Classics for Lovers

~ Uitgave van Various Artists (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Aantekening

Label: Intersound1032

Aantekening het laatst bewerkt op 2005-08-26 09:55 UTC

Nummerlijst

▼Medium 1
#TitelArtiestWaarderingDuur
1Peer Gynt Suite no. 1, op. 46: I. Morning Mood
orkest:
Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic, Košice) en Slowakische Staatsphilharmonie (Slovak Philharmonic, Bratislava)
dirigent:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Róbert Stankovský en Peter Stern (conductor, supposedly a faux artist Alfred Scholz created)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning
componist:
Edvard Grieg (composer) (in 1875)
herzien door:
Edvard Grieg (composer) (in 1888)
versie van:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
deel van:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:57
2Fantasia on “Greensleeves”
orkest:
Plymouth Festival Orchestra
arrangeur:
Ralph Greaves (in 1934)
recording of:
Fantasia on “Greensleeves”
componist:
Ralph Vaughan Williams (English composer) (van 1924 tot 1928)
arrangeur:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is gebaseerd op:
Greensleeves (generic entry for traditional and unknown arrangements)
is gebaseerd op:
Lovely Joan (traditional English folk song)
is gebaseerd op:
Sir John in Love
Ralph Vaughan Williams4:17
3The Sleeping Beauty: II. Adagio-Pas d’action: Andante - Adagio maestoso - Molto sostenuto, quasi più andante - Tempo I
orkest:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) en Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
dirigent:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Alfred Scholz, Peter Stern (conductor, supposedly a faux artist Alfred Scholz created), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren en Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
componist:
Пётр Ильич Чайковский (Russian romantic composer)
deel van:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский5:29
4Piano Concerto no. 21 in C major “Elvira Madigan”, KV 467: II. Andante
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) en Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orkest:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) en Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym)
dirigent:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) en Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
componist:
Wolfgang Amadeus Mozart (classical composer) (van 1785 tot 1785-03-09)
deel van:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart35:39
5The Tales of Hoffman, Eplilogue: Barcarolle
orkest:
Royal Philharmonic Orchestra
Jacques Offenbach3:22
6Cavalleria Rusticana: Intermezzo
orkest:
London Festival Orchestra (Alfred Scholz pseudonym)
Pietro Mascagni3:29
7Tristan and Isolde: Overture
orkest:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel
componist:
Richard Wagner (composer) (van 1857-10 tot 1859-08)
deel van:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner10:45
8Swan Lake Suite: Scene I “Enchanted Lake”
orkest:
London Festival Orchestra (Alfred Scholz pseudonym)
Пётр Ильич Чайковский2:57
9Prince Igor, Act II: Polovtsian Dance no. 17
orkest:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra)
Александр Порфирьевич Бородин11:35
10String Serenade in C major, op. 48: III. Elegia: Larghetto elegiaco
orkest:
London Festival Orchestra (Alfred Scholz pseudonym)
Пётр Ильич Чайковский6:45
11Boléro (Radio Symphony Orchestra)
piano:
Mee Chou Lee (pianist)
orkest:
London Festival Orchestra (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) en Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect)
dirigent:
Samo Hubad (conductor) en Anton Nanut (pseudonym for Alfred Scholz)
recording of:
Boléro
componist:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) en Soc. Arima (rights society?)
had de première bij:
Palais Garnier in Paris, Île-de-France, Frankrijk (op 1928-11-22)
deel van:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (nummer: M. 81)
Maurice Ravel13:45

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ASIN:US: B00083F2VQ [info]