| # | Titel | Waardering | Duur |
|---|
| 1 | Leonore, Hess 109: Act II. No. 12 Finale: “O welche Lust, in freier Luft den Atem leicht zu heben” (Prisoners, First Prisoner, Second Prisoner)- opnametechnicus:
- Rainer Maillard
- producent:
- Nicholas Parker
- baritonvocalen [Zweiter Gefangener]:
- Colin Campbell (in 1996-09)
- tenorvocalen [Erster Gefangener]:
- Robert Burt (in 1996-09)
- orkest:
- Orchestre Révolutionnaire et Romantique (in 1996-09)
- dirigent:
- Sir John Eliot Gardiner (in 1996-09)
- fonografisch auteursrecht (℗):
- Deutsche Grammophon (in 1997)
- opgenomen bij:
- Watford Colosseum in Watford, Hertfordshire, England, Verenigd Koninkrijk (in 1996-09)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” (Chor, 1st Prisoner, 2nd Prisoner) (in 1996-09)
- componist:
- Ludwig van Beethoven (in 1805, in 1814)
- librettist:
- Jean-Nicolas Bouilly
- vertaler:
- Joseph Sonnleithner en Georg Friedrich Treitschke
- deel van:
- Fidelio, op. 72: Akt I
- recording of:
- Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners) (in 1996-09)
- componist:
- Ludwig van Beethoven (in 1805)
- deel van:
- Leonore, Hess 109
| | 7:56 |
| 2 | Leonore, Hess 109: Act II. No. 12 Finale: [Recitative]: “Entfernt euch jetzt! Nun, könnt ihr eilen?” (Rocco) / “Nun sprecht, wie ging’s?” (Leonore, Rocco) / [Duet]: “Noch heute, noch heute?” (Leonore, Rocco) | | 2:41 |
| 3 | Leonore, Hess 109: Act II. No. 12 Finale: [Duet]: “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / [Quartet]: “Ach Vater, eilt!” (Marzelline, Rocco, Leonore, Pizarro) | | 3:40 |
| 4 | Leonore, Hess 109: Act II. No. 12 Finale: [Aria]: “Auf euch nur will ich bauen” (Pizarro, Officers and Soldiers) | | 2:56 |
| 5 | Leonore, Hess 109: Act III. “Florestans Not im Dunkel tauber Einsamkeit” (Erzähler) | | 1:22 |
| 6 | Leonore, Hess 109: Act III. No. 13 Recitative and Aria: “Gott! Welch Dunkel hier! ... In des Lebens Frühlingstagen” (Florestan) | | 10:09 |
| 7 | Leonore, Hess 109: Act III. No. 14 Melodrama and Duet: “Wie kalt ist es in diesem unterirdischen Gewölbe!” (Leonore, Rocco)- opnametechnicus:
- Rainer Maillard
- producent:
- Nicholas Parker
- baritonvocalen [Rocco]:
- Franz Hawlata (in 1996-09)
- sopraanvocalen [Leonore]:
- Hillevi Martinpelto (in 1996-09)
- orkest:
- Orchestre Révolutionnaire et Romantique (in 1996-09)
- dirigent:
- Sir John Eliot Gardiner (in 1996-09)
- fonografisch auteursrecht (℗):
- Deutsche Grammophon (in 1997)
- opgenomen bij:
- Watford Colosseum in Watford, Hertfordshire, England, Verenigd Koninkrijk (in 1996-09)
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 12a. Melodrama "Wie kalt ist es in diesem unteirdischen Gewölbe!" (Leonore, Rocco) (in 1996-09)
- componist:
- Ludwig van Beethoven (in 1814)
- librettist:
- Jean-Nicolas Bouilly
- vertaler:
- Joseph Sonnleithner en Georg Friedrich Treitschke
- deel van:
- Fidelio, op. 72: Akt II
- recording of:
- Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco) (in 1996-09)
- componist:
- Ludwig van Beethoven (in 1805)
- deel van:
- Leonore, Hess 109
| | 1:41 |
| 8 | Leonore, Hess 109: Act III. No. 14 Melodrama and Duet: [Duet]: “Nur hurtig fort, nur frisch gegraben” (Rocco, Leonore) | | 4:01 |
| 9 | Leonore, Hess 109: Act III. “Dort, in der Tiefe” (Erzähler) | | 0:53 |
| 10 | Leonore, Hess 109: Act III. No. 15 Trio: “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore) | | 4:52 |
| 11 | Leonore, Hess 109: Act III. “Und Rocco eilt” (Erzähler) | | 0:21 |
| 12 | Leonore, Hess 109: Act III. No. 16 Quartet: “Er sterbe! Doch er soll erst wissen” (Pizarro, Florestan, Leonore, Rocco) | | 4:27 |
| 13 | Leonore, Hess 109: Act III. “Oh Leonore! Alles was dein Mut gewagt - verloren!” (Erzähler) | | 0:06 |
| 14 | Leonore, Hess 109: Act III. No. 17 Recitative and Duet: “Ich kann mich noch nicht fassen ... O namenlose Freude!” (Leonore, Florestan) | | 7:45 |
| 15 | Leonore, Hess 109: Act III. No. 18 Finale: “Zur Rache! Zur Rache!” (Don Fernando's Retinue, Guards, Prisoners, Townspeople, Leonore, Florestan, Rocco, Don Fernando, Jaquino, Marzelline) | | 4:21 |
| 16 | Leonore, Hess 109: Act III. No. 18 Finale: “O Gott! O welch ein Augenblick!” (Leonore, Marzelline, Florestan, Jaquino, Don Fernando, Rocco, Don Fernando Retinue, Guards, Prisoners, Townspeople)- opnametechnicus:
- Rainer Maillard
- producent:
- Nicholas Parker
- baritonvocalen [Rocco]:
- Franz Hawlata (in 1996-09)
- basvocalen [Don Fernando]:
- Alastair Miles (in 1996-09)
- koor [Chor]:
- Monteverdi Choir (in 1996-09)
- sopraanvocalen [Leonore]:
- Hillevi Martinpelto (in 1996-09)
- sopraanvocalen [Marzelline]:
- Christiane Oelze (in 1996-09)
- tenorvocalen [Florestan]:
- Kim Begley (in 1996-09)
- tenorvocalen [Jaquino]:
- Michael Schade (in 1996-09)
- orkest:
- Orchestre Révolutionnaire et Romantique (in 1996-09)
- dirigent:
- Sir John Eliot Gardiner (in 1996-09)
- fonografisch auteursrecht (℗):
- Deutsche Grammophon (in 1997)
- opgenomen bij:
- Watford Colosseum in Watford, Hertfordshire, England, Verenigd Koninkrijk (in 1996-09)
- recording of:
- Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco) (in 1996-09)
- componist:
- Ludwig van Beethoven (in 1805)
- deel van:
- Leonore, Hess 109
- recording of:
- Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus) (in 1996-09)
- componist:
- Ludwig van Beethoven (in 1805)
- deel van:
- Leonore, Hess 109
| | 4:16 |
| 17 | Leonore, Hess 109: Act III. No. 18 Finale: “So müssen endlich Aufgeklärte und Unaufgeklärte” (Erzähler) | | 0:09 |
| 18 | Leonore, Hess 109: Act III. No. 18 Finale: “Doch höre erst, du Bösewicht” (Don Fernando, his Retinue, Guards, Prisoners, Townspeople) | | 0:50 |
| 19 | Leonore, Hess 109: Act III. No. 18 Finale: “Dann herrscht allgemeine Freiheit und Gleichheit der Geister” (Erzähler) | | 0:05 |
| 20 | Leonore, Hess 109: Act III. No. 18 Finale: “Nein, nein, nein! Er ist noch zu gering bestraft!” (Don Fernando's Retinue, Guards, Prisoners, Townspeople) | | 0:13 |
| 21 | Leonore, Hess 109: Act III. No. 18 Finale: “Ein höherer Geist, vom Himmel gesandt” (Erzähler) | | 0:11 |
| 22 | Leonore, Hess 109: Act III. No. 18 Finale: [Recitative]: “Der König wird dein Richter sein!” (Don Fernando, his Retinue, Guards, Prisoners, Townspeople) | | 1:10 |
| 23 | Leonore, Hess 109: Act III. No. 18 Finale: “Wer ein holdes Weib errungen, stimm in unsern Jubel ein!” (Marzelline, Jaquino, Rocco, Don Fernando, his Retinue, Guards, Prisoners, Townspeople, Florestan, Leonore)- opnametechnicus:
- Rainer Maillard
- producent:
- Nicholas Parker
- baritonvocalen [Rocco]:
- Franz Hawlata (in 1996-09)
- basvocalen [Don Fernando]:
- Alastair Miles (in 1996-09)
- koor [Chor]:
- Monteverdi Choir (in 1996-09)
- sopraanvocalen [Leonore]:
- Hillevi Martinpelto (in 1996-09)
- sopraanvocalen [Marzelline]:
- Christiane Oelze (in 1996-09)
- tenorvocalen [Florestan]:
- Kim Begley (in 1996-09)
- tenorvocalen [Jaquino]:
- Michael Schade (in 1996-09)
- orkest:
- Orchestre Révolutionnaire et Romantique (in 1996-09)
- dirigent:
- Sir John Eliot Gardiner (in 1996-09)
- opgenomen bij:
- Watford Colosseum in Watford, Hertfordshire, England, Verenigd Koninkrijk (in 1996-09)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (in 1996-09)
- componist:
- Ludwig van Beethoven (in 1814)
- librettist:
- Jean-Nicolas Bouilly
- vertaler:
- Joseph Sonnleithner en Georg Friedrich Treitschke
- deel van:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| | 4:35 |
| 24 | Leonore, Hess 109: Appendix. No. 7a March in B-flat (alternative version) | | 1:51 |
