# | Title | Artist | Rating | Length |
---|
1 | Lullaby | The Cure | | 4:08 |
2 | Do You Really Want to Hurt Me | Culture Club | 4 | 4:20 |
3 | Poison Arrow | ABC | 4.4 | 3:23 |
4 | Love Plus One | Haircut 100 | | 3:30 |
5 | Rio | Duran Duran | | 4:44 |
6 | Here Comes the Rain Again | Eurythmics | | 4:53 |
7 | Shout | Tears for Fears | 4.5 | 4:04 |
8 | Shout to the Top (single edit) | The Style Council | 4.35 | 3:24 |
9 | Digging Your Scene | The Blow Monkeys | 3.5 | 4:06 |
10 | Real Gone Kid | Deacon Blue | 5 | 4:05 |
11 | Come Live With Me | Heaven 17 | | 4:18 |
12 | Chant No. 1 (I Don’t Need This Pressure on) | Spandau Ballet | | 4:01 |
13 | Talking Loud and Clear | Orchestral Manoeuvres in the Dark | 1 | 3:54 |
14 | And She Was | Talking Heads | | 3:39 |
15 | My Perfect Cousin | The Undertones | | 2:34 |
16 | E = Mc² | Big Audio Dynamite | | 4:22 |
17 | (This Is Not a) Love Song | Public Image Ltd | | 4:11 |
18 | Senses Working Overtime | XTC | 5 | 4:46 |
19 | Go Wild in the Country | Bow Wow Wow | | 2:58 |
20 | Papa’s Got a Brand New Pigbag | Pigbag | | 3:37 |
21 | Town Called Malice | The Jam | 4.75 | 2:55 |
22 | Call Me- producer:
- Giorgio Moroder
- bass guitar:
- Nigel Harrison (in 1979)
- drums (drum set):
- Clem Burke (in 1979)
- guitar:
- Frank Infante (in 1979) and Chris Stein (in 1979)
- keyboard:
- Jimmy Destri (in 1979)
- lead vocals:
- Deborah Harry (in 1979)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998) and Capitol Records, Inc. (in 1998)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- recording of:
- Call Me (in 1979)
- writer:
- Deborah Harry and Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.15 | 3:29 |
23 | How Soon Is Now? | The Smiths | 4.5 | 3:41 |
24 | Ashes to Ashes (single version) | David Bowie | 4.4 | 3:35 |
25 | Ziggy Stardust- engineer:
- Mike Robinson
- producer:
- Bauhaus and John Sparrow
- phonographic copyright (℗) by:
- Beggars Banquet (in 1982)
- cover recording of:
- Ziggy Stardust
- lyricist and composer:
- David Bowie
- publisher:
- BMG RM Chrysalis Music France, Chrysalis Music , Chrysalis Music Group Inc., Chrysalis Music Ltd. , Éditer à Paris, EMI Music Publishing , EMI Music Publishing France, EMI Music Publishing Ltd. , Fleur Music Ltd. , Jones Music America, Mainman Saag , Tintoretto Music, フジパシフィックミュージック, 渡辺音楽出版 CM事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Bauhaus | 4 | 3:13 |
26 | Pretty in Pink | The Psychedelic Furs | 4.5 | 4:00 |
27 | Eloise (single version) | The Damned | | 5:09 |
28 | Rise | Public Image Ltd | | 4:28 |
29 | Hit Me With Your Rhythm Stick | Ian Dury & The Blockheads | 3.85 | 3:43 |
30 | Antmusic | Adam & the Ants | 4 | 3:36 |
31 | Ghost Town | The Specials | 3.9 | 3:41 |
32 | One in Ten | UB40 | | 4:33 |
33 | Johnny Come Home | Fine Young Cannibals | | 3:29 |
34 | It Ain’t What You Do It’s the Way That You Do It | Fun Boy Three & Bananarama | | 2:48 |
35 | Baggy Trousers | Madness | | 2:28 |
36 | The Tears of a Clown | The Beat | 3 | 2:41 |
37 | Thinking of You | The Colourfield | | 3:28 |
38 | Swords of a 1000 Men | Tenpole Tudor | 4.5 | 2:55 |
39 | I Want to Be Free | Toyah | | 3:08 |
40 | Theme for Great Cities | Simple Minds | | 5:52 |
41 | Geno | Dexys Midnight Runners | | 3:27 |
42 | The Whole of the Moon | The Waterboys | 4.5 | 5:00 |
43 | Running Up That Hill (A Deal with God) | Kate Bush | 3.5 | 5:00 |
44 | Perfect | Fairground Attraction | 4.35 | 3:35 |
45 | Somewhere in My Heart | Aztec Camera | 3.5 | 3:57 |
46 | Happy Hour- engineer:
- Bodger , Ted de Bono and Fred Kay
- producer:
- Dale Griffin and John Williams
- bass guitar:
- Norman Cook
- chimes, harmonica and lead vocals:
- P.d. Heaton
- drums (drum set):
- Hugh Whitaker
- guitar:
- Stan Cullimore
- background vocals:
- Norman Cook, Stan Cullimore, P.d. Heaton and Hugh Whitaker
- vocals:
- Norman Cook, Stan Cullimore and P.d. Heaton
- phonographic copyright (℗) by:
- Mercury Records Ltd.
- recorded at:
- Strongroom in Shoreditch, Hackney, London , England, United Kingdom
- mixed at:
- AIR Studios in Hampstead, Camden, London , England, United Kingdom
- recording of:
- Happy Hour
- lyricist:
- P.d. Heaton
- composer:
- Stan Cullimore
- publisher:
- Go! Discs Music
| The Housemartins | 4.65 | 2:22 |
47 | Rip It Up | Orange Juice | | 5:20 |
48 | Road to Nowhere | Talking Heads | | 4:21 |
49 | Church of the Poison Mind | Culture Club | | 3:30 |
50 | Is There Something I Should Know | Duran Duran | | 4:09 |
51 | Labour of Love (edit) | Hue and Cry | | 3:33 |
52 | House of Fun | Madness | 3.65 | 2:45 |
53 | Our Lips Are Sealed | Fun Boy Three | 3.2 | 2:51 |
54 | Red Red Wine (edit) | UB40 | 3.8 | 3:02 |
55 | Don’t Call Me Baby | Voice of the Beehive | | 3:05 |
56 | Echo Beach | Martha and the Muffins | 4 | 3:35 |
57 | A New England | Kirsty MacColl | 4 | 3:49 |
58 | They Don’t Know | Tracey Ullman | | 3:00 |
59 | Since Yesterday | Strawberry Switchblade | | 2:55 |
60 | Love Changes (Everything) | Climie Fisher | 3.85 | 4:25 |