Titelliste

CD 1
Nr.TitelKünstlerBewertungLänge
1Carmen Suite no. 1: Prélude
Orchester:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
Dirigent(in):
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
Komponist(in):
Georges Bizet (composer)
Teil von:
Carmen Suite no. 1
Georges Bizet1:23
2Carmen Suite no. 1: Aragonaise
Orchester:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
Dirigent(in):
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
Komponist(in):
Georges Bizet (composer)
basiert auf:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
Teil von:
Carmen Suite no. 1
Georges Bizet2:14
3Carmen Suite no. 1: Intermezzo / Interlude
Orchester:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
Dirigent(in):
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
Komponist(in):
Georges Bizet (composer)
basiert auf:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
Teil von:
Carmen Suite no. 1
Georges Bizet2:41
4Carmen Suite no. 1: Seguedille
Orchester:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
Dirigent(in):
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1: IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
Komponist(in):
Georges Bizet (composer)
basiert auf:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
Teil von:
Carmen Suite no. 1
Georges Bizet1:53
5Carmen Suite no. 1: Les Dragons d’Alcala
Orchester:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
Dirigent(in):
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
Komponist(in):
Georges Bizet (composer)
basiert auf:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
Teil von:
Carmen Suite no. 1
Georges Bizet1:38
6Carmen Suite no. 1: Les Toréadors
Orchester:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
Dirigent(in):
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
Komponist(in):
Georges Bizet (composer)
basiert auf:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
basiert auf:
Carmen : Prélude
Teil von:
Carmen Suite no. 1
Georges Bizet2:20
7Carmen Suite no. 2: Marche de contrebandiers
Orchester:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
Dirigent(in):
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 2: I. Marche des contrebandiers
Komponist(in):
Georges Bizet (composer)
basiert auf:
Carmen : Acte III, No. 19. « Écoute, écoute, compagnon, écoute » (Les Contrebandiers, Mercédès, Frasquita, Carmen, Don José, Le Dancaïre, Le Remendado) (Chœur des contrebandiers)
Teil von:
Carmen Suite no. 2
Georges Bizet3:58
8Carmen Suite no. 2: Habanera
Orchester:
Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
Dirigent(in):
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz und Peter Stern (conductor, supposedly a faux artist Alfred Scholz created)
recording of:
Carmen Suite no. 2: II. Habanera
Komponist(in):
Georges Bizet (composer)
basiert auf:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
Teil von:
Carmen Suite no. 2
Georges Bizet42:12
9Carmen Suite no. 2: Nocturne
Orchester:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
Dirigent(in):
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 2: III. Nocturne
Komponist(in):
Georges Bizet (composer)
basiert auf:
Carmen : Acte III. Air « Je dis que rien ne m’épouvante » (Micaëla)
Teil von:
Carmen Suite no. 2
Georges Bizet4:10
10Carmen Suite no. 2: Chanson du toréador
Orchester:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) und Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
Dirigent(in):
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
Komponist(in):
Georges Bizet (composer)
basiert auf:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (“Chanson du toréador”)
Teil von:
Carmen Suite no. 2
Georges Bizet2:40
11Carmen Suite no. 2: Le Garde montante
Orchester:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) und Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
Dirigent(in):
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 2: V. La Garde montante
Komponist(in):
Georges Bizet (composer)
basiert auf:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
Teil von:
Carmen Suite no. 2
Georges Bizet3:53
12Carmen Suite no. 2: Dance bohème
Orchester:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
Dirigent(in):
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 2: VI. Danse bohème
Komponist(in):
Georges Bizet (composer)
basiert auf:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
Teil von:
Carmen Suite no. 2
Georges Bizet4:38
13L’Arlésienne Suite no. 1: Ouvertüre
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
Dirigent(in):
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra)
Komponist(in):
Georges Bizet (composer) (in 1872)
Teil von:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet6:43
14L’Arlésienne Suite no. 1: Minuetto
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
Dirigent(in):
Cesare Cantieri (an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra)
Komponist(in):
Georges Bizet (composer) (in 1872)
Teil von:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:45
15L’Arlésienne Suite no. 1: Adagietto
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
Dirigent(in):
Cesare Cantieri (an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra)
Komponist(in):
Georges Bizet (composer) (in 1872)
Teil von:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:52
16L’Arlésienne Suite no. 1: Carillon
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
Dirigent(in):
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
Komponist(in):
Georges Bizet (composer) (in 1872)
Teil von:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:48