The 70s

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2020 Warner Music Group - X5 Music Group»

Countries excluded (Spotify + Deezer)

(As of 2020-04-03).

  • Caribbean: 🇩🇴 Dominican Republic (do) 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg)
  • Eastern Africa: 🇲🇬 Madagascar (mg)
  • Middle Africa: 🇨🇬 Congo (cg)
  • Western Asia: 🇧🇭 Bahrain (bh)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc)
  • Polynesia: 🇨🇰 Cook Islands (ck)
  • Melanesia: 🇸🇧 Solomon Islands (sb)
  • Micronesia: 🇰🇮 Kiribati (ki)
Annotation last modified on 2020-04-03 07:01 UTC.

Tracklist

▼Digital Media 1
#TitleArtistRatingLength
1Love Will Tear Us Apart
producer:
Martin Hannett and Joy Division
bass:
Peter Hook
drums (drum set):
Stephen Morris (New Order)
guitar:
Bernard Albrecht
vocals:
Bernard Albrecht and Ian Curtis
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
part of:
Indie 88: Top 500 Indie Rock Songs (number: 5), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 179)
recording of:
Love Will Tear Us Apart
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:25
2Slow Ride
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1975)
recording of:
Slow Ride (Foghat)
lyricist and composer:
Dave Peverett
Foghat4.63:58
3The Rubberband Man
The Spinners4.653:35
4Long Cool Woman (in a Black Dress)
engineer:
John Punter
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1972)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom (on 1971-07-16, from 1971-07-27 until 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (on 1971-07-16)
writer:
Allan Clarke (of The Hollies), Roger Cook (singer, songwriter, producer) and Roger Greenaway
The Hollies4.53:19
5A Horse With No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
America4.154:12
6Blitzkrieg Bop
engineer:
Ed Stasium (US record producer & audio engineer)
producer:
Thomas Erdelyi (Tommy Ramone) and Ed Stasium (US record producer & audio engineer)
bass guitar:
Dee Dee Ramone (on 1977-12-31)
drums (drum set):
Tommy Ramone (on 1977-12-31)
guitar:
Johnny Ramone (on 1977-12-31)
recorded at:
Rainbow Theatre (Finsbury Park) in London (Greater London), England, United Kingdom (on 1977-12-31)
live recording of:
Blitzkrieg Bop (on 1977-12-31)
writer:
Douglas Glenn Colvin, John Cummings (Johnny Ramone), Thomas Erdelyi (Tommy Ramone) and Jeffrey Hyman (Joey Ramone)
publisher:
Bleu-Disque-Music Co. Inc. and Taco Tunes Inc.
Ramones2:05
7Just When I Needed You Most
recording of:
Just When I Needed You Most
lyricist and composer:
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher) and WB Music Corp. (1929–2019)
Randy VanWarmer4:02
8Casey Jones
engineer and producer:
Alembic (Instrument makers & sound consultants), Betty Cantor, Grateful Dead and Bob Matthews
associate producer:
Betty Cantor and Grateful Dead
executive producer:
Bob Matthews
banjo, pedal steel guitar and lead vocals:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-02)
bass guitar:
Phil Lesh (in 1970-02)
drums (drum set) and percussion:
Mickey Hart (drummer for The Grateful Dead) (in 1970-02) and Bill Kreutzmann (in 1970-02)
guitar:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-02) and Bob Weir (in 1970-02)
harmonica and keyboard:
Ron “Pigpen” McKernan (in 1970-02)
vocals:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-02), Phil Lesh (in 1970-02), Ron “Pigpen” McKernan (in 1970-02) and Bob Weir (in 1970-02)
recording of:
Casey Jones (Grateful Dead song) (in 1970-02)
lyricist:
Robert Hunter (American lyricist, non-performing member of the Grateful Dead)
composer:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Ice Nine Publishing Company, Inc. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
version of:
The Ballad of Casey Jones
Grateful Dead44:25
9Dixie Chicken
vocals:
Lowell George
recording of:
Dixie Chicken
writer:
Lowell George and Martin Kibbee (singer-songwriter)
Little Feat43:56
10Make It With You
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972)
recording of:
Make It With You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC and ソニー・ミュージックパブリッシング A事業部
Bread53:14
11(Where Do I Begin) Love Story
producer:
Johnny Harris (Scottish composer, conductor)
vocals:
Shirley Bassey (Welsh singer)
conductor:
Johnny Harris (Scottish composer, conductor)
arranger:
Johnny Harris (Scottish composer, conductor)
recording of:
(Where Do I Begin?) Love Story (Love Story)
lyricist:
Carl Sigman
composer:
Francis Lai (French composer)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited, Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony, Sony/ATV Music Publishing, LLC (1995–2020), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
version of:
Theme From Love Story (Instrumental)
Shirley Bassey3:15
12Rock Your Baby
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae6:24
13Willin’
recording engineer and mixer:
Donn Landee
producer:
Ted Templeman
bass guitar:
Roy Estrada
drums (drum set) and percussion:
Richie Hayward
guest steel guitar:
Sneaky Pete Kleinow
guitar and lead vocals:
Lowell George
keyboard:
Bill Payne
background vocals:
Roy Estrada and Richie Hayward
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
recording of:
Willin’
lyricist and composer:
Lowell George
publisher:
Naked Snake Music
Little Feat2:55
14Feelin’ Stronger Every Day
assistant recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
producer:
James William Guercio
assistant mixer:
Richard Blakin (in 1973-02)
mixer:
Phil Ramone (in 1973-02)
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Warner Strategic Marketing Inc. (in 1973), Rhino Entertainment Company (not for release label use!) (in 2002) and Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1973-02)
recording of:
Feelin’ Stronger Every Day (in 1973-02)
writer:
Peter Cetera (in 1973) and James Pankow (in 1973)
publisher:
BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Don Williams Music Group, Moose Music, Universal Music Publishing MGB Ltd. and Big Elk Music (in 1973)
Chicago4:15
15Sweet Jane
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 335)
recording of:
Sweet Jane
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:06
16Diamond Girl
producer:
Louie Shelton
recording of:
Diamond Girl
lyricist:
James Seals
composer:
Dash Crofts and James Seals
Seals & Crofts44:13
17I’m Eighteen
engineer:
Brian Christian
producer:
Bob Ezrin and Jack Richardson
bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
drums (drum set):
Neal Smith (former Alice Cooper drummer)
guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
harmonica and lead vocals:
Alice Cooper (the musician Vincent Damon Furnier)
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
background vocals:
Michael Bruce (of Alice Cooper), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
recorded at:
RCA Mid-America in Chicago, Illinois, United States
music videos:
I’m Eighteen (live, 1971: German TV music show, Beat Club) by Alice Cooper
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 482)
recording of:
I’m Eighteen
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician Vincent Damon Furnier), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, EMI Blackwood Music Inc. (1989-07-24–present), Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
Alice Cooper4.42:59
18I Got The…
engineer:
Dick Plant (engineer)
producer:
Derek Lawrence (British producer) and Big Jim Sullivan
acoustic guitar and electric piano:
Labi Siffre
bass:
Dave Peacock (English bass guitarist, Chas & Dave)
drums (drum set):
Ian Wallace (drummer, ex-King Crimson)
electric guitar:
Chas Hodges
electric guitar [Lead Guitar]:
Big Jim Sullivan
instruments:
Chas Hodges
percussion:
Alan Branscombe
strings:
Rock 'n' Roll Gypsies
background vocals:
Chas Hodges and Dave Peacock (English bass guitarist, Chas & Dave)
vocals:
Gordon Neville (british singer) and Labi Siffre
arranger:
Big Jim Sullivan
recording of:
I Got The
lyricist and composer:
Labi Siffre
Labi Siffre56:35
19I Saw the Light
producer:
Todd Rundgren
instruments:
Todd Rundgren
arranger:
Todd Rundgren
recording of:
I Saw the Light
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Todd Rundgren53:00
20Rockaway Beach
assistant engineer:
Don Berman
engineer:
Ed Stasium (US record producer & audio engineer)
producer:
Tony Bongiovi and Thomas Erdelyi (Tommy Ramone)
bass guitar:
Dee Dee Ramone
drums (drum set):
Tommy Ramone
guitar:
Johnny Ramone
lead vocals:
Joey Ramone
recorded at:
Mediasound Studios in New York, New York, United States
mixed at:
Power Station Studios in Manhattan, New York, New York, United States
recording of:
Rockaway Beach
writer:
Douglas Glenn Colvin, John Cummings (Johnny Ramone), Thomas Erdelyi (Tommy Ramone) and Jeffrey Hyman (Joey Ramone)
Ramones4.62:07
21Peaches
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
assistant mixer:
Benny King (engineer)
mixer:
Doug Bennett (producer, engineer)
bass guitar:
Jean‐Jacques Burnel (from 1976-12-20 until 1977-01-28)
drums (drum set):
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (from 1976-12-20 until 1977-01-28)
guitar and lead vocals:
Hugh Cornwell (from 1976-12-20 until 1977-01-28)
keyboard:
Dave Greenfield (from 1976-12-20 until 1977-01-28)
publisher:
EMI April Music Inc.
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1976-12-20 until 1977-01-28)
mixed at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1977-01 until 1977-02)
recording of:
Peaches (from 1976-12-20 until 1977-01-28)
writer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music Ltd., Musik-Edition Discoton and Universal Music Publishing MGB Ltd.
The Stranglers4.24:05
22Feel Like Makin’ Love
recording engineer:
Ron Nevison (in 1974-09)
producer:
Bad Company (British blues-rock supergroup)
mixer:
Ron Nevison
publisher:
Badco Music, Inc.
phonographic copyright (℗) by:
Swan Song Inc. (in 1975)
recorded at:
Clearwell Castle in Gloucestershire, England, United Kingdom (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Feel Like Makin’ Love (in 1974-09)
writer:
Mick Ralphs and Paul Rodgers
publisher:
WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 and Badco Music, Inc. (from 1974 to present)
Bad Company4.455:15
23You’re Still a Young Man
Tower of Power2.55:35
24Something to Fall Back On
Margie Joseph4:01
25Cat’s in the Cradle
producer:
Paul Leka
arranger:
Paul Leka
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) and Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.)
recorded at:
Connecticut Recording Studios in Connecticut, United States
recording of:
Cat’s in the Cradle
writer:
Sandra Campbell Chapin and Harry F Chapin
publisher:
Story Songs, Ltd, Warner Chappell Music, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin43:46
26Wishing on a Star
recording of:
Wishing on a Star
lyricist and composer:
Billie Calvin (Billie Rae Calvin)
Rose Royce4:53
27I’ve Got to Make It on My Own
The Spinners3:25
28Riding High
recording of:
Riding High
writer:
Ralph Aikens, Tyrone Crum, Keith Harrison (US funk keyboardist/vocalist for Heatwave/Dazz Band), Robert Neal, Jr. (American percussionist and vocalist) and Roger Parker
publisher:
Rick S. Music (publishing company associated with Casablanca) and Segundo Sueños LLC
Faze‐O5:18
29Maybe I’m Amazed
engineer:
Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
producer:
Faces (successor of "Small Faces", members Rod Stewart, Ron Wood)
recorded at:
Fillmore East in East Village, New York, New York, United States (on 1970-11-10)
live cover recording of:
Maybe I’m Amazed (on 1970-11-10)
written in:
London (Greater London), England, United Kingdom (in 1969)
lyricist and composer:
Paul McCartney (The Beatles) (in 1969)
publisher:
Northern Songs Ltd. and Sony/ATV Tunes LLC
Faces5:34
30Ventura Highway
assistant engineer:
Chuck Leary
engineer:
Mike Stone (producer, enginner, UK, 60’s–80’s)
producer:
America (US folk/soft rock band) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Joe Osborne
drums (drum set), drums (drum set) and percussion and percussion:
Hal Blaine
guitar:
Gerry Beckley, Dewey Bunnell and Dan Peek
guitar family and piano:
America (US folk/soft rock band)
keyboard:
Gerry Beckley and Dan Peek
vocals:
Gerry Beckley, Dewey Bunnell and Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
America3.93:32
31Get Down Tonight (edited version)
recording of:
Get Down Tonight (“Do a little dance, make a little love”)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music
KC and the Sunshine Band4.353:11
32Ride Captain Ride
producer:
Richard Podolor
recording of:
Ride Captain Ride
lyricist:
Frank "Skip" Konte (Blues Image keyboardist)
composer:
Mike Pinera
publisher:
Atlantic (Warner Music imprint) and ATM Music
Blues Image4.53:46
33Drivin’ Wheel (single version)
Foghat4:29
34See My Baby Jive
recording of:
See My Baby Jive
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard.)
publisher:
Roy Wood Music Ltd.
Wizzard55:02
35You Are My Love
Liverpool Express3:09
36Drinkin’ My Baby (Off My Mind)
Eddie Rabbitt2:25
37I Never Did Sing You a Love Song
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
accordion:
Nick de Caro
acoustic guitar:
David Nichtern
bass guitar:
Chris Ethridge
drums (drum set):
Jim Keltner
piano:
Spooner Oldham
steel guitar:
Bill Keith
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
I Never Did Sing You a Love Song
lyricist and composer:
David Nichtern
publisher:
Compass Music, Ltd. (UK publishing company, dissolved) and Space Potato Music, Ltd.
Maria Muldaur2:50
38Smokin’ in the Boy’s Room
engineer:
Michael Delugg
producer:
Doug Morris (record executive) and Eric Stevens (producer active in the 1970s)
recorded at:
Mediasound Studios in New York, New York, United States
recording of:
Smokin’ in the Boys Room
writer:
Cub Koda and Michael Lutz
publisher:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing and Walden Music, Inc.
Brownsville Station52:58
39Milk and Alcohol
recording of:
Milk and Alcohol
writer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) and Gypie Mayo
Dr. Feelgood4.652:49
40What’s Best?
The Jimmy Castor Bunch3:58
412-4-6-8 Motorway
producer:
Vic Maile
bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
drums (drum set):
Dolphin Taylor (on 1977-09-14)
guitar:
Danny Kustow (on 1977-09-14)
organ and piano:
Mark Ambler (on 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1977)
recorded at:
Berwick Street Studios in Westminster, London (Greater London), England, United Kingdom (on 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (on 1977-09-14)
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:17
42Everything I Own
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972)
recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:06
43England’s Glory
bass guitar and synthesizer:
Michael J McEvoy (in 1989-07)
drums (drum set) and percussion:
Steve White (Style Council drummer) (in 1989-07)
guitar:
Merlin Rhys-Jones (in 1989-07)
keyboard:
Mick Gallagher (UK hammond organ player) (in 1989-07)
saxophone:
Davey Payne (UK saxophonist) (in 1989-07)
vocals:
Ian Dury (in 1989-07)
recorded at:
Liquidator Studios in Islington, London (Greater London), England, United Kingdom (in 1989-07) and Westside Studios in London (Greater London), England, United Kingdom (in 1989-07)
recording of:
England’s Glory (in 1989-07)
lyricist:
Ian Dury
composer:
Rod Melvin
Ian Dury4:25
44I’m a Changed Man (Finally Got Myself Together)
The Impressions3:09
45Moviestar
recording of:
Movie Star
lyricist and composer:
Harpo (Swedish pop singer) (in 1975)
Harpo53:22
46Dance With Me
recording of:
Dance With Me
lyricist:
Johanna Hall
composer:
John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Siren Songs, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Orleans3:21
47She’s Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
writer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Daryl Hall & John Oates3.655:13
48Stay With Me
producer:
Faces (successor of "Small Faces", members Rod Stewart, Ron Wood) and Glyn Johns
bass guitar:
Ronnie Lane
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who)
guitar:
Ron Wood (UK guitarist, member of The Rolling Stones, also goes by Ronnie Wood)
Wurlitzer electric piano:
Ian McLagan
lead vocals:
Rod Stewart
recording of:
Stay With Me
writer:
Rod Stewart and Ron Wood (UK guitarist, member of The Rolling Stones, also goes by Ronnie Wood)
publisher:
Warner Bros. Music Co., Ltd.
Faces4.754:39
49Closer Together
Bloodstone3:47
50So Soon We Change
David Ruffin3:57
51Lonely Boy
assistant engineer:
Dennis Kirk and Greg Ladanyi
engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1976-03 until 1976-10)
bell [Sleigh] and drums (drum set):
Michael Botts (from 1976-03 until 1976-10)
cowbell, piano and tambourine:
Andrew Gold (from 1976-03 until 1976-10)
electric piano and synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (from 1976-03 until 1976-10)
guitar:
Dan Dugmore (from 1976-03 until 1976-10)
guitar [Lead Guitar]:
Waddy (from 1976-03 until 1976-10)
handclaps:
Peter Asher (from 1976-03 until 1976-10) and Andrew Gold (from 1976-03 until 1976-10)
background vocals:
Linda Ronstadt (from 1976-03 until 1976-10)
vocals:
Andrew Gold (from 1976-03 until 1976-10)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1976-03 until 1976-10)
recording of:
Lonely Boy (from 1976-03 until 1976-10)
lyricist and composer:
Andrew Gold
publisher:
Luckyu Music
Andrew Gold54:25
52Let’s Stay Together
cover recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Margie Joseph3:27
53Call on Me
recording engineer:
Armin Steiner (strings)
engineer:
Jeff Guercio and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone
lead vocals:
Peter Cetera (from 1973-08 until 1973-12)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1973-08 until 1973-12)
recording of:
Call on Me (from 1973-08 until 1973-12)
lyricist:
Lee Loughnane
composer:
Lee Loughnane (in 1973)
publisher:
Big Elk Music, COM Music, IQ Music Ltd. and Spirit Music Publishing Ltd.
Chicago4:03
54Venus
assistant engineer:
Jim Boyer (producer/engineer)
engineer and mixer:
Andy Johns
producer:
Andy Johns and Tom Verlaine
assistant mixer:
Jimmy Douglass (engineer) and Randy Mason
bass guitar:
Fred Smith (bassist)
drums (drum set):
Billy Ficca
electric guitar:
Richard Lloyd (American guitarist and singer, Television)
solo electric guitar and lead vocals:
Tom Verlaine
background vocals:
Richard Lloyd (American guitarist and singer, Television) and Fred Smith (bassist)
vocals:
Richard Lloyd (American guitarist and singer, Television) and Fred Smith (bassist)
recorded at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Venus
lyricist and composer:
Tom Verlaine
Television53:49
55Move On Up
edit of:
Move On Up by Curtis Mayfield
recording of:
Move On Up
lyricist and composer:
Curtis Mayfield
publisher:
Camad Music Company (ended), Curtom Publishing Co Inc (ended), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
lyrics quoted on:
Astounded
music quoted on:
Astounded
Curtis Mayfield2:46
56Wear It Out
producer:
Verdine White and Robert Wright (disco/funk producer)
recording of:
Wear It Out
writer:
Charles Fearing, Rochelle Runnells and Robert Wright (disco/funk producer)
Stargard5:14
57Street Life (edit)
recording of:
Street Life
writer:
Will Jennings and Joe Sample
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher), Four Knights Music, Four Knights Music Co., Fujipacific Music, Inc., Irving Music, Inc., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Randy Crawford4:49
58You Should’ve Listened
Black Heat5:39
59Had Me a Real Good Time
engineer:
Mike Bobak
producer:
Faces (successor of "Small Faces", members Rod Stewart, Ron Wood)
recording of:
Had Me a Real Good Time
writer:
Ronnie Lane, Rod Stewart and Ron Wood (UK guitarist, member of The Rolling Stones, also goes by Ronnie Wood)
Faces5:50
60Wonderous Stories
assistant engineer:
David Richards (Swiss-based producer and engineer)
engineer:
John Timperley
executive producer:
Brian Lane (producer)
producer:
Yes (British progressive rock band)
bass guitar:
Chris Squire (Yes bassist) (from 1976 until 1977)
drums (drum set) and percussion:
Alan White (Yes drummer) (from 1976 until 1977)
Moog [Polymoog]:
Rick Wakeman (from 1976 until 1977)
Portuguese guitar [Vachalia] and electric guitar:
Steve Howe (from 1976 until 1977)
background vocals:
Steve Howe (from 1976 until 1977) and Chris Squire (Yes bassist) (from 1976 until 1977)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (from 1976 until 1977)
arranger:
Yes (British progressive rock band)
phonographic copyright (℗) by:
Atlantic (Warner Music imprint) (in 1977), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
recorded at:
Mountain Recording Studios (moved to Attalens in 2002) in Montreux, Vaud, Switzerland (from 1976 until 1977) and Mountain Studio in Montreux, Vaud, Switzerland (from 1976 until 1977)
partial recording of:
Wonderous Stories (from 1976 until 1977)
lyricist and composer:
Jon Anderson (Yes/Jon & Vangelis)
publisher:
Rondor Music (London) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Topographic Music, Ltd. (in 1977)
Yes4.353:49
61I’d Love You to Want Me
recording of:
I’d Love You to Want Me
lyricist and composer:
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007-05 as Sony/ATV Harmony/Melody)
Lobo24:04
62Werewolves of London
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Jackson Browne (American singer-songwriter) and Waddy Wachtel
bass:
John McVie
drums (drum set):
Mick Fleetwood
guitar family:
Waddy Wachtel
piano:
Warren Zevon
phonographic copyright (℗) by:
Elektra Entertainment (renamed from Elektra 1989–2004; revived as Elektra 2009-06-01) (in 1978) and Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1978)
recording of:
Werewolves of London
writer:
LeRoy P. Marinell, Waddy Wachtel and Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes and Zevon Music
Warren Zevon4.93:28
63Music Man
The Doobie Brothers3:31
64If You Could Read My Mind
recording engineer:
Gary Brandt and Lee Herschberg
producer:
Lenny Waronker and Joe Wissert
mixer:
Lee Herschberg
vocals:
Gordon Lightfoot
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 8)
recording of:
If You Could Read My Mind
lyricist and composer:
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (ended), Early Morning Music (ended), Laetrec Music (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Gordon Lightfoot53:49
65Loving You Is Mellow
recording of:
Loving You Is Mellow
writer:
Terry Collins and Bobby Eli
Major Harris4:29
66Devil Woman
producer:
Bruce Welch (English guitarist, singer, songwriter and producer)
vocals:
Cliff Richard
cover recording of:
Devil Woman
writer:
Terry Britten and Kristine Sparkle (UK artist and songwriter)
Cliff Richard53:37
67Overdose of Joy
Eugene Record4:16
68Tush
recording engineer and mixer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
bass guitar and lead vocals:
Dusty Hill
drums (drum set):
Frank Beard (ZZ Top drummer)
electric guitar:
Billy Gibbons
recorded at:
Ardent Studios in Memphis, Tennessee, United States and Robin Hood Studios in Tyler, Texas, United States
recording of:
Tush
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three and Songs of Mosaic
ZZ Top4.62:14
69Mercy Mercy Me / I Want You
medley including a cover recording of:
I Want You
lyricist:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
composer:
Arthur “T‐Boy” Ross and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jobete Music Co., Inc., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
medley including a cover recording of:
Mercy Mercy Me (The Ecology)
lyricist and composer:
Marvin Gaye
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan
Robert Palmer25:57
70Le Freak
producer:
Bernard Edwards and Nile Rodgers
conductor:
Bernard Edwards and Nile Rodgers
arranger:
Bernard Edwards and Nile Rodgers
recording of:
Le Freak
writer:
Bernard Edwards and Nile Rodgers
publisher:
Sony Songs Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic35:30
71Summer Breeze
producer:
Louie Shelton
recording of:
Summer Breeze
lyricist:
James Seals
composer:
Dash Crofts and James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc., Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Seals & Crofts4.353:26
72I Want Your Love
producer:
Bernard Edwards and Nile Rodgers
conductor:
Bernard Edwards and Nile Rodgers
arranger:
Bernard Edwards and Nile Rodgers
recording of:
I Want Your Love
lyricist and composer:
Bernard Edwards and Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Chic6:55
73Then Came You
guest vocals:
Dionne Warwick
performer:
The Spinners (US R&B/soul group, aka The Detroit Spinners)
recording of:
Then Came You
writer:
Sherman Marshall and Philip Pugh
Dionne Warwick4.54:01
74Right Place Wrong Time
recording engineer:
Karl Richardson
producer:
Allen Toussaint
mixer:
Jimmy Douglass (engineer) and Arif Mardin
acoustic guitar, congas, electric piano, piano and tambourine:
Allen Toussaint
bass guitar:
George Porter, Jr.
drums (drum set):
Joseph Modeliste
guitar:
Leo Nocentelli
organ:
Art Neville
saxophone:
Gary Brown (saxophonist)
solo guitar:
David Spinozza
background vocals:
Jessie Mae Smith (US R&B vocalist Jessica Mae Smith, 1941–2021), Robbie Montgomery and Allen Toussaint
lead vocals:
Mac Rebennack (aka Dr. John)
conductor:
Allen Toussaint
performer:
The Bonaroo horn section and The Meters
arranger and vocals arranger:
Allen Toussaint
recording of:
Right Place Wrong Time
lyricist and composer:
Mac Rebennack (aka Dr. John)
Dr. John52:55
75Brother Louie
producer:
Mickie Most (English record producer)
recording of:
Brother Louie
writer:
Errol Brown and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Finchley Music and RAK Publishing Ltd.
Hot Chocolate54:59
76The Makings of You
assistant engineer:
Danny Turbeville
engineer:
Tom Flye and R.J. Anfinson
producer:
Curtis Mayfield
arranger:
Riley Hampton and Gary Slabo
recording of:
The Makings of You
lyricist and composer:
Curtis Mayfield
publisher:
Curtom Publ. Co. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Curtis Mayfield3:44
77We’ll Never Have to Say Goodbye Again (single version)
recording of:
We’ll Never Have to Say Goodbye Again
lyricist and composer:
Jeffrey Comanor
publisher:
BMG Sapphire Songs, Chicken Key Music, Faizilu Publishing, Reservoir 416, Sutjujo Music, ソニー・ミュージックパブリッシング A事業部, フジパシフィックミュージック and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
England Dan & John Ford Coley2:52
78Disco Inferno
recording of:
Disco Inferno
writer:
Leroy Green (disco/soul songwriter) and Ron Kersey
publisher:
peermusic (publisher), Reservoir 416 and Reservoir Media Management, Inc.
The Trammps53:34
79Do You Realize
producer:
Norman Connors
Aquarian Dream4:44
80Sandman
The Undisputed Truth4:15
81Waiting for Tomorrow
Bettye LaVette3:16
82Have You Never Been Mellow
recording of:
Have You Never Been Mellow
lyricist and composer:
John Farrar
publisher:
ATV Music Corp., Jambuck Music Ltd., John Farrar Music and Jumbuck Music
Olivia Newton‐John3:34
83I’d Really Love to See You Tonight
recording of:
I’d Really Love to See You Tonight
lyricist and composer:
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing and Sutjujo Music
England Dan & John Ford Coley52:39
84Lotta Love
engineer:
Donn Landee
producer:
Ted Templeman
acoustic guitar:
Herb Pedersen
bass:
Bob Glaub
flute:
Plas Johnson
guitar:
Dave Kalish
keyboard:
Mark T. Jordan
membranophone:
Rick Schlosser (drummer)
saxophone:
Andrew Love
tambourine:
Nicolette Larson
background vocals:
Nicolette Larson and Ted Templeman
conductor:
Jimmie Haskell
strings arranger:
Jimmie Haskell
cover recording of:
Lotta Love
lyricist and composer:
Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:06
85Magic
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1974)
recording of:
Magic
writer:
Billy Lyall and David Paton
publisher:
EMI (EMI Records, since 1972), EMI Music Publishing Ltd. (PRS-affiliated) and Robbins Music Corp. Ltd.
Pilot53:06
86Mojo Hannah
Tami Lynn3:26
87Train, Train
recording of:
Train, Train
lyricist and composer:
Shorty Medlock
Blackfoot4.53:37
88You’ve Got a Hold on Me
Labi Siffre3:55
89Two Trains
vocals:
Lowell George
recording of:
Two Trains
lyricist and composer:
Lowell George
publisher:
Naked Snake Music (in 1975)
Little Feat3:07
90Flash in the Pan
Tower of Power3:37
91Another Night
Wilson Brothers4:00
92Such a Night
recording engineer:
Karl Richardson
producer:
Allen Toussaint
mixer:
Jimmy Douglass (engineer) and Arif Mardin
acoustic guitar, congas, electric piano, piano and tambourine:
Allen Toussaint
bass guitar:
George Porter, Jr.
drums (drum set):
Joseph Modeliste
guitar:
Leo Nocentelli
organ:
Art Neville
percussion:
Ralph MacDonald
saxophone:
Gary Brown (saxophonist)
background vocals:
Jessie Mae Smith (US R&B vocalist Jessica Mae Smith, 1941–2021), Robbie Montgomery and Allen Toussaint
lead vocals:
Mac Rebennack (aka Dr. John)
conductor:
Allen Toussaint
performer:
The Bonaroo horn section and The Meters
arranger and vocals arranger:
Allen Toussaint
recording of:
Such a Night
lyricist and composer:
Mac Rebennack (aka Dr. John)
Dr. John32:58
93Take Your Trouble…Go
Osibisa4:03
94Chain on the Brain
David Ruffin5:46
95Martin St. Martin
Terry Callier5:36
96Magic
Mass Production6:18
97I’m Comin’ Home
recording of:
I’m Comin’ Home
lyricist and composer:
Dennis Linde
publisher:
Combine Music Corp.
Arthur Alexander1:58
98Dookey Shoe
Rasputin’s Stash3:20
99Fugue U
Blues Image0:50
100Long Distance Love
guest background vocals:
Valerie Carter and Fran Tate
recording of:
Long Distance Love
lyricist and composer:
Lowell George
Little Feat42:43