A Baroque Festival (1600-1750)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶CD 1: A Baroque Festival

▼CD 2: A Baroque Festival
#	Title	Artist	Rating	Length
1	"Brandenburg" Concerto No. 2 in F major, BWV 1047: I. (Allegro) violin: J. Brezina (violinist) orchestra: Camerata Labacensis, Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym) conductor: Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Gabor Ötvös and Rudolf Pribil (pseudonym for Alfred Scholz) recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047	Johann Sebastian Bach	4	5:35
2	"Brandenburg" Concerto No. 2 in F major, BWV 1047: II. Andante violin: J. Brezina (violinist) orchestra: Camerata Labacensis, Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym) conductor: Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047	Johann Sebastian Bach		4:27
3	"Brandenburg" Concerto No. 2 in F major, BWV 1047: III. Allegro assai trumpet: Rolf Quinque (trumpet player) violin: J. Brezina (violinist) orchestra: Camerata Labacensis, Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym) conductor: Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym)), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047	Johann Sebastian Bach		3:26
4	"Brandenburg" Concerto No. 3 in G major, BWV 1048: I. (Allegro) orchestra: Camerata Romana (an Alfred Scholz pseudonym) recording of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt)	Johann Sebastian Bach		6:50
5	"Brandenburg" Concerto No. 3 in G major, BWV 1048: II. Allegro violin: J. Brezina (violinist) orchestra: Camerata Labacensis, Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Musici di San Marco (an Alfred Scholz pseudonym), Oregon Bach Festival Orchestra, Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym) conductor: Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Rudolf Pribil (pseudonym for Alfred Scholz) and Helmuth Rilling (conductor) recording of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt)	Johann Sebastian Bach		3:26
6	"Brandenburg" Concerto No. 5 in D major, BWV 1050: I. Allegro orchestra: Camerata Romana (an Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym) conductor: Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Rudolf Pribil (pseudonym for Alfred Scholz) recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (ended) composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050	Johann Sebastian Bach		9:56
7	"Brandenburg" Concerto No. 5 in D major, BWV 1050: II. Affettuoso orchestra: Camerata Romana (an Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym) conductor: Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Rudolf Pribil (pseudonym for Alfred Scholz) recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (ended) composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: II. Adagio part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050	Johann Sebastian Bach		5:58
8	"Brandenburg" Concerto No. 5 in D major, BWV 1050: III. Allegro trumpet: Rolf Quinque (trumpet player) orchestra: Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym) conductor: Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym)), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Rudolf Pribil (pseudonym for Alfred Scholz) recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (ended) composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: III. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050	Johann Sebastian Bach		5:38
9	Jesu, Joy of Man's Desiring brass: St. Louis Brass Quintet orchestra: St. Louis Brass Quintet recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Mans Desiring; catch-all for arrangements and unknown orchestrations) composer: Johann Sebastian Bach (German Baroque period composer & musician) arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)	Johann Sebastian Bach		3:57
10	"Messiah" Highlights: Overture vocals: Royal Choral Society orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part I, no. 1. Symphony composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		3:19
11	"Messiah" Highlights: Comfort ye vocals: Royal Choral Society orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		2:39
12	"Messiah" Highlights: Every Valley vocals: Royal Choral Society orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part I, no. 3. Air “Ev’ry Valley” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		3:38
13	"Messiah" Highlights: And the Glory of the Lord vocals: Royal Choral Society orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part I, no. 4. Chorus “And the Glory of the Lord” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		2:57
14	"Messiah" Highlights: Glory to God choir vocals: Royal Philharmonic Chorus vocals: Royal Choral Society orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		2:07
15	"Messiah" Highlights: Hallelujah! choir vocals: Royal Choral Society and Royal Philharmonic Chorus orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		3:49
16	"Messiah" Highlights: And the Trumpet Shall Sound vocals: Royal Choral Society orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part III, no. 48. Air “The Trumpet Shall Sound” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel		4:29

▶CD 3: A Baroque Festival

▶CD 4: A Baroque Festival

Credits

Release

ASIN:	US: B000003QWD [info]

Release Group

Allmusic:	https://www.allmusic.com/album/mw0000295922 [info]

Release information

Barcode:: 015095120823
Format:: 4×CD
Length:: 4:51:52

Additional details

Type:: Album + Compilation
Status:: Official
Language:: English
Script:: Latin
Data Quality:: Normal

Labels

Intersound
CH 1208A
Intersound
CH 1208B
Intersound
CH 1208C
Intersound
CH 1208D

Release events

United States
1994

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External links

US: B000003QWD

Release group external links

AllMusic

Editing

Last updated on 2018-09-05 18:00 UTC