Baby Love: 100 Classic Love Songs of the 50’s and 60’s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶CD 1
▶CD 2
▶CD 3
▼CD 4
#TitleArtistRatingLength
1Que Sera, Sera (Whatever Will Be, Will Be)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (US lyricist)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
Academy Award for Best Original Song (number: 29)
Doris Day2:07
2What a Diff’rence a Day Makes
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (on 1959-02-19)
arranger:
Belford Hendricks
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music – Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington3.352:31
3He’ll Have to Go
recording of:
He’ll Have to Go
writer:
Audrey Allison and Joe Allison
publisher:
Campbell Connelly & Co. Ltd. and Central Songs
Jim Reeves2:20
4Keep Searchin’ (We’ll Follow the Sun)
recording of:
Keep Searching (We'll Follow the Sun)
lyricist, writer and composer:
Del Shannon
Del Shannon2:12
5Spanish Eyes
recording of:
Spanish Eyes
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
version of:
Moon Over Naples
translated version of:
Ojos de España
Al Martino2.52:48
6I Only Want to Be With You
Dusty Springfield2:37
7Ginny Come Lately
recording of:
Ginny Come Lately
writer:
Gary Geld and Peter Udell
publisher:
Pogo Music Corp.
Brian Hyland2:51
8I Will Follow Him
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1963) and ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 2009)
recording of:
I Will Follow Him (on 1963-01-07)
lyricist:
Norman Gimbel and Jacques Plante
composer:
Paul Mauriat and Franck Pourcel
publisher:
Universal MCA Music Publishing (France) and Universal Music Corporation (USA, affiliated with ASCAP)
version of:
Chariot
Peggy March42:28
9Catch a Falling Star
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1957) and The Ray Charles Singers (in 1957)
orchestra:
Mitchell Ayres and His Orchestra (in 1957)
performer:
The Ray Charles Singers and Mitchell Ayres and His Orchestra (in 1957)
arranger:
Joe Reisman
recording of:
Catch a Falling Star (in 1957)
writer:
Lee Pockriss and Paul Vance (US songwriter and producer)
Perry Como42:29
10The End of the World
engineer:
Bill Porter (engineer)
producer:
Chet Atkins
vocals:
Skeeter Davis
recording of:
The End of the World (in 1962)
lyricist:
Sylvia Dee (American lyricist)
composer:
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Skeeter Davis3.52:38
11Roses Are Red (My Love)
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
vocals:
Bobby Vinton
conductor:
Robert Mersey
arranger:
Robert Mersey
recording of:
Roses Are Red (in 1962)
writer:
Al Byron and Paul Evans (50s US rock n roll singer/songwriter)
Bobby Vinton2:39
12Come a Little Bit Closer
recording of:
Come a Little Bit Closer
writer:
Tommy Boyce (US songwriter of Boyce and Hart), Wes Farrell and Bobby Hart
publisher:
Morris Music Inc
Jay & the Americans3.52:51
13Only Love Can Break a Heart
Gene Pitney2:50
14Lana
recording of:
Lana
writer:
Joe Melson and Roy Orbison
Roy Orbison2:19
15Hey! Baby
Bruce Channel2:23
16The Twelfth of Never
recording of:
The Twelfth of Never
lyricist:
Paul Francis Webster
composer:
Jerry Livingston (songwriter)
publisher:
Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Webster Music Co. and フジパシフィックミュージック
is based on:
The Riddle Song (aka “I Gave My Love a Cherry”)
Johnny Mathis2:31
17Be My Baby
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Ronnie Spector (in 1963-07)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Phil Spector Records (in 1963)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 22) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 22)
recording of:
Be My Baby (in 1963-07)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Trio Music Co., Inc. and Universal‐Songs of PolyGram International, Inc.
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher - do NOT use as a release label), Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
The Ronettes42:42
18The Green Leaves of Summer
The Brothers Four2:57
19Tell Laura I Love Her
recording of:
Tell Laura I Love Her
lyricist:
Ben Raleigh
composer:
Jeff Barry
publisher:
Steeplechase Music
Ray Peterson2:57
20Breaking Up Is Hard to Do
vocals:
Neil Sedaka
conductor:
Al Lorber
arranger:
Al Lorber
recording of:
Breaking Up Is Hard to Do
lyricist:
Howard Greenfield
composer:
Neil Sedaka
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Careers and Aldon (in 1962)
Neil Sedaka3.252:17
21Living Doll
producer:
Norrie Paramor
vocals:
Cliff Richard
performer:
The Drifters (London group, pre-Shadows)
recording of:
Living Doll
lyricist and composer:
Lionel Bart
Cliff Richard & The Drifters2:39
22I’m Sorry
recording of:
I’m Sorry (Brenda Lee song, 1960)
writer:
Dub Albritton and Ronnie Self
publisher:
Songs of Universal
Brenda Lee2:40
23Stay
double bass:
Albert Hill (double bassist)
drums (drum set) [drums]:
Willie Morrow
baritone vocals:
Charles Thomas (The Zodiacs)
lead vocals:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
tenor vocals:
Wiley Bennett
tenor vocals [falsetto tenor]:
Henry Gaston
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 1)
recording of:
Stay
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. and Cherio Corp. (in 1960)
Maurice Williams and the Zodiacs51:40
24Put Your Head on My Shoulder
Paul Anka2:36
25Blueberry Hill
phonographic copyright (℗) by:
Everest Records (classical) and Liberty (a division of UMG Recordings, Inc.) (in 1957)
edit of:
Blueberry Hill (Imperial) by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 81) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 147)
cover recording of:
Blueberry Hill (on 1956-06-27)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.82:20

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2009)
Discogs:https://www.discogs.com/release/1678254 [info]
other databases:https://www.muziekweb.nl/Link/HDX8677/ [info]