My Shining Hour

~ Release by Wesla Whitfield (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleRatingLength
1Out of This World
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1996-04-03 until 1996-04-05)
drums (drum set):
Colin Bailey (drummer) (from 1996-04-03 until 1996-04-05)
piano:
Mike Greensill (from 1996-04-03 until 1996-04-05)
vocals:
Wesla Whitfield (from 1996-04-03 until 1996-04-05)
remixer:
Phil Edwards (recording engineer)
arranger:
Mike Greensill
recorded at:
Studio A Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1996-04-03 until 1996-04-05)
remixed at:
Phil Edwards Studio
recording of:
Out of This World (in 1997)
lyricist:
Johnny Mercer (in 1945)
composer:
Harold Arlen (in 1945)
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
4:19
2Let's Fall in Love
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1996-04-03 until 1996-04-05)
drums (drum set):
Colin Bailey (drummer) (from 1996-04-03 until 1996-04-05)
piano:
Mike Greensill (from 1996-04-03 until 1996-04-05)
vocals:
Wesla Whitfield (from 1996-04-03 until 1996-04-05)
remixer:
Phil Edwards (recording engineer)
arranger:
Mike Greensill
recorded at:
Studio A Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1996-04-03 until 1996-04-05)
remixed at:
Phil Edwards Studio
recording of:
Let’s Fall in Love (in 1997)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
2:33
3My Shining Hour
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1996-04-03 until 1996-04-05)
drums (drum set):
Colin Bailey (drummer) (from 1996-04-03 until 1996-04-05)
piano:
Mike Greensill (from 1996-04-03 until 1996-04-05)
vocals:
Wesla Whitfield (from 1996-04-03 until 1996-04-05)
remixer:
Phil Edwards (recording engineer)
arranger:
Mike Greensill
recorded at:
Studio A Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1996-04-03 until 1996-04-05)
remixed at:
Phil Edwards Studio
recording of:
My Shining Hour (The Sky’s the Limit) (in 1997)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
MPL Communications Inc. (Paul McCartney-related, NYC-based company) (ended) and Harwin Music Corporation
part of:
The Sky’s the Limit (1943 film)
2:37
4Medley: It's Only a Paper Moon / This Time the Dream's on Me
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1996-04-03 until 1996-04-05)
drums (drum set):
Colin Bailey (drummer) (from 1996-04-03 until 1996-04-05)
piano:
Mike Greensill (from 1996-04-03 until 1996-04-05)
vocals:
Wesla Whitfield (from 1996-04-03 until 1996-04-05)
remixer:
Phil Edwards (recording engineer)
arranger:
Mike Greensill
recorded at:
Studio A Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1996-04-03 until 1996-04-05)
remixed at:
Phil Edwards Studio
medley including a recording of:
It’s Only a Paper Moon (in 1997)
lyricist:
E.Y. Harburg (in 1933) and Billy Rose (lyricist and Broadway producer) (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell Music Ltd., Gloccamorria Music, S.A. Music Co., Shapiro Bernstein & Co. Ltd. and Warner Bros. Music (publisher; do NOT use as release label)
medley including a recording of:
This Time the Dream’s on Me (in 1997)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
5:12
5Happy as the Day Is Long
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1996-04-03 until 1996-04-05)
drums (drum set):
Colin Bailey (drummer) (from 1996-04-03 until 1996-04-05)
piano:
Mike Greensill (from 1996-04-03 until 1996-04-05)
vocals:
Wesla Whitfield (from 1996-04-03 until 1996-04-05)
remixer:
Phil Edwards (recording engineer)
arranger:
Mike Greensill
recorded at:
Studio A Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1996-04-03 until 1996-04-05)
remixed at:
Phil Edwards Studio
recording of:
Happy as the Day Is Long (in 1997)
lyricist:
Ted Koehler
composer:
Harold Arlen
2:49
6Moanin' in the Mornin'
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1996-04-03 until 1996-04-05)
drums (drum set):
Colin Bailey (drummer) (from 1996-04-03 until 1996-04-05)
piano:
Mike Greensill (from 1996-04-03 until 1996-04-05)
vocals:
Wesla Whitfield (from 1996-04-03 until 1996-04-05)
remixer:
Phil Edwards (recording engineer)
arranger:
Mike Greensill
recorded at:
Studio A Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1996-04-03 until 1996-04-05)
remixed at:
Phil Edwards Studio
recording of:
Moanin’ in the Mornin’ (in 1997)
lyricist:
Yip Harburg
composer:
Harold Arlen
5:51
7As Long as I Live
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1996-04-03 until 1996-04-05)
drums (drum set):
Colin Bailey (drummer) (from 1996-04-03 until 1996-04-05)
piano:
Mike Greensill (from 1996-04-03 until 1996-04-05)
vocals:
Wesla Whitfield (from 1996-04-03 until 1996-04-05)
remixer:
Phil Edwards (recording engineer)
arranger:
Mike Greensill
recorded at:
Studio A Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1996-04-03 until 1996-04-05)
remixed at:
Phil Edwards Studio
recording of:
As Long as I Live (in 1997)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
4:22
8I Wonder What Became of Me
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1996-04-03 until 1996-04-05)
drums (drum set):
Colin Bailey (drummer) (from 1996-04-03 until 1996-04-05)
piano:
Mike Greensill (from 1996-04-03 until 1996-04-05)
vocals:
Wesla Whitfield (from 1996-04-03 until 1996-04-05)
remixer:
Phil Edwards (recording engineer)
arranger:
Mike Greensill
recorded at:
Studio A Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1996-04-03 until 1996-04-05)
remixed at:
Phil Edwards Studio
recording of:
I Wonder What Became of Me? (in 1997)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
3:51
9Ill Wind
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1996-04-03 until 1996-04-05)
drums (drum set):
Colin Bailey (drummer) (from 1996-04-03 until 1996-04-05)
piano:
Mike Greensill (from 1996-04-03 until 1996-04-05)
vocals:
Wesla Whitfield (from 1996-04-03 until 1996-04-05)
remixer:
Phil Edwards (recording engineer)
arranger:
Mike Greensill
recorded at:
Studio A Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1996-04-03 until 1996-04-05)
remixed at:
Phil Edwards Studio
recording of:
Ill Wind (in 1997)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
4:16
10Over the Rainbow
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1996-04-03 until 1996-04-05)
drums (drum set):
Colin Bailey (drummer) (from 1996-04-03 until 1996-04-05)
piano:
Mike Greensill (from 1996-04-03 until 1996-04-05)
vocals:
Wesla Whitfield (from 1996-04-03 until 1996-04-05)
remixer:
Phil Edwards (recording engineer)
arranger:
Mike Greensill
recorded at:
Studio A Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1996-04-03 until 1996-04-05)
remixed at:
Phil Edwards Studio
recording of:
Over the Rainbow (The Wizard of Oz) (in 1997)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present)
part of:
Academy Award for Best Original Song (number: 12)
part of:
The Wizard of Oz (1939 film soundtrack)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
6:37
11Ding, Dong the Witch Is Dead
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1996-04-03 until 1996-04-05)
drums (drum set):
Colin Bailey (drummer) (from 1996-04-03 until 1996-04-05)
piano:
Mike Greensill (from 1996-04-03 until 1996-04-05)
vocals:
Wesla Whitfield (from 1996-04-03 until 1996-04-05)
remixer:
Phil Edwards (recording engineer)
arranger:
Mike Greensill
recorded at:
Studio A Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1996-04-03 until 1996-04-05)
remixed at:
Phil Edwards Studio
recording of:
Ding‐Dong! The Witch Is Dead (in 1997)
lyricist:
Yip Harburg (in 1939)
composer:
Harold Arlen (in 1939)
part of:
The Wizard of Oz (1939 film soundtrack)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
3:16
12What's Good About Goodbye
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1996-04-03 until 1996-04-05)
drums (drum set):
Colin Bailey (drummer) (from 1996-04-03 until 1996-04-05)
piano:
Mike Greensill (from 1996-04-03 until 1996-04-05)
vocals:
Wesla Whitfield (from 1996-04-03 until 1996-04-05)
remixer:
Phil Edwards (recording engineer)
arranger:
Mike Greensill
recorded at:
Studio A Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1996-04-03 until 1996-04-05)
remixed at:
Phil Edwards Studio
recording of:
What’s Good About Goodbye? (in 1997)
writer:
Harold Arlen and Leo Robin (US composer, lyricist & songwriter)
4:42
13Let's Take the Long Way Home
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1996-04-03 until 1996-04-05)
drums (drum set):
Colin Bailey (drummer) (from 1996-04-03 until 1996-04-05)
piano:
Mike Greensill (from 1996-04-03 until 1996-04-05)
vocals:
Wesla Whitfield (from 1996-04-03 until 1996-04-05)
remixer:
Phil Edwards (recording engineer)
arranger:
Mike Greensill
recorded at:
Studio A Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1996-04-03 until 1996-04-05)
remixed at:
Phil Edwards Studio
recording of:
Let’s Take the Long Way Home (in 1997)
writer:
Harold Arlen and Johnny Mercer
3:51
14Someone at Last
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1996-04-03 until 1996-04-05)
drums (drum set):
Colin Bailey (drummer) (from 1996-04-03 until 1996-04-05)
piano:
Mike Greensill (from 1996-04-03 until 1996-04-05)
vocals:
Wesla Whitfield (from 1996-04-03 until 1996-04-05)
remixer:
Phil Edwards (recording engineer)
arranger:
Mike Greensill
recorded at:
Studio A Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1996-04-03 until 1996-04-05)
remixed at:
Phil Edwards Studio
recording of:
Someone at Last (in 1997)
lyricist:
Ira Gershwin
composer:
Harold Arlen
2:41
15One for My Baby
engineer:
Phil Edwards (recording engineer)
producer:
Orrin Keepnews
bass:
Michael Moore (Bass player) (from 1996-04-03 until 1996-04-05)
drums (drum set):
Colin Bailey (drummer) (from 1996-04-03 until 1996-04-05)
piano:
Mike Greensill (from 1996-04-03 until 1996-04-05)
vocals:
Wesla Whitfield (from 1996-04-03 until 1996-04-05)
remixer:
Phil Edwards (recording engineer)
arranger:
Mike Greensill
recorded at:
Studio A Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1996-04-03 until 1996-04-05)
remixed at:
Phil Edwards Studio
recording of:
One for My Baby (and One More for the Road) (in 1997)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
5:19

Credits

Release

bass:Michael Moore (Bass player) (in 1997)
cornet:Warren Vaché (trumpet, cornet, flugelhorn) (in 1997)
drums (drum set):Colin Bailey (drummer) (in 1997)
piano:Mike Greensill (in 1997)
arranger:Mike Greensill
ASIN:US: B00000488C [info]