Decca Sound: The Analogue Years

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶CD 1: Saint-Saëns: Tone Poems; Piano Concerto No.1
▶CD 2: Bruckner: Symphony No.6
▶CD 3: Shostakovich: Symphony No.4
▶CD 4: Debussy: Piano Works
▶CD 5: Sibelius: Pelléas Et Mélisande; The Tempest
▶CD 6: Prokofiev: Symphony No.2; The Love for Three Oranges; Scythian Suite
▶CD 7: Bartók: Suite No. 1; Two Pictures; Enescu: Roumanian Rhapsody
▶CD 8: Prokofiev: Symphony No. 5; Rimsky-Korsakov: Russian Easter Festival Overture; Capriccio Espagnol
▶CD 9: Debussy & Franck Violin Sonatas
▶CD 10: Tchaikovsky: Manfred Symphony; Valse-Scherzo
▶CD 11: Gershwin: An American in Paris; Copland: Appalachian Spring
▶CD 12: Wolf-Ferrari: Il Segreto di Susanna
▶CD 13: Surinach & Montsalvatge Piano Concertos
▶CD 14: Shostakovich: String Quartets Nos. 15, 8 & 9
▶CD 15: Schubert: Rosamunde
▶CD 16: Stravinsky: Le Sacre Du Printemps
▶CD 17: Schumann: Piano Concertos; Grieg: Piano Concertos
▶CD 18: Haydn: Symphonies Nos.94, 100 & 104
▶CD 19: Schumann: Szenen Aus Goethes Faust
▶CD 20: Schumann: Szenen Aus Goethes Faust; Mozart: Symphony No.40 in G Minor, K.550
▶CD 21: Walton & Stravinsky Violin Concertos
▶CD 22: Chopin: Etudes
▶CD 23: Offenbach: Le Papillon; Massenet: Le Cid
▶CD 24: Holst: The Planets; Saint-Saæns: Symphony No.3
▶CD 25: Scriabin: Piano Concerto; Prometheus; Le Poeme de L'Extase
▶CD 26: Dvorak: Tone Poems & Overtures
▶CD 27: Bloch: Schelomo; A Voice In the Wilderness; Rimsky-Korsakov: Capriccio Espagnol
▶CD 28: Mendelssohn: Sextet; Borodin: Quintet
▶CD 29: Mendelssohn: Symphonies Nos. 3 & 4
▶CD 30: Verdi: Requiem
▶CD 31: Mahler: Symphony No.2 - "Resurrection"
▶CD 32: Beethoven: Symphony No.9 - "Choral"
▶CD 33: Britten: Cello Symphony; Haydn: Cello Concerto
▶CD 34: Kodaly: Hary Janos; Dances of Galanta; The Peacock Variations
▶CD 35: Sibelius: Symphonies Nos.1 & 4; Karelia Suite
▶CD 36: Mozart: Wind Serenades
▶CD 37: Bruch: Scottish Fantasia; Hindemith Violin Concerto
▶CD 38: Brahms: Piano Concerto No.1; Mozart: Piano Concerto No.27, K.595
▶CD 39: Hérold: La Fille mal Gardée; Gounod: Ballet Music From "Faust"
▶CD 40: Martin: Etudes; Concerto for Timpani & Winds; Honegger: Symphony No.2
▶CD 41: Verdi: Otello Act 1,2
▶CD 42: Verdi: Otello Act 3,4
▶CD 43: Strauss: Thousand And One Nights
▶CD 44: Tchaikovsky: Swan Lake - Scenes
▶CD 45: Rossini: Overtures; Mendelssohn: Violin Concerto
▶CD 46: Puccini: La Bohème Act 1, 2
▼CD 47: Puccini: La Bohème Act 3, 4
#TitleArtistRatingLength
1La Bohème: Act III. “Ohè, là, le guardie! Aprite!”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Un doganiere]:
Giorgio Onesti (in 1959-08)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. “Chi nel ber trovò il piacer” (Musetta, coro) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
recording of:
La bohème: Atto III. La barriera d’Enfer (orchestra) (in 1959-08)
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
recording of:
La bohème: Atto III. no. 15. “Ohè là, le guardie! Aprite!” (Spazzini [Coro], un doganiere) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
Giacomo Puccini4:21
2La Bohème: Act III. “Sa dirmi, scusi, qual’è l’osteria”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Sergente]:
Attilio D'Orazi (Italian baritone) (in 1959-08)
bass vocals [Un doganiere]:
Giorgio Onesti (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. “Sa dirmi, scusi, qual’è l’osteria” (Mimì, Sergente, Doganiere, Marcello) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
Giacomo Puccini1:10
3La Bohème: Act III. “Mimì!” - “Speravo di trovarvi qui”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. no. 16. “Mimì! Speravo di trovarti qui” (Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
Giacomo Puccini5:21
4La Bohème: Act III. “Marcello. Finalmente!”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. no. 17. “Marcello, finalmente” (Rodolfo, Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
Giacomo Puccini1:19
5La Bohème: Act III. “Mimì è una civetta”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. “Mimì è una civetta” (Rodolfo, Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
Giacomo Puccini1:20
6La Bohème: Act III. “Mimì è tanto malata!”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. “Mimì è tanto malata!” (Rodolfo, Marcello, Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
Giacomo Puccini3:20
7La Bohème: Act III. “Donde lieta uscì al tuo grido”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
Giacomo Puccini3:27
8La Bohème: Act III. “Dunque è proprio finita!”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto III. “Addio dolce svegliare alla mattina!” (Mimì, Rodolfo, Musetta, Marcello) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
recording of:
La bohème: Atto III. “Che facevi, che dicevi” (Marcello, Musetta, Mimì, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
recording of:
La bohème: Atto III. no. 19. “Dunque è proprio finita” … “Sempre tua, per la vita” (Mimì, Rodolfo, Marcello, Musetta) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
Giacomo Puccini6:25
9La Bohème: Act IV. “In un coupé?”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 20. “In un coupé?” (Marcello, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (Puccini)
Giacomo Puccini1:52
10La Bohème: Act IV. “O Mimì, tu più non torni”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 21. “O Mimì, tu più non torni” (Rodolfo, Marcello) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (Puccini)
recording of:
La bohème: Atto IV. no. 22. “Che ora sia?” – “Eccoci – Ebben?” (Rodolfo, Marcello, Schaunard, Colline) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (Puccini)
Giacomo Puccini5:08
11La Bohème: Act IV. “Gavotta!” - “Minuetto!” - “Pavanella!” - “Fandango!”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. (Quadrille, Duel) “La danza con musica vocale!” (Schaunard, Colline, Marcello, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (Puccini)
Giacomo Puccini1:46
12La Bohème: Act IV. “C’è Mimì!”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 23. “C’è Mimì che mi segue” (Musetta, Rodolfo, Schaunard, Mimi, Marcello, Colline) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (Puccini)
Giacomo Puccini6:01
13La Bohème: Act IV. “Vecchia zimarra, senti”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 24. “Vecchia zimarra, senti” (Colline, Schaunard) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (Puccini)
Giacomo Puccini2:30
14La Bohème: Act IV. “Sono andati? Fingevo di dormire”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 25. “Sono andati? Fingevo di dormire” (Mimì, Rodolfo) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (Puccini)
Giacomo Puccini6:06
15La Bohème: Act IV. “Che avvien?” - “Nulla. Sto bene”
producer:
Ray Minshull (record producer) and Erik Smith (British producer, pianist and harpsichordist)
baritone vocals [Marcello]:
Ettore Bastianini (baritone) (in 1959-08)
bass vocals [Colline]:
Cesare Siepi (operatic bass) (in 1959-08)
bass vocals [Schaunard]:
Renato Cesari (bass-baritone) (in 1959-08)
soprano vocals [Mimì]:
Renata Tebaldi (soprano) (in 1959-08)
soprano vocals [Musetta]:
Gianna D’Angelo (soprano) (in 1959-08)
tenor vocals [Rodolfo]:
Carlo Bergonzi (tenor) (in 1959-08)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
balance engineer:
Peter Attwood (in 1959-08)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1959)
recorded at:
Santa Cecilia in Trastevere in Roma, Roma, Lazio, Italy (in 1959-08)
recording of:
La bohème: Atto IV. no. 26. “O Dio! Mimì! … Che avvien?” (Rodolfo, Schaunard, Mimì, Musetta, Marcello, Colline) (in 1959-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (Puccini)
Giacomo Puccini5:40
▶CD 48: Sibelius: Symphony No.2; Dvorak: Symphony No.7
▶CD 49: Schubert: Symphonies Nos.8 & 9
▶CD 50: Tchaikovsky: 1812; Capriccio Italien; Rachmaninov: Piano Concerto No.2
▶CD 51: Grieg: Peer Gynt; Piano Concerto
▶CD 52: Ravel: L'Enfant et les sortilèges
▶CD 53: Rimsky-Korsakov: Antar; Glazunov: Stenka Razin
▶CD 54: Rimsky-Korsakov: Antar; Glazunov: Stenka Razin (Orig. Mono)