Messe in H-Moll

~ Release by J. S. Bach; Akademie für Alte Musik Berlin, René Jacobs (see all versions of this release, 1 available)

Annotation

Limited edition, 5000 copies

Annotation last modified on 2017-02-21 15:24 UTC.

Tracklist

▼CD 1
#	Title	Artist	Rating	Length
1	Messe in H-Moll, I. Missa: 1. Kyrie eleison recording engineer: Horst-Dieter Kaeppler producer: Bernd Runge choir vocals: RIAS Kammerchor (in 1992-09) orchestra: Akademie für Alte Musik Berlin (in 1992-09) conductor: René Jacobs (conductor) (in 1992-09) balance engineer: Eberhard Hinz recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1992-09) recording of: h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (in 1992-09) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		10:11
2	Messe in H-Moll, I. Missa: 2. Christe eleison recording engineer: Horst-Dieter Kaeppler producer: Bernd Runge choir vocals: RIAS Kammerchor (in 1992-09) soprano vocals: Bernarda Fink (mezzo soprano) (in 1992-09) and Hillevi Martinpelto (soprano) (in 1992-09) orchestra: Akademie für Alte Musik Berlin (in 1992-09) conductor: René Jacobs (conductor) (in 1992-09) balance engineer: Eberhard Hinz recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1992-09) recording of: h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (in 1992-09) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		5:21
3	Messe in H-Moll, I. Missa: 3. Kyrie eleison recording engineer: Horst-Dieter Kaeppler producer: Bernd Runge choir vocals: RIAS Kammerchor (in 1992-09) orchestra: Akademie für Alte Musik Berlin (in 1992-09) conductor: René Jacobs (conductor) (in 1992-09) balance engineer: Eberhard Hinz recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1992-09) recording of: h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (in 1992-09) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		4:17
4	Messe in H-Moll, I. Missa: 4. Gloria in excelsis Deo recording engineer: Horst-Dieter Kaeppler producer: Bernd Runge choir vocals: RIAS Kammerchor (in 1992-09) orchestra: Akademie für Alte Musik Berlin (in 1992-09) conductor: René Jacobs (conductor) (in 1992-09) balance engineer: Eberhard Hinz recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1992-09) recording of: h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (in 1992-09) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		1:49
5	Messe in H-Moll, I. Missa: 5. Et in terra pax recording engineer: Horst-Dieter Kaeppler producer: Bernd Runge choir vocals: RIAS Kammerchor (in 1992-09) orchestra: Akademie für Alte Musik Berlin (in 1992-09) conductor: René Jacobs (conductor) (in 1992-09) balance engineer: Eberhard Hinz recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1992-09) recording of: h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (in 1992-09) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		6:41
6	Messe in H-Moll, I. Missa: 6. Laudamus te recording engineer: Horst-Dieter Kaeppler producer: Bernd Runge choir vocals: RIAS Kammerchor (in 1992-09) soprano vocals: Bernarda Fink (mezzo soprano) (in 1992-09) orchestra: Akademie für Alte Musik Berlin (in 1992-09) conductor: René Jacobs (conductor) (in 1992-09) balance engineer: Eberhard Hinz recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1992-09) recording of: h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (in 1992-09) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		4:17
7	Messe in H-Moll, I. Missa: 7. Gratias agimus tibi recording engineer: Horst-Dieter Kaeppler producer: Bernd Runge choir vocals: RIAS Kammerchor (in 1992-09) orchestra: Akademie für Alte Musik Berlin (in 1992-09) conductor: René Jacobs (conductor) (in 1992-09) balance engineer: Eberhard Hinz recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1992-09) recording of: h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (in 1992-09) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		2:32
8	Messe in H-Moll, I. Missa: 8. Domine Deus recording engineer: Horst-Dieter Kaeppler producer: Bernd Runge choir vocals: RIAS Kammerchor (in 1992-09) soprano vocals: Hillevi Martinpelto (soprano) (in 1992-09) tenor vocals: Christoph Prégardien (tenor) (in 1992-09) orchestra: Akademie für Alte Musik Berlin (in 1992-09) conductor: René Jacobs (conductor) (in 1992-09) balance engineer: Eberhard Hinz recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1992-09) recording of: h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (in 1992-09) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		5:29
9	Messe in H-Moll, I. Missa: 9. Qui tollis peccata mundi recording engineer: Horst-Dieter Kaeppler producer: Bernd Runge alto vocals: Axel Köhler (in 1992-09) bass vocals: Matthias Goerne (baritone) (in 1992-09) and Franz-Josef Selig (operatic bass) (in 1992-09) choir vocals: RIAS Kammerchor (in 1992-09) soprano vocals: Bernarda Fink (mezzo soprano) (in 1992-09) and Hillevi Martinpelto (soprano) (in 1992-09) tenor vocals: Christoph Prégardien (tenor) (in 1992-09) orchestra: Akademie für Alte Musik Berlin (in 1992-09) conductor: René Jacobs (conductor) (in 1992-09) balance engineer: Eberhard Hinz recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1992-09) recording of: h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (in 1992-09) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei" part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		2:30
10	Messe in H-Moll, I. Missa: 10. Qui sedes ad dextram Patris recording engineer: Horst-Dieter Kaeppler producer: Bernd Runge alto vocals: Axel Köhler (in 1992-09) choir vocals: RIAS Kammerchor (in 1992-09) orchestra: Akademie für Alte Musik Berlin (in 1992-09) conductor: René Jacobs (conductor) (in 1992-09) balance engineer: Eberhard Hinz recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1992-09) recording of: h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (in 1992-09) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		4:15
11	Messe in H-Moll, I. Missa: 11. Quoniam tu solus sanctus recording engineer: Horst-Dieter Kaeppler producer: Bernd Runge bass vocals: Franz-Josef Selig (operatic bass) (in 1992-09) choir vocals: RIAS Kammerchor (in 1992-09) orchestra: Akademie für Alte Musik Berlin (in 1992-09) conductor: René Jacobs (conductor) (in 1992-09) balance engineer: Eberhard Hinz recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1992-09) recording of: h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (in 1992-09) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		4:38
12	Messe in H-Moll, I. Missa: 12. Cum Sancto Spiritu recording engineer: Horst-Dieter Kaeppler producer: Bernd Runge choir vocals: RIAS Kammerchor (in 1992-09) orchestra: Akademie für Alte Musik Berlin (in 1992-09) conductor: René Jacobs (conductor) (in 1992-09) balance engineer: Eberhard Hinz recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1992-09) recording of: h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (in 1992-09) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	Johann Sebastian Bach		3:48

▶CD 2

Credits

Release

manufactured in:	Germany
printed in:	Germany

rights society:	BIEM (international rights organization representing member societies from 58 countries) GEMA (German rights society; do not use this as a label or work publisher!)
manufactured by:	Optimal Production
copyrighted (©) by:	Edel Classics GmbH (in 2006)
phonographic copyright (℗) by:	edel records GmbH (in 1993)

Discogs:	https://www.discogs.com/release/5397430 [info]