Sanctus: 1000 Years of Sacred Music

~ Uitgave van Various Artists (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

▶cd 1: Hildegard von Bingen: The Music of a Saint
▶cd 2: Lamentations
▶cd 3: Monteverdi: Vespro Della Beata Vergine
▶cd 4: Monteverdi: Vespero della Beata Vegine (cont.) / Purcel: Sacred Music
▶cd 6: J.S. Bach: Mass in B minor
▼cd 7: J.S. Bach: Mass in B minor (cont.)
#TitelArtiestWaarderingDuur
1Mass in B minor, BWV 232: Credo: Chorus: Credo in unum Deum
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen, Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232
Johann Sebastian Bach1:58
2Mass in B minor, BWV 232: Credo: Chorus: Patrem omnipotentem
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen, Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
deel van:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:01
3Mass in B minor, BWV 232: Credo: Duet (soprano I, alto) Et in unum Deum
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
altvocalen en contratenorvocalen:
James Bowman (UK countertenor)
sopraanvocalen:
Catherine Dubosc (soprano)
orkest:
Orchestra of The Sixteen
dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen, Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:22
4Mass in B minor, BWV 232: Credo: Chorus: et incarnatus est
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
The Symphony of Harmony and Invention
dirigent:
Harry Christophers (conductor)
uitvoerend artiest:
The Sixteen (UK choir)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen, Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:20
5Mass in B minor, BWV 232: Credo: Chorus: Crucifixus
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen, Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
deel van:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:12
6Mass in B minor, BWV 232: Credo: Chorus: Et resurrexit
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen, Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:01
7Mass in B minor, BWV 232: Credo: Aria (bass): Et in spiritum Sanctum
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
basvocalen:
Michael George (operatic bass)
orkest:
Orchestra of The Sixteen
dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen, Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:18
8Mass in B minor, BWV 232: Credo: Chorus: Confiteor unum baptisma
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen, Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:54
9Mass in B minor, BWV 232: Credo: Chorus: Et expecto
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen, Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
deel van:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:15
10Mass in B minor, BWV 232: Sanctus: Chorus: Sanctus
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen, Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:50
11Mass in B minor, BWV 232: Chorus: Osanna
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen, Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
deel van:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:03
12Mass in B minor, BWV 232: Aria (tenor): Benedictus
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenorvocalen:
John Mark Ainsley (tenor)
orkest:
Orchestra of The Sixteen
dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen, Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:25
13Mass in B minor, BWV 232: Chorus: Osanna
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen, Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
deel van:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:03
14Mass in B minor, BWV 232: Aria (alto): Agnus Dei
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
altvocalen:
James Bowman (UK countertenor)
orkest:
Orchestra of The Sixteen
dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen, Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:37
15Mass in B minor, BWV 232: Chorus: Dona nobis pacem
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen, Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Dona nobis pacem
deel van:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:43
▶cd 8: W.A. Mozart: Mass in C minor, K427
▶cd 9: J. Hayden: Harmoniemesse in B flat major
▶cd 10: F. Schubert: Mass in B flat major / Magnificat
▶cd 11: Antonin Dvorak: Stabat Mater
▶cd 12: Antonin Dvorak: Stabat Mater (cont.)
▶cd 13: Luigi Cherubini: Missa Solemnis, in D minor
▶cd 14: Johannes Brahms: Ein Deutsches Requiem
▶cd 15: Duruflé: Requiem / Pärt: Magnificat Antiphone

Relaties

Uitgave

ASIN:US: B001TNYHDI [info]