Musiques célestes, Volume 1

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#	Title	Artist	Rating	Length
1	Vespro della Beata Vergine, Deus in adjutorium meum intende sound engineer: Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer) producer: James Mallinson (producer) tenor vocals: Robert Tear (tenor) (in 1974-01) conductor: John Eliot Gardiner (in 1974-01) recorded at: St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1974-01) partial recording of: Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (in 1974-01) composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206 (for chorus & instruments)	Claudio Monteverdi		0:14
2	Vespro della Beata Vergine, Domine ad adjuvandum me festina sound engineer: Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer) producer: James Mallinson (producer) choir vocals: Monteverdi Choir (in 1974-01) orchestra: Monteverdi Orchestra (in 1974-01) and Philip Jones Brass Ensemble (in 1974-01) conductor: John Eliot Gardiner (in 1974-01) performer: Philip Jones Brass Ensemble (in 1974-01) recorded at: St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1974-01) partial recording of: Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (in 1974-01) composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206 (for chorus & instruments)	Claudio Monteverdi		2:09
3	Ave verum corpus recording of: Ave verum corpus composer: William Byrd (English composer) publisher: Oxford University Press part of: Gradualia ac cantiones sacrae, Liber 1 (A collection of 63 graduals and sacred songs dated 1605)	William Byrd		4:29
4	Motet « O magnum mysterium » instruments: Philip Jones Brass Ensemble choir vocals: Monteverdi Choir conductor: Sir John Eliot Gardiner recording of: O magnum mysterium lyricist and composer: Giovanni Gabrieli (composer)	Giovanni Gabrieli		4:41
5	Missa pro pace et iustitia servanda, Graduale Triplex, Kyrie III ad libitum (Rector cosmi pie) choir vocals: Coro Gregoriano de Lisboa conductor: Maria Helena Pires de Matos	[anonymous]		2:09
6	Antiphonal Psalmody, Lumen ad revelationem, Nunc dimittis choir vocals: The Choir of the Carmelite Priory conductor: John McCarthy (British choral conductor, scholar, composer and arranger)	[anonymous]		2:19
7	Liturgy of Saint Anthony, Ad vesperas, Responsorium brevis « Os iusti » choir vocals: Coro Gregoriano de Lisboa conductor: Maria Helena Pires de Matos	[anonymous]		1:53
8	Liturgy of Saint Anthony, Ad vesperas, Versus « Amavit eum » choir vocals: Coro Gregoriano de Lisboa conductor: Maria Helena Pires de Matos	[anonymous]		0:42
9	Magnificat à 8 recording engineer: Gordon Parry (engineer) (in 1963-08) producer: Andrew Raeburn choir vocals: Choir of King’s College, Cambridge (in 1963-08) conductor: Sir David Willcocks (in 1963-08) recorded at: King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1963-08) recording of: Magnificat à 8 (in 1963-08) composer: Giovanni Pierluigi da Palestrina (composer)	Giovanni Pierluigi da Palestrina		6:10
10	Motet « Adoramus te » choir vocals: Monteverdi Choir conductor: Sir John Eliot Gardiner recording of: Adoramus te, Christe, SV 289 (motet for 6 voices & continuo) composer: Claudio Monteverdi (in 1620) part of: Stattkus-Verzeichnis (number: SV 289)	Claudio Monteverdi		5:04
11	Vesperae solennes de confessore, K 339, V, Laudate Dominum producer: Peter Wadland choir vocals: Choir Of Winchester Cathedral (in 1990-11) and Winchester College Quiristers (in 1990-11) soprano vocals: Emma Kirkby (soprano) (in 1990-11) orchestra: Academy of Ancient Music (in 1990-11) conductor: Christopher Hogwood (conductor, harpsichordist) (in 1990-11) balance engineer: John Dunkerley (engineer) (in 1990-11) recorded at: St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1990-11) recording of: Vesperae solennes de confessore, K. 339: V. Laudate dominum (in 1990-11) composer: Wolfgang Amadeus Mozart (classical composer) (in 1780) part of: Vesperae solennes de confessore, K. 339	Wolfgang Amadeus Mozart		4:27
12	Trois Leçons de ténèbres, Troisième leçon à deux voix organ: Christopher Hogwood (conductor, harpsichordist) viola da gamba: Jane Ryan soprano vocals: Emma Kirkby (soprano) and Judith Nelson (soprano) recording of: Troisième leçon de ténèbres composer: François Couperin (French composer of the Baroque era) part of: Leçons de ténèbres	François Couperin		10:37
13	Miserere recording engineer: Gordon Parry (engineer) (in 1963-03) producer: Andrew Raeburn choir vocals: Choir of King’s College, Cambridge (in 1963-03) solo treble vocals: Roy Goodman (conductor and violinist) (in 1963-03) conductor: Sir David Willcocks (in 1963-03) phonographic copyright (℗) by: The Decca Record Company Ltd. (for copyrights use only!) (in 1964) recorded at: King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1963-03) recording of: Miserere mei, Deus (in 1963-03) composer: Gregorio Allegri (composer)	Gregorio Allegri		11:12
14	Magnificat en mi bémol majeur, BWV 243a, I, Magnificat choir vocals and choir vocals [The Choir of Christ Church Cathedral, Oxford]: Christ Church Cathedral Choir, Oxford (in 1978) orchestra: Academy of Ancient Music (in 1978) conductor: Simon Preston (organist, conductor, composer) (in 1978) recorded at: St. Jude-on-the-Hill in Barnet, London (Greater London), England, United Kingdom (in 1978) recording of: Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum" (in 1978) premiered in: Leipzig, Sachsen, Germany (on 1723-12-25) composed in: Leipzig, Sachsen, Germany (in 1723) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Magnificat Es-Dur, BWV 243a	Johann Sebastian Bach		3:16
15	Magnificat en sol mineur, RV 610, Et misericordia choir vocals: Choir of King’s College, Cambridge orchestra: Academy of St Martin in the Fields conductor: Philip Ledger recording of: Magnificat in G minor, RV 610: III. Andante molto "Et misericordia eius a progenie" composer: Antonio Vivaldi part of: Magnificat in G minor, RV 610	Antonio Vivaldi		3:59
16	Vesperae de Dominica, K 321, Magnificat producer: Chris Hazell organ: David Hill (organist and conductor) (in 1980-07) bass vocals: Stephen Roberts (UK bass-baritone) (in 1980-07) choir vocals: Choir Of St. John's College (in 1980-07) contralto vocals: Margaret Cable (mezzo-soprano) (in 1980-07) soprano vocals: Margaret Marshall (Scots soprano active in late 20th century) (in 1980-07) tenor vocals: Wynford Evans (in 1980-07) orchestra: The Wren Orchestra (in 1980-07) conductor: George Guest (organist and conductor) (in 1980-07) balance engineer: Stanley Goodall (engineer) (in 1980-07) and John Pellowe (audio engineer) (in 1980-07) recorded at: St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-07) recording of: Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: VI. "Magnificat" (in 1980-07) composer: Wolfgang Amadeus Mozart (classical composer) part of: Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321	Wolfgang Amadeus Mozart		5:23
17	Cantate « Herz und Mund und Tat und Leben », BWV 147, Chorus: Herz und Mund und Tat und Leben bass vocals: Jan Opalach (bass-baritone) countertenor vocals: Drew Minter (countertenor) soprano vocals: Jane Bryden (soprano) tenor vocals: Jeffrey Thomas (tenor and conductor) orchestra: The Bach Ensemble conductor: Joshua Rifkin recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		4:13
18	Cantate « Herz und Mund und Tat und Leben », BWV 147, Choral: Jesus bleibet meine Freude bass vocals: Jan Opalach (bass-baritone) countertenor vocals: Drew Minter (countertenor) soprano vocals: Jane Bryden (soprano) tenor vocals: Jeffrey Thomas (tenor and conductor) orchestra: The Bach Ensemble conductor: Joshua Rifkin recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) lyricist: Martin Janus (German Protestant minister, c. 1620–1682) (in 1665) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) music quoted on: Minnen av aprilhimlen part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		2:17