Oster-Oratorium, BWV 249 / Kantate, BWV 66

~ Release by J.S. Bach; Barbara Schlick, Kai Wessel, James Taylor, Peter Kooy, Collegium Vocale, Philippe Herreweghe (see all versions of this release, 2 available)

Annotation

Enregistrement avril 1994

Annotation last modified on 2010-01-06 13:19 UTC.

Tracklist

▼CD 1
#TitleArtistRatingLength
1Oster-Oratorium, BWV 249: I. Sinfonia
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 1994-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach4:09
2Oster-Oratorium, BWV 249: II. Adagio
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (in 1994-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach3:28
3Oster-Oratorium, BWV 249: III. Chorus "Kommt, eilet und laufet"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (in 1994-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach5:10
4Oster-Oratorium, BWV 249: IV. Recitativo (Soprano, Alto, Tenor, Basso) "O kalter Männer Sinn"
alto vocals:
Kai Wessel (countertenor)
bass vocals:
Peter Kooij (baritone)
soprano vocals:
Barbara Schlick (soprano)
tenor vocals:
James Taylor (operatic tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (in 1994-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach1:05
5Oster-Oratorium, BWV 249: V. Aria (Soprano) "Seele, deine Spezereien"
soprano vocals:
Barbara Schlick (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (in 1994-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach9:29
6Oster-Oratorium, BWV 249: VI. Recitativo (Alto, Tenor, Basso) "Hier ist die Gruft"
alto vocals:
Kai Wessel (countertenor)
bass vocals:
Peter Kooij (baritone)
tenor vocals:
James Taylor (operatic tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 1994-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:49
7Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer"
tenor vocals:
James Taylor (operatic tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 1994-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach7:41
8Oster-Oratorium, BWV 249: VIII. Recitativo (Alto) "Indessen seufzen wir"
alto vocals:
Kai Wessel (countertenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (in 1994-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach1:00
9Oster-Oratorium, BWV 249: IX. Aria (Soprano, Alto) "Saget, saget mir geschwinde"
alto vocals:
Kai Wessel (countertenor)
soprano vocals:
Barbara Schlick (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach6:12
10Oster-Oratorium, BWV 249: X. Recitativo (Basso) "Wir sind erfreut"
bass vocals:
Peter Kooij (baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (in 1994-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:38
11Oster-Oratorium, BWV 249: XI. Chorus "Preis und Dank"
choir vocals:
Collegium Vocale Gent
soprano vocals:
Barbara Schlick (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (in 1994-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach2:32
12Kantate, BWV 66 "Erfreut euch, ihr Herzen": I. Chorus "Erfreut euch, ihr Herzen"
choir vocals:
Collegium Vocale Gent
soprano vocals:
Barbara Schlick (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": I. Coro "Erfreut euch, ihr Herzen" (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach9:43
13Kantate, BWV 66 "Erfreut euch, ihr Herzen": II. Recitativo (Basso) "Es bricht das Grab"
bass vocals:
Peter Kooij (baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": II. Recitativo (Bass) "Es bricht das Grab und damit unsre Not" (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach0:35
14Kantate, BWV 66 "Erfreut euch, ihr Herzen": III. Aria (Basso) "Lassen dem Höchstein ein Danklied erschallen"
bass vocals:
Peter Kooij (baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": III. Aria (Bass) "Lasset dem Höchsten ein Danklied erschallen" (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach5:58
15Kantate, BWV 66 "Erfreut euch, ihr Herzen": IV. Recitativo (Alto, Tenor) "Bei Jesu Leben freudig sein"
alto vocals:
Kai Wessel (countertenor)
tenor vocals:
James Taylor (operatic tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": IV. Recitativo à 2 (Tenor, Alt) "Bei Jesu Leben freudig sein" (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach4:26
16Kantate, BWV 66 "Erfreut euch, ihr Herzen": V. Aria (Alto, Tenor) "Ich fürchte zwar" - "Ich fürchte nicht"
alto vocals:
Kai Wessel (countertenor)
tenor vocals:
James Taylor (operatic tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": V. Aria (Duetto Alt, Tenor) "Ich furchte zwar nicht des Grabes Finsternissen" (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach8:48
17Kantate, BWV 66 "Erfreut euch, ihr Herzen": VI. Choral "Allejuja! Des solln wir alle froh sein"
choir vocals:
Collegium Vocale Gent
soprano vocals:
Barbara Schlick (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": VI. Choral "Alleluja! Alleluja! Alleluja!" (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 37)
part of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach0:52

Credits

Release

ASIN:FR: B00000079U [info]