Beethoven / Verdi / Wagner / R. Strauss a.o.

~ Release by Beethoven, Verdi, Wagner, R. Strauss; Inge Borkh (see all versions of this release, 1 available)

Tracklist

| |
▼CD 1
#TitleArtistRatingLength
1Fidelio: Erster Akt: Dialog: Marzelline! Ist Fidelio noch nicht zurück!
recorded in:
Genève, Genève, Switzerland (in 1964)
spoken vocals [Leonore]:
Inge Borkh (soprano) (in 1964)
spoken vocals [Marzelline]:
Elisabeth Schwarzenberg (in 1964)
spoken vocals [Rocco]:
Josef Greindl (operatic bass) (in 1964)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (in 1964)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven1:37
2Fidelio: Erster Akt: Quartett: Mir ist so wunderbar
recorded in:
Genève, Genève, Switzerland (in 1964)
bass vocals [Rocco]:
Josef Greindl (operatic bass) (in 1964)
soprano vocals [Leonore]:
Inge Borkh (soprano) (in 1964)
soprano vocals [Marzelline]:
Elisabeth Schwarzenberg (in 1964)
tenor vocals [Jaquino]:
Eric Tappy (tenor) (in 1964)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1964)
conductor:
Ernest Ansermet (conductor) (in 1964)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (in 1964)
composer:
Ludwig van Beethoven (German composer) (in 1805)
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:56
3Fidelio: Erster Akt: Dialog: Höre, Fidelio!
recorded in:
Genève, Genève, Switzerland (in 1964)
spoken vocals [Leonore]:
Inge Borkh (soprano) (in 1964)
spoken vocals [Marzelline]:
Elisabeth Schwarzenberg (in 1964)
spoken vocals [Rocco]:
Josef Greindl (operatic bass) (in 1964)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. "Höre, Fidelio!" (Rocco, Marzelline) (in 1964)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven1:34
4Fidelio: Erster Akt: Terzett: Gut, Sönchen, gut, hab immer Mut
recorded in:
Genève, Genève, Switzerland (in 1964)
bass vocals [Rocco]:
Josef Greindl (operatic bass) (in 1964)
soprano vocals [Leonore]:
Inge Borkh (soprano) (in 1964)
soprano vocals [Marzelline]:
Elisabeth Schwarzenberg (in 1964)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1964)
conductor:
Ernest Ansermet (conductor) (in 1964)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (in 1964)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:50
5Fidelio: Erster Akt: Szene und Arie: Abscheulicher! Wo eilst du hin? … Komm, Hoffning
recorded in:
Genève, Genève, Switzerland (in 1964)
soprano vocals [Leonore]:
Inge Borkh (soprano) (in 1964)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1964)
conductor:
Ernest Ansermet (conductor) (in 1964)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (in 1964)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven8:02
6Fidelio: Zweiter Akt: Melodram und Duett: Wie kalt ist es hier! … Nur hurtig fort, nur frisch gegraben
recorded in:
Genève, Genève, Switzerland (in 1964)
bass vocals [Rocco] and spoken vocals [Rocco]:
Josef Greindl (operatic bass) (in 1964)
soprano vocals [Leonore] and spoken vocals [Leonore]:
Inge Borkh (soprano) (in 1964)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1964)
conductor:
Ernest Ansermet (conductor) (in 1964)
partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1964)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:06
7Fidelio: Zweiter Akt: Dialog: Er erwacht
recorded in:
Genève, Genève, Switzerland (in 1964)
spoken vocals [Florestan]:
Hans Beirer (tenor) (in 1964)
spoken vocals [Leonore]:
Inge Borkh (soprano) (in 1964)
spoken vocals [Rocco]:
Josef Greindl (operatic bass) (in 1964)
partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1964)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:27
8Fidelio: Zweiter Akt: Terzett: Euch werde Lohn in bessern Welten
recorded in:
Genève, Genève, Switzerland (in 1964)
bass vocals [Rocco]:
Josef Greindl (operatic bass) (in 1964)
soprano vocals [Leonore]:
Inge Borkh (soprano) (in 1964)
tenor vocals [Florestan]:
Hans Beirer (tenor) (in 1964)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1964)
conductor:
Ernest Ansermet (conductor) (in 1964)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1964)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:10
9Fidelio: Zweiter Akt: Dialog: Alles ist bereit
recorded in:
Genève, Genève, Switzerland (in 1964)
spoken vocals [Florestan]:
Hans Beirer (tenor) (in 1964)
spoken vocals [Leonore]:
Inge Borkh (soprano) (in 1964)
spoken vocals [Pizzarro]:
Gustav Neidlinger (German bass-baritone) (in 1964)
spoken vocals [Rocco]:
Josef Greindl (operatic bass) (in 1964)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (in 1964)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:53
10Fidelio: Zweiter Akt: Quartett: Er sterbe! Doch er soll erst wissen
recorded in:
Genève, Genève, Switzerland (in 1964)
bass vocals [Rocco] and spoken vocals [Rocco]:
Josef Greindl (operatic bass) (in 1964)
bass-baritone vocals [Pizzarro]:
Gustav Neidlinger (German bass-baritone) (in 1964)
soprano vocals [Leonore] and spoken vocals [Leonore]:
Inge Borkh (soprano) (in 1964)
spoken vocals [Florestan] and tenor vocals [Florestan]:
Hans Beirer (tenor) (in 1964)
spoken vocals [Jaquino]:
Eric Tappy (tenor) (in 1964)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1964)
conductor:
Ernest Ansermet (conductor) (in 1964)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1964)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:38
11Fidelio: Zweiter Akt: Duett: O namenlose Freude
recorded in:
Genève, Genève, Switzerland (in 1964)
soprano vocals [Leonore]:
Inge Borkh (soprano) (in 1964)
tenor vocals [Florestan]:
Hans Beirer (tenor) (in 1964)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1964)
conductor:
Ernest Ansermet (conductor) (in 1964)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (in 1964)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:18
12Euryanthe: Erster Akt: Rezitativ: So einsam bangend find’ ich dich?
recorded in:
Firenze, Firenze, Toscana, Italy (on 1954-05-18)
soprano vocals [Eglantine]:
Inge Borkh (soprano) (on 1954-05-18)
soprano vocals [Euryanthe]:
Hertha Wilfert (soprano) (on 1954-05-18)
orchestra:
Orchestra di Maggio Musicale Fiorentino (on 1954-05-18)
conductor:
Carlo Maria Giulini (conductor) (on 1954-05-18)
recording of:
Euryanthe: Akt I, Szene 5. Rezitative "So einsam bangend find' ich dich?" (Eglantine, Euryanthe) (on 1954-05-18)
composer:
Carl Maria von Weber (composer)
part of:
Euryanthe: Akt I
Carl Maria von Weber3:16
13Euryanthe: Erster Akt: Arie: O, mein Leid ist unermessen
recorded in:
Firenze, Firenze, Toscana, Italy (on 1954-05-18)
soprano vocals [Eglantine]:
Inge Borkh (soprano) (on 1954-05-18)
soprano vocals [Euryanthe]:
Hertha Wilfert (soprano) (on 1954-05-18)
orchestra:
Orchestra di Maggio Musicale Fiorentino (on 1954-05-18)
conductor:
Carlo Maria Giulini (conductor) (on 1954-05-18)
recording of:
Euryanthe: Akt I, Szene 6. Arie "O mein Leid ist unermessen" (Eglantine) (on 1954-05-18)
composer:
Carl Maria von Weber (composer)
part of:
Euryanthe: Akt I
Carl Maria von Weber3:13
14Euryanthe: Erster Akt: Duett: Unter ist mein Stern gegangen
recorded in:
Firenze, Firenze, Toscana, Italy (on 1954-05-18)
soprano vocals [Eglantine]:
Inge Borkh (soprano) (on 1954-05-18)
soprano vocals [Euryanthe]:
Hertha Wilfert (soprano) (on 1954-05-18)
orchestra:
Orchestra di Maggio Musicale Fiorentino (on 1954-05-18)
conductor:
Carlo Maria Giulini (conductor) (on 1954-05-18)
recording of:
Euryanthe: Akt I, Szene 7. Duett "Unter ist mein Stern gegangen" (Euryanthe, Eglantine) (on 1954-05-18)
composer:
Carl Maria von Weber (composer)
part of:
Euryanthe: Akt I
Carl Maria von Weber3:58
15Euryanthe: Erster Akt: Rezitativ und Arie: Betörte, die an meine Leibe glaubt
recorded in:
Firenze, Firenze, Toscana, Italy (on 1954-05-18)
soprano vocals [Eglantine]:
Inge Borkh (soprano) (on 1954-05-18)
orchestra:
Orchestra di Maggio Musicale Fiorentino (on 1954-05-18)
conductor:
Carlo Maria Giulini (conductor) (on 1954-05-18)
recording of:
Euryanthe: Akt I, Szene 8. Rezitative und Arie "Betörte, die an meine Liebe glaubt" (on 1954-05-18)
composer:
Carl Maria von Weber (composer)
part of:
Euryanthe: Akt I
Carl Maria von Weber3:55
16Euryanthe: Zweiter Akt: Rezitativ: Der Gruft entronnen, atme ich wieder
recorded in:
Firenze, Firenze, Toscana, Italy (on 1954-05-18)
baritone vocals [Lysiart]:
Karl Kamann (baritone) (on 1954-05-18)
soprano vocals [Eglantine]:
Inge Borkh (soprano) (on 1954-05-18)
orchestra:
Orchestra di Maggio Musicale Fiorentino (on 1954-05-18)
conductor:
Carlo Maria Giulini (conductor) (on 1954-05-18)
recording of:
Euryanthe: Akt II, Szene 11. Rezitative und Duett "Der Gruft ertronnen, atm' ich wieder" (Eglantine, Lysiart) (on 1954-05-18)
composer:
Carl Maria von Weber (composer)
part of:
Euryanthe: Akt II
Carl Maria von Weber1:53
17Euryanthe: Zweiter Akt: Duett: Komm denn, unser Leid zu rächen
recorded in:
Firenze, Firenze, Toscana, Italy (on 1954-05-18)
baritone vocals [Lysiart]:
Karl Kamann (baritone) (on 1954-05-18)
soprano vocals [Eglantine]:
Inge Borkh (soprano) (on 1954-05-18)
orchestra:
Orchestra di Maggio Musicale Fiorentino (on 1954-05-18)
conductor:
Carlo Maria Giulini (conductor) (on 1954-05-18)
recording of:
Euryanthe: Akt II, Szene 11. Rezitative und Duett "Komm denn, unser Leid zu raechen!" (Eglantine, Lysiart) (on 1954-05-18)
composer:
Carl Maria von Weber (composer)
part of:
Euryanthe: Akt II
Carl Maria von Weber3:44
18Medea: Erster Akt: Eintritt der Medea: Mein Fürst! Am Eingang des Palastes steht ein Weib!
bass-baritone vocals [Kreon]:
Tomislav Neralic (Yugoslav operatic bass-baritone) (in 1958)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1958)
soprano vocals [Glauce]:
Rita Streich (soprano) (in 1958)
soprano vocals [Medea]:
Inge Borkh (soprano) (in 1958)
tenor vocals [Jason]:
Ludwig Suthaus (tenor) (in 1958)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1958)
conductor:
Vittorio Gui (conductor and composer) (in 1958)
recorded at:
Titania-Palast in Berlin, Germany (in 1958)
Luigi Cherubini4:40
19Medea: Erster Akt: Arie: Seh’ dich ‘rum, meiner Lieb, die Mutter deiner Seeligen
soprano vocals [Medea]:
Inge Borkh (soprano) (in 1958)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1958)
conductor:
Vittorio Gui (conductor and composer) (in 1958)
recorded at:
Titania-Palast in Berlin, Germany (in 1958)
Luigi Cherubini5:00
▼CD 2
#TitleArtistRatingLength
1Der fliegende Holländer: Zweiter Akt: Johohoe! Traft ihr das Schiff im Meere an?
recorded in:
Berlin, Germany (in 1951)
choir vocals:
Damenchor des RIAS Berlin (in 1951)
soprano vocals [Senta]:
Inge Borkh (soprano) (in 1951)
orchestra:
Sinfonieorchester des RIAS Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1951)
conductor:
Heinrich Hollreiser (conductor) (in 1951)
partial recording of:
Der fliegende Holländer, WWV 63: Akt II, Nr. 4. Lied, Scene, Ballade und Chor "Summ und brumm, du gutes Rädchen" (Chor der Spinnerinnen) (in 1951)
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt II
Richard Wagner7:37
2Der Walküre: Erster Aufzug: Eine Waffe lass mich dir weisen … Der Männer Sippe
recorded in:
Paris, Île-de-France, France (in 1958)
soprano vocals [Sieglinde]:
Inge Borkh (soprano) (in 1958)
orchestra:
Orchestre de l’ORTF (RTF / ORTF / Radio France) (in 1958)
conductor:
Karl Schuricht (in 1958)
partial recording of:
Die Walküre, WWV 86B: Akt I, Scene III "Ein Schwert verhieß mir der Vater" (in 1958)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt I
Richard Wagner5:21
3Die Macht des Schicksals: Zweiter Akt: Zweites Bild: Szene und Arie: Hier bin ich! Dank, o Himmel … Mutter der reinsten Gnade
recorded in:
München, Bayern, Germany (in 1960)
choir vocals:
Männerchor des Bayerischen Rundfunks (in 1960)
soprano vocals [Leonora]:
Inge Borkh (soprano) (in 1960)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1960)
conductor:
Richard Kraus (conductor) (in 1960)
Giuseppe Verdi5:58
4Aida: Dritter Akt: Duett: Wehe, mein Vater!
recorded in:
Hamburg, Germany (in 1949)
bass-baritone vocals [Amonasro]:
Alexander Welitsch (bass-baritone) (in 1949)
soprano vocals [Aida]:
Inge Borkh (soprano) (in 1949)
orchestra:
SDR Sinfonieorchester (in 1949)
conductor:
Hans Schmidt‐Isserstedt (in 1949)
recording of:
Aida: Akt III. „Wehe, mein Vater!” (Aida, Amonasro) (in 1949)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
translated version of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro)
part of:
Aida: Akt III
Giuseppe Verdi8:04
5Mona Lisa: Erster Akt: Perlenduett: Seht hier des Meeres wunderbarsten Schatz
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1953)
bass-baritone vocals [Messer Francesco del Giocondo]:
Alexander Welitsch (bass-baritone) (in 1953)
soprano vocals [Mona Fiordalisa]:
Inge Borkh (soprano) (in 1953)
orchestra:
SDR Sinfonieorchester (in 1953)
conductor:
Hans Müller-Kray (conductor, professor and director) (in 1953)
partial recording of:
Mona Lisa: Act I (in 1953)
composer:
Max von Schillings
librettist:
Beatrice von Dovsky
part of:
Mona Lisa
Max von Schillings4:25
6Andrea Chénier: Atto quarto: Duetto: Vicino a te
recorded in:
New York, New York, United States (in 1954)
soprano vocals [Maddalena di Coigny]:
Inge Borkh (soprano) (in 1954)
tenor vocals [Andrea Chénier]:
Richard Tucker (tenor) (in 1954)
recording of:
Andrea Chénier: Atto IV. “Vicino a te” (Chénier, Maddalena) (in 1954)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto IV
Umberto Giordano7:46
7Andrea Chénier: Vierter Akt: Duett: Du kommst daher
soprano vocals [Maddalena di Coigny]:
Inge Borkh (soprano) (in 1960)
tenor vocals [Andrea Chénier]:
Sándor Kónya (Hungarian tenor) (in 1960)
orchestra:
Bayerische Rundfunk-Sinfonieorchester (in 1960)
conductor:
Richard Kraus (conductor) (in 1960)
Umberto Giordano6:36
8Macbeth: Premier acte: Entrée de Lady Macbeth: Et puis … elles disparurent … O vous, ministres du meurtre
recorded in:
Napoli, Napoli, Campania, Italy (in 1968)
bass vocals [Macbeth]:
Nicola Rossi‐Lemeni (operatic bass) (in 1968)
soprano vocals [Lady Macbeth]:
Inge Borkh (soprano) (from 1968 to present)
orchestra:
Orchestra del Teatro San Carlo di Napoli (in 1968)
conductor:
Piero Colombo (conductor) (in 1968)
partial recording of:
Macbeth: Acte I (in 1968)
composer:
Ernest Bloch (composer) (from 1904 until 1906)
librettist:
Edmond Fleg
part of:
Macbeth
Ernest Bloch8:08
9Macbeth: Premier acte: Duo: Ah! Si la chose une fois faite
recorded in:
Napoli, Napoli, Campania, Italy (in 1968)
bass vocals [Macbeth]:
Nicola Rossi‐Lemeni (operatic bass) (in 1968)
soprano vocals [Lady Macbeth]:
Inge Borkh (soprano) (in 1968)
orchestra:
Orchestra del Teatro San Carlo di Napoli (in 1968)
conductor:
Piero Colombo (conductor) (in 1968)
recording of:
Macbeth: Acte I (in 1968)
composer:
Ernest Bloch (composer) (from 1904 until 1906)
librettist:
Edmond Fleg
part of:
Macbeth
Ernest Bloch11:10
10Die ägyptische Helena: Zweiter Akt: Szene: Zweite Brautnacht!
recorded in:
Berlin, Germany (in 1960)
soprano vocals [Helena]:
Inge Borkh (soprano) (in 1960)
orchestra:
RIAS Sinfonieorchester (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1960)
conductor:
Artur Rother (conductor) (in 1960)
recording of:
Die Ägyptische Helena: Act II: “Zweite Brautnacht” (in 1960)
composer:
Richard Strauss (German composer)
Richard Strauss4:40
11Der Konsul: Dritter Akt: Wir sind soweit
recorded in:
Berlin, Germany (in 1952)
soprano vocals [Magda Sorel]:
Inge Borkh (soprano) (in 1952)
orchestra:
RIAS Sinfonieorchester (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1952)
conductor:
Christoph Altmüller (conductor) (in 1952)
Gian Carlo Menotti7:36

Credits

Release

manufactured in:Belgium
liner notes:Paul Korenhof
design:Studio Eric Wondergem BNO
rights society:MCPS (UK rights society; do not use this as a label or work publisher!)
copyrighted (©) by:I.M.C. Music LTD. (UK record company; do NOT use as release label!) (in 1999)