8Trompetenkonzert Nr. 1 (Sarabande. Largo
Oboe:
Lothar Koch (oboist)
Trompete:
Maurice André (French trumpeter)
recording of:
Oboe Concerto no. 3 in G minor, HWV 287: III. Sarabande (Largo)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Oboe Concerto no. 3 in G minor, HWV 287
1:55
9Messiah (I know that my Redeemer liveth)
Harfe:
Ursula Holliger (Swiss harpist)
Oboe:
Lothar Koch (oboist)
Orgel:
Simon Preston (organist, conductor, composer)
Trompete:
Maurice André (French trumpeter)
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer)
Mezzosoprangesang:
Magdalena Kožená (mezzo-soprano) und Marijana Mijanovic (classical contralto)
Soprangesang:
Lynne Dawson (soprano) und Renée Fleming (soprano)
Interpret(in):
Choir of Westminster Abbey und Monteverdi Choir
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I Know That my Redeemer Liveth” (Soprano)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part III
6:11
10Judas Maccabeus (See the conquering hero comes)
Harfe:
Ursula Holliger (Swiss harpist)
Oboe:
Lothar Koch (oboist)
Orgel:
Simon Preston (organist, conductor, composer)
Trompete:
Maurice André (French trumpeter)
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer)
Mezzosoprangesang:
Magdalena Kožená (mezzo-soprano) und Marijana Mijanovic (classical contralto)
Soprangesang:
Lynne Dawson (soprano) und Renée Fleming (soprano)
Interpret(in):
Choir of Westminster Abbey und Monteverdi Choir
recording of:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1746)
Librettist:
Thomas Morell
Teil von:
Judas Maccabaeus, HWV 63: Act III
2:16
11Oboenkonzert Nr. 2 (Adagio)
Oboe:
Lothar Koch (oboist)
2:15
12Harfenkonzert (Andante allegro)
Harfe:
Ursula Holliger (Swiss harpist)
recording of:
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante - Allegro (original version, for harp)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1736)
Teil von:
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294
6:25
13Rinaldo (Lascia ch'io pianga)
Harfe:
Ursula Holliger (Swiss harpist)
Oboe:
Lothar Koch (oboist)
Orgel:
Simon Preston (organist, conductor, composer)
Trompete:
Maurice André (French trumpeter)
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer)
Mezzosoprangesang:
Magdalena Kožená (mezzo-soprano) und Marijana Mijanovic (classical contralto)
Soprangesang:
Lynne Dawson (soprano) und Renée Fleming (soprano)
Interpret(in):
Choir of Westminster Abbey und Monteverdi Choir
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1711)
Librettist:
Giacomo Rossi
Teil von:
Rinaldo, HWV 7a: Atto II
4:26
14Wassermusik Suite Nr. 1 (Air)
Oboe:
Lothar Koch (oboist)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 1 in F major, HWV 348
3:28
15Giulio Cesare in Egitto (Caro, più amabile beltà)
Harfe:
Ursula Holliger (Swiss harpist)
Oboe:
Lothar Koch (oboist)
Orgel:
Simon Preston (organist, conductor, composer)
Trompete:
Maurice André (French trumpeter)
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer)
Mezzosoprangesang:
Magdalena Kožená (mezzo-soprano) und Marijana Mijanovic (classical contralto)
Soprangesang:
Lynne Dawson (soprano) und Renée Fleming (soprano)
Interpret(in):
Choir of Westminster Abbey und Monteverdi Choir
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IX, 43. Duetto “Caro! (Bella!) Più amabile beltà” (Cleopatra e Cesare)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1724)
Librettist:
Nicola Francesco Haym
Teil von:
Giulio Cesare in Egitto, HWV 17: Atto III
4:24
16Orgelkonzert Nr. 13 "Kuckuck und Nachtigall" (Allegro)
Orgel:
Simon Preston (organist, conductor, composer)
recording of:
Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale": IV. Allegro
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Organ Concerto no. 13 in F major, HWV 295 "The Cuckoo and the Nightingale"
3:40
17Wassermusik Suite Nr. 2 (Alla Hornpipe)
Oboe:
Lothar Koch (oboist)
Orgel:
Simon Preston (organist, conductor, composer)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 2 in D major, HWV 349
4:18
18Coronation Anthem Nr. 1 (Zadok the Priest)
Oboe:
Lothar Koch (oboist)
Orgel:
Simon Preston (organist, conductor, composer)
bass-baritone vocals:
Bryn Terfel (bass-baritone opera singer)
Mezzosoprangesang:
Magdalena Kožená (mezzo-soprano) und Marijana Mijanovic (classical contralto)
Soprangesang:
Lynne Dawson (soprano) und Renée Fleming (soprano)
Interpret(in):
Choir of Westminster Abbey und Monteverdi Choir
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1727)
Premiere bei:
Westminster Abbey in London (Greater London), England, Vereinigtes Königreich (am 1727-10-11)
Teil von:
Händel-Werke-Verzeichnis (Nummer: HWV 258)
Teil von:
The Four Coronation Anthems
5:17

Nennungen