5 Great Operas on Deutsche Grammophon & Decca

~ Release by Mozart, Weber, Verdi, Mascagni, Leoncavallo; Solti, Kubelík, Serafin, Karajan (see all versions of this release, 1 available)

Annotation

Box-Set: 5 Great Operas on Deutsche Grammophon & Decca

Annotation last modified on 2022-11-02 17:01 UTC.

Tracklist

▶Hybrid SACD 1
▶Hybrid SACD 2
▶Hybrid SACD 3
▶Hybrid SACD 4
▶Hybrid SACD 5
▶Hybrid SACD 6
▼Hybrid SACD 7
#TitleArtistRatingLength
1Il trovatore: Or co' dadi ... Squilli, echeggi la tromba guerriera
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:42
2Il trovatore: In braccio al mio rival!
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:16
3Il trovatore: Giorni poveri vivea
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi5:07
4Il trovatore: Quale d'armi fragor poc'anzi intesi?
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:00
5Il trovatore: Ah! sì, ben mio
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:54
6Il trovatore: L'onda de' suoni mistici
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi0:59
7Il trovatore: Manrico? - Che? - La zingara
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi0:49
8Il trovatore: Di quella pira l'orrendo foco
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:07
9Il trovatore: Siam giunti
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:51
10Il trovatore: D'amor sull'ali rosee
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:22
11Il trovatore: Miserere - Ah! che la morte ognora
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:15
12Il trovatore: Tu vedrai che amore in terra
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Tu vedrai che amore in terra” (Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:17
13Il trovatore: Udiste? Come albeggi
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:00
14Il trovatore: Qual voce! - Mira, di acerbe lagrime ... Virà! Contende il giubilo
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi6:33
15Il trovatore: Madre, non dormi? - Ai nostri monti
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi8:36
16Il trovatore: Che! Non m'inganna quel fioco lume? ... Ha quest' infame l'amor venduto
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 2. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto" (Manrico, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:15
17Il trovatore: Ti scosta! - Non respingermi
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:53
▶Hybrid SACD 8
▶Hybrid SACD 9